This Totem is one of three sculptures created by Glen Romanis which highlight key sites along the Moonee Ponds Creek. Together they tell the story of the Creek as a natural water way as a place of Indigenous Culture and as an important part of Melbournes industrial development. Cross Keys Reserve Totem features a boomerang and a spear head, representing the Creeks Aboriginal history.The second of three sculptures created and installed along the course of the Moonee Ponds Creek exploring and representing the natural environment in the context of Indigenous Culture that inhabit these lands. This work represents a spear and a boomerang created from River Red Gum, Pier Pylon and Basalt.Public Art, SculptureA tall, approximately 5 M, thin and tapered timber work inset with basalt rocks representing the tip of a hunting spear set at an acute angle to the ground. Set around the base of the "Spear Tip" are carved horizontal timbers ideal for sitting on whilst contemplating or just meeting and talking.Carved heavily in abstract shapes and forms.indigenous history, natural environment, water way, industry, indigenous culture

Lush colour photographs of the particular environments, including flora, fauna, birds etc and maps locating area.Colour illustrations, colour photographsconservation, sustainability, biodiversity, victorian alps, mallee

Investigates ways of sustaining Victoria's biodiversity.Colour illustrations, colour photographsbiodiversity, sustainability, conservation

Looking at Victoria in each region and examining the biodiversity of the environment, for management purposes.Maps (including two large maps) charts, graphs, colour photographs,biodiversity, sustainability, conservation

When operational, the Gold Battery used cyanide in its processing processes. The land surrounding it required remediation before it could be handed over to Indigo Shire for public use. The land has since been planted with pasture and native plants. The Gold Battery has been restored to working condition, and can be viewed by collecting a ticket from the Rutherglen Wine Experience and Visitor Information Centre.Photocopy of letter relating to remediation works on the Gold Battery site.gold battery, gold processing, land remediation

non-fictionA scientific analysis of the development of the sequence of geological events and processes which contributed to the building of southeastern Australia landforms as part of the Tasman Fold Belt System.geology victoria, landforms victoria, tasman fold belt

10th panel (of 10) natural environment panoramic photo-montage about animals of the Maribyrnong River estuary. Portable display printed in colour on fabric, with stands.

This magazine is representative of event guides prepared for the Rip Curl Pro at Bells Beach each year. This particular event guide features unique artwork by Indigenous artist/surfer Glenn Romanis including an indigenous representation of the world famous Bells Beach 'bell' on the top left hand corner.The 2000 Rip Curl; Pro event guide featured unique artwork by Indigenous artist Glenn Romanis. During this period the event was one of the first major sporting events in Australia to embrace Aboriginal culture.Full colour 32 page magazine with information about the 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach. The cover features artwork by Indigenous artists Glenn Romanis. The artwork features an indigenous theme relating to Bells Beach.The cover includes the official event title plus sponsors logos, Rip Curl, Sunsmart, Coca-Cola, Tracks surfing magazine, Surfing Victoria, Surf Coast Tourism, Association of Surfing Professionals and Offshore Music.cheyne horan, bells beach, layne beachley, kelly slater, rip curl pro, sunsmart classic, glenn romanis, offshore music festival, terry richardson, nicky wood, mark occhilupo, tom curren, shane dorian, surfers appreciating the natural environment

This stone Grinder or pounder was used as part of an indigenous grinding food preparation method, by the original inhabitants of the Kiewa Valley and its region. In conjunction with its grinding stone was used not only to grind seeds and but also to dig up eatable roots and leaves and served with the regions Bogong moth. This method of food preparation has survived in its basic form for centuries and is still used by master chiefs in modern eateries. This item has been registered with Aboriginal Affairs in Wangaratta, Victoria. Dhudhuroa elder Alan Murray has examined this tool, in Feb 2015, and said it was also used for sharpening axe heads as well as pounding food items. This item has a very significant historical and social aspect to it. Firstly it demonstrates the division of labour within a indigenous tribe. It was an era when the female had a definitive role within the family and the broader social indigenous tribal group of, gathering and preparing non animal(hunted) food. Hunted food was the domain of the initiated males of the tribe.Secondly it demonstrates the ability to fashion implements from raw materials(rock) into effective tools for the purpose of preparing a meal for human consumption. This was in an era where inter family and intra family participation in an indigenous tribal social protective environment was at a very high level. The Kiewa Valley/Mount Bogong region was an area where annual "get together" indigenous tribes for feasting, bartering and settling of disputes highlighting the importance of a regional gathering. Grooved stone, carved to a cylindrical shape with a relative pointed end tip one side (grinding or pounding end) and a rough other end (holding end} Made from Rhyolite stoneThere is a worn grove in the top side due to this tool being used for axe sharpening. indigenous, aboriginal, stone grinding, meal preparation, natural environment, pounding stone