Showing 542 items matching "negative plates"
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Clunes MuseumNegative - NEGATIVE PLATES
... NEGATIVE PLATES...10 Glass Negative Plates in a box with a note "our grandparents D & K Patience" .1 Weickhardt Tanks .2 Fire Brigade .3 David and Kate Patience .4 Ballarat Bakery (Clunes) .5 Montage of F Weickhardt .6 Tank on a lorry .7 Tank .8 Clunes North School .9 Aeroplane landing .10 Aeroplane landing...Negatives taken and owned by Carl Weickhardt, grandson of Johannes, Son of Jacob (Tank Maker) negatives patience tanks kodak On box; Kodak, Abbotsford, Melbourne 10 Glass Negative Plates in a box with a note "our grandparents D & K Patience" .1 Weickhardt Tanks .2 Fire Brigade .3 David and Kate Patience .4 Ballarat Bakery (Clunes) .5 Montage of F Weickhardt .6 Tank on a lorry .7 Tank .8 Clunes North School .9 Aeroplane landing .10 Aeroplane landing Negative NEGATIVE PLATES ...Negatives taken and owned by Carl Weickhardt, grandson of Johannes, Son of Jacob (Tank Maker)10 Glass Negative Plates in a box with a note "our grandparents D & K Patience" .1 Weickhardt Tanks .2 Fire Brigade .3 David and Kate Patience .4 Ballarat Bakery (Clunes) .5 Montage of F Weickhardt .6 Tank on a lorry .7 Tank .8 Clunes North School .9 Aeroplane landing .10 Aeroplane landingOn box; Kodak, Abbotsford, Melbournenegatives, patience, tanks, kodak -
Flagstaff Hill Maritime Museum and VillagePhotographic Plates
... ...negative plates...Photographic negative plates of the Buttermere 600 miles west of Cape Horn Feb 4 1887. ...flagstaff hill warrnambool shipwrecked-coast flagstaff-hill flagstaff-hill-maritime-museum maritime-museum shipwreck-coast flagstaff-hill-maritime-village Photographic negative plates Photographic negative plates Photographic negative plates of the Buttermere 600 miles west of Cape Horn Feb 4 1887. ...Photographic negative plates of the Buttermere 600 miles west of Cape Horn Feb 4 1887. Box of 4 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photographic negative plates, photographic, negative plates -
Sunshine and District Historical Society IncorporatedNegative - John "Jack" Henry Horace Jackson Large Format Glass Negative Plates
... John "Jack" Henry Horace Jackson Large Format Glass Negative Plates...John "Jack" Henry Horace Jackson was a keen photgrapher and movie maker John "Jack" Horace Jackson Collection of large format glass negatives Negative John "Jack" Henry Horace Jackson Large Format Glass Negative Plates ...John "Jack" Henry Horace Jackson was a keen photgrapher and movie makerjohn "jack" horace jackson -
Creswick Campus Historical Collection - University of MelbourneSlide - Glass Plate Microscopic slides of wood cross sections from the Dadswell Wood Collection, H.E. Dadswell, 1950s
... These are a collection of approximately 7,000 glass plate negatives of microscopic cross sections of wood and related images taken by H. ...Glass plate negatives...Dadswell from the Wood Collection he curated at the CSIRO. Glass plate negatives Slide Glass Plate Microscopic slides of wood cross sections from the Dadswell Wood Collection H.E. ...These are a collection of approximately 7,000 glass plate negatives of microscopic cross sections of wood and related images taken by H. E. Dadswell from the Wood Collection he curated at the CSIRO.Glass plate negatives -
Wodonga & District Historical Society IncFunctional object - Collection Glass Photographic Dry Plates Developer late 1800s - early 1900s, The Imperial Dry Plate Co., Ltd
... Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. ...Box of dry glass negative plates for developing photographs. ...Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. ...Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga -
Melbourne Tram MuseumPhotograph - Glass plate, "German Arch", 1901
... Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York - see reference. ...Glass plate negative in pink envelope....Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York - see reference. ...Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York - see reference. View of the German Arch in Collins St near Swanston St with a North Fitzroy cable tram in the view. Another arch can be seen in the distance.Yields information about the commemorative arches erected to celebrate the Royal Visit of the Duke and Duchess of Cornwall and York.Glass plate negative in pink envelope.In pencil "590 "German Arch", Colliins St looking from near Swanston St cnr", May 1901"melbourne, coronation, edward vii, arches, decorations, collins st -
Melbourne Tram MuseumPhotograph - Glass plate, "Kings Arch", 1901
... Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York in May 1901 - see reference. ...Glass plate negative in pink envelope....Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York in May 1901 - see reference. ...Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York in May 1901 - see reference. View looking along Swanston St showing the large arch, between Collins St and Flinders St with the City Arch in the distance.Yields information about the commemorative arches erected to celebrate the Royal Visit of the Duke and Duchess of Cornwall and York.Glass plate negative in pink envelope.In pencil "587, Kings Arch, 9 May 1901"melbourne, arches, decorations, royal visit -
Melbourne Tram MuseumPhotograph - Glass plate, "City Arch from Swanston St", 1901
... Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York - see reference.. ...Glass plate negative in pink envelope....Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York - see reference.. ...Glass plate negative of one of the commemorative arches for the Royal Visit of the Duke and Duchess of Cornwall and York - see reference.. View looking along St Kilda Road from Swanston St showing the large arch, decorative columns and flags that had been erected along the bridge. Yields information about the commemorative arches erected to celebrate the Royal Visit of the Duke and Duchess of Cornwall and York.Glass plate negative in pink envelope.In pencil "579, "City Arch from Swanston St", May 1901"melbourne, decorations, royal visit, collins st, cable trams -
Ballarat Tramway MuseumPhotograph - Glass plate - Bendigo steam tram No 2 Mollison St, William H Robinson, 1892/1895
... Glass plate negative of Bendigo Tramways Co. Ltd steam tram motor (No. 2) and trailer No. 6, Trailer No. 6 has a roof advertising board "Drapery half price Beehive Sale". ...Glass plate negative in a brown paper envelope....Glass plate negative of Bendigo Tramways Co. Ltd steam tram motor (No. 2) and trailer No. 6, Trailer No. 6 has a roof advertising board "Drapery half price Beehive Sale". ...Glass plate negative of Bendigo Tramways Co. Ltd steam tram motor (No. 2) and trailer No. 6, Trailer No. 6 has a roof advertising board "Drapery half price Beehive Sale". Shows in detail the presentation of the trams, painting scheme, bogie arrangements. Photo in Mollison St. See items 987, 1439 and 4369 for other reproductions of this photograph.Yields information about Bendigo steam tram and their trailers.Glass plate negative in a brown paper envelope.The envelope has Wal Jack stamps T168 and T169 and a written note "Bendigo Steam Trams"trams, tramways, bendigo, mollison st, steam trams, trailers, tram 2, tram 6 -
Wangaratta Historical SocietyGlass Plate Negatives, 1860 - 1960
... WHS Inc were presented with 10,000 glass plate negatives from Thelma & Vine Photographic Studios, Murphy Street Wangaratta from the 1860's - 1950's. ...WHS Inc were presented with 10,000 glass plate negatives from Thelma & Vine Photographic Studios, Murphy Street Wangaratta from the 1860's - 1950's. ...This local jockey is Bob Sloan, who had a Men's Wear business in Wangaratta. Glass Plate Negatives Glass Plate Negatives ...WHS Inc were presented with 10,000 glass plate negatives from Thelma & Vine Photographic Studios, Murphy Street Wangaratta from the 1860's - 1950's. The glass plate negatives depict mostly portrait studies of families, weddings and special occasions; there are a few outdoor studies.These studies are invaluable as they provide a record of fashion, family structures, significant people and events, buildings, streetscapes, transportation and landscape of Wangaratta & district from the 1860's - 1950's. These glass plate negatives provide the historical, fashion, cultural anthropological context of society from the time frame they depict.WHS Inc were presented with 10,000 glass plate negatives from Thelma & Vine Photographic Studios, Murphy Street Wangaratta from the 1860's - 1950's. The glass plate negatives depict mostly portrait studies of families, weddings and special occasions; there are a few outdoor studies. An example of a glass plate negative is featured above, this is a goat race from the early 1900's. Goat races were common in rural towns as entertainment at agricultural shows, sporting events and other celebrations. This local jockey is Bob Sloan, who had a Men's Wear business in Wangaratta.glass plate negatives -
Ballarat Tramway MuseumPhotograph - Glass plate - Bendigo tram 26 Eaglehawk, Keith Kings, 8/04/1950
... Glass plate negative....Trams tramways Bendigo Bogie Trams tram 26 Glass plate negative. Photograph Glass plate - Bendigo tram 26 Eaglehawk Keith Kings ...Photograph of No. 26 the Eaglehawk terminus, 8-4-1950, photo by Keith Kings. Has the Eaglehawk Town Hall in the background. Same as item 5783.Yields information about tram 26 and the Eaglehawk Destination.Glass plate negative.trams, tramways, bendigo, bogie trams, tram 26 -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Katherine Rymill
... Glass plate negative...Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "Vic Womens Golf Ch'ship 1935 B98". Glass plate negative Miss Katherine Rymill Photograph Bull, Hugh Jones, 1897-1993 ...Stylishly dressed in trilby, neck-tie and leather belt, champion Adelaidian golfer Katherine Rymill practises her drive at Royal Melbourne Golf Course. Katherine Rymill (1913-2008) won the Royal Adelaide championships in 1934, 1935 and 1937. Commenting on the NSW “no stockings” controversy of 1935, she said, “In England, players are allowed to appear without stockings in summer and to wear “slacks” in the winter… Playing without stockings makes no difference to one’s performance and it is certainly cooler...” Katherine worked for the Red Cross during WWII and continued to play golf throughout her life. MCK116 Published The Age 29 August 1935 Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Published: The Age 29 August 1935 p. 11 Published title: SIX STATE CHAMPIONS IN NATIONAL GOLF CHAMPIONSHIP. Published caption: Six State champions for the first time in the history of women’s golf are competing in the matches for the Australian title. — 1. Miss B. Sale (Tas.). 2. Miss J. Hood-Hammond (N.S.W.). 3. Miss J. Gardiner (Qld,) 4. Miss K. Rymill (S.A.). 5. Mrs. O. J. Negus (W.A.). 6. Mrs. S. Morpeth (Vic.) RESEARCHER'S NOTE: The Age listed Golfer 1 as Miss B. Sale and Golfer 4 as Miss K. Rymill. We verified that these should in fact be the other way around: 1 is Miss K. Rymill, 4 is Miss B. Sale. Description: Action shot of woman driving golf ball Research by project volunteer, Fiona Collyer: MISS KATHERINE LUCY RYMILL (1913–2008) Katherine was a champion South Australian golfer. She won the Royal Adelaide championships in 1934, 1935 and 1937. She competed in the Australian Women’s Golf Championships at Royal Melbourne in 1935 against British women golfers and was eliminated by Mrs T S McKay nee Odette Lebebvre. Katherine was from a prominent and wealthy Adelaide family and her social activities and golfing career was closely followed in the local papers. Her mother, Shylee Rymill, was the S.A. Girl Guides’ Commissioner from 1935-1950. Her father H.L. (Cargie) Rymill grew up in a Dutch Renaissance style mansion called “The Firs” in East Terrace, Adelaide (now called Rymill House and State heritage listed), and designed Kooyonga, Seaton, Grange, Glenelg and Mount Lofty golf courses. Both parents were champion golfers and have tournaments named after them. Katherine worked for the Red Cross during WWII. In 1935, for the first time in NSW, the Ladies Golf Union (L.G.V.) enforced their rule regarding the wearing of stockings in official associates’ golf matches. Though the Long Reef competitor’s long skirt and golf socks almost hid her sun-tanned legs from view, an eagle-eyed official had noticed the absence of regulation covering and she and her partner were disqualified. Commenting on the Long Reef “no stockings” controversy, Katherine said “In England, players are allowed to appear without stockings in summer and to wear “slacks” in the winter.” “Playing without stockings makes no difference to one’s performance and it is certainly cooler. However, rules which are formed must be obeyed and that seems all there is to say about it.” Katherine continued to play golf throughout her life and died in 2008.Photographer notations on slide: "Vic Womens Golf Ch'ship 1935 B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Jessie Anderson
... Glass plate negative ...Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "Miss Anderson - English B98" Glass plate negative Miss Jessie Anderson Photograph Bull, Hugh Jones, 1897-1993 ...In 1937, Miss Jessie Anderson (1915-2006) was the world’s number one ranking women’s golfer. She had been playing golf since she was five years old and designed golf clubs especially for women. During WWII, Jessie enlisted in the Auxiliary Territorial Service (ATS) driving army ambulances, and her fiancée George Valentine, was a POW in Eichstat, Germany. They married once he was freed, in 1945. Jessie was awarded the MBE for services to golf in 1959. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Research by project volunteer, Fiona Collyer: Janet "Jessie" Anderson (1915-2006) was a Scottish golf champion, nicknamed “Wee Jessie” for her small stature. She was also nicknamed “Fairway Maid of Perth”, a play on Sir Walter Scott’s “Fair Maid of Perth”. In 1937, Jessie was the world’s number one ranking woman golfer. Her main wins included the British Women's Amateur Championship (1937, 1955, 1958), the Scottish Women's Amateur Championship (1938, 1939, 1951, 1953, 1955, 1958), the New Zealand Women's Golf Championship (1935) and the French Women's Golf Tournament (1936). Jessie was part of the British golf team who competed in the Australian Women’s Golf Championship against an Australian team at Royal Melbourne Golf Club in 1935, which the British team won. The Australian press said, “Hats off to the British women, sparkle, sportsmanship and the fighting spirit that thrills, they had the last word.” Jessie’s father, Joe, a pro-golfer, owned a sports equipment store in St John’s Street, Perth and he designed and manufactured golf clubs under the OK brand. Jessie designed golf clubs especially for women. In 1939 Jessie became engaged to George Valentine. In 1940, George enlisted in the British army and Jessie in the Auxiliary Territorial Service (ATS), the women’s branch of the British Army, driving army ambulances. George was a POW at Eichstat, Germany, and they were unable to marry until he was freed in 1945. Jessie continued to play championship golf until 1960. They had one son, Francis Iain, born 1948. Jessie was awarded the MBE for services to golf in 1959. She was inducted into the Scottish Sports Hall of Fame in 2003. In 2019, Perth Museum and Art Gallery held a retrospective exhibition of her life and career. A biography, “Wee Jessie: Jessie Valentine, whose golf swing lasted a lifetime” by Dr Eve Soulsby, was published in 2019.Photographer notations on slide: "Miss Anderson - English B98"golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Betty Sale
