Report published by the Commonwealth of Australia in February 1962 detailing the findings and recommendations following the Wool Textile Mission to North America the previous year whose itinerary covered six weeks, including twelve days in Canada and the remaining time in cities in the United States of America. Cedric Hirst, who was then the Managing Director of Godfrey Hirst Pty Ltd Geelong, was among the members of the mission. The mission sought to understand the market prospects for Australian made wool textiles products in North America. A letter in the front of the report details an invitation to Mr A. M. Collins, Collins Bros, Geelong, to attend a meeting in 1962, as a panellist to discuss the problems of exporting blankets and rugs to North America, following recommendation from the outcomes of the mission.One hundred and twenty five page report with appendixes featuring printed black text on cream paper. Book is bound with blue cloth and has printed black text and graphics on the cover. A typed letter addressed to Mr A. M. Collins with a Commonwealth of Australia Department of Trade letterhead is sitting inside the front cover.FOR LIMITED CIRCULATION / REPORT / WOOL TEXTILE / MISSION TO / NORTH AMERICA . SEPT. / OCT. / 1961australian commonwealth government, department of trade, report, textiles, north america, united states of america, canada, export, blankets, rugs, collins bros mill pty ltd, godfrey hirst & co. pty. ltd., wool textile mission

Plant Specimen from the VSF Herbarium - seeds in a cardboard box with a glass lidBox: Tsuga heterophylla. West Coast, North America. Note inside: Tsuga heterophylla: "Carminow", Mt Lofty, S Aus. November 1943. Coll: E.S.Booth

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centerpiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 meters tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.This circular glass award, engraved with a maple leaf and the word 'Vancouver,' was presented to Ian Green by Thich Nhuyen Thao at Hoa Nghiem Monastery. It commemorates the Jade Buddha’s visit to Vancouver and symbolises mindfulness, community, and the jade’s Canadian origin.Image of maple leaf and text 'Vancouver'jade buddha, memorabilia

Created to supply training and recognition of friendly/enemy aircraftExpanded the skills of recognition for aircrew and ground crew and defence activitiesSmall bakelite North American "0-47A"North American "0-47A" E9-2327 D^D D/LtdC

Coloured photographs and itinarychatham-holmes collection, elizabeth chatham, philip chatham, united states of america, canada, san francisco, eureka, gold beach, otter crest, portland, seattle, vancouver, banff, calgary

Purchased in a shop at the Department of the Interior, Washington, USA by Edna Wark.Bag of bright red, green and white cotton fabric and with white and blue fine ric-rac braid. The patchwork top is attached to a basketry base made of grass and fibre. Machinepieces and constructed Grass hand stitchedpatchwork, seminole, bags, north america, 1960-80

The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater

The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. In the north, the early arrival and tumbling song of these birds are welcome indications of spring's return. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches on this specimen are rather dull and the feathers are not as glossy black as they are in other images. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. This specimen has the colouring of the male Red-Winged Blackbird which helps to identify it as such.Swing-Tag: 137a. / Red-winged Starling / Catalogue page, 58 / Tag: A. 4429taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater

Green/black clothcovered book of 412 pages. Includes illustrations and topics such as Knights Templar, Red Cross Knights, Lesson in Architecture, botany, arithmetic, algebra, static forces, Cambridge University, chemistry, latin, Euclid, fossils, geology, Greek, Electricity, German, Organic Chemistry, shells, pearls, North America, nightshades, the Thirty Years War, commerce, reflection of light, book-keeping, mosses, South America, hydrostatics, camera obscura, London UniversityStamped 'Springs Public Libray'cambridge university, knights templar, red cross knights, organic chemistry, north america, thirty years war, south america, camera obscura, london university, springs public library

The Northern Hawk-owl is a nomadic and generally solitary bird, although they can occasionally be seen in pairs. While these birds resemble owls, their behaviour is more similar to that of a hawk, hence their name. Normally active during the day (similar to the hunting habits of a hawk), they prefer to reside in boreal forest, grasslands, shrublands and temperate, cold and polar zones. Located in North America, Europe and Asia, these owls can also occasionally be found during migration, in the northern United States. There are three subspecies in North America, Central Asia and Siberia. At the present time (2021), its numbers are stable and so it is therefore considered of ‘least concern’ on the IUCN Red List, indicating it is not yet endangered. This particular specimen has been correctly mounted and presented as a relatively accurate representation of the actual bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Northern hawk-owl's face features white and brown soft feathery plumage and a dark brown border around its face/chin area, with a dark cream curving beak soft yellowy brown coloured eyes. Its front breast feathers are generally off white in colour with some flecks of brown. It has a long brown tail with off white banding, with creamy white claws. The owl has speckled brown and white plumage over the back of its body and wings and some areas of more solid brown are present around the back of its neck and top of wings. This specimen stands upon a wooden platform and two identifying tags hang from its right leg, while a metal numbered tag hangs from its left.Swing-tag: 38 / Rayed Swin Owl –/ See Catalogue, Page 53. Tag with faded script: No 33 Strix[?] / misarea[?] / Sweden[?] Metal tag - digits on metal tag appear to read, either ‘5028’ or ‘6028’taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, surnia ulula, strigidae, northern hawk-owl, hawk-owl, canadian owl, hudsonian hawk-owl, owl, canada, asia, europe, north america

Wal Jack kept extensive notes on railways and tramways around the world, provided by his correspondents and research. This set of sheets lists PCC-type streetcars or trams ordered by North American cities between 1936 and 1947, including a summary of who ordered the most cars. Includes note on the builders. When compared to the reference, there are errors or differences. Bickarts were Ballarat Watchmakers and Jewellers.Yields information about type of work undertaken by Wal Jack.Four orange colour quarto sheets using Bickarts' letterhead providing lists of PCC Type trams built for North American cities.letters, wal jack, archive, usa, records, bickarts, pcc trams

Ill, p.196.non-fictionA collection of photographs from around the worldgeography - pictorial works, photography

Brown suede album with painted North American Indian portraitcharles page, seafarers, sailors, seamen

The cover is brown. It appears that the book's dust cover has been removed and the picture from the front cover had been adhered to the front cover. That has been partly removed leaving behind residue. The title of the book and the author's name are in black on the front cover.fictionA novel by R.M. Ballantyne.ungava, r.m. ballantyne, hudson's bay, north america, fur trader, fiction

South American beaded 3 dimensional snake made with seed beads stitched on to fabric. Dark blue with green and brown geometric designs. Fawn underside.beading, beads, north america