Donated by the Presentation Sisters of Mt Carmel ConventBlack and white photogaph of an Archbishop, unframed & unmounted. Archbishop is probably Coptic Orthodox, flowing beard, glasses."God Bless Mr. Peterson. Archbishop _ [illeg.]" On Back: "Hollywood Studios Pty Ltd"orthodox priest

Archimandrite Irineos Kassimatis is in the photograph which appears to be at a wedding table. The men are wearing floral lapel corsages worn at weddings. Archimandrite Irineos Kassimatis was appointed to Melbourne in 1922 by the Church of Greece appointed in Australia.A black and white photograph in postcard format of four men siting at a table at a social function. The man on the RHS of the photograph is a Greek orthodox priest. unknown

The gathering of men and woman includes the Greek Orthodox priest and appears to be some sort of celebration. A scanned photograph of a large group of well-dressed men and women standing in an open area in a rural setting.unknown

Father Shimuye Mebratu is one of a growning number of Orthodox priests driven from their parish by drought in Wello Province.B & W waist length photograph of Father Shimuye Mebratu carrying a silver Orthodox cross."Father Shimuye Mebratu with his silver Orthodox cross Reproduction permission is granted for editorial purposes only. World Vision photo credit must be given at all times when reproducing this photo World Vision Media Department Phone (03) 699 8765 C&N 20/2/1985 page 7"mebratu, shimuye, father, orthodox cross

The photograph is taken following the baptism of Marietta Paizis, the daughter of Gerasimos and Penelope Paizes, took place in an Anglican Church in Mildura with the Orthodox priest conducting the service. This was common practice amongst the Greek community in Mildura during the first half of the twentieth century as there was no Orthodox Church in the town. The priest travelled from Melbourne to conduct special family services for the Greek community in Mildura and other regional towns in Victoria. It is possible that there was more than one baptism during the service to take advantage of the priest attendance in Mildura. Marietta was the daughter of Maintaining traditional customs and ceremonies has always been important amongst the Greek immigrants who settled in Australia. Although the majority of Ithacans and other Greeks settled and established businesses in Melbourne during the first half of the twentieth century, some settled in regional towns throughout Victoria. Ithacan settlement in Mildura dates back to the early 1900s. A black and white photograph of a group of people standing outside a church. Three adults holding their babies are standing in the front of the group. Everyone in the group is smartly dressed suggesting that the photograph was taken to celebrate a special occasion.

Pictured is Archimandrite, Daniel Maravelis with members of the Greek community in Mildura. He was born in Smyrna and was the Archimandrite of the Greek in Melbourne from 1915 to 1922. He presided over the official opening of the first IPS clubrooms located at Michael's Building, Cnr Elizabeth and Lonsdale Streets Melbourne on Sunday 23rd September 1917. Similar vehicles were used between the years 1915-1925 to travel to picnics.A black and white photograph of a vintage bus parked outside a weatherboard building which is partly hidden with vines. A two storey hotel building is on the LHS of the photograph. A priest is standing in the bus and two men and a lady are standing in front of the vehicle. Two other people are standing on the far RHS. A tent is visible in the middle distance.In Greek: Sigalis and Rita Nicolaidisgreek orthodox community

The photograph was taken during the ceremony of the Sacrament of Marriage when the wedding party, led by the priest circles the ceremony table. Known as the Dance of Isaiah, it forms part of the rich and symbolic Greek Orthodox wedding. The circling represents a dance for the joy of God’s presence and the couple is lead by the priest who holds the Holy Gospel. The wedding crowns (stefana), which represent the couple being king and queen of their home, are joined by a ribbon symbolizing the couple's unity. Father Voyatzoglou is the priest officiating at the wedding service. A black and white photograph of a Greek wedding ceremony taken during the time of the ritual 'procession'. The wedding party at the altar includes the priest, the bride and groom, four bridesmaids, a flower girl and a candle bearer. A large chandelier hangs above the altar and there is a partial view of a religious icon which is part of the iconostasis, a wall which separates the nave from the sanctuary.wedding ceremony

