Painting stylised depicting a life in the trenches WW1, oil painting on canvas modern style, wood frame in 3 sections with each section inserted.painting ww1, oil on canvas, framed

CF Reg No 2533.26, 2539.3, 2540.9, 2541.2Reproductions of paintings held at Australian War Memorial, Canberra depicting portraits, group portraits of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army

CF Reg No 2533.26, 2539.3, 2540.9, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting after battle of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army

CF Reg No 2533.26, 2539.3, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting location scenes of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army

CF Reg No 2533.26, 2540.9, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting naval scenes of WWI.Individual descriptions of paintings hand written on back.illustrations-reproductions, military history - navy

Refer Cat No. 1280 for Jack Grintons service, Cat No 1320P for Bert Grinton DCM.Postcards - collection top to bottom - left to right. Nine (9) cards. Top left: cardboard, insert coloured silk embroidery on cotton, flowers, flags, sailing boat, greeting. Middle: cardboard, inset coloured silk with embroidery on cotton, butterfly, greeting. Right: cardboard, inset coloured silk embroidery on cotton, flowers, greeting. Second row left: cardboard, inset coloured silk embroidery on cotton, basket of flowers, greeting. Middle: cardboard, handwritten greeting and note in black ink. Bottom row left: black and white photograph postcard, cardboard. Two soldiers in uniform. Middle: cardboard, handwritten greeting and note in black ink. Bottom row - top right: black and white photograph postcard, three women. - Lower right - colour printed postcard, with flowers, flags, painting and "Good Luck and Coo-ee" greeting on scroll. Frame - Perspex front, screwed to brown painted MDF backing board. Dark brown mount, cardboard.Greeting silk embroidery. "From your loving son" From your Soldier Boy", "With my love". "Loving Greetings". Handwritten greeting in black ink. 2nd row middle Dated “21.10.17", frame/ “Dear Arthur/ love from your loving brother/ Jack W. Grinton" Bottom Row: Middle - "From your loving/ brother/ Albert V. Grinton". framed accessories, camera on the somme, ww1, 38th bn, grinton

This oil painting by Bret Belot was an initiative of his to put something on canvas to celebrate the centenary of ANZAC in 2015. The images depicted on the painting are mostly from the collection of the Bendigo Military Museum in the Soldiers Memorial Institute Pall Mall Bendigo. Some of the figures are Brothers Jack Grinton & Bert Grinton DCM, Bill Durward 38th Bn, the Wright Brothers, Albert Jacka VC, MC and Howard, Poliness & DeAraugo who volunteered to go with Jacka when he won the VC, 38th BN men in Dog Trench, graves of 38th Bn soldiers, a letter written home about the Armentieres raid in 1917 by Robert Suggett 38th Bn. The painting was first unveiled at the Bendigo District RSL Sub Branch Inc pre ANZAC Day 2015. It is now on display in the Foyer of the Bendigo Military Museum.Painting oil on canvas, with numerous images from WW1 covering various aspects of the Great War.“Bret Belot”brsl, smirsl, painting, 2015

Book contained series of poems, jokes, savings and drawings. Only one photo of a landscape painting. Sources drawn from servicemen during WW1 (from 1914 - 1919).Small album containing photos, poems and drawings. Dark brown leather bound. inside pages of various pastel colours. Word "Album" inscribed in gold in centre of front cover.Front Titled "Album". Page 3 inside is written "Jan 1st 1912, W.A. Phillips, Plymouth". ww1, album

From information Book - "Readers Digest/Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300. Framed print. Print - colour print on paper. Copy of an oil painting, depicting colour, the dawn landing of Australian and New Zealand troops at Anzac Cove. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES EDWARD DIXON (1872-1934). The Landing at Anzac. April 25th 1915". 1915. Successful British Maritime Painter.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Readers Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting depicting in colour "Australian troops ascending the ridge above Anzac Cove to Plugge's Plateau." Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES W LAMBERT (1873-1930) Anzac, the landing 1915, 1920-1922". Official Australian War Artist in 1917.framed accessories, prints, ww1, gallipoli, centenary

