Pencil sketch of RACS building (copy) by C G Parisc g paris

BHS CollectionSmall pencil sketch of a young person asleep. Untitled. William Delecca collectionSigned by the artist in pencil at bottom right: W.A Delecca '61william delecca, pencil sketch

A copy of an early pencil sketch of Fernshaw in Victoria.A copy of an early pencil sketch of Fernshaw in Victoria by Louis Buvelot. Louis Buvelot ( 1814–1888), born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Arriving in Melbourne in February 1865, after leaving the cold of Switzerland, which was impacting on his health, for the warmth of Australia, Buvelot was in business as a photographer in Bourke Street for a year but soon resumed his painting. He lived in Melbourne for a number of years before moving to Fitzroy. The National Gallery of Victoria purchased two of his paintings and he continued painting until his death in 1888. He was buried at the Boroondara Cemetery, where a large monument was erected in his memory. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.Fernshaw 17.2.83louis buvelot, fernshaw, victoria, national gallery of victoria, switzerland, boroondara cemetery, kew cemetery, artist

shipwreck at Barwon HeadsSS ORUNGAL shipwreckPencil sketch, post card and B&W photo of SS ORUNGAL agroundReverse - " NIL ".historical references

Pencil sketch by Davis, Jpencil sketch, unmountedOberwyl, Burnett Street, St Kilda. Davis, J.

BHS CollectionPencil sketch of the face of a young woman looking left. Untitled. William Delecca collection.Signed by the author: w A Deleccawilliam delecca, sketch, young woman

BHS CollectionPencil sketch of a young lady sitting on what looks like grass. She is wearing a long sleeves dress. Untitled. William Delecca collection.Signed by the artist: W A Deleccawilliam delecca, sketch, young woman

Found by Kerrie Estough at a market at Cecil Plains, Canberra. Contacted Keith Russell who donated on her behalf.Coloured pencil drawing/sketch of young lady with short blond hair, looking to her right. Blue and white frill top. Picture in cream frame and under glass.on bottom right of picture: Kurwin 1948 To Robyn from Kurt Winklerkurt winkler, kurwin, kerrie estough, cecil plains canberra, keith russell

BHS CollectionBlack and white pencil sketch signed G. Harris 1942. The sketch is of a typical Australian bush scene, in the background 4 trees, in the middle 3 sheep grazing a tree log and tree stump at the front. On the back the inscription in black pen ''to Phillip Ellison given to him by the artist George Harris Esq. Axedale 1959''. Also, on the back along the side 'reframed Hong Kong 1/2013'. The dimension of the sketch is 22x15 cm. without the frame.George Harrisartwork, print, landscape, george harris

Pencil drawing with shading of Bishop's Palace Ballarat 1984. Executed by M. Burke.Signed and dated M. Burke 1984.

Framed black pencil sketch of HMAS Vendetta plowing through rough seas.Do 8framed pencil sketch, hmas vendetta

J Davispencil sketch, unmounted good condition Original held SKHS

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Nine works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. Seven pencil sketches on paper. Two black ink drawings on paper .1 has sketches on both sides; .2 pen and ink table and chair design; .3 pencil sketch of a castle; .4 sketches on both sides - pen and ink doorway and on reverse pencil and water colour (partly coloured) wallpaper border design; .5 pencil sketch of a well and a church; .6 two pencil sketches of bridges; .7 three pencil sketches - two of partial rooves and one of a bridge drawn from a photo; .8 three pencil sketches - a window, a doorway and a thatched roof cottage; .9 pencil sketches on both sides - a village scene with gateway, church and cottages on one side and trees on the reverse. .3 lrs "A. Watson Pencil Sketch" .4 ink sketch tr "New Door" .5 lrs "Pencil Sketches A. Watson" .6 lrs "Pencil Sketches A. Watson" .7 rs" Pencil Sketch", under bridge drawing "Pencil Sketch from Photo", lrs "A. WATSON" .8 lrs "Pencil Sketches A. Watson .9 Village scene - lrs" A.Watson Pencil Sketch" ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, architecture, alumni, pencil sketches, sketches of buildings

A drawing of a fisherman's cottage circa 1862.Realism, historicalReproduction of a pencil sketch of an 1862 fisherman's cottage at 10 Bay St Queenscliffe, signed by Ethel Reynolds in 1982.On the reverse - "NIL."pencil sketch, fisherman's hut

Framed colour pencil sketch of long wheelbase landrover in camouflage paint.Landrover is parked on a hill with trees and hills in the background. Signed by D. LevershaLicence plate NRP110pencil sketch

BHS CollectionBust sketch of a lady with long hair and glasses, wearing a blouse. Untitled. William Delecca collectionSigned by the artistwilliam delecca, lady, pencil drawing

Sketch of the four pottery kilns at East Ringwood, corner of Velma Grove and Mount Dandenong Road (Oxford Road). The kilns shut down in 1926. Judging by the handwriting, the artist and author appears to be John Rodaughan, East Ringwood historian, whose other works include history on Burnt Bridge Hotel and other parts of East Ringwood. The back of the sketch includes a rough hand-drawn map, that appears to be of the insulator works area, between Mt Dandenong Road and Evon Avenue. The timeline includes generic milestones in blue ink and those associated with Ringwood in red writing.Kilns; D.M.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a flower.art, artwork, sybil craig, craig, flowers, drawing

Marilyn Medenbach was a local community craft worker at Deer Park community health centreGraphite drawing of a daffodils, loose treatment, pencil

UnknownMendenbach, Marilyn. The Transplant. 1982, pencil sketch, Brimbank City Council Art Collection, BrimbankMixed media, water soluble pencil and gouchemarilyn mendenbach, 1982

Marilyn Medenbach was a local community craft worker at Deer Park community health centreWater soluble pencil and gouache

Pencil sketch of the old bluestone bridge over the Plenty River in Greensborough. Commissioned as a wedding gift in 1993.An image of the bluestone bridge before it was rebuilt.Pencil sketch on white paper. In timber frame under glass.Signed by artist "Porter '93"bluestone bridge greensborough, plenty river

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Lightly coloured pencil portrait sketch of Miss Tup Hunter, Tatura, by Kurt Winkler. Kurt Winkler, Tatura, October 41kurt winkler, tup hunter, ww2 camp artists, kurwin

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Lead pencil sketch. Head and shoulders profile. Subject is Jean Tenant. Artist is Kurt Winkler. This was drawn in September 1941 at Tatura, but is a photocopy in wooden frame . Artist has signed the original.Kurt Winkler Tatura September '41.internee camp, world war 2, winkler, kurwin

Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch

Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch