This is an original image of Edward "Ned" Kelly photographed the day before his execution.Black and white photograph of Edward "Ned" Kelly mounted onto dark green board. Photograph is oval in shape and shows Ned Kelly the day before his execution."318 (crossed through) 334" (blue ink on white sticker on front top right hand corner of photograph) "P318" (felt pen on reverse of photograph). "Ned Kelly" (handwritten in black ink). "Public Relations Division (stamped on reverse).ned kelly, kelly gang, execution, police murders

Small photograph of an illustration showing Ned Kelly in the Guard's van enroute to BeechworthNed Kelly and Sergeant Steele in the van. From the Sketcher (in ink on rear)police murders, kelly gang, ned kelly, edward kelly, bushrangers, sergeant steele

Black and white photograph of an illustration showing Ned Kelly on trialNed Kelly in the Dock. The best likeness that I can show of him. Taken from the 'Australian News'.kelly gang, ned kelly, edward kelly, glenrowan, police murders, trial of ned kelly

NED KELLY FILM - FRASER STREET, CLUNES - 29TH MAY 200259 COLOUR PRINTS OF NED KELLY FILM SETlocal history, photography, photographs, ned kelly

A small black and white photograph of Tom Lloyd. Oval photograph, shows his head and shoulders with a full beardTom Lloyd Ned Kelly's cousin (in ink under photograph)tom lloyd, ned kelly, edward kelly, kelly gang, police murders

Five newspaper articles about the filming of Ned Kelly in Clunes in 2002Nilfilm production, ned kelly, heath ledger, graeme johnstone

A small black and white photograph of Tom LloydTom Lloyd, Ned Kelly's cousin and sympathiser. The champion buck jumping rider of Victoria (in ink on rear)tom lloyd, ned kelly, edward kelly, kelly gang, police murders

Small black and white photograph of a re-enactment of Ned Kelly's captureglenrowan siege, kelly gang, ned kelly, edward kelly, bushrangers

Carte-de-visite is a small black and white photograph stuck to a card. It was invented by French photographer Andre Disderi in 1854 as a method for producing multiple images on a single glass plate, a format for mounting the resulting images on cards. The card on which the photograph was mounted displayed the name of the photographer on the front and back. The back was often a showy piece of lithographic printing with the photographer's name decorated with culicues.Sepia toned photograph of Edward "Ned" Kelly on cardboard in an oval shape."Burman Photo 209 Bourke Street. East & St Georges Hall" (front of carte de visite)stringybark creek, edward kelly, ned kelly, kelly gang, police murders, bushrangers, glenrowan, carte de visite, michael kennedy, police murders

Medium sized proclamation poster declaring that Daniel Kelly and Ned Kelly are outlaws according to 'The Felons Apprehension Act 1878'edward kelly, ned kelly, daniel kelly, bushrangers, kelly gang

This Carte-de-visite (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. In this photograph, eight men stand along the railway line near Glenrowan. The photo dates to shortly after 1880 and references the attempt by the Kelly gang to derail a police train in June 1880 on those very tracks. Ultimately, this plan failed and the police train was never derailed. Ned Kelly and the Kelly gang took their final stand at Glenrowan which has been immortalised through Australian popular culture.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege of June 1880. Taken at an unknown time, after the siege at Glenrowan, this image depicts eight gentlemen standing about the railway line near Glenrowan. This is a reference to the Kelly gang's plan to derail a train which would barrel up to Glenrowan after news reached Melbourne that Aaron Sherritt had been shot by Joe Byrne in the Woolshed Valley. This image is important for its artistic information that it can provide about the Kelly story and the fashion and streetscape of Glenrowan.This sepia coloured Carte de Visite is attached to yellow cardboard. The obverse of the photo depicts the railway line near Glenrowan around 1880s. The rails are positioned in the centre of the image and are made on an incline of earth. In the foreground are three men, two standing next to the rails and one slightly off to the right of the image. In the background are trees which line the side of the rails and slightly in front of these trees is a group of five men standing on the rails. The reverse of the image is yellow card and contains printed and pencil writing. The printed writing is in the centre of the card. It reveals that the photographer was William E Barnes from Wangaratta. The pencil writing provides the inscription stating that the photo was taken near Glenrowan around the time of Ned Kelly.Pencil: Railway line near / Glen Rowan / Kelly's time / Printed: W. E. Barnes / Photographer / Wangaratta / BMM 8089 /kelly album, glenrowan, glenrowan siege, carte-de-visite, glenrowan railway, ned kelly, kelly gang, last stand, colonial australia, kelly siege, train, railway line, railway, sepia, photography, william e barnes, william barnes

