Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002.Framed limited edition linocut on paper.lls '2/36' lc 'The Text Message (study)' lrs 'D. Frazer 15'artist, artwork, david frazer, parallel prints, printmaking, linocut

James PASAKOS (13 December 1967- ) Jimmy Pasakos graduated with a Bachelor of Fine Arts majoring in Printmaking from Caulfield Institute of Technology (1986-1988); Postgraduate studies majoring in Printmaking at CIT (later Monash University) in 1989, and between 1991-93 he pursued a Masters of Fine Arts at Monash University majoring in Printmaking and Drawing. Pasakos is Art Lecturer at the Arts Academy, Federation University Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching on paperEditioned, signed and dated in pencil bottom edge '2/36 Docklands Melbourne J Pasakos '15'james pasakos, etching, melbourne, parallel prints, printmaking, docklands

The Victoria Government Gazette 1868 2 Vol 36flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the victoria government gazette 1868 2 vol 36, the victoria government gazette, book

Looking towards the Shire of Eltham Memorial Park on top of Garden Hill,, Eltham-Yarra Glen Road, Kangaroo Ground, c.May 1988. Viewed from near intersection of Kangaroo Ground-Warrandyte Road and Eltham-Yarra Glen Road35mm colour positive transparency (2 of 36) Mount - Kodak KodachromeProcess Date MAY 88Meltham-yarra glen road, kangaroo ground, shire of eltham memorial park, shire of eltham war memorial

Looking towards the Shire of Eltham Memorial Park on top of Garden Hill,, Eltham-Yarra Glen Road, Kangaroo Ground, c.May 1988. Viewed from near intersection of Kangaroo Ground-Warrandyte Road and Eltham-Yarra Glen Road35mm colour positive transparency (2 of 36) Mount - Kodak KodachromeProcess Date MAY 88Meltham-yarra glen road, kangaroo ground, shire of eltham memorial park, shire of eltham war memorial

Wet Gully (local name) between Eltham and Diamond Creek, bound by Reynolds and Lorimer roads, Diamond Creek, May 198835mm colour positive transparency (2 of 36) Mount - Kodak KodachromeProcess Date MAY 88Mdiamond creek, lorimer road, reynolds road, wet gully

White receipt No. 60780 for Dairy Farm in the name of Mr W. D. Babidge, Yarraberb, Via Derby being Bal Fee of 1/6. Carbon on the back of receipt. Receipt dated 13/2/36.document, w. babidge collection - licence for dairy farm, milk and dairy supervision act 1928, department of agriculture melbourne, j m kerr

Yields information trams running in Drummond St South.Set of 4 photographs taken on 2/7/1971 of trams in Drummond St south and Skipton St .1 - No. 36 in Drummond St South, city bound to Lydiard St North .2 - 36 and 39 crossing at Bell St loop .3 - near Urquhart St .4 - crossing Sturt St at Hospital Corner with the Southern Cross Hotel in the background.trams, tramways, drummond st sth, sturt st, hospital corner, urquhart st, bell st, tram 36 tram 39

Staff newspaper or magazine published by the Metropolitan Transport Authority, The Met, June/July 1986 Features an article on the Chemists at the Preston Workshops with a photo of Graham Cox on the front cover and Garry Smith on pages 6 & 7 Has message from Kevin Shea, Managing Director along with items on: The Clock Shop - Mike Barker, Charlie Roonui, Peter Cohen and Ray Brun Lost Property - Peter Lopriorre, Tony Germane, Stan Mintzis, Jerry Styulianou. David Bartolo Driving buses is not easy Noel Donchi, with a photo of Munitions bus 301, AVM extended to trams - Tom Roper, Z3 223 Appointment of Russ Ingersoll as chairman of the MTA Civil Branch trackwork - Peter Kargas, Steve Chambers, Michele Giannetta, P Lombardi, S Luci, More Safety Zones for tram network with trams 967 and tram 871 New Look for Preston Workshops Shelters provide passenger comfort - with photos of four shelters Painted trams ride the track again - Tom Roper and Race Matthews - launch of new series Extra comfort for tram travellers - launch of B1 2001 Demonstrates a MTA staff magazine.Magazine - "Met Lines Vol. 2, No. 5" - 36 A4 pages, colour, centre stapled.preston workshops, laboratory, bundy clock, lost property, bus 301, buses, avm, transporting art, tram 223, track maintenance, tram 967, tram 871, safety zones, shelters, tram 2001

The Number 1 Training School (No 1 F.T.S ) was formed in 1921 to train pilots. After training 3000 pilots the school was disbanded in 1944.Photograph of The Class Flights 1 & 2. 13.04.1943 ------ 03.07.1943. Shows 36 students and 3 teachers.Brunswick Technical School RAAF Fitters Flights 1 & 2. 13-4-43 --- 3-7-43.

