This parasol is believed to have been used on the Goldfields of Victoria. The discovery of gold in Victoria ranged between 1851-1879. May have been worn with T0011.1.1-2, afternoon dress. This parasol is believed to have been used on the Goldfields of Victoria. There are few remaining examples of similar items used on the Victorian goldfields.A c1878 eau de nil (green) silk parasol. The parasol canopy features a decorative gathered frill, a pale green silk lining and a scalloped edge. The wooden handle is painted pale beige, with a bone ferrule.victorian goldfields, parasol, 1870s fashion

This lady's parasol is typical of what a lady would have used in the late 19th century as a fashionable accessory as well as shielding her complexion from the sun. It has no known local provenance.This very attractive item will be very useful for displayThis folding parasol has a black wire frame, a white handle with a brass inset and a white knob at the end. There is another knob at the top end of the handle. There is a mechanism for folding and unfolding the parasol on the handle.The undercovering is cream sateen with frilled edges, overlaid with black lace. There is a cream grosgrain bow at the top .parasol, vintage clothing accessory

Printed with colourful pyramids, palm trees and camels, this parasol tells a story of the changing society of the 1920s, the growth of the Art Deco movement and a wave of Egyptomania sparked by the discovery of Tutankhamun’s tomb. Parasols such as this one were used by holidaymakers on Brighton Beach, by this time a popular seaside destination.Parasol with a cotton canopy printed with an Egyptian-inspired design of the Sphinx, camels, palm trees and water carriers. Painted handle with plaited cotton tassel with pink wooden bead.parasol, 1920s, egyptomania

Beige silk parasol printed with bold zig-zag design in brown, orange, yellow and turquoise. Metal spokes tipped with white bakelite. Wooden handle decorated with pokerwork design painted red. Wooden ball covered in silk thread and twisted cotton cord hanging from handle.Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKE Woven label, blue on white cotton attached to spoken: Perfectionparasol, the armstrong, 1920s

Red frill-edged fabric parasol with light coloured wooden embossed handle and matching tie.

The donor, Mrs Verona Cresswell, was given the parasol in 1941 by a friend, Mrs Teppa, who had purchased it many years earlier in Paris. It was part as an outfit worn to the Melbourne Cup in the 1940s.Coral pink silk parasol with black lace overlay. A lace design is painted in black on the end of the polished wooden handle. parasol, melbourne cup, 1940s, verona cresswell

Brown, creramand black paper parasol with bamboo handle. Parasol appears to be plain with no embellishment.costume accessories, clothing accessories, parasol

Ladies silk parasol with bamboo handle, cream silk with grey stripes.costume accessories, female, parasol

Parasol, cream linen with stylized flower pattern in tones of orange, blue and brown with wooden handle.costume accessories, female, parasol

Parasol, cream linen with embroidered floral design in shades of gold, wooden handle with two silk tassels, china handle with flowers.costume accessories, female, parasol

Ladies silk parasol with embroidered roses and leaves in shades of mauve, split cane shaft and handle with silver plated tip, handle screw off for folding.costume accessories, female, parasol

Ladies "Two Piece Gown with Bustle & Parasol . Green in colour.. Skirt has Bustle with a bow falling from the waistline. Skirt is lined with brown material and has brown trim around the hemline.stawell clothing material

Ladies parasol. Cane centrepiece, floral design on red background. One segment torn.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, parasol

Blue silk parasol with cream silk printed with floral design in beige, brown, turquoise and terracotta. Metal spokes tipped with horn coloured bakelite. Wooden handle with traces of iredescent paint. Dark brown twisted cotton cord hanging from handle. Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKEparasol, art deco, printed fabric, 1920s, the armstrong

This parasol belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A black silk, wood and ivory handled parasol from circa 1900. The black silk of the parasol body has been treated with a decorative hemstitch towards the lower edge. The handle and frame are made of wood, metal and either ivory or an early plastic designed to mimic ivory. The ivory section is carved with a design reminiscent of a palm tree trunk and finished with a ball. The handle also features a leather looped strap that the hand would pass through to aid holding the parasol.The handle bears an engraved inscription that appears to be 'VML' in a highly florid script. The frame bears the name 'Hartnells'.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, parasols, caulfield, brighton general cemetery

This parasol belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A grey silk parasol with mauve stripe decoration, wooden handle and brass fittings from the late 19th century. The handle appears to be missing a decorative finish from the end.Mrs. S. Miller, Cantala, Caulfield.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, caulfield, brighton general cemetery

Parasol.Black cotton with fringed edging ( striped pattern on fabric around lower edge). Turned wooden handle with centre hinge for folding. Sliding metal cylinder to lock hinge of handle.costume, female, parasol

Guiseppe Cinquegrana's umbrella and parasol shop was a prominent one in Liebig Street for over 40 years. He came to Warrnambool about 1890.This label is of some significance as it concerns an umbrella business and this is the only one we know that was ever in Warrnambool.Rectangular white label with purple text, decorative border and lines adhered to a piece of pink cardFROM G. CINQUEGRANA Umbrella and Parasol Manufacturer. The Cheapest and Most Durable Umbrellas in Victoria. Re-covering from 2s. 6d. LIEBIG ST., WARRNAMBOOL Modern Print, Warrnamboolumbrellas, parasols, warrnambool, guiseppe cinquegrana, cinquegrana

