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Federation University Art Collection
Graphite on paper, 'Untitled' by Nicole Murray, 1989
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing. If you can assist with information on artist Nicole Murray please use the comment field below. LR signature Nicole Murrayart, artwork, nicole murray, horsham, available, alumni -
Federation University Art Collection
Work on paper - Printmaking - Monoprint & Handpainting, Nicole Shugg, 'Blue Escape No. 2', by Nicole Shugg, 2000
Nicole Shugg was a student of the University of Ballarat (later Federation University Australia). 'Blue Escape No. 2 was purchased from the End of Year Exhibition in 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprint with handpainting. art, artwork, nicole shugg, shugg, monoprint, mono-print, mono print, printmaking, alumni, available -
Stawell Historical Society Inc
Document - Report, Nicole Start, Conservation Status of Roadsides in the Shire of Stawell, 1991
Covers: Shire, roadsides, Assessment: Species, Flora, Grazing, Cropping, Gravel, Noxious weeds, Firebreaks, Road Design. With loos maps X 2 in back. Author Nicole StartPlastic Front Cover. Yellow Paper with Photo of a country road.Nicole Start Biological and Chemical Sciences Ballarat University Collage December 1991 -
Whitehorse Historical Society Inc.
Document, Eric Metcher, 2015
An interview with Eric Metcher.Transcript of an interview with Eric Metcher conducted by Nicole Curby in regard to the WW1 Centenary Oral History Project. An interview with Eric Metcher. metcher, eric, world war 1914 - 1918, curby, nicole -
Whitehorse Historical Society Inc.
Document, Stephen Fankhauser, 2015
An interview with Stephen Fankhauser .Transcript of an interview with Stephen Fankhauser conducted by Nicole Curby in regard to the WW1 Centenary Oral History Project. See also CD: NP4053.An interview with Stephen Fankhauser . stephen fankhauser, world war 1914 - 1918, curby, nicole -
Whitehorse Historical Society Inc.
Document, Hazel Wyke, 2015
An interview with Hazel Wyke.Transcript of an interview with Hazel Wyke conducted by Nicole Curby in regard to the WW1 Centenary Oral History Project. See also CD NP4053.An interview with Hazel Wyke. wyke, hazel, world war 1914 - 1918, curby, nicole -
University of Melbourne, Burnley Campus Archives
Plan, Nicole Faulkner, Rose Garden 'Banyule', 1989
Planting Plan for 'Banyule', 72 Buckingham Drive, Heidelberg by Nicole Faulkner for Grad. Dip. Horticulture. Sheet 4 of 4, dated November 1989. Scale 1:100.rose garden, nicole faulkner, "banyule", heidelberg -
Whitehorse Historical Society Inc.
Document, Jim and Keith Harvey
An interview with Jim and Keith Harvey.Transcript of an interview with Jim and Keith Harvey conducted by Nicole Curby in regard to the WW. Centenary Oral History Project. See also CD: NP4053.An interview with Jim and Keith Harvey.harvey, jim, harvey, keith, world war 1914 - 1918, curby, nicole -
National Wool Museum
Photograph - 01 Bendigo, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 02 Wilkin, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 03 Wendy, Nicole Marie, Women In Wool - Photographic Collection
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 04 Katelynn, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 05 Chloe, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 06 Tilly, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 07 Panels, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 08 Pinhole, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - Portrait of Joan Lindros, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Joan Lindros - Geelong Environment Council Joan Lindros has been a mentor to community environmentalists across the Geelong region and beyond for many years. In 1972 she was a foundation member of the Geelong Environment Council. She was also instrumental in the Save the Otways campaign that resulted in the Great Otway National Park. Joan is an inspirational leader, tenacious advocate and a gentle person. In 2001 she was inducted into the Victorian Honour Role of Women. She continues to be involved in the Friends of Buckley Falls who have been working and advocating for the protection and restoration of the Barwon and Moorabool River Reserves for nearly forty years. Photo at Buckley Falls lookout by Nicole Marie.Image showing an environmental portrait of a woman leaning against wooden railing with trees, a river and a waterfall in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, buckley falls -
Orbost & District Historical Society
music box, 1830-1840
