Penelope Maroudas is photographed with her granddaughter in a suburban garden. A coloured photograph of a young girl standing in a garden with an older lady.

The young lady at the Camberwell Market is Penelope Black, another family member working at their fruit stall.Many of the fruit stalls in the Melbourne markets were family run businesses where all adult members spent some of their time working on the stalls.A scanned non-digital black and white photograph of a young lady standing behind a fruit stall in a market.penelope black, camberwell market, fruit stalls

Penelope Billiter (Kallinikos) is the little girl in the photograph and a very young Jim Morris is in the background. They are pictured outside the Evangelismos Greek Orthodox Church in East Melbourne.A black and white photograph of a little girl dressed in a light dress standing outside a church with a little boy in the background.

A photograph of the original members of the Daughters of Penelope, a chapter of AHEPA formed in the 1950s. Pictured bBack L- R: Dorothy Lucas, Royal Stratou, Maria Mangos, Sia Athanis, Poppy Sikiotis. Front L-R: Anna Stratou, Margaret Marmaras, Nina Black, Katina Canis, Olive Coligas AHEPA is Greek organisation that encourages the retention of Greek language and culture. It is the largest Hellenic Association in the world with chapters in the United States, Canada, Greece, Cyprus, Australia and New Zealand. It was established in 1922 by Greek Americans to protect Hellenes from prejudice and discrimination. AHEPA was founded in Australia in 1934.A black and white photograph of ten ladies dressed in formal evening attire standing in a room.

The book was published in the UK. This book was purchased with the help of Mrs E. C. Baker, c/o John Pook and Co, 68 Fenchurch St, London EC3 - from The Needlewoman Shop, Specialists in Needlework, 146 Regent Street London W.1. Then posted to Mrs G R (Joan) Horridge at ICI in Hong Kong. Book was owned and used by Joan Francis Horridge.Paper booklet bound with two rusted metal staples on spine. Cover is in colour and depicts a woman knitting. Prominent colours are black, green, blue and cream. Inside covers contains pages which are smaller than the covers. Pages contain printed black text detailing various knitting patterns and knitting information. Back cover has a ruler graphic for measuring.knitting, pattern, joan francis horridge, the needlewoman shop, london, honk kong, g r (joan) horridge, mrs e. c. baker, penelope

A Penelope Publication 'Smocking' pattern book showing designs and how to smockA Penelope Publication Book N3books, reference

Book review of "Possession: Batman's Treaty and the matter of history" by Bain Attwood. The book discusses the motives behind the treaty and its historical implications. Review by Penelope Edmonds.There is much dispute over where and if Batman's Treaty was signed.Newspaper clipping, text and images. john batman, batmans treaty, bain attwood

graphic design

Reader used in Grade 2 Blackburn East 4800 State School. Owned by Penelope Paterson - later the teacher Mrs Haggar.Brown cardboard cover, spine slightly damaged. Second book of the Victorian Readers. Illustration of girl sitting on chair, reading a book. Second Edition 1937 / 104 pages.Penelope Paterson Haggat (Written)school, equipment

Magazine suitable for girls, presented in comic-format. 32p., illus. (some col.).magazines

Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015

MEDIUM: Oil on linen

Penelope Davis was born and lives in Melbourne. Davis is primarily known as a post-photographic artist creating photographs without a camera. Using complicated sculptural techniques, Davis makes silicone moulds then resin casts of the now absent objects. Finally light is passed through the casts to expose photographic paper that is developed and printed. The result is an indexical trace of an object many steps removed from its origin. In doing so, the works record not only an image but a process - a chain of transformations and inversions - akin to the processes of photography itself but one that recasts photography in a new light. More recently Davis has been creating jellyfish forms from a collage of components in a similar way. Taking the detritus of contemporary technologies and combining these with organic source material such as leaves and seaweed, Davis makes casts in silicone, then uses these casts themselves as forms. The artist hand sews these ‘skins’ together to create delicate hybrid forms that resemble jellyfish. These works reflect on, and embody, a painstaking attempt to recuperate an appreciation for the natural world, our symbiotic relationship with it, and the necessity of our shared future. 9 x suspended silicone jellyfish sculpturesaustralian art, sculpture, female artist, climate art

non-fictionA study of the Dandenong Ranges environment to provide factual information for the use of conservation groups and governments in advocacy and planning for the protection of the natural resources of the area. John Bush (noted inside front cover as L.J. Bush) bought this book in 1974 at around the time he and his wife bought a property in Emerald. Entries circled in Appendix 1 indicated indigenous plants that he planned to plant in their garden. John referenced this book when he was completing a thesis as part of a Masters Degree in Environmental Science.dandenong ranges, environment, conservation