... Glass plate negative...Women's Golf Ch'ship 1935 B98". Glass plate negative Miss Betty Sale Photograph Bull, Hugh Jones, 1897-1993 ...Betty Sale (1905-1976) won the Tasmanian State Championship in 1934, 1935 and 1936. She also worked as a car saleswoman in Hobart. In 1939, London reported: “Betty Sale, pretty Tasmanian brunette, will soon leave England for Finland, where she will drive an ambulance behind the Mannerheim Line. With twenty-three English society girls, she volunteered for the job because she wanted to do something for the brave Finns.” Betty volunteered for First Aid Nursing Yeomanry Service (F.A.N.Y.), conveying refugees and casualties to hospitals by ambulance in Finland’s harsh weather. Back in England, as a corporal, she worked during bombings in Plymouth, writing to her brother: “Bombs were dropping all around us, fires are raging, debris everywhere and huge holes around us. When we had got all the live ones, we went and collected dead bodies.” Betty was awarded an MBE and the Winter War Medal for Civilians from Finland Government 1939-40. MCK142 Published The Age 29 August 1935 Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "Vic. Women's Golf Ch'ship 1935 B98" Published: The Age 29 August 1935 p. 11 Published title: SIX STATE CHAMPIONS IN NATIONAL GOLF CHAMPIONSHIP. Published caption: Six State champions for the first time in the history of women’s golf are competing in the matches for the Australian title. — 1. Miss B. Sale (Tas.). 2. Miss J. Hood-Hammond (N.S.W.). 3. Miss J. Gardiner (Qld,) 4. Miss K. Rymill (S.A.). 5. Mrs. O. J. Negus (W.A.). 6. Mrs. S. Morpeth (Vic.) RESEARCHER'S NOTE: The Age listed Golfer 1 as Miss B. Sale and Golfer 4 as Miss K. Rymill. We verified that these should in fact be the other way around: 1 is Miss K. Rymill, 4 is Miss B. Sale. Description: Action shot of woman driving golf ball Research by project volunteer, Fiona Collyer: MISS BETTY SALE Mrs Margaret Elizabeth Scott Rigg (1905-1976) MBE Betty Sale grew up in Hobart and attended St Michael’s Collegiate School. She was a champion Tasmania golfer and won the State Championship in 1934, 1935, 1936. Betty competed in the Australian Women’s Golf Championship at Royal Melbourne against the British Women’s Team in 1935. Betty worked as a car saleswoman at Robert Nettleford Pty Ltd at 113 Macquarie Street, Hobart. They were the agent for Austin, Buick, Chevrolet and Vauxhall. In April 1939, Betty sailed on the RMS Orford to London where she worked in sales for Henley’s, an exclusive motor sales firm. In November 1939 she volunteered for the Woman’s Transport Arm of the First Aid Nursing Yeomanry Service (F.A.N.Y.) and was part of the team delivering 10 ambulances to Finland, which had been invaded by the Soviet Union. Betty worked conveying refugees and military casualties to military hospitals, often over tracks with only sleigh marks to guide them. Despite contracting measles she continued to work tirelessly, often for 22-hour shifts. She was awarded the Finland Winter War medal 1939-1940 for civilians by Field-Marshall Mannerheim (later President of Finland). Betty was quoted in the Australian Women’s Weekly 17/1/1940: “I joined the ambulance corp for Finland because I was filled with admiration for the courage and determination of the Finns. I don’t think that there has ever been anything so dramatic in history as the manner in which Finland, a land of 4,000,000 people has resisted the aggression of the teeming millions of Russians.” After six months working in Finland, the FANYs found themselves held up unable to get aid from Britain to escape and they felt a burden on the Finns. Eventually money was sent privately from a neutral country and the 17 FANYs determined to get away. They set off from Helsinki with only the civilian clothes they were wearing and travelled by train and bus to a northern port where they boarded a cargo vessel. For a fortnight they did not change their clothes and slept under tarpaulins in the hatchway. The only choice of food was porridge or pea soup. After two weeks aboard the cargo vessel, a palatial liner approached the ship and in mid-ocean the FANYs were transhipped by rope ladders. The women enjoyed three course meals and other luxuries for three days before arriving back in England. Betty, now a corporal, worked for two years transporting civilian and military casualties during bombings in Plymouth. In a letter to her brother, Mr J Sale of Gerogery NSW, Betty wrote, “We have had a very lively time here as we have been blitzed for two nights. There is literally nothing of Plymouth left. We were out all the first night with the ambulance collecting casualties and have never seen such injuries. Bombs were dropping all around us, fires were raging, debris everywhere, and huge holes in the roads. When we had got all the live ones, we went and collected dead bodies. The people are marvellous.” “Next night, we had a worse blitz. We were not out so long but it was not a pleasant party. I didn’t know I was so brave but could not stand it too long. Mr Menzies was here for the second night’s blitz. We have adopted a homeless and hurt dog – a raid victim – and the poor fellow is completely exhausted.” In 1942, Betty worked in Algeria in charge of 100 specialists and technicians - the first servicewomen to arrive in North Africa. In 1945, she was awarded an MBE in recognition and on behalf of the work this unit was involved in. In 1945, Betty was promoted to Captain and posted to Australia to establish a Signal Station. In 1946, she married Lt-Col H. Henry O. Rigg of the Royal Artillery in Tasmania. The couple had first met in Algeria in 1943. The Australian press closely followed Betty’s wartime activities praising her courage, capability, driving and mechanical knowledge and of course Australian women’s hardiness. After the war, Betty lived in Sheffield, England with her husband, working as an office manager. She continued to play golf until her death aged 71 in 1976.Photographer notations on slide: "Vic. Women's Golf Ch'ship 1935 B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Leonora Wray
... Glass plate negative ...Vic Women's Ch'ship B98". Glass plate negative Miss Leonora Wray Photograph Bull, Hugh Jones, 1897-1993 ...Miss Leonora “Leo” Wray MBE Leonora “Leo” Wray (1886-1979) was a champion NSW golfer, regarded as the “mother” of Australian golf. She won state and national titles multiple times across three decades. The Leonora Wray Trophy is awarded to the No. 1 player in Australia in national stroke average. Regarding her golf game Leo remarked, “Never a chance thrown away, or a single shot played without a definite object.” She was said to be commanding in “stature and mien” – a raconteur with a deep, booming voice who inspired in young players “a mixture of fear and awe, respect and affection”. In 1909 she contracted typhoid fever and was unable to play for 10 years. She was awarded an MBE in 1968 for her services to golf and inducted into the Sport Australian Hall of Fame in 1985. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "Miss Wray. Vic Women's Ch'ship B98" Description: Golfer Leonora Wray swings her driver. She is wearing a tiepin and cufflinks. Research by project volunteer, Fiona Collyer: Leonora Wray AKA “Leo” was a champion NSW golfer who is regarded as the “Mother” of Australian women’s golf. She won the NSW State Championships (1906, 1907, 1908) and the Australian title (1907, 1908). In 1909 she contracted typhoid fever and was unable to play for 10 years. Leonora regained the national title in 1929 and the NSW Championship in 1930. She was the champion women’s player of the Australian club ten times between 1907 and 1938 and five times champion at the Royal Sydney Golf Club between 1924 and 1933. She competed in the Australian Women’s Golf Championship at Royal Melbourne against the British team in 1935. During WWII, Leonora worked for the ANZAC Buffet Ladies Auxiliary in Hyde Park, Sydney. Regarding her golf game, she remarked, “Never a chance thrown away, or a single shot played without a definite object.” Leo was said to be commanding in “stature and mien” – a raconteur with a deep, booming voice who inspired in young players “a mixture of fear and awe, respect and affection.” Her portrait by Henry Hanke is held by the Australian Golf Club. Women’s Golf NSW holds its annual Leonora Wray Scratch Teams event and the Leonora Wray Trophy is awarded to the No. 1 player in Australia in national stroke average. In 1968 she was awarded an MBE for her services to women’s golf. In 1985 Leo was inducted into the Sport Australia Hall of Fame.Photographer notations on slide: "Miss Wray. Vic Women's Ch'ship B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Betty Nankivell
... Glass plate negative...Sources: Melbourne University: Journal of the University of Melbourne Medical Society: vol. 2, no. 1 Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "Miss Nankivell B98". Glass plate negative Miss Betty Nankivell Photograph Bull, Hugh Jones, 1897-1993 ...Dr Elizabeth “Betty” Nankivell (1907-2003), later Mrs Forward, graduated in 1937 from Melbourne University with a degree in medicine. She worked at Queen Victoria and Royal Adelaide Hospitals. During WWII, she practised medicine in Morwell, and in 1945 joined the Royal Australian Army Medical Corp (R.A.A.M.C.). Betty lived and worked in many South East Asian countries, including 10 years of private practise in Kuala Lumpur, before retiring in 1970 to live in Melbourne. Photographer notations on slide: "Vic Women's Golf Ch'ship B98" Published: The Age 3 September 1935 p. 7 Published title: "EXCITING GOLF DUEL." Published caption: MISS B. NANKIVELL, whose victory over Miss Pam Barton was the outstanding feature of the play in the Australian Championship yesterday. Trove article identifier: http://nla.gov.au/nla.news-article203852987 Description: Action shot of golfer Betty Nankivell putting on golf course. She wears a checked cardigan, straight skirt, stockings, heeled shoes and a tie, no hat. The clubhouse structure is blurred in the background. Research by project volunteer, Fiona Collyer: Dr Elizabeth “Betty” Nankivell, Mrs Forward Betty Nankivell (1907 – 2003) was a champion Victorian golfer and medical doctor. She competed in the Australian Women’s Golf Championship at Royal Melbourne in 1935 against the visiting British Team. She eliminated 18 year old British champion Pam Barton, but was defeated by the eventual winner of the tournament, Mrs J B Walker in the semi finals. In 1938, Betty won the SA Golf Championships at Kooyonga SA. Betty graduated from Melbourne University with a degree in medicine in 1937 and worked at Queen Victoria Hospital and at Royal Adelaide Hospital as R.M.O. (Resident Medical Officer). During the war years, Betty practised medicine in Morwell, Victoria, and in 1945 joined the R.A.A.M.C. (Royal Australian Army Medical Corp) for the Malaya Medical Service. In 1946, she married Alan Forward OBE, a Colonel in the British Army and later the Commissioner of Road Transport in Malaya, and lived and worked in many S E Asian countries including 10 years in private practice in Kuala Lumpur. Betty continued to play golf throughout her life, retiring in 1970, and died in Melbourne in 2003. Sources: Melbourne University: Journal of the University of Melbourne Medical Society: vol. 2, no. 1Photographer notations on slide: "Miss Nankivell B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Jessie Anderson with bandaged wrist
... Glass plate negative...Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "England Anderson Miss B98". Glass plate negative Miss Jessie Anderson with bandaged wrist Photograph Bull, Hugh Jones, 1897-1993 ...20 year old Scot, Jessie Anderson, practises her putting at Royal Melbourne Golf Course. The press speculated that her heavily bandaged wrist was “a sprained wrist, occasioned through an argument with her luggage”, “a poisoned hand” and, the most likely reason, “sprained at practise”. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "England Anderson Miss B98" Description: Female golfer putting. She is wearing two-tone brogue shoes, a hand-knitted cardigan, beret and skirt. Her left wrist is bandaged. Research by project volunteer, Fiona Collyer: 20 year old Jessie Anderson photographed at the Royal Melbourne Golf Club with a heavily bandaged left wrist. She was part of the British golf team who competed in the Australian Women’s Golf Championship at Royal Melbourne Golf Club in 1935. The press speculated that Jessie had a “sprained wrist, occasioned through an argument with her luggage”, “a poisoned hand” and the most likely reason – “sprained her wrist at practise”. She was defeated in the first round by Victorian, Miss Mona MacLeod. Janet "Jessie" Anderson (1915-2006) was a Scottish golf champion, nicknamed “Wee Jessie” for her small stature. She was also nicknamed “Fairway Maid of Perth”, a play on Sir Walter Scott’s “Fair Maid of Perth”. In 1937, Jessie was the world’s number one ranking woman golfer. Her main wins included the British Women's Amateur Championship (1937, 1955, 1958), the Scottish Women's Amateur Championship (1938, 1939, 1951, 1953, 1955, 1958), the New Zealand Women's Golf Championship (1935) and the French Women's Golf Tournament (1936). Jessie was part of the British golf team who competed in the Australian Women’s Golf Championship against an Australian team at Royal Melbourne Golf Club in 1935, which the British team won. The Australian press said, “Hats off to the British women, sparkle, sportsmanship and the fighting spirit that thrills, they had the last word.” Jessie’s father, Joe, a pro-golfer, owned a sports equipment store in St John’s Street, Perth and he designed and manufactured golf clubs under the OK brand. Jessie designed golf clubs especially for women. In 1939 Jessie became engaged to George Valentine. In 1940, George enlisted in the British army and Jessie in the Auxiliary Territorial Service (ATS), the women’s branch of the British Army, driving army ambulances. George was a POW at Eichstat, Germany, and they were unable to marry until he was freed in 1945. Jessie continued to play championship golf until 1960. They had one son, Francis Iain, born 1948. Jessie was awarded the MBE for services to golf in 1959. She was inducted into the Scottish Sports Hall of Fame in 2003. In 2019, Perth Museum and Art Gallery held a retrospective exhibition of her life and career. A biography, “Wee Jessie: Jessie Valentine, whose golf swing lasted a lifetime” by Dr Eve Soulsby, was published in 2019. Photographer notations on slide: "England Anderson Miss B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Mrs Clive Robinson, née Christina “Nin” McMaster
