This painting has aesthetic significance and shows the skill and craftmanship of the early settler families.Two oil paintings on rectangular-shaped tin. Tin is curled at ends. Paintings are of trees on a river bank.paintings oil tin

Oil painting on tin scroll showing a river scene with Eucalyptus trees.artwork, oil painting, on tin

Anne Dawson was a sister of Mrs Wally Gibbs and Mrs Alan Richardson. She was an aunt of the Slatters.This item has aesthetic significance and demonstrates the skill and craftmanship of the women of the earlt settler families.Fan-shaped oil painting on tin. Olive green background with 8 colourful flowers on front - 1 yellow,2 red with white tips, 1 dark red, 4 white and 1 variegated apricot. tin-painting art-craft

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat. No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts "several soldiers, in uniform and wearing tin helmets sitting in a dugout. "Holding a candle, one reads a precious letter from home". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "FRANK CROZIER (1883-1948) Diggers sitting in dugout 1918". FRANK CROZIER "enlisted with the Australian Imperial Force in 1915 and was trained in Egypt before serving at Gallipoli", 22nd Battalion. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

Grace Cameron was the daughter of John Cameron who selected the first land on the Snowy River flats. She was the sister of Annie (later Mrs John Gilbert) who was the first white girl born in Orbost.This item is aesthetically significant and shows the skill and craftmanship of the women of the early settler families.Large oblong oil painting on green painted tin with the top and bottom rolled for decoration. Painting of three single petalled pink roses in full bloom with two small buds.tin painting cameron-grace art

Painted by Mrs Parsons married to Henry James Parsons, banker.This item is an example of the artistic skills of women in the early 20th century. It is aesthetically significant.Oil painting of the sea and stormy sky on tin.Front RH corner A.H. Parsons 1907painting oil-painting parsons-a-h painting-on-tin

Tin panel hand painted with oil paint depicting fruits and blossom, edges curled over and signed C Timms bottom left corner. Enclosed note from donor Mrs.E.Young. 18 Bateman St Hampton 3188 stating artist was wife of Bendigo miner & was painted over 100 years ago.C.Timmsperson, bendigo, c timms, tin painting, c timms

Portrait of a female nude with dark hair playing a tin whistle and seated upon a chair with an orange and brown blanket. Signed and dated (L.l) 'Clifton Jan '81'. On reverse in chalk 'Adriane '81'. On reverse: Label with number 31 and listing title, date, medium, size and price.clifton pugh, painting, portrait, adriane, tin whistle, dunmoochin

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted "some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago." How wrong he was. In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape