Personal fan of Asian origin used by early immigrant family living in Kiewa Valley and indicative of the mixed heritages within the Valley. Personal Fan of vintage circa 1920s suggests middle to upper socio-economic levelHistorically this item places certain ethnic group in the Kiewa Valley circa 1920's - 1950's. This personal fan indicates that it may have belonged to a middle class person with greater leisure time than that of a working class. The multicultural fabric of the region is also highlighted.Personal hand fan (slide out sideways open). Cardboard screen on wooden spine frame. Main side bright coloured green trees on golden red and royal blue background. Wispy silver lined clouds, black branches and brown earth with moss. Flip side gold speckled on white background Bamboo like sliversfan, personal fan, cooling, oriental, hand fan

Belonged to Susan Erey's grandmother and mother - C 1909 - 2011Example of interesting personal objectSmall personal fan. Marked La Braise Pat 21777 (French - English, The Breeze (Feminine) - nickel plate|steel. -3 bladed fan (plastic) operated rake + pinion movement with a thumb plunger. -decorated with pierced cavities in case filled with red enamel.La Brise Pat 21777costume accessories, female

Item souvenired by Leslie John Kupke No VX93892 2nd AIF. Refer 2054.2 for his service history. Japanese hand held an (folding type) made from paper and bambooJapanese writing on one side. Rising Sun on the otherpersonal effects - fans, japanese

G. Bona & Figlio was a store located in Venezia (Venice) Italy. It sold a wide variety of consumer goods including coats, furs, fans, walking sticks and travel items.The wrapping paper is a rare survival of ephemera related to a business, G. Bona & Figlio from Venezia (Venice) Italy. The arrival of waves of more than ten million migrants by boat is one of the major themes in Australia’s history. The paper shopping bag is representative of personal items purchased for migrant journeys as markers of domesticity, warmth and making oneself at home in a new land that speaks of the transnational lives embedded in threads of migration.A poster, rectangular, on cream paper with words and text printed in blue ink print. The poster has illustrations of a fan, umbrellas and a luggage case. It advertises addresses in Milano and Venezia (Milan and Venice)."G. BONA & FIGLIO" "VENEZIA" MILANO" "Merceria S. Salvatore" "assortmento" "Portagog, Portamonete" "Bastoni da Passeggio"venice, venezia, italy., shopping, flagstaff hill, maritime museum, g. bona & figlio, travel goods, italian merchant, luggage, umbrellas

My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

Newspaper Clipping from the Adelaide Advertiser dated 25/10/1972 in the Opinion section, written by Lance Campbell, of Father Graham Kaines providing a potted history of Adelaide's trams, the opening of the AETM's first section of tramway track and Fr. Graham's interest since a 14 year old in trams. Includes a photograph of three workers (unknown), trams No. 1, 282 (?) and Ballarat 21 on depot fan. Page 5 of newspaper. See also Other Information for personal note from cataloguer.In red biro on top of page "Nice Fite over car 29 at Bendigo 881"trams, tramways, aetm, tramway museums, adelaide, father graham kaines

An article in the Melbourne Age (2 March 1978, p. 25) recorded the retirement of Clare Ralph of Goullet of Melbourne (active 1953-78). "One of Australia's most talented milliners, Clare Ralph, of Goullet, is selling her business because she wants to spend more time in her garden. "I have been in the business for 25 years and last week I turned 60 and so I thought now is the time," Mrs. Ralph said at her Richmond shop yesterday. ... Mrs. Ralph is selling cheaply $10,000 for the label, which also covers sportswear, and tenancy and lease of the premises which have a showroom and workroom. ... Mrs. Ralph is as unpretentious as the relaxed Goullet styling which brought the new concept of millinery to Australia non-hatty hats with none of the "Melbourne Mum" quality so rife at the time. She said she started off making hats rather than dressmaking because she couldn't afford to buy the three yards of material necessary for a dress. "I wanted to get out of the house and so I did millinery night classes at Caulfield Tech." Her first efforts were sun-hats of natural straw which Mrs. Ralph trimmed extravagantly … "gold fishnet and braiding and sparkly jewels all over the crown. "They were ridiculous but a lot of fun," she said. She carted them by train to the city and nervously showed them to a store buyer. After the meeting, she couldn't face taking the samples home again on the train and left them. Before she could collect them, to everyone's amazement particularly Clare Ralph's, they had been sold. "The next thing was people were asking me what I was going to do for winter. I hadn't thought I was in the industry. I just thought I had sold a couple of sun hats and that was marvellous because I needed the money," she said. If the new buyer is interested, Clare Ralph will continue designing hats on a consultancy basis for them, which would be great for all the fans she has collected since those crazy sun-hat days.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed woman’s hat designed by Clare Ralph of Goullet of Melbourne, constructed of white stiffened fabric with a white fabric cord surrounding the crown of the hat.Label: Designed by Goullet of Melbournegoullet of melbourne, clare ralph -- milliner, women's clothing -- hats, headwear