... Glass plate negative...Note: Highland dancing style of shoes Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "Mrs Robinson B98". Glass plate negative Mrs Clive Robinson, née Christina “Nin” McMaster Photograph Bull, Hugh Jones, 1897-1993 ...Mrs Clive Robinson, née Christina “Nin” McMaster Smartly attired in fedora and lace-up highland dancing style shoes, Australian Team Captain Mrs Clive Robinson’s tartan kick pleat skirt flies up as she practises her swing. Mrs Clive “Nin” Robinson (1985-1971) was a NSW golf champion. Raised on a 5,000 acre sheep station, during WWII she drove a charcoal burning truck and cooked for the forces at Air Force House. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "Mrs Robinson B98" Published: The Age 27 August 1935 p. 6 Published title: Golf Championships Begin. Published caption: A galaxy of champions will take part in the Australian Women's Golf Championship tomorrow. Three are shown here. Below — Mrs. C. Robinson, national champion. On the right — Miss J. Hood Hammond, champion of New South Wales and Miss Gardiner, Queensland champion. Trove article identifier: http://nla.gov.au/nla.news-article203984927 Description: Female golfer teeing off. She is wearing a hat, cardigan, tartan skirt and "Highland dancing" style shoes. Blurred spectators can be seen in the background. Research by project volunteer, Fiona Collyer: Mrs Clive Robinson née Christina Jeanie McMaster, known as "Nin" Mrs Clive Robinson (1895-1971) was a NSW golf champion. She won the Australian Women's amateur golf championship in 1934. Nin was captain of the team who won the Tasman Cup against New Zealand in 1934. She was the captain of the Australian team who competed against the visiting British women’s team in the Australian Women's Golf Championship in 1935 at Royal Melbourne. In 1936 Nin won the NSW Ladies Championship. Nin was raised by parents Mr and Mrs John McMaster on an 8000 acre sheep station called "Weetalabah” near Coolah, 135 kilometres northeast of Dubbo NSW. In 1923 she married Dr. Clive Robinson, a Macquarie Street specialist, and they lived in Point Piper with their daughter Diana. During WWII Nin drove a charcoal burning truck and cooked for the forces at Air Force House. She died of leukemia in 1971. Note: Highland dancing style of shoesPhotographer notations on slide: "Mrs Robinson B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Mrs Sloan Morpeth (Miss Susie Tolhurst)
... Glass plate negative...Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "Vic Women's Golf Ch'ship 1935 B98". Glass plate negative Mrs Sloan Morpeth (Miss Susie Tolhurst) Photograph Bull, Hugh Jones, 1897-1993 ...Mrs Sloan Morpeth, née Claire “Susie” Tolhurst From her trilby with golf tee sensibly tucked in the brim, to her hand knitted socks and fringed brogues, Susie looks the golf champion she was. Susie (1905-1999) won the Victorian Ladies' Amateur Championship five times between 1919 and 1936. She was defeated in the 1935 Women’s Golf Championship final by Mrs J B Walker of Britain. In 2012, Golf Victoria introduced the Women’s Champions Trophy, renamed in 2016 to the Susie Tolhurst Trophy. Her husband, Mr Sloan Morpeth, designed the Commonwealth, Peninsula Kingswood Country Club and Portsea Golf Clubs. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "Vic Women's Golf Ch'ship B98" Description: Golfer Susie Tolhurst putting. She wears a hat, tie, skirt, cardigan, handknitted socks and brogues. She also has a golf tee tucked into her hatband. Research by project volunteer, Fiona Collyer: Mrs Sloan Morpeth née Claire Helene Susie Tolhurst (known as Susie) Susie Tolhurst (1905-1999) was a champion Victorian golfer. Susie was the winner of the Ladies Amateur Championships five times between 1915 and 1936. She held the Australian title in 1930, 1931. Susie competed in the Australian Women’s Golf Championship at Royal Melbourne in 1935 against the British Women’s Team. She made the final but was defeated by Mrs J B Walker of Britain. The Golf Victoria competition for women held the Susie Tolhurst Trophy. In 1934 Susie Tolhurst married NZ Open Championship golfer Mr Sloan Morpeth. He later designed Peninsula - Kingswood Country Golf Course, Portsea Golf Course and Commonwealth Golf Course. They had one daughter, Simone.Photographer notations on slide: "Vic Women's Golf Ch'ship 1935 B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Spectators at Australian Women's Championship 1935
... Glass plate negative...Retrieved October 10, 2025, from http://nla.gov.au/nla.news-article277093639 Golf Women golfers Royal Melbourne Golf Club Photographer notations on slide: "Vic Women's Ch'ship 1935 B98". Glass plate negative Spectators at Australian Women's Championship 1935 Photograph Bull, Hugh Jones, 1897-1993 ...Women’s Golf Championship In August 1935, the Australian Women’s Golf Championship was held at Royal Melbourne Golf Club, Black Rock, featuring visiting British golfers Pamela Barton, Phyllis Wade, Jessie Anderson, Mrs Walter Greenlees and Mrs J B Walker. Australian competitors included Katherine Rymill, Betty Nankivell, Betty Sale (MBE), Janet Gardiner, Leonora Wray (MBE), Mrs Sloan Morpeth (née Susie Tolhurst), Mrs Clive Robinson (née Christina “Nin” McMaster), Joan Hood Hammond (DBE CMG), Mrs T S McKay (née Odette Lefebvre) and Mona Macleod. Mrs J B Walker of Britain defeated Mrs Sloan Morpeth of Victoria in the final, before a gallery of 2,000, mostly women. The women watch on… 18 year-old Miss Pamela Barton of England is teeing off at the ninth hole, watched by her competitor Miss Janet Gardiner of Queensland and a gallery of intensely focussed spectators. Both women went on to have diverse, non-sporting careers. During the Blitz and the Battle of Britain, Pam Barton (1917-1943) drove ambulances before joining the WAAF as a radio operator. Later she gained a commission as a Flight Officer in command of a staff of 600. In 1943, Pam was killed instantly when the RAF plane piloted by her unofficial fiancée crashed in heavy weather. The Pam Barton Memorial Salver is awarded to the winner of the British Ladies Amateur Golf Championship. The inscription reads “In Affectionate Memory of Pam Barton”. During WWII, Janet Gardiner (Mrs Jobson-Scott, 1907-1987) began manufacturing liquid hosiery at the Red Cross Link rooms as a fundraiser. Donated oyster bottles were used and they charged 2/6 for four ounces. However, in April 1942, in a broadcast to the women of Australia, the Minister for War Organisation of Industry, Mr Dedman, announced that leg make-up preparations were now a prohibited item. They contained titanium oxide, an essential ingredient in the manufacture of paints used for camouflaging military equipment. Other items of a woman’s “battle array” such as nail lacquer, some creams and suntan lotions were also banned as they contained ingredients used in munitions and medical supplies. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Published: The Age 30 August 1935 WOMEN’S CHAMPIONSHIP GOLF AT ROYAL MELBOURNE (1935, August 30). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 35. Retrieved October 10, 2025, from http://nla.gov.au/nla.news-article277093639Photographer notations on slide: "Vic Women's Ch'ship 1935 B98".golf, women golfers, royal melbourne golf club -
City of Melbourne LibrariesBull, Hugh Jones, 1897-1993, Christmas 1933, Dec 1933
... Glass plate negatives...Glass plate negatives Christmas 1933 Bull, Hugh Jones, 1897-1993 The Age (Melbourne, Vic. : 1854 - 1954) ...A series of five Christmas-themed photographs taken in December 1933. -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Important Visitors at the Children's Hospital
... Glass plate negative...Photographer notations on slide: "Important People at Children's Hospital B9". Glass plate negative Important Visitors at the Children's Hospital Photograph Bull, Hugh Jones, 1897-1993 ...Published: The Age 26 Dec 1933 page 9 Published title: "IMPORTANT VISITORS AT THE CHILDREN'S HOSPITAL." Published caption: “Father Christmas accompanied by his twin brother arrived at the Children’s Hospital on a Fire Engine driven by real firemen yesterday, the extension ladder enabled them to reach the top balcony of the hospital very easily.” Description: Two Father Christmas characters visit the Children's Hospital, with the help of the Fire Brigade. Photographer notations on slide: "Important People at Children's Hospital B9". -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, "A Royal Portrait" (Duke of York), 1933
... Glass plate negative...McInnes 1933 B4". Glass plate negative "A Royal Portrait" (Duke of York) Photograph Bull, Hugh Jones, 1897-1993 McKenzie, Ian, 1939-2012 ...Published: The Age, Sat 14 October 1933 Published title: A Royal Portrait Published caption: "Seen at his studio, Alphington, Mr. W. B. Mclnnes's portrait of the Duke of York, which he painted recently on commission from the trustees of the Castlemaine Gallery, at St. John’s Wood, London, impresses as a vital record of one whose natural habitat is a palace, and whose place in life is one of near relationship to the throne of England. The Duke is painted in the uniform of the admiral of the fleet, a highly ornate vesture entailing much elaboration of gold and numerous medals, in dealing with which the artist has not failed to centre his attention on the head, and has succeeded in producing what is undoubtedly a soundly painted portrait and a good likeness. During the five fittings Mr. Mclnnes, apart from the ordinary social amenities, found his Royal sitter little inclined to talk, though he spoke feelingly of his trip to Australia and the pleasure it had given him: but with the Duchess the tendency to be sociable was much more clearly pronounced. She took, and expressed, a keen interest in the social and political matters of the day with a special concern for the supremacy of England and Australia in all questions relating to sport, such as cricket, tennis and golf. She spoke well of her portrait painted by Quinn, and regretted that she would not see the two hung side by side at the Castlemaine Gallery." Description: An unframed painting of a standing, middle-aged man dressed in the uniform of a Royal Navy admiral of the Fleet with medals, sash, ornate belt, cuffs and epaulettes. His left hand rests on the handle of a sword in its scabbard and his bicorn hat and white gloves are on a table beside him. To his right is a globe of the world showing Australia. Research by project volunteer, Fiona Collyer: In 1933, Castlemaine Art Gallery trustees commissioned artist W.B. McInnes (1889-1939) to paint a portrait of Prince Albert, Duke of York as a companion piece to the portrait of his wife, the Duchess of York, that the gallery had commissioned Australian official war artist James Quinn (1869-1951) to paint in 1930. During the First World War, the Duchess’s childhood home, Glamis Castle in Scotland was used as a makeshift military hospital and convalescence home for wounded soldiers. Many servicemen from the Castlemaine area recuperated there and had fond memories of the kindness of the teenage Lady Elizabeth Bowes-Lyon (1900-2002, later Duchess of York) who spent the war years running errands and aiding in the welfare and morale of the patients. In 1927, the Duke and Duchess of York (later King George VI and Queen Elizabeth) came to Australia to formally open the newly built Parliament House in Canberra and to tour the country. While visiting Victoria in April, they embarked on a whistle-stop train journey to Bendigo, stopping at Kyneton for ten minutes and Castlemaine for 15 minutes. At Kyneton, an excited crowd of 10,000 people welcomed the couple with “three cheers and three cheers for Baby Betty” before the Duchess was presented with a bouquet of locally grown roses and the Duke a bound album of photographs of noted beauty spots of the district. Next the Royal Couple stopped at Castlemaine to the cheers of 15,000 people. There the couple were presented with a basket of prime quality Harcourt apples and a pair of cot blankets, manufactured at Castlemaine Woollen Mills, a birthday gift for baby Princess Betty. The Duchess recognised Colonel W.E. James, of the Seventh Battalion, who had convalesced at Glamis Castle in 1917, and they chatted before the train departed, while the Duke shook hands with returned soldiers. Last stop was the town of Bendigo which was colourfully decorated with bunting and flags, arches and flowers. 3000 pigeons were released on their arrival and the liberated birds circled overhead for several minutes as if to welcome the Royal Couple. A crowd of 50,000 cheering people lined the streets in bright sunshine as the couple drove by. From an arch over Hargreaves Street, pretty girls showered the pair with rose petals. The Duke was presented with a gold nugget and an album, handsomely bound in morocco, of a history of the Bendigo mining industry, while the Duchess received a bouquet of prize winning white chrysanthemums. After 75 minutes in Bendigo they journeyed back to Melbourne for a State reception. While the couple were in Melbourne, the Duke often played lawn tennis at the Government House courts with three times Grand Slam champion Norman Brookes, who declared that while he considered the Duke a second class player whose serve lacked sting, he had a fine backhand and with time and practice he could become a first class player. The federal Parliament had previously been situated in Melbourne, but Canberra was chosen as the location for Australia’s capital as a compromise between fierce rival states, Victoria and NSW. It is written in the Constitution that the federal capital would be in “the State of NSW... distant not less than one hundred miles from Sydney.” The word Canberra is thought to derive from the local Ngunnawal word “Kanbarra” meaning “meeting place”. The Provisional Parliament House was a large, white, three storey building facetiously dubbed “The Wedding Cake”, plonked down in a bare, former sheep paddock. It was decorated for the event with Union Jacks and Australian red ensign flags. On 9 May, the day of the opening, the expectant crowd assembled in front of the building. Only two of the spectators were Aboriginal. One was Jimmy Clements (1847-1927, aka Nangar or Yangar, but popularly known as “King Billy”), accompanied by his three dogs. (The title “King” or “Queen” was often given by white settlers to Aborigines who were seen as allies and could maintain good relations between First Nations groups and the colonists. Some were given inscribed brass breastplates or gorgets to wear.) Jimmy was an excellent horse breaker and expert tracker for the police. He was also the nephew of “Queen” Nellie Hamilton (1842-1897) of the Canberra-Queanbeyan region, home of the Ngambri and Ngunnawal people. Nellie was the oldest surviving full-blooded Aboriginal woman in the district. The other was George John Noble (1840s-1928, aka Ooloogan, also “Marvellous” due to his regular use of the word). Both were initiated Wiradjuri walamira elders: “clever men” believed to have the ability to heal physical and spiritual ailments. They were also travelling showmen, skilled at boomerang and spear throwing and often performed at country agricultural shows and football matches. They had walked barefoot for three days from the Brungle Mission, near Gundagai. 