Showing 8 items matching patios
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Glen Eira Historical Society
Photograph, Gloucester Court, 2, Murrumbeena, 2001
... patios ...Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a double storey white-rendered brick house. Other features include tiled roofs, flat roof porch, double doors to the patio with matching windows either side, an adjoining garage and a low brick fence painted white in the foreground with an attached letterbox with "2" displayed on the front.2murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, windows, garages (private), brick fences, patios -
Eltham District Historical Society Inc
Negative - Photograph, Harry Gilham, 7 Leonard Crescent, Eltham, Sep 2009
Repairs and reconstruction to front concrete patio, part of the Bridgeland Park Estate. Representative of the period homes of the time and how usage patterns change.Roll of 35mm colour negative film, 6 stripsKodak GC 400-9bridgeland park estate, eltham, houses, leonard crescent -
Stawell Historical Society Inc
Photograph, Pleasant Creek Hospital Doctors Nurses and committee members after unveiling of Honour Roll 1918
Pleasant Creek Hospital Doctors Nurses and committee members sitting at afternoon tea tables on front patio. 1918 after unveiling of Honour Rollstawell -
Hume City Civic Collection
Photograph, 26/10/1980
The three brick shops were part of the later commercial development which emerged along O'Shanassy Street. These shops were built on the northern side of Brook Street. Earlier commercial development was confined to the south side of Brook Street.A coloured photograph of a street scape in O'Shanassy Street showing three shop fronts. At the time the photograph was taken the shops were occupied by Kilkenny Real Estate Agent, Camera Action and Heron Electrics. There is a roof top patio area above the camera shop and two treated pine rails are along the nature strip.o'shanassy street, sunbury, kilkenny real estate, camera action, heron electrics, george evans collection -
Canterbury History Group
Ephemera - 12 Rochester Road Canterbury, 2011
... Patios ...A collection of three items of real estate advertisements for the auction of "Ivanhoe" 12 Rochester Road Canterbury on 22 October 2011.Includes several coloured photographs of the interior and exterior of the property. Date of the house has been altered by hand from 1879 to 1897?canterbury, rochester road, ivanhoe, victorian style, patios, backyards -
Mont De Lancey
Domestic object - Mincer, Universal, Unknown
A meat grinder or mincer was used for mincing or fine chopping of raw or cooked meat, fish, vegetables or similar food. It replaced tools like a mincing knife.A cast iron mincer with a wooden handle attached to the long cast iron handle. It can be screwed to a table or bench, secured tightly by a two pronged claws. It has a funnel at the top for the meat to be pushed into the mechanism which when the handle is turned operates the inner mechanism which forces the minced meat out through a side opening. The cast iron handle is curved.'2 UNIVERSAL' is stamped on the front of the mincer. Stamped on the front side of the handle - ' L. F&C. NEW BRITAIN. CONN.U.S.A.' On the inside of the cast iron handle is stamped - 'PATIO 12 1897. PAT.MAY 15.1909. 4.18. 1899. D.R.ENG 10'...... and several other numbers which are hard to decipher.domestic objects, kitchen equipment, cooking equipment, meat grinders, meat mincers -
Federation University Art Collection
Sculpture - Sculpture - Installation, 'Dead Still Standing' by Lou Hubbard, 2015
Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork -
Glen Eira Historical Society
Letter - St. Stephen’s Presbyterian Church, Caulfield
... Patios ...Two documents regarding the historical significance of St. Stephen’s Church, 158 Balaclava Road Caulfield. The first document is correspondence dated 25/09/1990 from the National Trust informing the City of Caulfield of the inclusion of the church on the National Trust Register. The second document is a photocopy of the Caulfield Conservation Study by Andrew Ward dated February 1994. It includes an unclear front view photograph, references and recommends planning scheme control.city of caulfield, caulfield, caulfield north, balaclava road, kooyong road, st. stephen’s church, presbyterian church, uniting church, ward andrew, kinross george, currie george, haddon robert, architects, builders, churches, caulfield conservation study, national trust register, gothic revival architecture, architectural features, architectural styles, heritage studies, patios, windows, registers, symbols, fundraising events, religious ceremonies, religious groups