This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. It is a brown leather knife sheath, with a decorative front and two canvas straps attached at the back. The shorter strap is located at the bottom of the sheath and the longer strap is located just below the belt loop. Both straps are fixed in place with stitching. The top strap has a square of stitching, while the bottom strap has two lines of stitching that follows the stitching of the sheath. The belt loop is at the top of sheath and is a fixed flap of leather that is folded across the top and also holds the handle of the knife in place using a circular hole that fits around the butt of the knife. The bottom canvas strap has three adjustable brass male press studs on the left side as well as the fixed female one on the right. The top canvas strap has four adjustable brass male press studs on the right side as well as as the fixed female one on the right. The sheath is held together by stitching and five iron rivets. There is one on the point of the sheath, two on either side of the top, and two more 51mm below the top two. 46mm above the sheath, there are another two iron rivets on either side. Above that on the holding flap, there are two iron rivets just above the circular hole on either side. On the flap, around the hole there are three brass flat-headed split pins, one on either side and one on the front. At the top of the sheath, above the decorative embossing, there is a dark brown jagged cut strip of fixed leather. All the leather on the object is a reddish-brown, while the canvas and stitching is light beige. The end stitching on the canvas straps is dark grey. The front of the sheath is polished leather, while the back is rough.On back of belt loop flap, there is an embossd manufactuing patent number; PATENT Nr152.463 On face of the sheaf there embossed decoration. It depicts a lion with stylised decorative foliage and above the lion there is a fleur de lise. Above that it reads Soallingen Norge.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf

Brown cover Watkins Binder. Unusual edges that are curved over. Gold leafing on page adges.bible, prayer book

This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. The handle of the knife has an aluminium butt that is 18mm long and a bolster that is 19mm long. Between these there are stacked wooden washers. The pattern of the washers is three reddish brown, one white, one black, one white, eleven reddish brown, one white, one black, one white, three reddish brown. The butt has a flat end and a gentle curve downwards (towards sharp side). The handle has a context shape. The bolster has a concave shape. The blade is sharped from 3mm past the bolster. The blunt edge of the knife has a gentle curve inwards from about 55mm along the blade until the sharp point of the blade. There is a maker’s mark on the blunt edge of the knife near the point. It has been worn down and is now illegible.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf

A postcard from Kristiania, which is the former name of Oslo, Norway. The title says 'Kristiania. Stortinget og Grand Hotel'. The Stortinget is the name of the parliament building, which is the building on the right of the picture. The Grand Hotel is on the left. The postmark is 1924 which is before Kristiania was renamed Oslo in 1925. The link to Legacy is not known. There are many postcards in the collection from different times and people.This postcard has an aesthetic and historical significance, the perfect handwriting shown on the back of the postcard certainly represents a significant way of traditional handwriting used at that time. Postcards were a common form of correspondence in the early 20th century.Matte finished paper postcard with a printed photo of the Stortinget and Grand Hotel in Oslo, Norway. At the back of the photo has a beatifully made handwriting specifying the message and address. Front side: Printed on photo, Kristiania. Stortinget og Grand Hotel. / 1220 Back side: Handwritten, Kristiania Norway 4 June 1924 / Dear Dode, I am back on the Lygneum and feeling OK. We are leaving here tomorrow. (Thursday for Fremantle, Adelaide, Melb and Sydney via Newcastle (Eng) and Durban. Kind Regards to all. Love to see mum. Charl. / Mrs. C. H. Carpenter, 235 Malvern Road, South Yarra, Victoria, Australia. Stamped seal, Norge 25 ore post / stamp post, Kristiania 10 VI 6 M E 1924 P . N souvenir, postcard

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