From information book: "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints. Collection of 20 prints' refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of a watercolour on paper. Painting depicts a soldier leading a donkey carrying a wounded soldier along a cliff path. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "HORACE MILLICHAMP MOORE - JONES (1868 - 1922) Simpson and his donkey 1918". Enlisted with the New Zealand Expeditionary Force in 1914 and was sent to Gallipoli.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Reader's Gigest/ Gallipoli/ 25th Aril 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting. Depicts a "Hospital ward where several nurses attend a patient in bed", against a background of "beds being made ready in the ward" and "Stretcher bearers carrying in more wounded". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COATES (1869 - 1930). First Australian wounded at Gallipoli arriving at Wandsworth Hospital, London". 1921. "Served with the Royal Army Medical Corps at 3rd London General Hospital at Wandsworth". 1919 Commissioned to do portrait work for the Australian War Records section. framed accessories, pprints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat. No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts "several soldiers, in uniform and wearing tin helmets sitting in a dugout. "Holding a candle, one reads a precious letter from home". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "FRANK CROZIER (1883-1948) Diggers sitting in dugout 1918". FRANK CROZIER "enlisted with the Australian Imperial Force in 1915 and was trained in Egypt before serving at Gallipoli", 22nd Battalion. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

From information book - " Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts Anzac Cove - with soldiers going about various activities, some unloading crates, stacking crates and moving supplies. Background of sea, sand and hills. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. " FRANK CROZIER (1883 - 1948) The Beach at Anzac 1919". Frank Crozier - enlisted with the Australian Imperial Force, 22nd Battalion in March 1915. Trained in Egypt before serving in Gallipoli. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original oil painting on canvas. Depicts a soldier leaning against a wall structure with a second soldier in more muted tones in the background within an earth trench. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COURTNEY BENSON (1886-1960) Infantryman c 1919-1920". GEORGE BENSON " Enlisted in the Australian Imperial Force in September 1914 with the 3rd Field Artillery Brigade". "Commissioned as an official artist in April 1918".framed accessories, prints, ww1, gallipoli, centenary

From Information book; "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting with pencil on wood. Depicts a cove with sea, sand and hills. Ruined buildings and structures visible on the beach. Horse eating grass in the foreground. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; " GEORGE W LAMBERT (1873-1930) Anzac Cove, 1919" “GEORGE W LAMBERT, unable to enlist in the Australian Imperial Force in London, joined Voluntary Training Corps". Appointed an official Australia War Artist, Australian Imperial Force 1917. framed accessories, prints, ww1, gallipoli, centenary

From Information Book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Original painting polyvinyl acetate on hard board. Depicts five soldiers in vivid cobalt blue. The soldiers stand huddled together, one wearing an emu plume in his slouched hat, another has Corporal's stripes and one is holding a rifle. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print. "SIDNEY NOLAN - (1917 - 1992) Soldiers 1959". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - TEXTILE, DYE, COLOURED CRAYON ON COATED PAPER. DEPICTS IN DARK BROWN COLOURS WITH SMALL ACCENTS OF PALE BLUE, RED AND YELLOW - BELOW HORSE. VISIBLE IN PAINTING IS A SOLDIER, HORSE AND GUN CARRIAGE. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print; "SIDNEY NOLAN (1917 - 1992) Gallipoli soldier, horse and gun carriage 1961". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period. 252 drawings and painting.framed accessories, prints, ww1, gallipoli, centenary

HMAS Australia (1) The largest war ship in the Australian fleet was the first flagship of the Australian fleet in WW1. She was Commissiond and paid for by the Australian Goverment to ensure sdequate protection for the Australasion Pacific Region. She had a crew of 900 "Officers and Crew" and was equipted with four sets of 12 inch breech loading guns,side firing torpedos and fourteen 4 inch guns for surface and air contacts. On the 12 of April 1924 HMAS Australia (1) was with "Full Military Honours" Scuttled 50 km east of Sydney. Only 14 Years old.Framed Oil Paintinghmas australia oil painting pictures

Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. Longstaff painted the work after attending the unveiling of the Menin Gate memorial, at Ypres in Belgium, on 24 July 1927. The memorial commemorated those men of the British Empire, including Australia, who died in the battles of the First World War around the town. The painting is part of the collection of the Australian War Memorial in Canberra. It was purchased by Lord Woolavington for 2,000 Guineas and presented to the Australian government.[1] After a royal command viewing for George V and the Royal family at Buckingham Palace, the painting was displayed in Manchester and Glasgow. It was then taken around Australia, where record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints and 400 of these were given to the nascent Australian War Memorial to sell to raise funds.Rectangular shaped glass covered picture frame showing a print of the MENIN GATE AT MIDNIGHTMENIN GATE AT MIDNIGHT by WILL LONGSTAFF Presented to the Commonwealth Government of Australia by Lord Woolavington paintings, prints, ww1, lara r.s.l. menin gate, world war one.

Square painted cloth with silk fringe on all sides. Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree."God Save the King". "Heaven's light our Guide, Rule Britannia, Evil be to him who evil thinks, God Save the King" souvenir, egypt, ww1

Based on a screenplay by David Williamson. Historical facts based on fictional characters.Hard cover book with dust cover. Hard cover - cardboard, dark brown colour buckram, white print on spine. Dust cover - Paper, green print on front, black print on spine and front flap. Illustrated in colour, front panel, spine and back panel copy of the painting "ANZAC, the landing 1918-22 (detail)" by George Lambert. 280 pages, cut plain, off white. No illustrations.book, anzacs, ww1

"EMPIRES OF THE DEAD" - HOW ONE MAN'S/ VISION LED TO THE/ CREATION OF WW1'S/ WAR GRAVES"Hard cover book with Dust Cover. Hardcover - cardboard, black colour buckram, gold print on spine. Dustcover - Paper, white, red and black print on front, spine, back and front and back flaps. Illustrated front, black and white photographs (top) soldiers from the rear, (bottom) war graves. Back cover - colour copy of oil painting "The Cemetery, Etaples" 1919 by Sir John Lavery. 289 pages, paper, cut, plain, off white. Illustrated black and white and colour photographs. End papers - red.ww1, books, war graves

Poems dedicated to the Mothers of AustraliaSoft cover book. Soft cover: Lightweight cardboard with blue print on front. Front cover, illustrated in colour, copy of painting depicting a woman seated at a table, 52 pages, uncut, plain, off white paper. Illustrated black and white drawings.books, ww1, poetry

Soft cover book, Soft cover, cardboard, red and white colour print on front, spine and back. Front cover - illustrated top copy of illustration in black and white of figure with gas mask. Bottom colour photographs of the two museums. 32 pages paper and lightweight cardboard with foldout pages. Illustrated black and white; and colour photographs, posters, paintings, displays, maps. Front and back and papers - illustrated, sepia tones, handwritten letters.Museum Exhibition - "The Musee de Peronne" the overall conflict. "Musee de Thiepval" Battle of the Somme.books, museums, ww1

"FIRST VICTORY 1914 - HMAS SYDNEY'S HUNT FOR THE GERMAN RAIDER EMDEN."Hardcover Book with Dust cover. Hardcover - cardboard, red buckram, silver print on spine. Dust cover - paper: Red gold and white print on front, spine and back. Dust cover, colour illustrations - front copy of painting of HMAS Sydney in battle with SMS Emden by the late Phil BELBIN. 467 pages, cut, plain, off white paper, illustrated - black and white, sepia and colour photographs, paintings, diagrams and maps. End papers and flyleaf - front and back - coloured green.books, naval operations, ww1, australia, germany

"The Sir John Monash Centre tells the remarkable story of Australia's men and women who served on the Western Front a century ago"Soft cover, cardboard, front and back covers, yellow and white print on front cover and spine, 220 pages, B & W and colour, maps, photos, paintings.books, military, history, wwi