This is a pattern for the stove front for the oat kiln at the mill.Rectangular piece of wood, broken at one end with two full cutouts and part of third. One, and the part of another cut-out is high arches. Frame, missing in places, running along outer rim and along cut-outs. Two rows of nails run down between arches holding braces in palce on back.

Various colour photos of Wimmera Flour Mill at time it was being demolished. Note roof being dismantled. Rail line in foreground. Willaim Frayne founded the Wimmera Flour Mill on a site in Taylor Street (beside the railway line) Stawell 1876. When Willian Frayne dies 1899 his son George took over the mill. The mill continued to be a propriety company until early 1966, when it was sold to the Victorian Mill Owners. The sale was forced because of the lack of export markets. A factor which affected most country mills. The Victorian Oat Growers Pool took over on July 1st, 1967. Trading under the name of Wimmera Flower Mill as a subsidiary company. Later years it sold clipped and graded seed, oats, stockfeed for poultry, pigs and dairy cattle and all types of crushed grain. The original Frayne homestead still stands behind where the Mill stood facing Frayne Street. In 2007 during our "Collection Review" the four smaller colour photos, which were donated by Mr. Mick Walsh, 52 Patrick St Stawell were very similar to the bigger photo in the file 139.6e.139-6 a-d & e Coloured photographs showing various views of the Wimmera Flour Mill or Grain Handling Corporation building in progress of being demolished. There is a red brick building with a tiled roof in these coloured photos. The rail line is shown in foreground of 139-6 e. Our records on the data base show 139-6e to be a black & white photo but the same photo in the office folder is an enlarged colour photograph. Grain Handing Corporation stawell industry

Back L to R: Dot Margetts, Betty Crouch (ass sec) Diane Smith (v. pres), June Grace, Joyce Grace, Pat Asten, Betty Kingston, Lana Oates, Ella Tidy, Margaret Beech, Daisy Mason, Fay Nicholls. Centre: Bev Biggs, Colleen Floyd, Betty Giles, Betty O'Neill, Thelma Illig, Pat Holloway, Kath Prosser, Barbara Court, Roma Smith, Enid Hyslop, E. (Bub) Dickens, J Rowlands, Phoeme Dunn, Pearl Newton, Ivy Mills. Front: Ev Hooper, Marge O'Neill, Vi Floyd, R Lynch, E Dunn, Ella Dunn, Ev Maddocks, Phyllis Ledger, Jean Phillips, Rene Williamson (Hughes), Enid Hughes. Front: Diane Raeburn, Kathleen Rickard (pres) Pam Mason (sec/tres), Eileen Smith. Reunion 1973 Stawell Fire Brigade Centenary Photo taken upstairs of Stawell Old Fire Station Full List of Names on Back

1928 – H.L. Stacey 1929 – M.E. Affleck 1930 – Nancy M. Johnston 1931 – Peggy M. Jones 1932 – Lesley E. Rowe 1933 – Jason R. Sleeman 1934 – Orm. G. Bottomley 1935 – Patricia B. Williams 1936 – Stewart N. Doble 1937 – William J. Hodgson 1938 – Geraldine Weynton 1939 – John A.F. Glenn 1940 – Barbara E. Fricke 1941 – Geoffrey W. Woodward 1942 – Lorna I. Wookey 1943 – Eileen Pentreath 1944 – Olive Dann 1945 – Iris Arnold 1946 – Joyce M. Dann 1947 – Suzanne Robertson 1948 – Maxwell Lovelace 1949 – Lynette Nesbit 1950 – Judith A. Ewing 1951 – Dorothy Gray 1952 – Marjorie Madigan 1953 – June Foley 1954 – Judith Lloyd 1955 – Cynthia Cope 1956 – G.K. Bannerman & M. Una Mills 1957 – Gavin Franklin 1958 – Ian Koochew 1959 – Shirley Chapple 1960 – Anne Foster 1961 – Joy Edwards 1962 – Wanda Downes 1963 – Keith Bumford 1964 – Sharon Coates 1965 – Julie Desmond 1966 – Karen Voigt 1967 – Ian Blume 1968 – Julie Oates 1969 – Stephen Shipp 1970 – Wendy Oates 1971 – Grant Medbury 1972 – Megan Broadway 1973 – Peter Phillipscastlemaine north primary school

Set of 8 black and white photographs of the SEC Ballarat track welding truck, Reg. No. 119 341. Truck is a British Bedford truck, model WHG, built by GMH Melbourne between 1932 and 1934. Has a fabric roof, chassis fitted with a tray top body, side tool box, metal frame and covered with canvas, fitted out with a motor generator set, welding equipment and oxy acetylene bottles. Also fitted with a spot light - 'Auto Reel Lite". - See Related Items sheet on truck notes provided by Kevin Oates, MFESB workshops, 4/2001. (Scan of this sheet of the Kodak folder added 15-8-2017 - see pdf file.) 1705.1 - side on view of truck with covers down, except for opening at back. Photographed in Wendouree Parade with two different boat sheds in the background. 1705.2 - view with drivers side cover opened, showing equipment arrangement. 1705.3 - close up view of motor generator set and controls and one of the oxy acetylene bottles. 1705.4 - view showing equipment laid out on the roadway, welding cover, seat, grinder, cables, shovels, welding mask etc. 1705.5 - close up view of motor generator control panel and associated cables. 1705.6 - view of side of truck showing all equipment. 1705.7 - vertical format photo from rear of truck showing equipment laid out and wandering lead connected to the overhead. Also shows high voltage wires on a power pole fitted with a bracket arm. 1705.8 - view of truck from the front, with SEC symbol on side, with a covers closed. Thought to be photographed at loop in Wendouree Parade on the View Point line, near Mill St. Prints when donated to the BTM were contained within a red and yellow "Kodak" folder. Folder stored with catalogue worksheet. On rear of folder in ink is number "53569" and stamped on the front is number "984" and written in front top left hand cover, "8 prints" and in top right hand corner word "Sarah". See Notes provided by Kevin Oates of the MFESB (Metro Fire Brigade Melbourne) Thornbury workshops on the truck, manufacture and engine. A survey of Wendouree Parade on 22/4/2001 did not show the boat sheds or power lines featured in the photographed. Thought to be in vicinity of Power station because of the high voltage lines on the power poles.Stamped on rear in black ink, "984" on photos 1705.3 to 1705.8.trams, tramways, welding truck, trackwork, secv, wendouree parade

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rectangular copper stencil plate, ribbed edging; Anderson's Mill trademark (circular saw) in centre; some lettering is difficult to read due to corrosion / breaking of this section; some green surface corrosion; red paint around central trademark saw and lettering."FLAKE / ANDERSON'S / OAT MEAL / SMEATON"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.(approx) Rectangular metal stencil for oat or flour bag; rectangular section has been cut away from top LH corner, triangular section has been cut away from top RH corner; significant surface rusting; one letter of the stencil marking (letter R) has been covered over with a rectangular metal piece soldered onto stencil surface."SGC (R) / PORT SWETTENHAM"

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain. Paint applied to stencil in the 1980;s for use on an interpretation display board.Rectangular, galvanised iron stencil for oat bag; small section cut away from each corner; bottom R corner cut-out and replaced with new stencil (Lettering 'Horses'), soldered on from behind main sheet. GLEN DEVON lettering surrounded by red paint, then later with blue paint.; red paint around other lettering (feed oats for racehorses)"GLEN DEVON / FEED OATS / FOR / RACE HORSES"