Black and white printed postcard with a photograph believed to be of three members of the Kelly Gang seated on horses in the middle a bushland gully on a dirt road. Mountain and trees in the background."THE KELLY GANG - From an original Photograph. Steve Hart. Dan Kelly. Ned Kelly." (printed on front of postcard) "667" (black felt on reverse of postcard) "BP32" (purple felt pen on reverse of postcard)postcard, steve hart, dan kelly, ned kelly, kelly gang, edward kelly, police murders

Printed cardboard flyer/invitation to the reenactment of the Euroa Bank robbery. Image shows a woman in 1960s attire being grabbed by Ned Kelly. Wanted! Witnesses to the Bank Robbery at Euroa, 1.30pm, Dec. 11, 1965. A Euroa Chamber of Commerce Promotionkeith holden, kelly gang, edward kelly, ned kelly, euroa

Small black and white oval shaped photograph showing the head and shoulders of Ned Kelly. Reproduced from a gaol photo taken before the bushranging period of his career.kelly gang, bushrangers, ned kelly, edward kelly

Story of Ned Kelly and his associates, and the second progress report of the Royal Commission of Enquiry into the Kelly Outbreak, and songs and tales from the Kelly country.Hardback, 183 p. illus.ned kelly, bushrangers

Weapon believed to have been owned by Edward "Ned" Kelly as evidenced by the letters "E.K." scratched into the bottom of the handle.Colt Model 1849 Pecussion Revolver. Serial number 53939. Five round chamber and a plain timber handle with the letters "E.K." scratched into the handle. "E.K." could also refer to Ernest Knowles executed around the same time as Kelly.Scratched into handle "E.K." "53939"ned kelly, kelly gang, colt percussion revolver

Professor Vernon PATRICK (1943- ) Born Havre, Montana, United States of America A lecturer at the Montana State University, Vernon Patrick was a visiting artist to the Gippsland Centre for Art and Design (GCAD).A stoneware platter with decoration featuring Ned Kelly in armour. vernon patrick, jan feder memorial ceramics collection, ceramics, gippsland campus, churchill

Thomas McIntyre was the sole survivor of the police party murdered by the Kelly Gang at Stringybark Creek in October 1878. He was the key witness in Ned Kelly's murder trial.Sepia coloured carte de visite image of Thomas McIntyre printed on thin photographic paper. ned kelly, kelly gang, victoria police, thomas mcintyre

Armour worn by Dan Kelly, Kelly Gang member and brother to Ned Kelly, during the Glenrowan Siege, August 1880.Armour worn by bushranger Dan Kelly including helmet (VPM1799.1); chest plate (VPM1799.2); back plate (VPM1799.3) and groin plate (1799.4). Armour constructed from heavy metal plough plates, bolted and welded together.Painted on inside of armour : 'Dan Kelly', 'Police Exhibition', 'E. Kelly' Impressed on plough VPM1799.3 'Huntly Crucible Cast'ned kelly, bushranger, kelly gang, dan kelly, glenrowan, victoria police