Ladies’ gloves were an essential part of life in the 1840s to 1900 Victorian era, regardless of class most ladies wore gloves. The glove design, material, and fit would hint at a lady's status, despite their hands being covered. A shorter style of glove would have been used for daytime wear, along with the matching parasol cover and would be matched to the owner's outfit. Leather was a material often used since the 1900s, however when WWI hit the price of leather gloves increased and many resorted to cheaper materials for their accessories. Although particular styles for evening-wear gloves altered throughout the 20th Century, the classic neutral leather glove was a staple throughout Australian ladies' fashion during this time. The need for gloves and parasol cover however disappeared in the 1960s when gloves were only used in the winter months as a practicality rather than a fashion accessory.The leather gloves and parasol cover indicate the owner was wealthy and was able to spend money on good quality accessories. This may have been due to the fact that Chiltern was a gold-rush town and would have had some wealthy families living there from the late 19th Century. The leather items are a symbol of such wealth and social signifiance in the rural town of Chiltern.Gloves: Beige colour with brown hand stitched detail on the upper hand - 3 lengths. Brown stitched all around with finger gussets. Three brown leather button detail to the upper cuff (actual leather circular pieces meant to resemble buttons, hand stitched in beige). Umbrella/parasol cover: Same soft leather as gloves and detail, metal zip along the length and tapered to one end. Two leather circular pieces meant to resemble buttons, one missing at the top). chiltern, leather, leather gloves, leather parasol cover, parasol, parasol cover, gloves, wealth, gold rush, chiltern athenaeum museum, chiltern gold rush

Parasol shaped needlecases were popular during 19th century often as souvenirs. Stanhope view is missing so can't know where this one might have represented. More souvenir than functional crochet hook.Parasols were fashion accessories of 1860's and their shape was adopted as a convenient needle holder - creating a popular souvenirs and gifts.Parasol shaped needle case and crochet hook. Bone handle with purple umbrella. Hole in handle for stanhope lens (missing). Handle unscrews to open needle case within the umbrella.needlecase, souvenir

Cream silk satin, with sprays of silk roses, pink roses, green leaves. Has been removed from frame to be restored.embroidery, parasols, 1900-20, silk embroidery

Hall of Fame 2000 ExhibitionMaccabi Victoria Hall of Game Exhibition at the Jewish Museum in 2000. 14 photos in total. 01,02,03,04: General photos 05: Andrew Freund & wife 06: Ross Smith 07: Andrew & Erica Romer 08: David Alperstein, Sam Parasol, Danny Lustig 09: Leon Nissen, Irene Kirschner, Henry Nissen 10: Leah Kausman, Les Kausman, Jill Rosenberg 11: Danny Lustig, Helen Light (Curator), Harry Procel 12: Sam Parasol, Ruth Parasol, Phillip Sheezel 13: Sam Parasol, Ruth Parasol 14; Sam Parasol - Maccabni Victoria President. 15: Raph Levy, Ben Bogatin, Sam Parasol, Phillip Sheezel, Rod Jacobs, Rick Marksgala or award function

Hall of Fame 2000 ExhibitionMaccabi Victoria Hall of Game Exhibition at the Jewish Museum in 2000. 14 photos in total. 01,02,03,04: General photos 05: Andrew Freund & wife 06: Ross Smith 07: Andrew & Erica Romer 08: David Alperstein, Sam Parasol, Danny Lustig 09: Leon Nissen, Irene Kirschner, Henry Nissen 10: Leah Kausman, Les Kausman, Jill Rosenberg 11: Danny Lustig, Helen Light (Curator), Harry Procel 12: Sam Parasol, Ruth Parasol, Phillip Sheezel 13: Sam Parasol, Ruth Parasol 14; Sam Parasol - Maccabni Victoria President. 15: Raph Levy, Ben Bogatin, Sam Parasol, Phillip Sheezel, Rod Jacobs, Rick Marksgala or award function

Hall of Fame 2000 ExhibitionMaccabi Victoria Hall of Game Exhibition at the Jewish Museum in 2000. 14 photos in total. 01,02,03,04: General photos 05: Andrew Freund & wife 06: Ross Smith 07: Andrew & Erica Romer 08: David Alperstein, Sam Parasol, Danny Lustig 09: Leon Nissen, Irene Kirschner, Henry Nissen 10: Leah Kausman, Les Kausman, Jill Rosenberg 11: Danny Lustig, Helen Light (Curator), Harry Procel 12: Sam Parasol, Ruth Parasol, Phillip Sheezel 13: Sam Parasol, Ruth Parasol 14; Sam Parasol - Maccabni Victoria President. 15: Raph Levy, Ben Bogatin, Sam Parasol, Phillip Sheezel, Rod Jacobs, Rick Marksgala or award function

Hall of Fame 2000 ExhibitionMaccabi Victoria Hall of Game Exhibition at the Jewish Museum in 2000. 14 photos in total. 01,02,03,04: General photos 05: Andrew Freund & wife 06: Ross Smith 07: Andrew & Erica Romer 08: David Alperstein, Sam Parasol, Danny Lustig 09: Leon Nissen, Irene Kirschner, Henry Nissen 10: Leah Kausman, Les Kausman, Jill Rosenberg 11: Danny Lustig, Helen Light (Curator), Harry Procel 12: Sam Parasol, Ruth Parasol, Phillip Sheezel 13: Sam Parasol, Ruth Parasol 14; Sam Parasol - Maccabni Victoria President. 15: Raph Levy, Ben Bogatin, Sam Parasol, Phillip Sheezel, Rod Jacobs, Rick Marksgala or award function