Norman BAGGALEY (b1937- ) Born in Staffordshire, United Kingdom . Arrived Australia c1978 Norman Baggaley obtained a National Diploma of Design (Painting ) at Stroke on Trent College of Art, UK. His first Australian appointment was from 1978 to 1980 where he was Dean of the School of Arts at Ballarat College of Advanced Education. He spent the next two years as Dean of the Faculty of Art and Design at Prahran College of education. From 1982 until 1991 Baggaley was Professor of Visual Arts and Dean at Prahran CAE, before moving to the Victorian College of the Arts as Associate Professor and Dean of the School of Art at the University of Melbourne Victorian College of Art. Norman Baggaley was Head of School at Ballarat College of Advanced Education. He offered the work for donation with the Art Acquisition Committee commenting that "it was desirable that works from previous heads of School of the Arts be held by the College and that initially the painting could be located in the Art staff room for the first year then displayed else where on campus. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. An oil on canvas abstract work by Norman Baggaley Gift of the Artist, c1984art, artwork, baggaley, ballarat college of advanced education, norman baggaley, oil on canvas

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 4 Norman St., Mitcham This property is listed as having sold for $350,000 in 2002 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 4 Norman St., Mitcham depicting a black and white line drawing of a weatherboard house with striped retractable window awnings. On the right is a driveway leading to a connected carport in the background. On the right in front of the house is a front garden with shrubs, trees , and stone edgings.14 Manorwood Plc. Mitcham M.Picken © 2002 Realatorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Born 3rd June 1922 in Surrey Hills, Norman documents his life as it revolved around Surrey Hills and Box Hill. He went to Surrey Hills State School and later, after the war he became a postman at Box Hill Post Office. Some notes have been documents by specific years. The Addendum documents the common lifestyles of the day.Born 3rd June 1922 in Surrey Hills, Norman documents his life as it revolved around Surrey Hills and Box Hill. He went to Surrey Hills State School and later, after the war he became a postman at Box Hill Post Office. Some notes have been documents by specific years. The Addendum documents the common lifestyles of the day.shepherd street, presbyterian church, (mr) - woolford, surrey hills, schools, (mr) - fury, webb's dairy, surrey hills state school, (mr) - pola, (mr) - bevan, verona street, postmasters, (mrs) - webb, box hill south, box hill post office, churches, world war, 1939-1945, (mr) norman bruce kerr

A bite on the Beechy. Norman Houghton. Norman Houghton; Geelong (Vic); c.2011. 7 p.; refs. Paper.beech forest; colac; railways; gellibrand; wyelangta; lavers hill; crowes;

Beech Forest: capital on The Ridge. Norman Houghton. 1st ed. reprinted. Geelong (Vic.); Norman Houghton; 2007. iv, 112 p.; illus, maps. Soft cover. beech forest; the ridge; norman houghton; roads; railway; bushfires; weather; governance; commercial life; timber; agriculture; education; churches; sports;

Norman Armstrong was elected a Nunawading Shire Councillor in 1924, Shire President in 1929 and Mayor in 1945Black and white photograph of Norman Armstrong taken at the Evening of Nostalgia by George Cox. (2 copies)armstrong, norman, cox, george

Homes in the Hills. Historic glimpses of Barongarook, Gellibrand, Banool and Carlisle River. Norman Houghton. Soft cover. iv, 48 p.; illus, map, diagram. Artwork and layout: Desktop Dymanics. otway ranges; norman houghton; barongarook; gellibrand; banool; carlisle river; agriculture; mining; sport; homes; hills;

Norman Wightman recounts his story of life in Greenhills from 1939-1961. He tells of the many neighbours and the difficulties of life "in the bush".6 pages text.norman wightman, greenhills

Minyip 1926; Mildura 1930; Home Missions 1932; Warrnambool 1936; Ballarat Lydiard St 1941; Organiser Conference Peace Memorial 1946; Geelong Yarra St 1948; Separated Chairman Tasmania District 1960.B & W head & shoulders printed image of the Rev. Norman Kemp. "Rev. A. Norman Kemp, President of the Conference 1954"kemp, norman, geelong city parish

The photograph accompanies a C&N article on baptism.B & W head and shoulders photograph of Rev. Norman Young."Norman Young C&N 20/2/1985"young, norman, uniting church minister

Patricia Norman was a member of the St Kilda Historical Society and the wife of Charles Norman. They were both actors.Original colour photograph, unmountedPat Normanst kilda historical society, skhs, patricia norman, pat norman, charles norman

Studio portrait of Alice Dorey and Norman Hamilton taken in 1917. Alice married Norman in 1918. Alice was the sister of Iris Dorey and helped run Quamby Café.To Dear Iris With Love From Alice & Norman August 11th 1917alice dorey, alice hamilton, norman hamilton, iris dorey, olinda, quamby

Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Keith Wingrove bookplate featuring a koala carrying a book.norman lindsay, bookplate, lyttlewood press, koala

Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Etched bookplate for Francis Crossle showing a nude male angel and a nude woman above a crestOn plate "Credo et amo Francis Crossle"bookplate, lyttlewood press, norman lindsay, francis crossle, etching, printmaking, crest, nude

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

Black and white copy of original photograph which shows horse drawn harvesting machinery being operated by Norman Ellis on a property at Mannibadar owned by the Lewers family.On front: "Norman Ellis harvesting on Lewers". On back: "G. Ellis" / "Norman Ellis harvesting on Lewers 19476".mannibadar, agriculture, farming, rural activity, harvesting, norman ellis, lewers family

Black and white photo showing Norman Lade & wife Ethel posing outdoors."On back of photo" Norman Leslie (Les) Lade of Ringwood & Ethel Lade, his wife.