Pale green moiré silk with a stamped design of stylized flowers. One corner has been embroidered in silk in soft shades of pink and green with a touch of Jap gold (no threads with kit).Label: Antoine Design, Trade Mark PENELOPEembroidery, silk embroidery, kits

Embroidered by H. M. Heuff-Bloem, Wassenaar, Netherlands. Embroiderers date of birth 4/9/1905, died 29/4/1995This piece is a Berlin wool sampler in very bright colours on Penelope canvas. It shows a selection of geometric canvas work designs.embroidery, samplers, 1900-20, holland, canvas work, netherlands

Worked upper for slippers in red wool background in half cross on Penelope canvas. Green, yellows and brown leaf pattern and beaded flowers.embroidery, canvas work, beadwork, mid 19th century

Piece came to the Guild with a bag of canvas pieces from a deceased estate for disposal to members.Oval panel - design is of roses with a geometric border in mauve, grey, black, gold and brown beads on mauve Penelope canvas. Intended as an inset for a tray.beadwork, late 19th century

Awarded to students on achieving note-worthy results during the school year.A buff coloured card certificate. Printed in black ink, with school logo.Typed onto certificate: Name: Penelope A. Tilbrook Form III. Written in ink: Les J. Bowe (Head Master), 1956williamstown high school, certificate honours

Page sisters sitting at table in Quamby Café in 1936. LHS - Aunt Ede 80. (Edith Page) Middle - Mother 83 (Sarah Martha Dorey) RHS - Aunt Pen 85. (Penelope Page)On back of photograph To Dear Lily with love from Mrs. S. M. Dorey. Aunt Ede 80 Mother 83 Aunt Pen 85 Taken 1936 Lilly Dingley quamby, quamby cafe, lily dingley, dingley, dorey, iris dorey, iris woolrich

Black and white photograph showing the Esso work boat Lady Penelope towing disabled yacht Moga in Bass Strait. Also a second black and white photograph of vessel 04821.1 7 x 11 cmboats and boating, oil and gas industry

Probably the design was worked professionally and the background worked by an amateur.Uppers for a pair of slippers, one not finished. The design of roses in variegated pinks and blues in surface stitchery in silk and wool threads. The background is half cross stitch and continental stitch in dark blue wool. Fabric, Penelope canvas.embroidery, canvas work, surface stitchery, late 19th century, slippers

The couple in the photograph are Dennis Lekatsas/ Lucas (Matios) and Euridice Lekatsas, daughter of Evangelos and Penelope Florias.A sepia photograph mounted on a white board of lady and man. The man is seated and the lady is standing behind him.

Poppy Vasilopoulos, on the left, with he sister-in-law Penelope Maroudas (centre), and daughter Lula Psiliakos.A scanned black and white photograph of three ladies standing in a garden.

The photograph is taken on board an ocean liner heading for Greece. Those in Greek costumes are paseengers; the two men in civilian clothes crew members. Fourth and fifth from the left respectively are cousins Penelope Billiter (nee Kallinikos) and Athena Sikiotis. Penelope 's father Spiro Kallinikos and Athena's mother Chrisoula were siblings.Many Australian born people of Greek heritage have made trips back to their parents' homeland in a bid to learn more about their heritage and to meet family. A black and white photograph of a group some of whom are dressed in Greek national dress. The 10 women in the photograph are all in national costume; of the five men three are wearing traditional dress.

Awarded to a student for outstanding academic achievement over the year.Buff coloured card printed with school logo.Typed in: Penelope Tilbrook, 1A, Six Honours.1954. Signed in red pen: K.J. Coldicutt (Form Teacher) Stamped in brown ink: C.E. Brook (Head Master)williamstown high school, certificate honours