ABOUT Ernest Marcuse (1900-85) EARLY LIFE Ernst Heinrich (anglicised Ernest Henry) Marcuse was born 1 December 1900 in Germany. Ernest’s formal art training commenced in 1918 with a three-year course at the Berlin School of Interior Design. After completion, he found work until Germany’s 1924 Depression took effect. Then to broaden career opportunities, Ernest undertook further 12 months study of Fashion Drawing & Advertising at Berlin’s Reiman School of Art. From approx. 1925-34, Ernest was primarily a Freelance Press Artist specialising in industrial, architectural and figure drawing. Prominent and still existing “Berliner Morgenpost” was his largest client along with “Grosse Deutsche Rundfunaustellung”, Germany’s organization for major trade shows. Just two months after Hitler and the Nazi Party came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer be employed in his country Germany. From then until 1938, other than private commissions, Ernest could only obtain ‘unofficial’ work as book illustrator or games designer. This by arrangement with Non-Jewish artists who claimed his work as their own but shared income with Ernest. With increasing German unrest, in late 1938 Ernest made a transitional move to London where he married long-time girlfriend Lotte. Later in 1939 their 8-week voyage to Australia where they had been accepted as refugees. THE WAR YEARS The Argus, The Sun and The Age were Melbourne’s morning newspapers at the time. After arrival 4 November, Ernest showed portfolio extracts to The Argus editor… who immediately employed him as War Events Illustrator. Ernest soon became their major war artist where he graphically illustrated fine detail of ships artillery and aircraft. Particularly admired, were his depictions of battles highlighting his unique ability to envisage such destruction from the air. Many of these drawings were as front pages of Argus Weekend Magazines. In May 1940 as the war intensified, Ernest was dismissed from the Argus due to his then Australian government Classification... "STATELESS PERSON OF ENEMY ORIGIN" Editor at the time Neville Smith said...'Don't blame us, blame Hitler' ! Ernest then commenced to establish himself as a Commercial Artist. In early 1942, the Australian Army (AMF) heard of Ernest's artistic abilities...which they wished to utilize for the design of visual training aids and posters etc. Conveniently he was first de classified as a 'Stateless Person of Enemy Origin'. As Private EH Marcuse, Ernest until 1945 was variously posted to Bonegilla, Woodside SA and finally Melbourne. Quotes by senior officers extolled his amazing value to the Army. Much of Ernest's Army period creations are at Canberra's Australian War Museum, including "Troop train at night' for which he was awarded 2nd Prize in the 1945 exhibition "Australians at War". COMMERCIAL ARTIST / GRAPHIC DESIGNER Generally working from home, between 1946 and 1969 Ernest concentrated on a career as a Commercial artist & Graphic Designer creating for numerous household names. Only a few still exist; CRA/Conzinc (Rio), Vacuum Oil (Caltex), Fulton Garden Supplies, Cottees (Schweppes & Heinz), International (Iveco) Trucks and EGO (Sunsence, Aqium, QV) RETIREMENT YEARS From 1970 Ernest concentrated on his artistic love of fine art. Apart from creating in-home city Melbourne, he prolifically sketched and painted in many parts of Australia and in other countries. Ernest never drove a car. To some locations he walked or used public transport, others accessed with family assistance or artist friends who at the same time created their own interpretations. Ernest died suddenly 1985 in Queenscliff Victoria whilst creating a painting. ERNEST'S LEGACY CONTINUES For almost 30 years after his death, much of Ernest Marcuse' enormous art collection remained in storage. In 2013, son Peter commenced the daunting & time-consuming task of sorting a lifetime of artwork. Next stage was to group, title and catalogue, also digitally and manually restore some creations previously inadequately conserved by Ernest. Finally, scanning & photography of 1700 + paintings and drawings to make Ernest's artwork more accessible to the general public. Importantly, a selection of originals has over the past five years, been acquired for permanent collections by well-known galleries and museums. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Rectangular black and white rectangular photograph, on matte photographic paper.Obverse: WANTED/ NED KELLY/ AUSTRALIAN/ OUTLAW/ WHISKEY Reverse: 3 / BMM8717.3/ Front bar, Tanswells Commercial Hotel. hotels album, beechworth, burke museum, tanswells, commercial hotel

This cartridge bag was taken from Ned Kelly by Sergeant Steele, when he was finally apprehended in the famous shootout with police at Glenrowan, some two years after the Stringybark Creek murders. Sergeant Steele stated that the dark stain on the bag is Ned Kelly's blood: "That is Ned Kelly's cartridge bag. That is the one he was wearing at Glenrowan. I took it off him, with the other things, when he fell. And that stain is his blood. He was wounded in several places, and bled a good deal. Yes it is a grim relic - not at all pretty". (Sergeant Steel) Cartridge bags such as these were worn slung over the shoulder (the strap for this one is missing). They were used to carry ammunition.Bag, saddle, leather with flap and two metal buckles with straps broken. Metal loop and larger metal buckle attached at top. edward kelly, ned kelly, kelly gang, arthur steele, glenrowan