[1] Three Bears Porridge Flaked Oatmeal Bag: This textile bag originates from Canadian Cereal Mills Ltd., which marketed "Three Bears" flaked oatmeal. Popular in the early 1900s to mid-century, this product combined functional packaging with a child-friendly incentive — a cut-out cloth doll. The practice of printing toys, games, or clothing patterns on flour or oat sacks was a common marketing strategy, encouraging reuse and appealing to families during times when thrift and creativity were essential, especially during the Depression and wartime years. The Three Bears brand played off the enduring popularity of children’s nursery tales, while the doll encouraged children (and parents) to reuse packaging creatively. This object captures a unique intersection of food marketing, household resourcefulness, and early 20th-century domestic life. [2] Mammy Self-Raising Flour Bag: This item is a mid-20th-century Australian flour bag, branded “Mammy Oven Puff”, produced by A. Mammy Products Pty Ltd in West Footscray, Victoria. The use of the name "Mammy" and the caricatured illustration draws on a now widely recognised and offensive racial stereotype originating from American minstrel culture, commonly used in product branding in the early-to-mid 20th century. While the bag reflects a specific period in Australian domestic and commercial packaging history, it also exemplifies racially insensitive advertising that would be considered inappropriate and harmful by today’s standards. Such items are preserved today in museum collections to help document past social attitudes, consumer culture, and the evolution of racial representation in advertising. [3] Bandung Blue Triangle Brand Flour Bag: This bag represents a mid-20th-century Australian flour export product, particularly aimed at international markets such as Indonesia (as indicated by "Bandung"). The “Blue Triangle Brand” was likely a registered trademark used by a Melbourne-based flour mill engaged in both local and overseas trade. The use of durable cloth bags for bulk flour was common prior to the widespread adoption of paper and plastic packaging. These bags were often reused domestically for household textiles, clothing patterns, or storage. The export reference (Bandung) underscores Australia's historical agricultural trade ties with Southeast Asia, especially in wheat and flour exports. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.[1] Three Bears Porridge Flaked Oatmeal Bag: A vintage cloth oatmeal bag printed with black ink on both sides. One side is branded with "Three Bears Porridge – Flaked Oatmeal", showing an image of three bears behind a gate, referencing the well-known “Goldilocks and the Three Bears” fairytale. The opposite side features a printed cut-out doll design, showing a young girl with curly hair holding a bouquet of flowers, intended to be sewn into a stuffed toy. Instructions note that the reverse side (the doll’s back) could be obtained from a second bag. The design combines product branding with a promotional activity for children, typical of early- to mid-20th-century grocery packaging aimed at reuse. [2] Mammy Self-Raising Flour Bag: A small vintage cloth flour bag with printed branding in faded red, blue, and black inks. The front of the bag features a central image of a caricatured smiling African American woman wearing a headscarf. The text is unevenly faded but legible in parts. The bag has a rectangular shape with an open top edge and signs of previous use, including creasing and some fraying at the corners. [3] Bandung Blue Triangle Brand Flour Bag: A large, rectangular vintage cloth flour bag made of cream-coloured calico or cotton. The front of the bag is printed in bold blue ink with branding and export information. It prominently features a large triangular logo reading “Blue Triangle Brand” and numerous lines of text in block and stylised fonts. The bag is open at the top with frayed edges, suggesting it was once machine-stitched shut and later opened.[1] Three Bears Porridge Flaked Oatmeal Bag: Front side (branding side): "THREE BEARS Porridge – FLAKED OATMEAL" "7 Lbs. Net." “Packed and guaranteed by Canadian Cereal Mills Ltd., Toronto” Reverse side (doll pattern): "This is the Front for Three Bears Cut-out Doll" "In order to complete this Doll it will be necessary to obtain the Back Design from another Bag of Three Bears Rolled Oats or Oatmeal." [2] Mammy Self-Raising Flour Bag: Main product name: “MAMMY OVEN PUFF SELF-RAISING FLOUR” Additional text: “The Only Creamed Flour” “Prepared with phosphate aerator” “A. MAMMY PRODUCTS PTY. LTD., Sunshine Rd., West Footscray. Phone: FW 7321” “7 LBS. NET” (near top edge, very faded) [3] Bandung Blue Triangle Brand Flour Bag: The bag is printed with the following: “10270” “G.W.C | H.L” “BANDUNG” “BEST AUSTRALIAN” “BLUE TRIANGLE BRAND” (inside the triangle logo) “GROWER & GRINDERS” (curved around the logo) “Patent Roller” “MELBOURNE” “FLOUR” “50 LBS. GROSS WHEN PACKED” These inscriptions indicate that this flour bag was manufactured in Melbourne, Australia, and was likely exported to Bandung, Indonesia.farm equipment, flour, milling, oats