This a photo is taken in the early 1980s at the baptism of Anastasi (Stasi) Trikaliotis, the son of Lea and Con Trikaliotis. Stasi, pictured held by his godfather, is the grandson of the Naki and Golfa Raftopoulos. The baptism of a child into the Greek Orthodox Church is a very important important family, cultural and religious event within the Greek community. A coloured photograph with rounded corners of a priest blessing a baby during baptism ceremony. A man is holding the baby.baptisms, religious ceremonies

The photo is taken in Vathi Ithaca at the Apokries carnival. It is the tradition to dress up and have fun. The Agios Prebezis and Papadia signs on the back of the two people in the foreground are satirising the church and relate to a scandal during the 1970s involving the Metropolitan of Prebesa (Prevesa) and a local priest's wife. The Apokries festival period traditionally begins ten weeks before Greek Orthodox Easter and culminates with fancy dress and masquerade parties on the weekend before Ash Monday, the first day of Lent. The name Apokries means abstention from meat, as during lent no meat is eaten. The Apokries festival dates back to Dionysos, the ancient Greek god of wine, fun and fertility. A coloured photograph of a crowd celebrating at a carnival. Two people with their backs to the camera are in fancy dress and are wearing hand written signs on their backs. The corners of the photograph are rounded.

The wedding of Diamando and Yianni Raftopoulos (Bourlotos)which took place on the island of Ithaca. Kalypso Sofianos (nee Raftopoulos) can be seen standing between the priest and the bridegroom.The Greek Orthodox wedding is filled with symbolism. The stefana or wedding crowns, joined by a ribbon, symbolize the unity of the couple. The crowning ceremony establishes the couple as the King and Queen of their home, which they rule with wisdom, justice, and integrity. The stefana also denote the crown of martyrdom, since every true marriage involves self-sacrifice on both sides.A faded black and white photograph of a Greek wedding. The young boy in the foreground is carrying candles and the wedding crowns that will be worn by the bride and groom during the wedding ceremony and the candles. The priest and the bride and possibly the groom or bride's father are standing behind the young boy.

This is the marriage certificate of Dimitri and Kalypso (nee Raftopoulos) Sofianos. The marriage took place in 1937 at the only Greek Orthodox Church in Victoria, the 'Evangelismos' in Victoria Parade, East Melbourne. The couple met following Kalypso's arrival in Australia in 1936.A scanned copy of a marriage certificate which contains details of the bride and groom including place of marriage, age, place of birth, occupations , residence, parents details, the priest/celebrant, the date of the marriage and the signatures of the witnesses.

A copy of the marriage certificate of Constas (Costas) and Joyia Raftopoulos nee Karanze, who were married at the Greek Orthodox Church 'Evangelismos' in East Melbourne on 12 October 1924. The priest who conducted the service was Father Irineos Cassimatis. Costas was a fruiterer and Joyia was a 'tailoress'.Constas Raftopoulos and Joyia Grarange both migrated to Australia from Ithaca in the 1920s and like many other Ithacans settled in Melbourne where they eventually married. During the years between the two world wars chain migration saw many Ithacans sponsored by family members to come to Melbourne.A photograph of a marriage certificate.

The maniple is a liturgical vestment used primarily within the Latin Rite of the Catholic Church, and occasionally by Lutheran and Anglican clergy. It is an embroidered band of silk or like fabric that hangs from the left forearm, worn over the alb. It is used only during Mass, and it is always of the same liturgical colour as other Mass vestments. The original purpose of the maniple is unclear, but it probably originated as a cloth that the priest could use to wipe his hands and face. The maniple corresponds to the epimanikia, cuffs worn on both wrists in the Eastern Orthodox, Eastern Lutheran and Eastern Catholic Churches. (wikipedia)Dark red silk damask ecclesiastical stole with gold work and silk embroidery. Motifs include dove, lamb, chalice, maltese cross and flowers and latin text. Silk and metal thread fringes both ends of both pieces.Latin textsembroidery, gold work, ecclesiastical