There are many Court books in existence, they record the details in Criminal Cases, of the date of a hearing, before which judge, the nature of th crime, the plea, verdict and sentence. This one is of particular interest as it is the book that records the particulars of the case of Ned Kelly, before Justice Sir Redmond Barry in October 1880.A very significant item giving the ongoing importance of the Kelly legend. A leather bound Court book or journal.The Court book records the particulars of a case heard in the Court. This will include the date, the name of the presiding judge, the accused, the nature of their crime, their plea, verdict and sentence.ned kelly, kelly gang, redmond barry

Created by Constable Thomas McIntyre, sole survivor of the police party murdered by the Kelly Gang at Stringybark Creek near Mansfield Victoria in 1878. Thomas McIntyre was the main witness in Ned Kelly's trial.Large hand drawn map of the Stringybark Creek ambush site on blue government paper.ned kelly, kelly gang, victoria police, thomas mcintyre, stringybark creek, thomas lonigan, michael kennedy, thomas scanlan

Black and white photograph of signs Ned Kelly's Lookout and Strawberries near Gangelhoff Road Kinglakekinglake, ned kellys lookout, signs, gangelhoff road, george w bell collection

Thomas Newman McIntyre (1846 - 1918) was the sole survivor of the police party murdered by the Kelly Gang at Stringybark Creek on 28 October 1878. Importantly, McIntyre was later the key witness in Ned Kelly's murder trial. Edward Monk (1844 - 1928) was a selector living in the area, who accompanied the police party sent to returned to collect the bodies of the murdered police. Both men became great friends later in life.Small sepia coloured carte de visite photograph of Edward Monk (standing) and Thomas McIntyre (seated), printed on thin photographic paper.Constable McIntyre sitting. Mr Ted Mond standing (of saw mill)ned kelly, kelly gang, thomas mcintyre, stringybark creek, edward monk

This photograph was taken by James Bray who worked as a professional photographer in Camp Street Beechworth from 1870-1891. He was one of four men who photographed the Kelly gang after the siege in Glenrowan in 1880. He is also renowned for his previous work photographing members of the Kelly gang. The photograph depicts pieces of the Kelly gang's armour crafted from plough mouldboards which are arranged on the ground. The exact relation of each piece of armour to the Kelly members was unclear for many years following the siege because the suits were disassembled without documentation and rearranged by guesswork. It was through photographs like this one, which depict the armour very soon after the siege that enabled researchers, in 2002, to reunite each of the suits with their correct pieces. This image is identified as a "Cabinet Portrait". This refers to a photograph mounted on a hard piece of cardboard. They are larger and thicker than the Carte de Visite and gradually replaced the latter in popularity after the 1860s. Identifying features of the Cabinet Portrait is on the front of the image which is generally embossed (or printed) with the details of the photographer. In the case of this image, James Bray is identified as photographer. The image is yellow in tone which compliments the gold coloured mount of the photograph. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Beechworth photographer James Bray who is responsible for many images depicting members of the Kelly gang. The photograph is also of artistic significance as an example of a Cabinet Portrait dating to 1880. This image was commissioned by the police shortly after the defeat of the Kelly gang at Glenrowan. The armour was collected and placed on the ground for photography. No care was taken to retain the correct grouping of the armour and therefore, the identity of each piece to the correct owner was unclear for many years. Photographs of the armour taken at the time, like this one, helped researchers to reconstruct the correct armour and identify which pieces belonged to which member of the Kelly gang which is significant for Australian history. This photograph has the capacity to provide important information about the construction of the armour used by the Kelly gang at Glenrowan and importantly dates to 1880.This photograph is a cabinet portrait commissioned by the police depicting the Kelly armour arranged on the ground at Glenrowan following the siege by Ned Kelly and the Kelly gang in 1880. The armour includes helmets, breastplates a rifle and the inner knitted helmet worn by Ned Kelly. kelly album

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

ned kelly