11 May 1927, The Argus reported that “King Billy... claims sovereign rights to the Federal Territory” which the National Archives of Australia describes as “possibly the first recorded instance of Aboriginal protest at Parliament House in Canberra.” 10 May 1927, The Argus reported on Jimmy Clements: “During the wait great interest was taken in the appearance near the east stand of an aborigine, a member of the Gundagai tribe, and a well known character in the district. He was very old and grey and ruggedly picturesque. He was determined to go his own way in spite of the arguments of two inspectors and one sergeant of police. Immediately and instinctively the crowd in the stands rallied to his side. There were choruses of advice and encouragement for him to do as he pleased. A well-known clergyman stood up and called out that the aborigine had a better right than any man present to a place on the steps of the House of Parliament and in the Senate during the ceremony. The old man’s persistence and the sympathy of the crowd won him an excellent position and also a shower of small change that must have amounted to 30/ or 40/ [shillings].” At 10.30 am, Australia’s eighth Prime Minister, Mr Stanley Bruce (1923-1929) welcomed the Royal couple onto the crimson carpeted portico. Unfortunately, Dame Nellie Melba’s rendition of “God Save the King” and the greater part of the Duke’s reply was drowned out by the roar of squadrons of aeroplanes circling overhead. A brief religious service followed, conducted by leaders of the Methodist, Presbyterian and Anglican churches. Interestingly, there was no Roman Catholic representation at the ceremony even though around one quarter of Australians were Catholic at the time. The Duke unlocked the front doors with a golden key, then unveiled a statue of his father King George V by sculptor Sir Bertram Mackennal in the King’s Hall. Then the official party, Senators, members of the House of Representatives and invited guests entered the Senate chamber where the Duke read a message from the King, establishing Canberra as the seat of the Federal Government, watched on by Australia’s elite. The conclusion of the ceremony was announced by a gay fanfare of trumpets from the entrance of Parliament House and a 21 gun salute and answered by cheers from the crowd. The dignitaries then feasted on a luncheon of turtle soup, poached schnapper, fillets of beef, roast chicken and ham, straw potatoes, green peas, Canberra Pudding (a pudding made with dripping, dried fruit and jam), fruit, ices, coffee and cheese. They toasted the King with non-alcoholic fruit punch as the Federal Capital Territory (later ACT) was a “dry” area and no speeches were made. The diary entry that day of Ethel Baird, Lady Stonehaven, the wife of the Governor-General, is brief and to the point: “To P.H. & waited for Yorks. Ceremony went off without a hitch. Ghastly Banquet Lunch.” Later that day, the Duke mounted a coal black mare, police horse Number 303 which had been hastily re-named “Black Bess” for the occasion, to receive the final salute from the assembled troops and returned soldiers dressed in mufti. The RAAF squadron were flying overhead in “V” formations when suddenly, one of the planes, piloted by Flying Officer Francis Charles Ewen, left the formation, nose-diving 900 metres from Parliament House and landing behind the Y.W.C.A. refreshment marquee. Francis, aged only 28, tragically died of his wounds later that day. The Federal Capital Commission contracted Sargent’s Pies of Sydney to supply 5000 meals for the event. They supplied pies, sausage rolls, scones and sandwiches with the agreed price of 3 shillings a head. Only 1200 meals were served and the uneaten remainder dumped, with the Commission bearing the cost of the unsold food. An estimated crowd of 20,000 attended the opening, far fewer than the expected 100,000. Many visitors travelled long distances, bringing their own hampers of food and camping in tents as there was very limited accommodation available. Thousands of people around Australia listened to the ceremony broadcast on the wireless, with receiving sets installed in schools, public halls and workplaces and it was also filmed for posterity. The next morning, the Royal couple, along with Prime Minister Bruce and Mrs Bruce held an informal public reception on the steps of Parliament House where early settlers, residents and visitors to Canberra filed past them. The Press widely reported Jimmy Clements’ encounter with the Duke and Duchess. The Sun-Pictorial reported 11 May 1927: "MET THE DUKE. ABORIGINE KING HE APPROVED Sugarbag: Sports Suit. John Clements, otherwise King Billy, a full blooded aborigine king, aged 86, was among the 2000 who filed past the Duke and the Duchess at the public reception at Canberra to day. “How you likem Duke and Duchess Billy?” he was asked afterwards. “I think they are both very nice.” he replied in good English. King Billy was a very bedraggled figure, with tangled locks and a beard which almost hid his wrinkled and black face. He wore an old sports suit and carried a sugarbag. Passing the Duke and Duchess he turned full towards them. The crowd cheered, and the Duke and Duchess smiled. The Duke was particularly amused.” The Canberra Times reported 13 May 1927: "A REAL AUSTRALIAN. A quaint but pathetic figure stood in broad relief in the queue of ranks at the reception. Where his dusky forbears have gathered in native ceremonial for centuries past, a lone representative of a fast vanishing race saluted visiting Royalty. Despite the grotesque garb and untamed mane the aborigine comported himself not without dignity. With his three faithful dogs, he made an immediate target for a battery of cameras.” "The Argus reported 11 May 1927: "...an ancient aborigine who calls himself King Billy and who claims sovereign rights to the federal Territory walked slowly forward alone and saluted the Duke and Duchess. They cheerily acknowledged his greeting. The old aborigine, with his long, matted beard and nondescript clothing, is a popular identity of Canberra, and must be one of the most extraordinary figures who has received a Royal salute.” The Sun (Sydney) reported 10 May 1927: “Suddenly, in the midst of the forest of green and white colored hats of women, appeared a head with a shaggy leonine mane and a patriarchal beard. Jacky, the aboriginal, an identity of the district, who is also known as the King of Canberra, had arrived to testify to his loyalty. He saluted the Duke with an excellent dash, and shambled past with his faithful sheep dog aide-de-camp at his heels. The Duke and Duchess were highly amused at this quaint figure moving along with a sort of bodyguard of shrieking young boys and girls.” The Sydney Morning Herald 11 May 1927 mistook Jimmy for his friend “Marvellous”: “...the appearance of an aged aboriginal widely known in the district as “Marvellous, the uncrowned king of Queanbeyan." His beaming black countenance was almost hidden beneath a shock of hair and beard. Bare-footed and carrying a sugar bag in one hand and a tiny Australian flag in the other, he at first mistook a policeman at the foot of the steps for the Duke. To his great embarrassment and to the vast amusement of the onlookers, the policeman became the object of a hearty salutation. However, "Marvellous" was quickly shepherded back to a position in the procession and as he passed along brought his hand up to an approved military salute for the benefit of their Royal Highnesses. The Duke returned it with a special wave.” The Labor Daily 11 May 1927 irreverently reported on the scene: "People March Past. Some 400 people, old identities of Canberra marched past. They were mostly aged ladies with memories faithfully preserving the traditions of other days and curtsied reverently. The younger generations, who speedily joined the procession, behaved differently however. Surely it was the most motley collection that ever passed before Royalty. Men without collars jostled others well dressed. Fat women, young women, children of all heights and ages were there. The oldest inhabitants, in the persons of the abo, "Marbly", and his companion were present. The poor old fellows evidently were keen to get closer to the Duke than the procession dared go, but they were overawed by the stern glances of military men.” The Canberra Times reported 13 May 1927: "...and towards the end of the procession, a full-blooded aboriginal, bareheaded and barefooted, and carrying an old swag on his back, made a picturesque figure as he several times saluted the Royal couple, his old eyes beaming inexpressible delight.” The Register reported 11 May 1927: "PUBLIC MARCH PAST. Old “Jacky”, an aboriginal identity of the district, who has been following the proceedings of the various ceremonies with apparently great interest, appeared in the march past. He halted in front of the steps and raised his hand to his shaggy grey locks in an attempt at a salute. Smiling, the Duke returned the salute, and the Duchess bestowed a charming smile on the figure of mingled pathos and comedy.” Tweed Daily reported 12 May 1927: “King Billy” WAS THERE. Appropriately enough, the inevitable “King Billy” with his refreshing impression of possum and gum-leaves, was present at the dedication of the Federal capital at Canberra. Bare-footed, in a dingy old suit and battered felt hat, he wandered on to the empty stand after the illustrious assemblage had passed into Parliament House. A desolate figure in all that he stood for, he proved, an amiable representative of the dispossessed race. He cheerfully waved a Union Jack for the camera man, and grinned into the very eye of a movie man’s camera without flinching.” Footage of Jimmy filmed that day features in the film “The Birth Of White Australia” produced in 1928 and shows him enthusiastically waving a small Union Jack flag in front of Parliament House with his three dogs at his feet. The caption reads " "King Billy" calls for cheers for the son of the great white King across the seas. “Mine tinkit that pfellers father budgeree King liket me” supposedly says Jimmy." Jimmy told the Daily Telegraph, 13 May 1927 “I have opened your Parliament House on my own ground, now you can go and look at it." Jimmy died on 28 August 1927, aged 80. The Herald newspaper on 30 August 1927, published an illustration depicting Jimmy’s dog standing on his grave, his customary chimney pot hat leaning on his headstone. The caption reads: “The Dead King — His Only Mourner. Drawn by Will Dyson (King Billy, last of the Canberra aborigines, lived just long enough to see the Duke of York open Australia’s capital on the site where his tribe once roamed. He died in the Queanbeyan Hospital yesterday morning.)” A letter published in the Sydney Morning Herald, 19 September 1927 reported: "Old King Billy... Sir, ...I would like to mention... the passing away of one, if not the last remaining aboriginal chieftains. He may be called “Old King Billy,” and his death occurred here in Queanbeyan a few weeks ago. The removal of this well-known black has left another big gap in all that remains distinctively Australian in character. He was one of the last remaining tribe of the Monaro district, and one of the most predominant personalities throughout the Commonwealth. ...he had lived through 80 years all told. He was on many occasions sought by artists for his splendid physique and personality as a model, and many a journey he has had to make to Sydney on that account. A more striking and pronounced type could not be found. ...A very fine cast in lifelike form is to be seen in the Australian Museum, Sydney ...his last important appearance in public was at the Commonwealth celebrations at Canberra, to which territory he partly belonged. ...we have no aborigine statue chiselled to the memory of their race, a more fitting and lasting memorial could not be undertaken than to have one modelled from this fine figure and erected to the memory of his race at Canberra... It would be a fitting adornment if planted with the Australian gumtrees for any avenue or garden. [King Billy] ...a very intelligent fellow, responding readily to kindness and common sense. Hoping yet to see a befitting testimonial and a lasting memorial to a race that is rapidly and I may say, unfortunately, disappearing, I am etc., SYDNEY R.OAKLEY, Queanbeyan." The “lifelike form” referred to by the correspondent was a sculpture that Jimmy Clements had posed for: “The Wunderlich Aboriginal Group” for The Australian Museum in Sydney. In 1925, Mr Ernest Wunderlich, director of Wunderlich Limited, manufacturer of building materials and President of the Board of Trustees at The Australian Museum, commissioned renowned sculptor George Rayner Hoff (sculptor of the Anzac Memorial in Hyde Park, Sydney, National War Memorial in Adelaide, and “Lion” the original Holden Motor Company car emblem) to sculpt a life sized Aboriginal family group diorama as a gift to the Museum. There was much concern at this time that the Aboriginal population and especially the “full blooded” were fading into oblivion so fast that they may soon become extinct. Three “full blooded” Aborigines were chosen for models. An article in The Australian Museum magazine, July/September 1926 about The Wunderlich Aboriginal Group explained “...it will not be many years before the aborigine, in New South Wales and Victoria at least, will be an entity of the past. Every year sees a shrinkage in their number, and the coastal tribes that once roamed the Sydney district are, unfortunately, no longer with us. ...the man, who is hurling a boomerang, is Yangar, or “Jimmy Clements,” son of Gayan-Bleuet-Galoom, the late “King of Orange,” western New South Wales. “Jimmy” is an old man, but well preserved. He has a very retentive memory and recollects the various tribal customs and initiation ceremonies, but regarding these he is extremely reticent and will not communicate his “honoured secrets.” The female figure is “Nellie Walker,” a daughter of Geri-Bungel, and a native of Bombala, Monaro district, southern New South Wales. The boy is Harold Marsh, aged nine years, who was born at Kinchela, Macleay River, northern New South Wales. He is now living at the Brewarrina settlement... In the selection of aborigines great care had to be taken to ensure that the individuals were pure bloods, and to the Aborigines’ Protection Board and the Police Department of this State thanks are due for the valuable assistance rendered by them.” Ngarigo woman, Nellie Bungil Walker (1867-1932) had five children, two died as babies and her remaining children were taken from her. She worked as a domestic and was living at La Perouse Aboriginal Community, Sydney at the time of her sculpture’s creation. In the years after the sculpture was made, Nellie and Rayner remained friends. Yaegl boy Harold “Harry” Marsh was from the Kinchela Aboriginal Training Home for boys near Kempsey, (1924-1970), an agricultural training institution under the jurisdiction of the Aboriginal Protection Board to house Aboriginal boys forcibly removed from their families “in the interest of the moral or physical welfare” of the boys. The boys at Kinchela were aged 5-15 years old and referred to as numbers, not names and any connection to Aboriginal culture or language was forbidden. Brutal and cruel physical punishment and sexual assaults were rampant. Survivors recall being flogged and chained naked