Music boxes have been around at least since the end of the 18th century. The finest artisans in Europe created them and brought music into family homes when there were really no other types of music entertainment for homes. Music boxes performed the popular music of their day; songs from the opera, traditional songs, and hymns.The Nicole Freres were regarded as the best maker of cylinder music boxes during the mid 1800s. This is a fine example of a 19th century music box.Small wooden music box operated by winding a key which moves a studded cylinder against a comb of tuned teeth. A green paper label has been tacked to the underside of the lid. Cylinder music box, made by Nicole Freres, Geneva, Switzerland, c.1830-1840 Music box with an outside key wind . The cylinder length is 20cm and it plays 4 different airs. single comb, 112 teeth with exposed control levers. on label underneath the lid is "Music de Geneve" and the names of the tunes and the number 5929music-box musical-instrument nicole-freres -
National Wool Museum
Photograph - Portrait of Rhonda Kelly, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Rhonda Kelly - Friends of Waurn Ponds Creek Conservation volunteer projects not only have great biodiversity outcomes but are also collegial community groups that bring people together. Rhonda Kelly has worked tirelessly for over a decade for Waurn Ponds Creek. The Friends group is recognised throughout Geelong as a well-run, well organised and successful community group. This is due to the hard work of people like Rhonda. Rhonda is involved with all aspects of the Friends Group as Convener of the group, seed collector and propagator of plants at the community nursery. She is welcoming, passionate and hardworking. Not only does she organise the planting days and monthly clean-up days, but she also works with the community and schools engaging people with the value and beauty of the creek. Photo at Waurn Ponds Creek by Nicole Marie.Image showing an environmental portrait of a woman holding two potted seedlings with trees and grass in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers -
National Wool Museum
Photograph - Portrait of Jarrah Wadsworth, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Jarrah Wadsworth - Friends of Bats and Bushcare Geelong Grey-headed flying foxes are listed as nationally threatened. They play a critical role in hardwood forest pollination and seed dispersal. They are often not well liked and can be seen as more of a nuisance than an asset to an area. Their numbers are rapidly declining. As the world warms and we experience more days of extreme heat they are increasingly threatened. Jarrah is a registered vet nurse and in her spare time heads up the Friends of Bats and Bushcare Geelong volunteer group. She is the coordinator of the FBBG and plays a key role in supporting the Geelong grey-headed flying fox population in Eastern Park and ensuring they survive extreme heat events. Photo at Eastern Park flying fox camp by Nicole Marie.Image showing an environmental portrait of a woman crouched on grass below trees where fruit bats are roosting.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, eastern park -
National Wool Museum
Photograph - Portrait of Julie Riley and Jennie Turner, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Julie Riley and Jennie Turner - Friends of the Hooded Plover Breamlea The hooded plover is one of Australia’s most threatened birds. Although they spend their whole life on the beach, they have one of the lowest breeding success rates of all birds. Although severely threatened, in the last decade their numbers have slowly stabilised as volunteer groups and conservationists have stepped in to protect their breeding grounds. Julie and Jennie run the hooded plover volunteer program in Breamlea. To those who work with them they are, “a powerhouse of strength, resilience and determination to help these birds survive”. They put in hundreds of hours of works over a season for it to often eventuate to nothing. If a person crushes a nest or a chick is lost the day before it’s due to fledge, all their efforts are gone. But after each failure they continue to show up and slowly things are changing. Photo at Breamlea by Nicole Marie.Image showing an environmental portrait of a two women standing with sand dunes in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers -
National Wool Museum
Photograph - Portrait of Dr John Newman, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Dr John Newman - Geelong Field Naturalists Club Over almost twenty years John Newman has organised large groups of volunteers to conduct surveys across Geelong and the Bellarine for shorebirds and waterbirds. Understanding and collecting important environmental data helps in the effort to preserve important sites, much of this data is collected by volunteers. The information collected in Geelong and the Bellarine also forms part of national and international datasets that helps in understanding global patterns of migratory birds, such as sharp-tailed sandpiper, red-necked stint and the critically endangered curlew sandpiper. The data collected at the Moolap Saltworks (since 1981) and co-ordinated by John since 2003 highlighted the importance of this site for these three species and played a crucial role in protecting the area as a conservation site. Photo at Taits Point, Lake Connewarre Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man holding binoculars with a water landscape in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, lake connewarre -
National Wool Museum
Photograph - Portrait of Trevor Prescott, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Trevor Prescott - Geelong Field Naturalists Club From his earliest years, Trevor Pescott has been fascinated by nature. In 1961, he was part of an active group that re-established the Geelong Field Naturalists Club. And in the 1970s he was also one of the founding members of the Geelong Environment Council. For more than half a century he has been a passionate advocate, observer and chronicler of Geelong’s changing environment. Since 1960, he wrote the weekly column “By Field and Lane” in the Geelong Advertiser. He has written several books on nature in the Geelong region, including Birds and Botanists: A Field Naturalists History of Geelong. He remains passionate about the flora and fauna of the Geelong region organising fauna surveys every month as member of the Geelong Field Naturalists Club amongst many other activities. Photo at Trevor’s Belmont home by Nicole Marie.Image showing an environmental portrait of a man holding a book with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers -
National Wool Museum
Photograph - Portrait of John Fyfe, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. John Fyfe - Friends of Edwards Point, the Bellarine Catchment Network and many more For over twenty years John Fyfe has been actively involved in all areas of restoring native vegetation on numerous locations throughout the Bellarine. John’s passion for caring for the environment and sharing his vast knowledge has earnt him wide respect from the community. John is not only approachable but a great communicator. His vast knowledge has made the go to person for help on support on all matters regarding revegetation. John introduced direct seeding to the Friends of Edwards Point team, which has been successful on numerous sites within Edwards Points Reserve. The approach has been adopted throughout the reserve. Reflecting on John’s impact to the local community, local residents widely refer to him as a “living legend,” while others simply say, “there should be more John Fyfe’s in the world.” Photo at Edwards Point Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man standing in grasslands with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, edwards point -
National Wool Museum
Photograph - Portrait of Jon Duthie, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Jon Duthie - Friends of the Bluff Sometimes the work that volunteer groups put in to bringing back nature goes completely unnoticed. When Jon and his colleagues began work at the Barwon Bluff the site was largely devoid of any vegetation. Today most new residents and visitors to Barwon Heads don’t even know that the site is actually a revegetation site. Jon is extremely knowledgeable, dedicated and passionate and has contributed significant amounts of time to raising awareness about the marine and coastal environment. For over twenty years he has also helped to organise Festival of the Sea in Barwon Heads.Image showing an environmental portrait of a man standing on a beach with sand dunes and ocean in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, barwon heads -
Federation University Art Collection
Artwork, [Untitled]
andrea nicole jones, available -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Jarrod Pye and Nicole Leeder, Lakes Post Newspaper, 1/02/1995 12:00:00 AM
Jarrod Pye and Nicole Leeder tennis champions of the season Lakes Entrance VictoriaBlack and white photograph of Jarrod Pye and Nicole Leeder tennis champions of the season Lakes Entrance Victoriasports, tennis, clubs, recreation -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, History awaits young star, 28/03/2018
Jaryd Clifford, a legally blind teenager from Diamond Valley hopes to become the first Australian to compete in athletics at both the Paralympic and Olympic GamesNews article 1 page, black text and colour image .paralympic and olympic games, diamond valley athletics club, jaryd clifford -
Federation University Historical Collection
Report, Little Desert Market Plan, 1996, 06/1996
Report compiled by six students of Tourism at University of Ballarat (later Federation University Australia)victorian tourisim industry, tourism, little desert national park, mallee fowl, dimboola, nhill -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Gatt, Nicole, Stone Barge, 1997
Research, interpretation and management recommendations for the Lady Harriett' s Barge at Lakes Entrance, Victoria, also known as Stone Barge. By a Forestec student.ships and shipping, public works