Prince of Tempters is a 1926 American silent romance film directed by Lothar Mendes and starring Lois Moran, Ben Lyon, and Lya De Putti. It is based on the 1924 novel The Ex-Duke by the British writer E. Phillips Oppenheim.Large coloured movie poster with image of man and women with devil in between A First National Picture. Robert Kane presents "The Prince of Tempters" with Lois Moran, Ben Lyon, Lya De Putti, Mary Brian, Ian Keith, Sam Hardy, Olive Tell Adapted from "the Ex-Duke" by E. Phillips Oppenheim A Lothar Mendez Production First National Pictures1I-SH-A "Country of origin" USA R-919lya de putti, mary bria, ian keith, sam hardy, olive tell, "the ex-duke", e. phillips oppenheim, lothar mendez production, first national pictures, usa, a first national picture, robert kane, the prince of tempters, lois moran, ben lyon, theatre, movies, kiss

The notification to Mr Oliver Foster to tell him he will be notified in either off 3 ways to attend a medical examination. Refer Cat No 4783Military Post Card Eastern Command PRO FORM U 19A, rectangular shape, off white colour, front has green stamp & P.O stamp print in black, purple stamp hand written in black pen, rear all print in black stamped in purple hand written in black.On front in black pen, “Mr O FOSTER Rosedale St St Ives”, stamped, “Area 18B Hornsby”, rear signed by, “W Brown” area Officer 18B, date stamped, “25 Feb 1943”.card, post cards, medical, examinations

This is a book of 162 pages. The cover has a brown background with white printing and black and white photographs on the front cover and a colour photograph and printing on the back. The pages contain a Foreword, an Introduction, an Appendix, a Bibliography, printed material and colour and black and white photographs.non-fictionNorman Family Historyhistory of frederick norman and family, william norman

Paperback blue cover with red English merchant Navy flag. 74 pagesfictionFrom the 1942 cover: We are proud to announce this book by Frank Laskier, "a sailor, an Englishman," the merchant seaman who gave the ever-memorable postscript after the BBC news on the first Sunday in October. The millions of listeners who heard that deeply moving voice will welcome an opportunity to read many more stories of the war at sea, which Laskier tells with the incomparable vividness of simple truth, and which made him a great broadcast speaker overnight. Laskier sounds, too, the note of victory that will bring a universal response-"Remember what we have been through; remember what we're going through; and fight and fight, and never, never, never, give in!" The publisher of this new edition has included an introduction and explanatory footnotes, as well as an appendix listing the ships mentioned in the book along with their descriptions. First published in 1942 by George Allen & Unwin, Londonfrank laskier, seafarers, sailors, seafaring life, ww2, world war 2, merchant navy, bbc, radio, liverpool, second world war, australia, padre oliver, battle of the atlantic, frank laskier (1912-1949), gunner, log book

Town Hall, Young Men's Christian Association of Bendigo Orchestral Society. Orchestral Concert, Town Hall, Bendigo. Wednesday, 30th, 1923, at 8pm. Conductor: Frank Grose. Assisted by: Lily Jackson, Soprano. Edith Lansell, Contralto. Muriel Boldt, Pianiste. William Cahill, Baritone. Mabel McGauchie, Accompaniste. Orchestral Society. Hon. Sec.: Thos. Shambrook. Pirates of Penzance: Romanza Scenza, Arabesque No. 2, Air De Ballet, Death and the Maiden, Sapphic Ode, Let me Love Thee, Russian Boatman Song. William Tell: O love from Thy Pow'r, Scherzo in Bb Minor, Abide with Me, Rock of Ages, Time was I Roved the Mountains, Eyes that used to Gaze in Mine, Invitation Vocal Valse, Coronation march. Bendigo YMCA Orchestral Society. First Violins: Miss Myrtle Knight, Agnes McNair, Olive Hannaford, Winnie Pithie, Louise Bolton, Louise Downie, Ruth Spier, Alison Smalley. Mrs. Grant, Swift. Second Violins: Mr. J E Fitt, A Richardson, Rex Matthews, Miss Lily Campbell, Elsie Stemmer, Myrtle Phillips, Alma Doxford, Evelyn Miles, Elva Hesse, Winnie Hobson, Master T Challen, J Watts. Cellos: Madame Dorothy Duval, Miss Maisie Field, Mr. E Minotti, W Ellis, G L Verey. Basses: Mr. J H Melrose, J Lavacombe, R Rule, W Jackson. Flutes: Mr. A E Sayer, R Crawford, Dilworth, Moon. Piccolo: Mr A E Sayer. Oboe: A B Challen. Clarinets: Mr. A B Challen, J Bowman, J McEwan. Horns: A Johnston, H Hilderbrande, J Tredinnick, L Rundle. , Trumpets: Mr. B Bowater, P Reed, N Banfield, A Old. Trombones: Mr. D Collier, H Bolton, W Pain. Euphonium: W Ketterer. Tubas: Mr. A Hoking, W Ketterer. Sassoon: Mr. T Francis. Timpani: Mr. J McLoughlin. Percussion: Mr. J Osborne. Organist: Mr. F C Stuart. Pianist: Miss Mabel McGauchie. Conductor: Frank Grose. President: Barkly Hyett. Treasurer: G W Lansell. Librarian: W J Wearne. Honorary Secretary: Thos. Shambrook. Three concerts per year will be given by the society. Next two concerts in August and November 1923. Subscribers Tickets are 1 pound 1 shilling. This ticket entitles holder to two booked seats for each concert. Picture of Harp with music book, laurel and bird on cover. 4 pages.F. H. Sparkman, Arcade Press, Bendigo.program, music, town hall, ymca of bendigo orchestral society. orchestral concert

