Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record.Hard Cover Book with Dust Cover. 1. Hard cover - cardboard, black colour buckram, gold print on spine. Dust cover - paper, red, white and black print on front, spine and back. Illustrated black and white photographs, front armoured car with crew. Back - tank with 3 persons. 376 pages, paper, cut, plain, white. Illustrated black and white photographs and maps. 2. Leaflet - for book launch, thick paper, white, red and black print with two illustration as per dust cover. 3. Letter - paper, white with black print from book authors, 1. Front end paper, handwritten blue ink "David Finlayson/ 15 Aug 15".books, armoured vehicles, tanks, ww1, ww2

Soft cover book. Soft cover - cardboard, white print on front, spine and back. Background illustrated in grey monochrome front.- Walled city and fort, with image of Victoria Cross and Ribbon in colour. Back - on parade personnel with gun carriages. 311 pages, cut, plain white.books, military history, biography

Soft cover book. Soft cover - cardboard, red, gold oval black print on front and back. Illustrated - top front colour photograph of red poppies. Lower front - sepia, half portrait photographs of five soldiers in uniform. Back in colour - poppies. 47 pages, cut plain, white. Illustrated black and white and colour photographs, maps, portrait photographs. Handwritten inscription on title page.Title page - handwritten in blue ink "Dear Peter/ may we never forget their courage and/ sacrifice. Allison."books, biography, ww1

Soft cover book. Soft cover, cardboard: white, yellow and black print on front, spine and back. Front cover, background illustration montage of portrait photograph of a soldier in uniform and 2 typewritten letters in sepia tones. Back cover: sepia tones, photograph of a number of women working on typewriters. 440 pages, cut, plain, white paper. Illustrated black and white photographs.Collection of lettters from distressed families during WW1 to "Base Records" and the correspondence in reply signed by J.M. Lean.books, ww1, correspondence, biography

The story of Five brothers in the war to end all wars. ANZAC Sons is composed from a collection of over 5 hundred letters & postcards written by the brothers who served.. This compelling true story was compiled by the grand daughter of a surviving brother.Soft cardboard cover, red & black print on front, spine & back. Sepia photo of five soldiers in uniform on front cover together with black & white photo of a trench scene. Back cover has a black & white photo of soldiers & a building. 688 pages, cut plain paper, illustrated with black & white photos & maps. Collection of letters & postcards.Front fly leaf handwritten in black ink: “The Bendigo RSL Museum.Thank you for the inspiring work you do to ensure future generations will always remember the great sacrifices of our forebears. Allison”books-biography, military history-army, photography-photographs, anzac, sons

Khaki hardcover book with dust jacket. Dust jacket has picture of a beach and sky with a gun barrel on the sand, pointing out to sea. Back cover has three smaller photos of battlefield debris.On second page "Donated by Bgo "Y" Men's Club"books, military battles

The Supermarine Spitfire is a British single-seat fighter aircraft that was used by the Royal Air Force and other Allied countries before, during, and after World War II. No. 243 Squadron was a flying squadron of the Royal Air Force. Originally formed in August 1918 from two flights that had been part of the Royal Naval Air Service, the squadron conducted anti-submarine patrols during the final stages of World War I. The squadron was later re-raised during World War II, operating initially as a fighter squadron in Malaya and Singapore during 1941–42. It was briefly disbanded just prior to the fall of Singapore, and was re-formed in mid-1942, again as a fighter squadron, and fought in the Tunisian and Italian campaigns in 1942–44, before being disbanded in October 1944. In 1945, after training on transport aircraft in Canada, the squadron moved to Australia where it operated in support of the British Pacific Fleet before disbanding in mid-1946 Spitfire, also called Supermarine Spitfire, the most widely produced and strategically important British single-seat fighter of World War II. The Spitfire, renowned for winning victory laurels in the Battle of Britain (1940–41) along with the Hawker Hurricane, served in every theatre of the war and was produced in more variants than any other British aircraft.Brown timber frame with white mount containing photograph of fighter plane in sky.Spitfire by Barrie Clark Vickers Supermarine Spitfire Mk VB of 243 Squadron Royal Air Force 243 squadron royal air force, spitfire

Set of photographs documenting ‘pin up’ nose artwork on American bombers in the Pacific theatre. 27 black and white photographs of aircraft nose artwork. .1) ‘Officers Mess’ .2) ‘The Strip Polka’ .3) ‘Lazy Lady’ .4) ‘Norma’ .5) ‘ The Rube’ .6) ‘Bubbles’ .7) ‘Cookie’ .8) ? .9) ‘Windy City Kitty’ .10) ‘Heaven Can Wait’ .11) ‘Baby’ .12) ‘Jose’s El D’ablo’ .13) ‘Pride of the Yanks’ .14) ‘Nobody’s Baby’ .15) ‘Pistol Packin’ Mama .16) “Target for Tonight’ .17) ‘Louisiana Lullaby’ .18) ‘Jack Pot’ .19) ‘The Lonesome Angel’ .20) ‘Whooo’ .21) ‘Sky Witch’ .22) ‘ Flying High’ .23) ‘Yankee Doodle Dandy’ .24) ‘Margie’ .25) ‘Twin Nifty’s’ .26) ‘Blonde Baby Eva’ .27) No name .28) No Name .29) Un redable .30) ‘Gone With the Wind’ .31) ‘The Strip Polka’On Back of .1) Coulsan, 120 Hampden Road, Artarmon, NSW, 2064pin up art

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.