This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL'S MECHANICS' INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Old Man Murray Author: Will Lawson Publisher: Angus & Robertson Date: 1937Label on spine cover with typed text PAT FIC LAW Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Fly paper has a stamp from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, old man murray, will lawson

black and white photograph of man and woman wearing Victorian era clothing / old and stained / rear shows Logo - Wm Murray Photographer , 74 Broomielaw St Glasgowphotograph, person, male / female, black and white photograph of man and woman wearing victorian era clothing / old and stained / rear shows logo - wm murray photographer , 74 broomielaw st glasgow

The books main focus is about a social relationship. It contains the memoirs of an Australian woman who meets an older Italian man.2 paper back books. Covered in a floral pattern that is bold and dark red, which goes darker on the back cover in an ombre style. Inside one book is two paper bookmarks, one completely white and laminated and the other with the books details on it.The title and authors name printed on the books covers. The inside of one of them has written "To the Tatura Museum with best wishes Vivian Achia".vivian achia, autobiography

1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. Camp theatre productions. Wilhelm Fugman, producer. Colour photograph of poster in theatre folder.Colour poster of a man and women dressed in old time clothes. The man is bent over the hand of the lady and appears to be kissing it. Name of play and dates of play on left hand side.camp theatre productions, wilhelm tell, shakespear productions in camps

Back row: Adolf Linsenmaier, Jurgen Tretz, Mr Weaving (teacher), Heinz Palmer (partly hidden) and Gottlob Reinhart (alias ABU ULI, Arabic for father of Ulrich). Middle row: Eberhard Bitzer, Erich Haering, Aerbe Black. Front row: Ernst Wied, Helmut Palmer, Kuno Kaltenbach (in lederhosen) and Harold Gratze.Black and white photograph of 12 boys and teenagers, one young and 1 older man standing in front of a hut with 2 prominent ventilators. Young bloke in front right in traditional shorts and braces.internee children, camp 3, adolf linsenmaier, jurgen tretz, mr weaving, gottlob reinhart, eberhard bitzer, erich haering, aerbe black, ernst weid, helmut palmer, kuno kaltenbach, heinz palmer, abu uli

Captain Maddigan and his family were at Camp 4.Black and white photograph of Captain Maddigan, peak cap, kneeling with his 5 year old daughter standing, straddled across his left leg. Behind is a bushy tree and the Australian flag. 2/3 in the photograph an Army hut, right of picture, with hedge and a man behind Captain Maddigan.madigan, captain, 1944, camp 4 garrison

One of a series of photographs taken during the Victoria 150 celebrations. The old Bank of Victoria is now (2017) the NAB.Colour photograph of a man giving a speech to a group of people, some of whom are wearing period costume.On back of photo: "Rutherglen | The Mayor addressing crowd after the unveiling of plaque on old Bank of Vic. 1985"nab, bank of victoria, historic plaque

Photograph is of a Hicks family cricket team at a match in December 1925 - Hicks vs Dudauman. We don't know who won.Black and white group photograph of cricket players, with older man in a suit on the left of the photo. Identification of the players on a separate piece of paper. This is one copy of four.hick family, dudauman

Coloured photo of old Rutherglen police station with a man standing on the verandaOn back of photo: "Rutherglen Police Station. Sgt Stan Fursdon about 1964"police station, stanley m fursdon

Black and white photograph of a man in suit and tie standing in front of a houseOn back of photo: "Another Xmas passing, another year ending. With pleasant memories. Old times. Old Friends. Roy Ready, Rutherglen"ready family, roy ready, royston ready

One of a series of photographs taken during the Victoria 150 celebrations. The Common School No. 522 is now the Common School Museum of the Rutherglen Historical Society.Colour photograph of a group of people near the front steps of Rutherglen Common School No. 522, one man standing on the steps near the historic plaque.On back of photo: "Rutherglen | Mayor addressing crowd after unveiling of plaque on the old Common School 1985"common school, rutherglen common school, school buildings, historic plaque

Black and white photograph of a young man posing in starting position for a foot race.On back of photo: "George Perdon 1948 (24 years old)"perdon family, george perdon

Photograph is of a Hicks family cricket team at a match in December 1925 - Hicks vs Dudauman. We don't know who won.Black and white group photograph of cricket players, with older man in a suit on the left of the photo. Identification of the players on a separate piece of paper. This is one copy of four.hick family, dudauman

Photograph is of a Hicks family cricket team at a match in December 1925 - Hicks vs Dudauman. We don't know who won.Black and white group photograph of cricket players, with older man in a suit on the left of the photo. Identification of the players on a separate piece of paper. This is one copy of four.hick family, dudauman