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Three copies of a speech, eight typed pages each, titled The ten novels I regard most highly. A talk for the Australian Broadcasting Commission. 1st October 1951. Corrections in blue ink and pencil. His ten nominated novels were : David Copperfield and Tale of Two Cities by Charles Dickins, Lorna Doone by R. D. Blackmore, War and Peace by Tolstoy, Kipps by H. G. Wells, Three Musketeers by Alexandre Dumas, Tell England by Ernest Raymond, Hypatia by Charles Kingsley, Treasure Island by Robert Louis Stevenson, and Pilgrim's Progress by John Bunyan. Norman Oliver served on the Library Board of Victoria.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. australian broadcasting commission.

The fringed tablecloth is an example of a domestic item brought to Australia by early settlers in the Western District of Victoria as a home comfort.The fringed tablecloth helps tell the story of the arrival of European settlers and the small, light home comforts they brought with them to maintain a meaningful connection to home.Fringed and lined square tablecloth. The front is hand embroidered on brown loose weave fabric, the back a pale yellow polished cotton fabric. The edges on the back have been turned and machine-stitched. Hand-stitching has been used to join the top to the back and to add the fringe around the edges. The embroidery uses tapestry wool in cream, yellow, brown and green tones. The style is possibly an example of European folk-style hardanger embroidery technique. An inscription on a pink ribbon is sewn onto the reverse.“S F . 31303 OLIVER YEA - - [undecipherable]”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, tablecloth, fringed tablecloth, embroidered tablecloth, european embroidery, hand sewing, domestic object, handmade, textile, silk thread, geometric design, vintage, long-stitch, zigzag design, decorative, home décor, domestic linen, table linen, hardanger embroidery, hardanger

Peach coloured spine with olive printed text. Cover shows a photograph of two nurses in Vung Tau in 1968 standing by a clothes line and hanging up washing, one is wearing swimwear and the other is wearing shorts and top. The title is printed across the top in yellow print and the sub title below that in white print.non-fictionDon't forget your cotton underwear, girls! Most books that look at the involvement of Australians in the Vietnam War rarely allude to the role of nurses. But war and nursing are unequivocally linked. A total of 43 Australian Army nursing sisters were sent to Vietnam between April 1967 and November 1971, undertaking tours of up to 12 months. The nurses were assigned to a military hospital in a war zone with little advanced preparation, particularly as clinicians with exposure to trauma, critical care or theatre. The contribution of these women undoubtedly affected many soldiers in profound ways. Tears on My Pillow describes the experiences of nursing in the Vietnam War using the words, voices and photographs of these servicewomen. These veterans tell tales of femininity interspersed with the reality of the military environment through their stories of trauma, distress, tears and grief that went on for many years, and stories of underwear, fun and the basic things in life. [From Trove]vietnam war, royal australian army nursing corps, australian military nurses

Peach coloured spine with olive printed text. Cover shows a photograph of two nurses in Vung Tau in 1968 standing by a clothes line and hanging up washing, one is wearing swimwear and the other is wearing shorts and top. The title is printed across the top in yellow print and the sub title below that in white print.non-fictionDon't forget your cotton underwear, girls! Most books that look at the involvement of Australians in the Vietnam War rarely allude to the role of nurses. But war and nursing are unequivocally linked. A total of 43 Australian Army nursing sisters were sent to Vietnam between April 1967 and November 1971, undertaking tours of up to 12 months. The nurses were assigned to a military hospital in a war zone with little advanced preparation, particularly as clinicians with exposure to trauma, critical care or theatre. The contribution of these women undoubtedly affected many soldiers in profound ways. Tears on My Pillow describes the experiences of nursing in the Vietnam War using the words, voices and photographs of these servicewomen. These veterans tell tales of femininity interspersed with the reality of the military environment through their stories of trauma, distress, tears and grief that went on for many years, and stories of underwear, fun and the basic things in life. [From Trove]vietnam war, royal australian army nursing corps, australian military nurses