February 1973 issue of 'Tennis U.S.A.' (Vol.36, No.2). Materials: Ink, Paper, Metaltennis

Tablecloth, white linen with 2" lace edge, Size 36" x 38", Some staining in the middle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth, linen

Framed prints of London fashions of 1935/6. 1. 16 Figures depicting Ladies Autumn/winter fashions for 1936/6. 2. 16 figures depicting men's fashions for Spring and Summer of 1936. 1. London Fashions, Autumn & Winter 1935/36 2. London Fashions Spring & Summer 1936

At the time this leaflet was published the statistics were: "Missionaries (White): 11; Missionaries (South Sea Islanders): 10; Churches: 2; Preaching Places: 36 and Attendants at Worship: 2,500.Cream Four page leaflet with red text on published by Methodist Overseas Missions entitled "Methodism in the Highlands" which outlines the pioneering venture "Papua New Guinea Highlands Mission".methodist overseas missions

Members of the Report of the Horticultural Society of Victoria had the privilege of procuring seeds, cuttings, scions, &c., from the Society's gardens; also, free admission with 2 ladies, to all the Exhibitions of the Society. The 3 booklets were deaccessioned from the Victorian School of Foresty Library on 02 November 1981Three small booklets containing the annual report of the Report of the Horticultural Society of Victoria. .1) 23 page booklet for 1884 including annual report, reports of exhibitions, list of life members and list of member for 1884. Members included William Lee of Daylesford, R. McVicars of Koroit, and W.J. Wood of Daylesford .2) 36 page booklet for 1886 including annual report, financial statement, Fruit exportation, reports of exhibitions, list of life members and list of member for 1884. Members included William Lee of Daylesford, W. Anderson of Koroit, and W.J. Wood of Daylesford .3) 41 page booklet for 1890 including annual report, amended constitution, financial statement, Fruit exportation, reports of exhibitions, list of life members and list of member for 1884. Members included J. Dunstan of Yuille's Flat, Ballarat; and W.J. Wood of Daylesford. h.r. loch, w.f. stawell, boyce, carson, loch, stawell, beilby, stoddart, w.j. stoddart, william bailey, bailey, coglan, h. coglan, sangster, w. sangster, george neilson, victorian school of foresty, natale d'angri, d'angri, lang, rennie & co., r.u. nicholls, ramus, john ross, lindt, j.w. lindt

Items brought home by Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history..1) Black tin, hinged lid, heavily embossed with design of flowers. Possibly silver plated originally holds 36 photos. .2) - .26) Snapshots of battlefield damage.photography-photographs, containers, military history

Yields information about the storage of SEC tram 36 at South Melbourne depot when it visited Melbourne following the closure of the SEC system and the advertising of Ballarat Tourism.Set of two black and white photographs of SEC tram No. 36 in Melbourne advertising Ballarat Tourism Week, September 1971. Both photos by Dave Macartney. .1 - No. 36 and W2 257 out bound St Kilda Road near Domain Road. No. 257 has destination of Malvern Bourke Rd, route 5. Tram 36 has destination of Sebastopol. .2 - No. 36 in bound passing Victoria Barracks in the background. trams, tramways, st kilda road, melbourne, melbourne, tourism, mmtb, tram 36

Plane Jack type maker Stanley Rule & Level Co No 36, with 2 ½ inch iron, wooden base, handles and iron frame. Wood varnished, basic body black enamelled. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane, stanley rule & level co

Clothing. Wedding Skirt.Cream silk long skirt. Waist band with metal hook and eye fastening. Back placket with metal hooks and hand made loops (2). Pintucks- 36 cms deep from waistline. Band of pintucks 26 cms deep around hemline. Back of skirt dips to a short train trimmed with ruffles of skirt fabric, edged with ribbon. Skirt fully lined with cotton, fine lace trims pintucked frill and skirt panels.. See also 11400.77 & 11400.76.costume, female, wedding dress skirt

Photo depicts a Dennys Lascelles auction on 27 Nov. 1946 in Geelong, where 8371 bales of wool were sold at an average price per bale of 36-15-2. The auctioneer was Mr P.F. White. This photo originally hung in the Dennys Lascelles office in Horsham.DENNYS LASCELLES LIMITED / GEELONG. / SALE BY AUCTION 27th NOVEMBER 1946. / 8371 BALES - AVERAGE PRICE PER BALE 36-15-2 / AVERAGE PRICE PER LB. 29.66d. / Auctioneer Mr. P.F. WHITE. SILENCEwool sales, dennys, lascelles limited

Photo depicts a Dennys Lascelles auction on 27 Nov. 1946 in Geelong, where 8371 bales of wool were sold at an average price per bale of 36-15-2. The auctioneer was Mr P.F. White. This photo hung for a number of years in the Dennys Lascelles office in Cobden.Dennys Lascelles Ltd (Geelong) wool auction in progress, 27-11-1946.DENNYS LASCELLES LIMITED / GEELONG. / SALE BY AUCTION 27th NOVEMBER 1946. / 8371 BALES - AVERAGE PRICE PER BALE 36-15-2 / AVERAGE PRICE PER LB. 29.66d. / Auctioneer Mr. P.F. WHITE. SILENCEwool sales, dennys, lascelles limited