Photograph is of a Hicks family cricket team at a match in December 1925 - Hicks vs Dudauman. We don't know who won.Black and white group photograph of cricket players, with older man in a suit on the left of the photo. Identification of the players on a separate piece of paper. This is one copy of four.hick family, dudauman

Black and white postcard with two oval photographs with "Greetings from Rutherglen" on a banner between them. The top photograph is a view of a riverbank with a man seated on the bank fishing and smoking a pipe. The bottom one is a picture of the Post Office in Main Street.At bottom of top photograph: "The Murray River." At bottom of bottom photograph: "Post Office." Message on back of card: "To Mr Barber with every Good Wish for a merry xmas and the Happiest of New Years. From your old friends Sam & Nellie Williams. 23/12/13."murray river, rutherglen post office, christmas greetings, sam williams, nellie williams

Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available

Murray Comrie Collection. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph. View of Commercial Road Tarnagulla looking south. A man at centre, walking toward camera. Right of this figure are two carts standing at the road's edge. Far right is Renshaw's Drapery and left of that the Golden Age Hotel. A man is walking along the footpath in front of Renshaw's. Typed caption on original is 'Commercial Road, Tarnagulla, looking south from Poverty Street'.tarnagulla, commerce, stores, shopping, shops, draper, hotels, golden age hotel, buildings, commercial road, main street

Murray Comrie Collection. Murray Comrie's information about Renshaw's to be added. This photograph is a dark copy probably created from an older original.Monochrome photograph of people outside Renshaw's Store in Tarnagulla. Three women standing on curb and a man standing on wagon with two harnessed horses. The woman in the middle is Mary Renshaw, and she is surrounded by her daughters. The gable roof of the Golden Age Hotel can be seen dimly on the left.tarnagulla, renshaw's, renshaws, renshaw, shops, businesses, commercial road

Murray Comrie Collection. Murray Comrie's information about Renshaw's to be added. The Golden Age Hotel is visible to the right of Renshaw's store. This photograph is a fair copy created from an older original.Monochrome photograph of people standing outside Renshaw's Manchester House Store in Tarnagulla. A woman at far left, small group with elderly woman and man with woman and two small children. A young man at far right.'Renshaw's Manchester House Commercial Road TARNAGULLA' handwritten on front. On reverse, several handwritten captions including: 'Taken over some time prior to 9.1.1886' and 'Photo about 1905 - Golden Age on right, orig. with A.M. Renshaw'.tarnagulla, renshaw's, renshaws, renshaw, shops, businesses, commercial road

Murray Comrie Collection. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the late 1960s.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart. tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Murray Comrie Collection. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the late 1960s.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart. tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Murray Comrie Collection. Significance of group or purpose of image not known. This photograph is a somewhat faded image created from an older original. Copy probably made by Murray Comrie in the 1970s. A group of employees of the Exchange Store and Tarnagulla Flour Mill Back row, from the left: TT Cheetham, H Johnson, P Sheehan, , W Reilly, Cheetham, B. Llewellyn. Middle row: W Fitzgerald, Carr, C Turner, T Leonard. Front row: W Lawry, D Reilly, B Cousins.Monochrome photograph depicting a group of men (some of them young men) posed in front of a peppercorn tree. Man at far left has a bicycle. Man at far right holding a pipe. Accompanying note identifies subjects as: (Left to right) Back row: P. Cheetham (with bicycle), H. Johnson, P. Sheehan, Mr, Reilly, T. Cheetham, B. Llewellyn (with pipe). Middle row: Mr. Fitzgerald, Mr. Carr, Mr. Turner (with dog), Mr. Leonard. Front row (kneeling): B. Lawry, D. Reilly, B. Cousins. tarnagulla, people

Murray Comrie Collection. Monochrome photograph of six men and a boy all in suits, lined up in front of a small brick building which may be the police lockup in Tarnagulla. The older man is probably Sgt Angus Comrie, police sergeant in Tarnagulla. The boy is probably one of his sons, possibly Murray Comrie. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1960s.tarnagulla, comrie, policing, police

Murray Comrie Collection. Monochrome photograph, image depicting a man standing in front of a baker's delivery vehicle with motor car wheels. Signage on vehicle reads ' C.J. Petersen Baker Newbridge'. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, food, businesses, petersen, baker, transport, newbridge, victoria

Murray Comrie Collection. Monochrome photograph, image depicting a man standing on a concrete path, with a rifle raised ready to shoot, away from camera. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.In texta: 'Doug Twigg Trap Shooting a Newbridge Club'newbridge, sport, recreation, shooting, rifle club, clubs