to a huge Morton Bay fig tree overnight or “sent down the line” where every boy was ordered to punch the “wrong doer” as hard as possible for fear that they would be next. The Kinchela children are acknowledged as part of the Stolen Generation. In 1925, Rayner Hoff created a terracotta bust “Harry Marsh” which is in the collection of the Art Gallery of New South Wales. The figures of the trio were modelled in clay before being cast in plaster and hand-coloured by Museum artist Miss Ethel A. King. The finished figures were completed with wigs and fur pelts and with Jimmy hurling a boomerang and Nellie holding a dilly-bag. They were placed in a glass cabinet in the Australian Ethnology Gallery. The subjects were not named. The Sydney Morning Herald 1 July 1926 critiqued the sculptures. "A GROUP OF STATUARY. MUSEUM’S ACQUISITION. Artistically the group is very fine, for the sculptor has caught his subjects in attitudes that reveal all the stalwart athletic lines of their bodies... The man, who is depicted as about 60 years of age, is bearded, immense, and savagely primitive-is throwing a boomerang, and beside him a boy, aged about 11 years is following beneath a shading hand, the flight of birds at which the hunter aims. Behind them, patient, obedient, stand(s) the woman waiting with her dilly bag to gather the spoils.” In 1996, Nellie’s daughter, Victoria Kempsey née Walker, happened to visit The Australian Museum and saw the sculpture of her mother, displayed semi-naked in a glass cabinet, alongside glass cabinets of taxidermied animals. She had last seen her mother 62 years previously when Nellie was dying from tuberculosis. Greatly distressed, Victoria wrote to the Museum requesting that they remove the sculpture, which they did. In 2023, a documentary was produced called “Her Name Is Nanny Nellie” which follows the journey of Nellie Walker’s great-granddaughter Auntie Irene Ridgeway discovering Nellie’s story, honouring her life and restoring her sculpture. Irene told Refinery29 Australia that “It was about reclaiming her life, reclaiming her history and who she really was as a real person. She was not a naked and unnamed lady standing in a museum. It's giving them back their families, they weren't just there to be looked at as flora and fauna or as 'natives'." The documentary was written and directed by Irene’s son Daniel King and premiered at the 2023 Adelaide Film Festival and broadcast on NITV. The restored sculpture of Nellie, dressed in 1920s style clothing was displayed at The Australian Museum, Sydney in The Bayala Nura Gallery in 2023. Irene wanted Nellie to be depicted in the way she actually was when she posed for the sculpture in 1925. The other two sculptures were not displayed due to ongoing conversations with family members and the fragility of the sculptures. It is anticipated that they may be displayed in the future. Melbourne born William Beckwith (Bill) McInnes (1889-1939) studied drawing at National Gallery School in Melbourne from the age of 14 under the tuition of artist Frederick McCubbin before succeeding his former teacher as Master of Drawing at the School from 1916-1934. He was acting Director of the NGV and Head of the National Gallery School from 1934. In 1927, Bill and official war artist H. Septimus Power were commissioned to paint the opening of the new federal Parliament House in Canberra. Septimus painted the general scene of the arrival of the Royal entourage in front of Parliament House, while Bill depicted the ceremony inside the Senate chamber. Bill was widely acclaimed for his landscapes and lauded as the heir to great Australian landscape artist Arthur Streeton. He won the Archibald Prize seven times (including the inaugural, a portrait of architect Desbrowe Annear) which made him a highly sought after portrait painter and he earned kudos for his commission to paint the Duke of York. During the breaks in painting the portrait, the pair chatted and Bill was surprised by the Duke’s wide knowledge of Australian affairs. The Duke was particularly interested to hear how the rabbit crisis was being handled. Bill’s work is held in major Australian galleries including the NGV, which has 12 of his paintings in their collection. Bill was married to fellow artist Violet McInnes and they lived at “The Poplars” in Alphington with their six children. Violet painted still life of flowers and portraits. In 1941, she entered her portrait of fellow artist Sybil Craig into the Archibald Prize and in 1945 Violet was appointed an official war artist. Defending his traditional style Bill said “...we in Australia have not been bitten by Cubism or Futurism or other of the “isms”...and I am glad of it”. References: THE DUCHESS OF YORK. (1931, December 7). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article4427568 WAR NURSE (1930, March 11). The Sun (Sydney, NSW : 1910 - 1954), p. 1. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article223714728 The Royal Visit. (1927, April 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 9. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article205813465 Canberra. (1927, April 30). Advocate (Burnie, Tas. : 1890 - 1954), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article68233606 Australian Dictionary of Biography, Nangar, https://adb.anu.edu.au/biography/nangar-33736 Australian Dictionary of Biography, Jimmy Clements, https://en.wikipedia.org/wiki/Jimmy_Clements Wikipedia, George John Noble, https://en.wikipedia.org/wiki/George_John_Noble PARLIAMENT AT CANBERRA. (1927, May 14). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 37 (METROPOLITAN EDITION). Retrieved December 25, 2024, from http://nla.gov.au/nla.news-article140733921 CANBERRA CEREMONY (1927, May 10). The Argus (Melbourne, Vic. : 1848 - 1957), p. 19. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article3853643 CANBERRA. (1927, May 11). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved November 24, 2024, from http://nla.gov.au/nla.news-article3853897 THE FINAL SCENES (1927, May 11). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article236614453 TWIN SONS (1927, May 10). The Sun (Sydney, NSW : 1910 - 1954), p. 11. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article223616143 National Archives of Australia, Aboriginal [Jimmy Clements, a Wiradjuri elder] on steps of Parliament House (King Billy), https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=3050026 Sydney Morning Herald, The chant of Jimmy Clements: I’ll do the honours on my ground, thanks, https://www.smh.com.au/national/the-chant-of-jimmy-clements-i-ll-do-the-honours-on-my-ground-thanks-20241023-p5kkt5.html MET THE DUKE (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article275177101 PUBLIC MARCH PAST. (1927, May 11). The Register (Adelaide, SA : 1901 - 1929), p. 11. Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article54271512 A REAL AUSTRALIAN (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 12. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article1213124 THE PEOPLE'S DAY (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 3. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article1213105 KING BILLY" WAS THERE. (1927, May 12). Tweed Daily (Murwillumbah, NSW : 1914 - 1949), p. 2. Retrieved November 27, 2024, from http://nla.gov.au/nla.news-article190193273 A BUSY DAY. (1927, May 11). The Sydney Morning Herald (NSW : 1842 - 1954), p. 15. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article16374845 Nothing Wrong With Canberra Opening, Says "King Billy" (1927, May 13). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 2. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article245750627 THIS IS MARVELLOUS! (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 16. Retrieved December 9, 2024, from http://nla.gov.au/nla.news-article275177155 Mildenhall's Canberra, Royal Visit, May 1927. Canberra citizens passing the Royal Party on the front steps of Parliament House at the Civic Reception 1927 [photograph], https://mildenhall.moadoph.gov.au/rephoto/62 Australian Dictionary of Biography, 1927 - Jimmy Clements, John Noble, and the Opening of Parliament House, https://adb.anu.edu.au/the-quest-for-indigenous-recognition/jimmy-clements YouTube, The Birth of White Australia (1928), amateurish racism on the big screen [Jimmy Clements at 11.12 minutes in], https://www.youtube.com/watch?v=OByX4iPsTgo YouTube, We Were Just Little Boys, https://m.youtube.com/watch?v=u4Hw9d91k2E WASTE AT CANBERRA. (1927, May 20). The South Eastern Times (Millicent, SA : 1906 - 1954), p. 1. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article200058308 YouTube, Museum of Australian Democracy at Old Parliament House, Whispers in the Corridors-An Aboriginal Presence, https://www.youtube.com/watch?v=fwifXP61M5Y History Snoop, Air Fatality in Canberra Scars an Historic Day in Australia, https://www.historysnoop.com/air-fatality-in-canberra/ YouTube, NFSA Films, The Opening Of Canberra, Australia's Capital City, https://www.youtube.com/watch?v=pOA8llA0iE0 Pauline Conolly, Pudding & Pies at Parliament House, https://paulineconolly.com/2022/pudding-and-pies-at-parliament-house/ THE MENU (1927, May 5). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article223623278 PROMISING (1927, May 7). The Sun (Sydney, NSW : 1910 - 1954), p. 2. Retrieved December 15, 2024, from http://nla.gov.au/nla.news-article223616208 The Dead King -- His Only Mourner (1927, August 30). The Herald (Melbourne, Vic. : 1861 - 1954), p. 6. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article244196114 The VOICE of the CITY (1927, August 31). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved December 26, 2024, from http://nla.gov.au/nla.news-article246406061 THE LAST OF HIS TRIBE. (1927, September 2). Bairnsdale Advertiser and Tambo and Omeo Chronicle (Vic. : 1882 - 1946), p. 6. Retrieved December 24, 2024, from http://nla.gov.au/nla.news-article269318935 GONE WEST. (1927, September 17). The Irwin Index (Mingenew, WA : 1926 - 1956), p. 1. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article251554113 King Billy Dead. (1927, September 10). The Port Macquarie News and Hastings River Advocate (NSW : 1882 - 1950), p. 5. Retrieved December 1, 2024, from http://nla.gov.au/nla.news-article112534982 DEATH OF KING BILLY OF CANBERRA. (1927, September 16). Huon Times (Franklin, Tas. : 1910 - 1933), p. 5. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article136428435 OLD KING BILLY. (1927, September 19). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved November 19, 2024, from http://nla.gov.au/nla.news-article16404722 "Marvellous" is Dead. (1928, March 30). The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (NSW : 1868 - 1931), p. 2. Retrieved December 8, 2024, from http://nla.gov.au/nla.news-article122748136 LAST OF LACHLAN RIVER TRIBE (1926, May 3). Evening News (Sydney, NSW : 1869 - 1931), p. 7. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article117289515 Coal Strike Effects (1926, June 11). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 14. Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved November 29, 2024, from http://nla.gov.au/nla.news-article16302447 Wikipedia, Kinchela Aboriginal Boys Training Home, https://en.wikipedia.org/wiki/Kinchela_Aboriginal_Boys%27_Training_Home Art Gallery NSW, Harry Marsh by Rayner Hoff, https://www.artgallery.nsw.gov.au/collection/works/59.2000/ Art Gallery of South Australia, Lion (produced for the Holden Motor Company) by Rayner Hoff, https://www.agsa.sa.gov.au/collection-publications/collection/works/lion-produced-for-the-holden-motor-company/27253/ Wikipedia, William Beckwith McInnes, https://en.wikipedia.org/wiki/William_Beckwith_McInnes DUKE OF YORK PORTRAIT UNIVEILED IN CASTLEMAINE GALLERY (1933, December 4). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 18. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article276125581 Castlemaine Art Museum, Portrait of His Royal Majesty the Duke of York, https://collection.castlemaineartmuseum.org.au/objects/181/portrait-of-his-royal-majesty-the-duke-of-yorkPhotographer notations on slide: "Portrait of Duke of York by W.B. McInnes 1933 B4".1930-1939, aboriginal culture, royal visits, openings (events), sculpture, land rights, museums, museum displays -
City of Melbourne LibrariesPhotograph, The Age (Melbourne, Vic. : 1854 - 1954), Spectators at Australian Women's Golf Championship
... Glass plate negative...Golf Royal Melbourne Golf Club Women golfers Photographer notations on slide: "Vic Women's Ch'ship 1935 B98". Glass plate negative Spectators at Australian Women's Golf Championship Photograph The Age (Melbourne, Vic. : 1854 - 1954) ...Crowd of spectators gathered around a green at Royal Melbourne Golf Course, Cheltenham for the Australian Women’s Golf Championship in 1935. The winner was Irish player Pat Walker. Runner-up was Australian Susie Morpeth. Photographer notations on slide: "Vic Women's Ch'ship 1935 B98" Published: The Age 5 September 1935 p11 Published title: THE HUGE GALLERY WHICH WATCHED THE FINAL OF THE AUSTRALIAN WOMEN'S CHAMPIONSHIP. Published caption: Advancing to the 12th Green at Royal Melbourne yesterday, the huge gallery, part of which, can be seen in this picture, was estimated to number about two thousand people. The players in the left corner of the picture are about to play on to the green, and the stewards are hard at work keeping back the enthusiastic crowd. Trove article identifier: http://nla.gov.au/nla.news-page19254515 18 year-old Miss Pamela Barton of England is teeing off at the ninth hole, watched by her competitor Miss Janet Gardiner of Queensland and a gallery of intensely focussed spectators. Both women went on to have diverse, non-sporting careers. During the Blitz and the Battle of Britain, Pam Barton (1917-1943) drove ambulances before joining the WAAF as a radio operator. Later she gained a commission as a Flight Officer in command of a staff of 600. In 1943, Pam was killed instantly when the RAF plane piloted by her unofficial fiancée crashed in heavy weather. The Pam Barton Memorial Salver is awarded to the winner of the British Ladies Amateur Golf Championship. The inscription reads “In Affectionate Memory of Pam Barton”. During WWII, Janet Gardiner (Mrs Jobson-Scott, 1907-1987) began manufacturing liquid hosiery at the Red Cross Link rooms as a fundraiser. Donated oyster bottles were used and they charged 2/6 for four ounces. However, in April 1942, in a broadcast to the women of Australia, the Minister for War Organisation of Industry, Mr Dedman, announced that leg make-up preparations were now a prohibited item. They contained titanium oxide, an essential ingredient in the manufacture of paints used for camouflaging military equipment. Other items of a woman’s “battle array” such as nail lacquer, some creams and suntan lotions were also banned as they contained ingredients used in munitions and medical supplies. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer.Glass plate negativePhotographer notations on slide: "Vic Women's Ch'ship 1935 B98".golf, royal melbourne golf club, women golfers -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Photo of portrait of Lady Elizabeth Melbourne, 1934