PRIVATE NORMAN VERREL LONG , No 591, 23rd Battalion, Killed in Action, August 16, 1916 in France.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his life. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.NORMAN V. LONGframed item, anzacs, eaglehawk

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Bendigo Mining Country." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A single poppet head and a chimney with smoke coming out can be seen on the right hand side with two houses further away. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "Norman W. Penrose" ("Bendigo Mining Country') 14 Barkly Terrace, Bendigo. phone: 36420. In red chalk No 4 within a circle. bendigo, mining, norman penrose, artist, teacher

Tpr Bartlett was the first casualty of the 4th Light Horse Regiment at Gallipoli. Tpr Bartlett enlisted on 18 August 1914 at Broadmeadows Vic and was posted to A Squadron 4th Australian Light Horse Regiment. He embarked for Egypt on HMAT Wiltshire on 19 Oct 1914 then going ashore on Gallipoli on 21 May 1915. At 8:00 pm Trooper Bartlett was struck in the stomach by either shrapnel or gunfire. His wounds were dressed and he was evacuated. He died of wounds and was buried at sea on 24 May 1915. The 4th Australian Light Horse Regiment is an ancestor unit of the modern day 4th/19th Prince of Wales's Light Horse Regiment. The Unit History Room is the custodian of its history. This memento of the first casualty of the 4th Light Horse Regiment at Gallipoli is both significant and poignantFramed portrait photo of No 72 Tpr Norman James Bartlett, 4th Australian Light Horse Regiment. In glass fronted wooden frame No 72 Trooper Norman James Bartlett, 4th Australian Light Horse Regiment Donated by Frankston RSL Sub-Branch 2016framed portrait photo of no 72 tpr norman james bartlett, 4th australian light horse regiment. in glass fronted wooden frame

Ella May Currie married Norman Holloway 1932 attendants Jessie Slorach and Eric Currie - Weddings Black and white wedding photograph. Bride and groom standing with a male and female seated.Ella Currie M Norman Holloway 1932 Att. Jessie Slorach, Eric Currie.stawell portrait wedding

George Norman Pockett, who was awarded the certificate was the son of George Pockett , who with his brother designed a number of public parks in Melbourne. George Pockett Snr. was the first curator of the Alexandra Gardens in Kew. (see Comment below)Rolls of Honor were awarded to returned soldiers at the end of the First World War by many towns and cities. This framed certificate awarded to George Norman Pockett by the Town of Kew is one of two held in the Collection. The item is well-provenanced, and through the formal use of emblems and images in the design allows us to make judgements about social and cultural values in the period.Framed Illuminated Certificate: A commemorative certificate documenting the war service of George Norman Pockett of 18 Cobden Street, Kew. George Pockett enrolled at the age of 23 on 5 October 1915, as an engineer in the Australian Army. He embarked on HMAT Wiltshire A18 on 18 November 1915. His rank was that of Warrant Officer Armament Artificer in the 4 FAB [Field Artillery Brigade]. The website of the Australian War Memorial records that he was mentioned in dispatches. The formal certificate records that ‘George Norman Pockett served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country’s Call his name is inscribed on the Roll of Honor of the Town of Kew’. The then Mayor and Town Clerk signed the certificate. [Kew did not become a ‘City’ until 1921]. The certificate highlights emblems and symbols of Australia and Great Britain, and includes the coats of arms of the allies in the war. The certificate is customised with two black and white photographs of Kew: the rotunda in the Alexandra Gardens at left, and boating on the Yarra River at right.George Norman Pockett served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country's Call his name is recorded on the Roll of Honor Town of Kew on behalf of the Mayor, Councillors and Burgesses. 1.8.18. E.P. Wynne [Mayor] H. Harrison [Town Clerk]george norman pockett, first world war - memorabilia - certificates, town of kew (vic), kew war memorial - roll of honor, wwi

Norman Lowe's placements: Underbool 1953; Merbein 1955; Wodonga & Bethanga 1960; Immigration chaplain 1961-1962; Carlton & Fitzroy Mission 1963; Church of All Nations 1971; West Heidelberg 1974; Approved appointment Community Health Yallourn 1976. Later also Boronia, Dartmoor-Merino, and the Macedonian Church Preston. Lowe was born in 1924, ordained in 1958, and died on 11 November 2013.(F375-1) Lowes standing side by side; (F375-2) Lowe standing by airport exit gate (location unknown) with a large crowd ready to welcome him; (F375-3) Lowes standing amidst the welcoming crowd; (F375-4) Lowe talking to the welcoming crowd; (F375-5) Lowe standing amidst the welcoming crowd; (F375-6) Lowe being hugged by an unknown man from the welcoming crowd."The names of Norman Lowe and Mrs Lowe"lowe, norman