An article in the Melbourne Age (2 March 1978, p. 25) recorded the retirement of Clare Ralph of Goullet of Melbourne (active 1953-78). "One of Australia's most talented milliners, Clare Ralph, of Goullet, is selling her business because she wants to spend more time in her garden. "I have been in the business for 25 years and last week I turned 60 and so I thought now is the time," Mrs. Ralph said at her Richmond shop yesterday. ... Mrs. Ralph is selling cheaply $10,000 for the label, which also covers sportswear, and tenancy and lease of the premises which have a showroom and workroom. ... Mrs. Ralph is as unpretentious as the relaxed Goullet styling which brought the new concept of millinery to Australia non-hatty hats with none of the "Melbourne Mum" quality so rife at the time. She said she started off making hats rather than dressmaking because she couldn't afford to buy the three yards of material necessary for a dress. "I wanted to get out of the house and so I did millinery night classes at Caulfield Tech." Her first efforts were sun-hats of natural straw which Mrs. Ralph trimmed extravagantly … "gold fishnet and braiding and sparkly jewels all over the crown. "They were ridiculous but a lot of fun," she said. She carted them by train to the city and nervously showed them to a store buyer. After the meeting, she couldn't face taking the samples home again on the train and left them. Before she could collect them, to everyone's amazement particularly Clare Ralph's, they had been sold. "The next thing was people were asking me what I was going to do for winter. I hadn't thought I was in the industry. I just thought I had sold a couple of sun hats and that was marvellous because I needed the money," she said. If the new buyer is interested, Clare Ralph will continue designing hats on a consultancy basis for them, which would be great for all the fans she has collected since those crazy sun-hat days.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Finely woven straw woman’s hat designed by Clare Ralph for her millinery label Goullet [Melbourne]. The hat features a cream ribbon around the base of the crown. Label: Goulletclare ralph -- goullet -- melbourne (vic.), milliners -- clare ralph, headwear, women's clothing -- hats

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country Girl The "Q" Theatre Guild, which subsumed the earlier Kew Light Opera Company, performed in the Kew Recreation Hall from 1957 and later in the Kew Town Hall from 1960. Its productions include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) c.1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl [1960 Die Fledermaus]??? 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera ? And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Scrapbook of newspaper reviews cast photographs and programmes of the Kew Light Opera Company (later amalgamated into the "Q" Theatre Guild). Compiled by Marion Tilley, a cast member and wardrobe mistress for both companies, it was donated to the Society by her daughter. The scrapbook covers performances during the years 1952 to c. 1965. See image carouselkew light opera company, "q" theatre, performing arts

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Geisha' by Sidney Jones and Harry Greenbank. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), theatre (kew), the geisha (musical)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Maritana' an opera by Vincent Wallace. Performances were held in June 1958. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, maritana (opera)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Blossom Time' in conjunction with Moomba. Performances were held in March in the Alexandra Gardens and subsequently at the Kew Recreation Hall in October and November. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, moomba, alexandra gardens, theatre groups (kew), blossom time (musical)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Bohemian Girl: A Romantic Opera in 3 Acts' by Michael William Balfe. There are various personal annotations on the cast list. The most interesting highlights one of the ladies of the Chorus, Joan Carden.The annotation reads: "Feb 18-1974 in Courier Mail Brisbane. Joan Carden to make debut as Opera Singer Covent Garden London. Leading role of Gilda in Rigoletto." The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, joan carden, the bohemian girl (opera), theatre groups (kew)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Gay Rosalinde (Die Fledermaus)' by Johann Strauss. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, die fledermaus, gay rosalinde, theatre groups (kew), kew city hall

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Die Fledermaus)' by Johann Strauss in 1962. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, kew city hall, die fledermaus

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Gay Rosalinda (Die Fledermaus) at the Kew City Theatre in 1961. theater (kew), "q" theatre guild, performing arts, gay rosalinda

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of And So To Bed, a musical play based on the diaries of Samuel Pepys with music by Vivian Ellis, at the Kew City Theatre in 1961. "q" theatre guild, performing arts, and so to bed, theater (kew)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Monsieur Beaucaire, a romantic opera by Andre Messager at the Kew City Theatre in 1964. "q" theatre guild, performing arts (kew), theatre (kew), monsieur beaucaire (andre messager)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performances of Kisses For A Quid, a one act opera opera, performed in a double bill with Humerdink's Hansel and Gretel, at the Kew City Theatre in 1961 "q" theatre guild, kisses for a quid, hansel and gretel (humperdinck), kew city theatre

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera [Undated] And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Mozart's They All Do It (Cosi fan tutte) at the Kew City Theatre in 1959. 30.11.1959 / The day Robbie died"q" theatre guild, performing arts (kew), theatre (kew), kew city theatre