... Glass plate negative...Retrieved June 14, 2024, from http://nla.gov.au/nla.news-article205883518 https://en.wikipedia.org/wiki/Lady_Caroline_Lamb city of melbourne melbourne town hall 1930-1939 portraits Photographer notations on slide: "Lady Elizabeth Melbourne B57". Glass plate negative Photo of portrait of Lady Elizabeth Melbourne Photograph Bull, Hugh Jones, 1897-1993 McKenzie, Ian, 1939-2012 ...Published: The Age, 3 October 1934 Published title: CENTENARY GIFT PORTRAIT. Published caption: A reproduction of the attractive portrait of Lady Melbourne, the mother of Lord Melbourne, which has been presented to the City of Melbourne, and will hang in the Lady Mayoress’s room at the Town Hall. Trove article identifier: https://trove.nla.gov.au/newspaper/article/205879945 Description: A framed mezzotint portrait of a young woman gazing towards her right, with her right arm resting on a table. She is wearing an 18th century style dress and jacket trimmed with ermine tails. A string of pearls is entwined in her upswept hair and through a long lock of hair falling over her shoulder then draping across her bodice. The portrait rests on a cane bottomed chair and a pencil holds it in place. Research by project volunteer, Fiona Collyer: In 1934, Mr Roger Dolbey of London donated to the City of Melbourne a mezzotint engraving of Lady Melbourne, mother of the British Prime Minister after whom the Victorian capital city of Melbourne was named in 1837. The engraving was created in 1771 by John Finlayson after Sir Joshua Reynolds. The gift commemorates the centenary of Melbourne. Elizabeth Milbank, Viscountess Melbourne, 1751-1818 was the wife of wealthy Whig politician, Peniston Lamb, 1st Viscount Melbourne. Lady Melbourne was an ambitious political hostess of the Regency period who cultivated beneficial relationships for her husband’s career. She was beautiful and vibrant and men found her easy going, good humoured company. She had many lovers and it is believed that of her nine children, (three of which did not survive childhood) only her first born, Peniston was fathered by her husband. One of her lovers was George, Prince of Wales, later George IV, believed to be the father of her fourth son George and who was his godfather. Lady Melbourne’s second son William Lamb, 2nd Viscount Melbourne, 1779-1848, was British Prime Minister and a close political confidant and father figure to the young Queen Victoria in the early years of her reign. In 1812, his wife Lady Caroline Lamb, 1785-1828, had a torrid and very public affair with poet Lord Bryon who she described as “Mad, bad and dangerous to know”. As a child, Caroline considered being able to wash a dog as one of her most satisfying accomplishments! The portrait hung in the Lady Mayoress’s room at Melbourne Town Hall. References: CENTENARY GIFT PORTRAIT. (1934, October 3). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved June 14, 2024, from http://nla.gov.au/nla.news-article205879945 Presentation of Mezzotint of Lady Melbourne (1934, October 2). The Argus (Melbourne, Vic. : 1848 - 1957), p. 10. Retrieved June 14, 2024, from http://nla.gov.au/nla.news-article10961120 NEWS OF THE DAY. (1934, October 2). The Age (Melbourne, Vic. : 1854 - 1954), p. 8. Retrieved June 14, 2024, from http://nla.gov.au/nla.news-article205883518 https://en.wikipedia.org/wiki/Lady_Caroline_LambPhotographer notations on slide: "Lady Elizabeth Melbourne B57".city of melbourne, melbourne town hall, 1930-1939, portraits -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, "On Christmas morning -- Bathing at St Kilda", 1933
... Glass plate negative...References: History of Swimwear, Wikipedia, https://en.wikipedia.org/wiki/History_of_swimwear Jantzen Red Diving Girl, Oregon History Project, https://www.oregonhistoryproject.org/articles/historical-records/jantzen-red-diving-girl/ European History 1900-1950, St Kilda Historical Society, https://stkildahistory.org.au/about/timeline-1900-1950 Photographer notations on slide: "Christmas morning St Kilda Age B9". Glass plate negative "On Christmas morning -- Bathing at St Kilda" Photograph Bull, Hugh Jones, 1897-1993 ...Published: 26 Dec 1933 The Age p9 Published title: "ON CHRISTMAS MORNING--BATHING AT ST. KILDA." Published caption: "Yesterday morning everyone who was near the bay seized the opportunity for a cooling dip. St. Kilda foreshore was particularly well patronised, as this picture shows." Trove article identifier: http://nla.gov.au/nla.news-article203364944 Description: Large group of swimmers at St Kilda Beach on Christmas morning. Research by project volunteer, Louise McKenzie: Approximately 150 men, women and children grouped in front of the photographer in the shallows of St Kilda Beach on Christmas morning 1933. All are wearing one piece bathing suits, some have bathing caps, some hold beach balls, and one boy has a model boat. They are happy and exuberant. Their swimming attire is traditional and conservative for the time. However at this time the bathing attire was undergoing a substantial change, as Wikipedia’s History of Swimwear attests. The English practice of men swimming in the nude was banned in the United Kingdom in 1860. In the first half of the 19th century the top became knee-length while an ankle-length drawer was added as a bottom. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the West, in the 19th century women wore a bathing gown in the water. These were loose ankle-length full-sleeve chemise-type gown made of wool or flannel, so that modesty or decency was not threatened. They were long dresses of fabrics that would not become transparent when wet, with weights sewn into the hems so that they would not rise up in the water. The men's swim suit, a rather form-fitting wool garment with long sleeves and legs similar to long underwear, was developed and would change little for a century. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the 1900s women wore wool dresses on the beach that were In the Victorian era, Western cultures deplored nudity of any degree, and people took great pains to cover themselves, even bare chested male swimmers at ocean beaches. In the 1910s despite opposition from some groups, the form-fitting style proved popular. It was not long before swimwear started to shrink further. At first arms were exposed and then legs up to mid-thigh. Necklines receded from around the neck down to around the top of the bosom. The development of new fabrics allowed for new varieties of more comfortable and practical swimwear. The name "swim suit" was coined in 1915 by Jantzen Knitting Mills, a sweater manufacturer who launched a swimwear brand named the "Red Diving Girl”. During the 1920s and 1930s, people began to shift from "taking in the water" to "taking in the sun", at bathhouses and spas, and swimsuit designs shifted from functional considerations to incorporate more decorative features. By the 1930s men began to go without shirts for swimming and barechestedness in male swimwear became the norm by the end of the 1940s, including in competitive swimming events. Following a fire in 1925, the nearby St Kilda Baths were reopened in 1931 – with separate “enclosures” for men and women. But here in the Bay just a few years later, everyone is happily enjoying the refreshing seaside event. References: History of Swimwear, Wikipedia, https://en.wikipedia.org/wiki/History_of_swimwear Jantzen Red Diving Girl, Oregon History Project, https://www.oregonhistoryproject.org/articles/historical-records/jantzen-red-diving-girl/ European History 1900-1950, St Kilda Historical Society, https://stkildahistory.org.au/about/timeline-1900-1950Photographer notations on slide: "Christmas morning St Kilda Age B9". -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Photograph, Scotch College v. Xavier College football match, 1934
... Glass plate negative...Xavier - Olympic Park B42". Glass plate negative Photograph, Scotch College v. Xavier College football match, 1934 Photograph Bull, Hugh Jones, 1897-1993 ...At the first match of the 1934 Public Schools Premiership and Championships at Olympic Park (where AAMI Park is now) between Scotch College (white shorts) and Xavier College, (black shorts) a mark is missed by Xavier players and then taken by a Scotch player. Research by project volunteer, Fiona Collyer: A crowd of schoolboys standing behind a picket fence, watch with anticipation as two teams contest a football at the goalposts. The Public Schools Premiership and Championship was an Australian Rules football tournament held every winter over five weeks between six schools- Scotch College, Xavier College, Melbourne Grammar, Wesley College and traditional rivals Geelong Grammar and Geelong College. The school that won the most games out of the five played, won the competition. As the 1933 Premiers, Xavier College had the honour of playing the opening match of the season on 28 June against runners-up Scotch College at Olympic Park (where AAMI Park is now). The Public Schools Premiership matches were widely reported in Melbourne’s daily newspapers with photographs and commentary of every game. Weekly society magazine “Table Talk” featured reports and seven photographs of the first games of the season. Australian Broadcasting Commission (ABC) wireless station 3AR interspersed their afternoon program of reproduced music with detailed descriptions of the matches. Also reporting the matches was “Forty-Years-On”, presumably a student in the 1890s, whose regular column in The Herald newspaper “Activities In The Public Schools” published all the latest news on Victoria’s public (private) schools. In his column for The Australasian 7 July 1934, “Old Boy” writes about the Scotch versus Xavier match: “For more than half the game last week, Scotch was outplayed, but took the lead early in the last term and kept it. Scotch surprised even its own supporters by its dash in the last 25 minutes. Xavier, who became over confident by the prospects of victory, could not withstand the final onslaught. In the last quarter Scotch was the better side and won by seven points.” The final score was Scotch 11.11 (77 points) and Xavier 10.10 (70 points). At the end of this exciting match the overjoyed Scotch boys swarmed over the Olympic Park fences to chair their captain, Stanley Steele and carry him shoulder high, to the pavilion. The first documented game of a variation of Australian Rules football was played at Richmond Paddock (now Yarra Park) from 7 August 1858. Australian Rules football writer Hugh Buggy of The Argus 16 April 1952 explains: “It began when boys and masters of Scotch College and Melbourne Grammar School decided to play a 40-a-side game, with the first team to score two goals to be the winner. Goal posts were pitched more than a mile apart, one set on the Jolimont Hill and the other at Punt road Richmond. Nobody defined the boundary, and the play swung over the broad acres of the park and around the gum trees. It went on and on like a Test match, from noon till dusk. After 15 hours of play on three Saturdays the score was one goal all, and the game was abandoned for that season.” Rules of the game hadn’t been decided at this time - the earliest known rules were codified a year later in 1859. A sculpture and plaque located outside the Melbourne Cricket Ground (MCG), created by sculptor Louis Laumen in 2001, commemorates this game. It depicts two school boys chasing a ball along with umpire Tom Wills, a co-writer of the rules and promoter of Australian Rules football. A medley of Gaelic football, an Aboriginal game called marngrook as well as football played in English public (that is private) schools have been cited as inspiration for Australian Rules football. The word “Marngrook” meaning “game ball”, comes from the language of the Gunditjmara, First Nations people of southwestern Victoria. Marngrook was played at gatherings and celebrations and involved players competing to jump and catch the ball after it was kicked high into the air. The player that catches the ball then gets to kick it. The ball was made from possum skin, filled with pounded charcoal and tied with kangaroo sinews. Protector of Aborigines in Victoria, William Thomas (1794-1867) observed in 1841- “The men and boys joyfully assemble when this game is to be played. One makes a ball of possum skin, somewhat elastic, but firm and strong… The players of this game do not throw the ball as a white man might do, but drop it and at the same time kick it with their feet, using the instep for that purpose. The tallest men have the best chances in this game. Some of them will leap as high as five feet from the ground to catch the ball. The person who secures the ball kicks it. This continues for hours and the natives never seem to tire of the exercise.” The Victorian Football League (VFL), was founded in 1897 with eight teams playing Australian Rules football and held its first Grand Final at the MCG in 1902. From the start the games attracted large enthusiastic crowds, which included women. “Viva” writing in the Supplement to The Weekly Times - 3 July 1886 LADIES COLUMN (By Viva) FOOTBALL. A Social Sketch. “…Of the popularity of football and footballers among women, there can be no doubt. Young, soft hearted girls, who would not “tread upon a worm," avow that football matches are "awfully jolly," and seem to regard accidents as a necessary part of the amusement…a great proportion of the spectators were ladies.” “Minetta” writing for Punch Magazine - “Ladies Letter, Holmby House, Toorak” 22 June 1905 “The "Football Girl" is a feminine genus at present much to the fore in Melbourne. Not that she plays football—at least not beyond a kick in the backyard or paddock—oh, dear, no! Her interest in the game is purely from a spectacular point of view. "Football Girls" usually hunt in couples, with two male barrackers attached. They know all about So-and-So's form, and whether he is a trier or has been bought. They go to each match of their particular club, and watch the play intently, their faces wearing a decidedly strained expression when their club is getting the worst of it. They are not ashamed to barrack either, when matters are progressing successfully… Yours ever, MINETTA.” The Herald 2 July 1909 published a cartoon by Ambrose Dyson depicting women football fans, which asked- “THE QUESTION OF THE DAY. Should Girls Go To Football Matches? Should they? The sex made up their mind about the matter very early on.” The resounding answer was- “Well, I’d like to see the man that would stop me!” At the final match of the 1934 tournament on August 2, Melbourne Grammar finished the season unbeaten, winning their tenth Public Schools premiership in 16 years. The Weekly Times 11 August 1934 reported-“Melbourne Grammar…had a rather lucky escape against Xavier…Had a Xavier player not touched a shot, kicked by a team-mate, as it was going through goal Grammar would have been beaten.” Final score - Melbourne Grammar 13.7 (85 points) defeated Xavier College 12.9 (81 points). Ladder for the 1934 Season- Melbourne Grammar-5 wins Wesley College- 4 wins Scotch College- 3 wins Xavier College- 2 wins Geelong Grammar- 1 win Geelong College- 0 wins The Associated Public Schools of Victoria (APS) exists today where eleven member (private) schools, including co-educational schools, participate in 21 sporting competitions throughout the year. (The descriptor “Public School” references the historical usage of the term and the model of the British public). PUBLIC SCHOOLS FOOTBALL BEGINS WITH SCOTCH--XAVIER MATCH. (1934, June 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved June 23, 2025, from http://nla.gov.au/nla.news-article204824484 PUBLIC SCHOOLS FOOTBALL AT OLYMPIC PARK (1934, July 5). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 5. Retrieved May 30, 2025, from http://nla.gov.au/nla.news-article149682433 PUBLIC SCHOOLS FOOTBALL. (1936, July 3). The Argus (Melbourne, Vic. : 1848 - 1957), p. 18. Retrieved May 30, 2025, from http://nla.gov.au/nla.news-article11888301 PUBLIC SCHOOLS. (1934, June 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 5. Retrieved August 6, 2025, from http://nla.gov.au/nla.news-article204824486 https://en.m.wikipedia.org/wiki/History_of_Australian_rules_football COLLEGE SPORTS (1934, July 7). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 48 (METROPOLITAN EDITION). Retrieved August 6, 2025, from http://nla.gov.au/nla.news-article145238393 GRAMMAR CHAMPIONS (1934, August 11). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 72. Retrieved August 6, 2025, from http://nla.gov.au/nla.news-article224562842 LETS LOOK AT FOOTBALL with HUGH BUGGY (1952, April 16). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved August 6, 2025, from http://nla.gov.au/nla.news-article23174340 FOR YOUNG PEOPLE AMONG THE SCHOOLS. (1934, August 7). The Age (Melbourne, Vic. : 1854 - 1954), p. 4. Retrieved August 6, 2025, from http://nla.gov.au/nla.news-article205521661 https://www.nma.gov.au/defining-moments/resources/australian-rules-football#:~:text=In%20the%20winter%20of%201858,games%20of%20Australian%20Rules%20football. https://apssport.org.au/about/ http://lindsaymagazine.co/from-marngrook-to-australian-rules-football/ https://collection.australiansportsmuseum.org.au/objects/70993/possum-skin-ball FOOTBALL. (1886, July 3). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 6 (SUPPLEMENT TO THE STORY TELLER). Retrieved September 7, 2025, from http://nla.gov.au/nla.news-article221741193 Ladies' Letter. (1905, June 22). Punch (Melbourne, Vic. : 1900 - 1918; 1925), p. 28. Retrieved September 22, 2025, from http://nla.gov.au/nla.news-article175410975 THE QUESTION OF THE DAY. (1909, July 2). The Herald (Melbourne, Vic. : 1861 - 1954), p. 9. Retrieved September 22, 2025, from http://nla.gov.au/nla.news-article242062970Photographer notations on slide: "Scotch v. Xavier - Olympic Park B42".football, schools -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Scotch College v. Xavier College football match
... Glass plate negative...Retrieved September 17, 2025, from http://nla.gov.au/nla.news-article242062970 schools football Photographer notations on slide: "Scotch v Xavier - Olympic Park B42". Glass plate negative Scotch College v. Xavier College football match Photograph Bull, Hugh Jones, 1897-1993 ...Published: 29 June 1934 Published title: PUBLIC SCHOOLS FOOTBALL BEGINS WITH SCOTCH--XAVIER MATCH. Published caption: “The Public Schools 1934 Football season began yesterday when Scotch met Xavier on the Olympic Park ground, and after a wonderful recovery in the third term, Scotch registered a narrow win. Pictured above is the crowd of Scotch boys who congregated behind the goal after the addition of another goal to their score.” Description: Scotch College pupils exuberantly cheer their team’s goal at the first football match of the Public Schools Premiership and Championship for 1934 between Scotch College and Xavier College at Olympic Park, Melbourne (where AAMI Park is now). Research by project volunteer, Fiona Collyer: The Public Schools Premiership and Championship was an Australian Rules football tournament held every winter, over five weeks between six schools- Scotch College, Xavier College, Melbourne Grammar, Wesley College and traditional rivals Geelong Grammar and Geelong College. The school that won the most games out of the five played, won the competition. As the 1933 Premiers, Xavier College had the honour of playing the opening match of the season on 28 June against runners-up Scotch College at Olympic Park (where AAMI Park is now). The Public Schools Premiership matches were widely reported in Melbourne’s daily newspapers with photographs and commentary of every game. Weekly society magazine “Table Talk” featured reports and seven photographs of the first games of the season. Australian Broadcasting Commission (ABC) wireless station 3AR interspersed their afternoon program of reproduced music with detailed descriptions of the matches. Also reporting the matches was “Forty-Years-On”, presumably a student in the 1890s, whose regular column in The Herald newspaper “Activities In The Public Schools” published all the latest news on Victoria’s public (private) schools. In his column for The Australasian 7 July 1934, “Old Boy” writes about the Scotch versus Xavier match- “For more than half the game last week, Scotch was outplayed, but took the lead early in the last term and kept it. Scotch surprised even its own supporters by its dash in the last 25 minutes. Xavier, who became over confident by the prospects of victory, could not withstand the final onslaught. In the last quarter Scotch was the better side and won by seven points.” The final score was Scotch 11.11 (77 points) and Xavier 10.10 (70 points). At the end of this exciting match the overjoyed Scotch boys swarmed over the Olympic Park fences to chair their captain, Stanley Steele and carry him shoulder high, to the pavilion. The first documented game of a variation of Australian Rules football was played at Richmond Paddock (now Yarra Park) from 7 August 1858. Australian Rules football writer Hugh Buggy of The Argus 16 April 1952 explains- “It began when boys and masters of Scotch College and Melbourne Grammar School decided to play a 40-a-side game, with the first team to score two goals to be the winner. Goal posts were pitched more than a mile apart, one set on the Jolimont Hill and the other at Punt road Richmond. Nobody defined the boundary, and the play swung over the broad acres of the park and around the gum trees. It went on and on like a Test match, from noon till dusk. After 15 hours of play on three Saturdays the score was one goal all, and the game was abandoned for that season.” Rules of the game hadn’t been decided at this time - the earliest known rules were codified a year later in 1859. A sculpture and plaque located outside the Melbourne Cricket Ground (MCG), created by sculptor Louis Laumen in 2001, commemorates this game. It depicts two school boys chasing a ball along with umpire Tom Wills, a co-writer of the rules and promoter of Australian Rules football. A medley of Gaelic football, an Aboriginal game called marngrook as well as football played in English public (that is private) schools have been cited as inspiration for Australian Rules football. The word “Marngrook” meaning “game ball”, comes from the language of the Gunditjmara, First Nations people of southwestern Victoria. Marngrook was played at gatherings and celebrations and involved players competing to jump and catch the ball after it is kicked high into the air. The player that catches the ball then gets to kick it. The ball was made from possum skin, filled with pounded charcoal and tied with kangaroo sinews. Protector of Aborigines in Victoria, William Thomas (1794-1867) observed in 1841- “The men and boys joyfully assemble when this game is to be played. One makes a ball of possum skin, somewhat elastic, but firm and strong… The players of this game do not throw the ball as a white man might do, but drop it and at the same time kick it with their feet, using the instep for that purpose. The tallest men have the best chances in this game. Some of them will leap as high as five feet from the ground to catch the ball. The person who secures the ball kicks it. This continues for hours and the natives never seem to tire of the exercise.” The Victorian Football League (VFL), was founded in 1897 with eight teams playing Australian Rules football and held its first Grand Final at the MCG in 1902. From the start the games attracted large enthusiastic crowds, which included women. “Viva” writing in the Supplement to The Weekly Times-3 July 1886- LADIES COLUMN (By Viva) FOOTBALL. A Social Sketch. “…Of the popularity of football and footballers among women, there can be no doubt. Young, soft hearted girls, who would not “tread upon a worm," avow that football matches are "awfully jolly," and seem to regard accidents as a necessary part of the amusement…a great proportion of the spectators were ladies.” “Minetta” writing for Punch Magazine - “Ladies Letter, Holmby House, Toorak” 22 June 1905 “The "Football Girl" is a feminine genus at present much to the fore in Melbourne. Not that she plays football—at least not beyond a kick in the backyard or paddock—oh, dear, no! Her interest in the game is purely from a spectacular point of view. "Football Girls" usually hunt in couples, with two male barrackers attached. They know all about So-and-So's form, and whether he is a trier or has been bought. They go to each match of their particular club, and watch the play intently, their faces wearing a decidedly strained expression when their club is getting the worst of it. They are not ashamed to barrack either, when matters are progressing successfully… Yours ever, MINETTA.” The Herald 2 July 1909 published a cartoon by Ambrose Dyson depicting women football fans, which asked- “THE QUESTION OF THE DAY. Should Girls Go To Football Matches? Should they? The sex made up their mind about the matter very early on.” The resounding answer was- “Well, I’d like to see the man that would stop me!” At the final match of the 1934 tournament on August 2, Melbourne Grammar finished the season unbeaten, winning their tenth Public Schools premiership in 16 years. The Weekly Times 11 August 1934 reported-“Melbourne Grammar…had a rather lucky escape against Xavier…Had a Xavier player not touched a shot, kicked by a team-mate, as it was going through goal Grammar would have been beaten.” Final score - Melbourne Grammar 13.7 (85 points) defeated Xavier College 12.9 (81 points). Ladder for the 1934 Season- Melbourne Grammar-5 wins Wesley College- 4 wins Scotch College- 3 wins Xavier College- 2 wins Geelong Grammar- 1 win Geelong College- 0 wins The Associated Public Schools of Victoria (APS) exists today where eleven member (private) schools, including co-educational schools, participate in 21 sporting competitions throughout the year. (The descriptor “Public School” references the historical usage of the term and the model of the British public school). PUBLIC SCHOOLS FOOTBALL BEGINS WITH SCOTCH--XAVIER MATCH. (1934, June 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved June 18, 2025, from http://nla.gov.au/nla.news-article204824484 PUBLIC SCHOOLS FOOTBALL AT OLYMPIC PARK (1934, July 5). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 5. Retrieved June 18, 2025, from http://nla.gov.au/nla.news-article149682433 PUBLIC SCHOOLS. (1934, June 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 5. Retrieved June 3, 2025, from http://nla.gov.au/nla.news-article204824486 PUBLIC SCHOOLS FOOTBALL. (1936, July 3). The Argus (Melbourne, Vic. : 1848 - 1957), p. 18. Retrieved August 6, 2025, from http://nla.gov.au/nla.news-article11888301 https://en.m.wikipedia.org/wiki/History_of_Australian_rules_football COLLEGE SPORTS (1934, July 7). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 48 (METROPOLITAN EDITION). Retrieved May 30, 2025, from http://nla.gov.au/nla.news-article145238393 GRAMMAR CHAMPIONS (1934, August 11). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 72. Retrieved June 1, 2025, from http://nla.gov.au/nla.news-article224562842 LETS LOOK AT FOOTBALL with HUGH BUGGY (1952, April 16). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved June 15, 2025, from http://nla.gov.au/nla.news-article23174340 FOR YOUNG PEOPLE AMONG THE SCHOOLS. (1934, August 7). The Age (Melbourne, Vic. : 1854 - 1954), p. 4. Retrieved June 14, 2025, from http://nla.gov.au/nla.news-article205521661 https://www.nma.gov.au/defining-moments/resources/australian-rules-football#:~:text=In%20the%20winter%20of%201858,games%20of%20Australian%20Rules%20football. https://apssport.org.au/about/ http://lindsaymagazine.co/from-marngrook-to-australian-rules-football/ https://collection.australiansportsmuseum.org.au/objects/70993/possum-skin-ball FOOTBALL. (1886, July 3). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 6 (SUPPLEMENT TO THE STORY TELLER). Retrieved September 7, 2025, from http://nla.gov.au/nla.news-article221741193 Ladies' Letter. (1905, June 22). Punch (Melbourne, Vic. : 1900 - 1918; 1925), p. 28. Retrieved September 11, 2025, from http://nla.gov.au/nla.news-article175410975 THE QUESTION OF THE DAY. (1909, July 2). The Herald (Melbourne, Vic. : 1861 - 1954), p. 9. Retrieved September 17, 2025, from http://nla.gov.au/nla.news-article242062970 Photographer notations on slide: "Scotch v Xavier - Olympic Park B42".schools, football -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Ruyton Girls School 1933
... Glass plate negative.... : 1862 - 1918, 1935), Saturday 3 June 1876, page 9 – Article on Offington http://www.ohta.org.au/organs/organs/BoxHillUC.html Melb Architecture 1870s - Wikipedia Victorian Collections: Letters of Hilda Daniell https://victoriancollections.net.au/items/65d3e05c5b5e5c61346420a2 schools 1930-1939 architecture Victorian architecture trees architects Photographer notations on slide: "Ruyton Girls School 1933". Glass plate negative Ruyton Girls School 1933 Photograph Bull, Hugh Jones, 1897-1993 ...Published: Age (Melbourne, Vic.: 1854- ), 4 August 1933, page 3 Published title: GIRLS’ SCHOOLS – MODEL YACHTING - FOOTBALL Published caption: The headmistress, Miss H. Daniell, and girls at Ruyton, Selbourne Road, Kew, snapped after school hours. Trove article identifier: http://nla.gov.au/nla.news-article204381763 Research by Project Volunteer, Louise McKenzie: Rather than the people, this charming building takes the eye! Originally named “Tarring”, it was built in 1872 by Mr Henry Henty and his wife Mrs Marion Anne Henty (nee McKellar) for their family. Located at 82 Selbourne Road, Kew, it is described by Melbourne’s Open House organisation as “… a two-storey, polychrome brick mansion built for them by prominent Melbourne architect Albert Purchas. The house and nearly four acres of grounds served as their family home until the death of Marian Henty in 1919. “ (See below for further information on Albert Purchas.) In 1920 it was sold to Ruyton Girls School. Ruyton was established in 1878 by its first principal, Charlotte Anderson (1838-1906), who named it in honour of the parish in Shropshire, England, Ruyton-XI-Towns, where her great-great-grandfather David Evans had been vicar. Its motto is Recte et Fideliter, meaning "Upright and Faithful", which is also the name of the school song. The original school, one of Victoria’s oldest independent schools for girls, was located at the home of Mrs Anderson at 63 High Street South, Kew. In 1882 she moved the school to Edgecombe in Studley Park Road. Mrs Anderson retired due to ill health and sold the school to her friend Miss Eliza Bromby. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. When Ruyton Girls School was moved to the site in 1920 it established the building as a Boarding House, and renamed the building “Henty House” in honour of its original owners. Today the school remains an all girls’ school, and pays tribute to its founder and the historic significance of Henty House and its magnificent Moreton Bay Fig tree, which still stands today. The building retains many original, Victorian-era features, while also showing the layers of change, made over the decades in order to meet the evolving needs of one of Melbourne’s leading schools. The headmistress mentioned in the caption for MCK016 is Miss Hilda Daniell, shown standing in front of Henty House in the midst of a group of Ruyton girls in their school uniforms, some holding hockey sticks. Miss Daniell was the longest serving Principal of Ruyton 1913-1952. She was originally a student in 1893, then joined the teaching staff in 1898. It was under her leadership that the School purchased and moved to “Tarring”. The boarding house included a flat for Hilda to live onsite. An article in the Ruyton Heritage Collection – Bedford Series, dated 21 May 2021 cites that Miss Daniell “was affectionately known as “Dream” by Ruytonians of her era” apparently due to a tendency to quiet reflection. The article continues, “After her retirement in 1952 Miss Daniell was awarded an Order of the British Empire for her many services to education, an award she received from the hands of the Queen during the 1954 Royal Tour. Also in 1952, the Kew Council honoured her by renaming Brougham Place as ‘Daniell Place’.” Arthur Purchas, architect: The architect responsible for the design of “Tarring”. Arthur Purchas, was extremely active and highly regarded at this time. Born in Wales in 1825, he emigrated to Melbourne in 1851 and soon established a private practice as a surveyor and architect, with offices variously in Little Collins, Queen Street, Chancery Lane, and finally 462 Little Collins Street. Wikipedia notes in an early reference to Purchas that “An early story is that one of his first jobs, when he would have been about 25 years old, was a position under Surveyor-General Robert Hoddle, and disagreeing with him over the line for St Kilda Road, appealed to Governor La Trobe, and successfully got the road diverted around the hill which eventually became the site of the Shrine of Remembrance. There may not be much truth to this, since by 1851 St Kilda Road was already a well worn track running around the hill, the top of which La Trobe had reserved for a Government House in 1840.” The timing of Purchas’s arrival in Melbourne was perfect. The Victorian gold rush of the 1850’s generated enormous wealth in Melbourne, and a building boom followed. The Wikipedia entry continues … that alone, or with his brother in law Charles R Swyer, “Purchas is said to have designed over 140 houses, offices, churches, banks and cemetery buildings in Victoria in his long career. Berkely Hall, St Kilda dating from 1854 is one of his first buildings, and still exists, though the original house is obscured by an early C20th verandah. Another notable early design was the head office of the Melbourne Savings Bank, built on the corner Flinders Lane and Market Street in 1857-58, in an elaborately detailed Renaissance Revival style. His churches were mostly Gothic Revival, built for the Anglican Church, along with some parsonages, while most of the bank buildings were Renaissance Revival designs for the Bank of Australasia. He also designed city buildings in the 1860s and 70s, such as the Mutual Insurance Co, Northern Insurance Co, and the first premises for George & George, destroyed by fire in 1889. One of his most outstanding designs is St George's Presbyterian Church in Chapel Street, St Kilda (1877–80), in a striking polychrome brick Gothic Revival style, unusually carried on through to the interior. Purchas produced one of the few published maps and compilations of the early pastoral settlers runs in Victoria in 1853. In the same year he designed the layout of the Melbourne General Cemetery, the first 'garden' cemetery in Victoria, a curvilinear layout with extensive plantings, as well as the gate lodge and gates (the gates lodge were demolished and the gates relocated to their present position in the 1930s). He was a long time member of the Cemetery Trust, serving as secretary from 1876-1886. He was also Chairman of the Boroondara General Cemetery Board of Trustees 1867 to 1909, and designed many aspects of the cemetery, including the landscape, the cast iron entrance gates (1889), the rotunda (1890) and the surrounding brick wall (1895–6). Purchas was a keen inventor having applied for a patent for an invention for lighting a railway carriage with gas in 1861, and won a competition for a model farm complex, in 1862. This unusual design had the dairy either underground or half underground, to keep it cool, with a 'dry lining' around the outside of the sunken portions. In 1883, with fellow architect Alfred Smith, he took out a patent for fire-proof floors, arches, staircases and other parts of buildings.” Purchas died in his home in Kew in 1909 and, not surprisingly, was buried at Boroondara Cemetery. Henty family history in Australia: Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. The Australian Dictionary of Biography provides a riveting overview of the complex and enthusiastic activities of the Henty family, and its entanglement in the development of mercantile life in WA, Tasmania, SA and Victoria from 1828 onwards. The family had a focussed commitment to creating thriving businesses in Australia, despite being regularly thwarted by legislative pushbacks and law changes, instigated in Britain as the Australian colony developed. Areas of greatest influence were merino sheep, beef and horse breeding, whaling, farm establishment, membership of the legal and political fraternities, sporting prowess, and board directorships in banking and railways. The Dictionary of Biography summarises: “As settlers the Henty men were notable not merely for being the first to settle in Victoria but also for their number and quality: a father and seven educated sons experienced in farming and trading, occupations of prime importance to a new colony, and importers of unusually substantial capital in money, skilled workers and thoroughbred stock.” As well as Tarring, the Henty family Melbourne residences included Findon (in Kew, overlooking Studley Park), Offington (St Kilda Road overlooking Albert Park) and Field Place (Henty Court, Kew), and descriptions of the houses in Wikipedia –Melbourne Architecture 1870s - reflect the development of Melbourne society. References RUYTON (1934, December 15). The Argus (Melbourne, Vic. : 1848 - 1957), p. 18. Retrieved March 12, 2025, from http://nla.gov.au/nla.news-article11001092 https://en.wikipedia.org/wiki/Ruyton_Girls%27_School#:~:text=Ruyton%20Girls'%20School%2C%20commonly%20referred,of%20Melbourne%2C%20Victoria%2C%20Australia. https://www.ruyton.vic.edu.au/our-school#:~:text=With%20an%20international%20reputation%20as,opportunity%20and%20challenge%20for%20girls. https://victoriancollections.net.au/items/5bea06b121ea690bf4eb08ed https://www.ruyton.vic.edu.au/our-school/campus-and-facilities Biography of Edward Henty and family: https://adb.anu.edu.au/biography/henty-edward-2247 Article on Offington House: http://nla.gov.au/nla.news-article196554993 Article on Field Place House : https://vhd.heritagecouncil.vic.gov.au/places/64881 Article on Findon: https://www.facebook.com/KewHistoryGroup/posts/in-the-book-jubilee-history-of-kew-1803-1910-by-fga-barnard-there-is-a-photo-of-/4389837914376555/ Charlotte Anderson/Ruyton: https://victoriancollections.net.au/items/5be4b8c821ea6a039c7a13e3 https://victoriancollections.net.au/items/6179e90da912eb195970bdf8 https://victoriancollections.net.au/items/5bea06b121ea690bf4eb08ed https://victoriancollections.net.au/items/65d3e05c5b5e5c61346420a2 Photo of Charlotte Anderson: https://viewer.slv.vic.gov.au/?entity=IE1515776&mode=browse Photo of Charlotte Anderson: https://victoriancollections.net.au/items/6179e90da912eb195970bdf8 https://victoriancollections.net.au/items/5be4b8c821ea6a039c7a13e3 Wikipedia: Architecture of Melbourne: https://en.wikipedia.org/wiki/Architecture_of_Melbourne Open House Melbourne: Henty House: https://www.universe.com/events/henty-house-ruyton-girls-school-tickets-Z45LYH Albert Purchas: https://en.wikipedia.org/wiki/Albert_Purchas Leader (Melbourne, Vic. : 1862 - 1918, 1935), Saturday 3 June 1876, page 9 – Article on Offington http://www.ohta.org.au/organs/organs/BoxHillUC.html Melb Architecture 1870s - Wikipedia Victorian Collections: Letters of Hilda Daniell https://victoriancollections.net.au/items/65d3e05c5b5e5c61346420a2 Photographer notations on slide: "Ruyton Girls School 1933".schools, 1930-1939, architecture, victorian architecture, trees, architects -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, The new straight at Moonee Valley Race Course
... Glass plate negative..._Cox_Plate Austadiums, Moonee Valley, https://www.austadiums.com/stadiums/moonee-valley horseracing race courses moonee valley 1930-1939 Photographer notations on slide: "New straight at Moonee Valley Race Course - Age 11 Dec 1933 B8". Glass plate negative The new straight at Moonee Valley Race Course Photograph Bull, Hugh Jones, 1897-1993 ...Published: Age (Melbourne, Vic.: 1854- ), 11 December 1933 Published title: The New Straight Moonee Valley Published caption: Age (Melbourne, Vic. : 1854 - 1954), Monday 11 December 1933, page 6 The finish of the Koombahla Trial Handicap, the first race run on the new and longer straight across the flat at Moonee Valley racecourse. Magoot won, with Affability second and Great Bear third. This picture, taken from the members' reserve, shows the new straight in relation to the old one (the latter will continue to be used for races of less than seven furlongs), with the finishing post on the right and the new Judge's box in front of the old one. In the distance can be seen the starting points for races over nine furlongs and eight furlongs and a half on another course track. Trove article identifier: http://nla.gov.au/nla.news-article203362672 Research by Project Volunteer, Louise McKenzie: This photo, taken from the elevation of the stand in the Members’ Reserve at Moonee Valley Racecourse, has been framed in order to highlight the new straight, the finishing post, and a new Judge’s Box. In the foreground is a crowd of racegoers in the Members area, showing significantly more women in attendance than men. It is a bright, sunny Tuesday afternoon. The women are wearing small or large brimmed hats and are mostly swathed in generously cut coats with long sleeves that are mid calf length. Some women carry umbrellas to protect them from the sun. The men are wearing suits and hats. The women and men are mostly standing in discrete, rather than mixed groups. More spectators are standing on a banked area in the centre of the track, a large crowd is trackside on the left and another crowd is located to the right of the photo along the final straight. There are stewards on horses in front of the members reserve, and a field of 12 horses approaches the winning post. On a slope at the rear of the photo is evidence of a fairly new housing development, evidenced by the small number of trees. Beyond this there is some vacant land to the left and then more dense housing is evidenced to the right. In the photo the white fencing delineating the course and spectator areas creates wonderful lines and curves. It is a very sharp and clear image. The race underway is the Koombahla Trial Handicap, which was won by Magoot by a length from Affability, with half a length back to Great Bear. At this juncture, Magoot won 3 of 4 starts, and subsequently on Saturday 30 December 1933, with a new up and coming young Flemington trainer J M Murphy, and popular mount Harold Skidmore, Magoot was the favourite and winner of the day’s principal event at Moonee Valley. The Weekly Times that day reported that Magoot had been sold to Launceston sportsman Mr W C Learoyd. The winnings from this race, 400 Pounds , was apparently sufficient to offset the cost of the horse, and would be the equivalent of approximately $9,500 in today’s money. The same article describes Magoot as a “Magpie” gelding as his bloodline was Magpie Tullalah from New Zealand. Sadly, on 9 October 1935, the Examiner (Launceston) reported that Magoot had to be destroyed after falling and breaking her shoulder while running in the Grovedale Handicap in Geelong, but such was her reputation that she warranted an accompanying photograph. Moonee Valley Racecourse was established in 1883 on private land by its owner WS (Sam) Cox – after whom the prestigious horserace, the WS Cox Plate is named. It is located 6 km from the Melbourne CBD in the suburb of Moonee Ponds. It became a non-proprietary property in 1935, and today the Cox Plate, run over 2040 m. each October, is the richest weight-for-age race in Australia for 3 year old and over, under Weight for Age conditions.” According to the Austadiums website, Moonee Valley has a “unique amphitheatre track and was the first Australian metropolitan track to conduct night racing.” This amphitheatre style is evident in Hugh Bull’s photo. THE NEW STRAIGHT AT MOONEE VALLEY. (1933, December 11). The Age (Melbourne, Vic. : 1854 - 1954), p. 6. Retrieved July 23, 2025, from http://nla.gov.au/nla.news-article203362672 Age (Melbourne, Vic. : 1854 - 1954), Monday 11 December 1933, page 6 THE NEW MOONEE VALLEY TRACK (1933, December 11). The Argus (Melbourne, Vic. : 1848 - 1957), p. 7. Retrieved September 1, 2025, from http://nla.gov.au/nla.news-article11719604 Argus (Melbourne, Vic. : 1848 - 1957), Monday 11 December 1933, page 7 MAGOOT SOLD (1933, December 23). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 22 (METROPOLITAN EDITION). Retrieved September 1, 2025, from http://nla.gov.au/nla.news-article141384672 Australasian (Melbourne, Vic. : 1864 - 1946), Saturday 23 December 1933, page 22 SMALL BUT GOOD (1933, December 30). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 48 (FIRST EDITION). Retrieved September 1, 2025, from http://nla.gov.au/nla.news-article223210074 Weekly Times (Melbourne, Vic. : 1869 - 1954), Saturday 30 December 1933, page 48 MOONEE VALLEY RACES. (1933, December 11). The Sydney Morning Herald (NSW : 1842 - 1954), p. 13. Retrieved September 1, 2025, from http://nla.gov.au/nla.news-article17031425 Sydney Morning Herald (NSW : 1842 - 1954), Monday 11 December 1933, p. 13 ACCIDENTS AT GEELONG MAGOOT DESTROYED (1935, October 10). Examiner (Launceston, Tas. : 1900 - 1954), p. 3 (DAILY). Retrieved September 1, 2025, from http://nla.gov.au/nla.news-article51958216 Examiner (Launceston, Tas. : 1900 - 1954), Thursday 10 October 1935, p. 3 Wikipedia, Moonee Valley Racecourse, https://en.wikipedia.org/wiki/Moonee_Valley_Racecourse eMelbourne, the city past and present, https://www.emelbourne.net.au/biogs/EM01003b.htm Wikipedia, Cox Plate, https://en.wikipedia.org/wiki/W._S._Cox_Plate Austadiums, Moonee Valley, https://www.austadiums.com/stadiums/moonee-valleyPhotographer notations on slide: "New straight at Moonee Valley Race Course - Age 11 Dec 1933 B8".horseracing, race courses, moonee valley, 1930-1939