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Olive green linen cover with embossing on edge and spine. Gold printing on spine. 256 pages. The front of the original dust cover has been attached to the inside of the book. It is colour picture of four children in a farmyard with chickens and two cats. Painted by Ettel Kate Burgess.Hand written inside: Else-Lore Oertel from the Red Cross, Christmas 1942, Tatura Internment Camp 3A. else lore hukins, children's books, camp 3, christmas, red cross, internees

This book is a collection of Victorian Indigenous Elders' life stories and oral histories. The Elders share their stories in an attempt to ensure that both sides of Australia's history are finally heard. These stories tell of cultural resistance on missions, of defying assimilation laws, of forever moving around to save children from the welfare. They document the development of both fringe and urban communities and work in the Aboriginal rights movement. They clarify the ways in which these experiences have affected the individual authors along with the indigenous population in general. Also included in the book is a brief history and analysis of the legislation, policies, attitudes and strategies that have affected the lives of the authors and their families since colonisation. This aspect provides an historical perspective, encouraging a deeper understanding of the Elders' stories. Reconciliation can only eventuate with an understanding gained from hearing and including the voices of Indigenous Australians. Contents: The writing team Indigenous elders: keepers of knowledge; custodians of land and culture Aboriginal lands Missions and reserves Growing up running from the welfare /? Aunty Olive Jackson Respecting our Elders /? Aunty Lola James If your mother didn't tell you, then your grandmother did! /? Uncles Les Stewart Don't dwell on trouble /? Aunty Audrey Critch There are my people /? Aunty Gwen Nelson We were all cousins, more or less /? Aunty Iris Lovett-Gardiner Aboriginality is about culture, not colour /? Aunty Dianne Phillips Take up the opportunities we struggled to make /? Aunty Frances Gallagher Home /? Aunty Eileen Alberts We were supposed to forget our Aboriginality /? Aunty Gwen Garoni Not enough heart to say sorry? /? Uncle Brian Kennewell-Taylor Learning from indigenous elders: Keeping the traditions, keeping the culture strong; Since time immemorial; Invasion: the tide ran red; The flood of legislation; Stolen children; Cultural resistance: holding on to children traditions and land; Organised resistance: a movement is born; The 1950s: community resistance to race laws; The price of assimilation; The Aboriginal rights movement; After the flood: self-determination; Turning the tide Bibliography Appendix. Cultural custodianship: developing an indigenous methodology.maps, colour illustrations, b&w photographswiradjuri, victorian indigenous elders, oral histories, yorta yorta, dja dja wurrung, language maps, victorian missions and reserves, lake condah, framlingham, coranderrk, ramahyuck, lake tyers, wahgunyah, cummeragunja, moonahcullah, balranald, ebenezer, maloga, acheron

Transcription of the speeches given at a dinner at the Oakleigh Waverley Branch to honour Legatee Frank Doolan, who was a close friend of Stan Savige and a founding member of Melbourne Legacy. It was Doolan who suggested in 1925 that the object of Legacy be changed from the original intention to find work for returned servicemen to looking after the widows and children of those who had died. Although he refused nominations to be President throughout the ensuing years, he served on many committees, working tirelessly in the background. He was also a part of the campaign to build the Melbourne Shrine of Remembrance. He recounts the confrontation between Legatee Kemsley and Allan Spowers, the Editor of the Argus. His address at the dinner was self deprecating in tone and contained many interesting anecdotes about famous people he had worked with, including Stan Savige. He tells the story of how the Savige Toby Jug (00198) was created by Herb Greenway for an event to welcome Savige back from WW2, and how as a member of the Anzac Observance Committee he helped to distribute a couple of hundred Lone Pine seedlings around Australia. He also recounts the pride he felt in being asked to plant the Olive Tree of Peace at the Shrine of Remembrance in 1973 as part of the Legacy 50th anniversary celebrations. The olive tree was moved in 2002 into the new courtyard. He talks about being asked to propose the toast of Legacy at the 1965 Perth Conference and recounted part of what he said. He used the analogy of the cause of Legacy being like a cloak with threads of gold and silver, interwoven with the efforts of Legatees. The personal anecdotes reveal the human side of Legacy history, and attest to the social customs of the day.White foolscap paper x 13 pages with black type of a report on a dinner at Legacy House for L/ Doolan.Title page: 'Archive copy' handwritten in blue biro. Some pencilled annotations throughout.legatee event, tree planting, speech, frank doolan