Pictures taken at RVIB 201 High Street building of Assist, RVIB Enterprises and Training and Technology staff members for their badge identification.114 digital images of staff at RVIB Burwood, mostly in low resolutionroyal victorian institute for the blind, steve beashel, daryl barnett, phil boyd, geoff crawford, adrian smith, alan berginc, annie cooper, anton rich, chris maskell, david weatley, don hoy, ernie dos santos, frank bauer, gena kacowicz, geoff paterson, geoff ralph, glen petrie, greg slorach, greg washington, jim doherty, jimmy nason, john martin, john nettelbeck, karen hope, keith weller, ken mcdonald, lisa watson, martin stewart, jim pipczak, mary pipczak, michael royals, norm richards, norm shepherdson, peter krnel, ray dunn, ray xhaferi, richard pryztula, robert toseland, roger poulter, terry lord, alan kelly, alan fowler, andrea cook, andrew white, anita sun, barbara cameron, brett shelton, brian gear, bruce loring, chris edwards, christine harvie, dale moore, david horsfall, elisa moralis, faye baxter, glen hobby, glen morrow, jeremy childs, jeremy king, kate stephens, kathryn cooke, katy shuttleworth, ken baker, lloyd smith, margaret kelly, michael williams, michael doherty, natasha brake, neil gillies, neil mathieson, nick allan, ranmali ratnachandra, rhonda patman, rob glenowski, robyn mckenzie, rod stewart, sean tyrell, steve lock, stewart hose, terri cameron, thavee lees, thong nguyen, damien mccormack, elaine brock, vince september

Front Row L to R: Ross Salmon, Geoff Harvey, Maurice Woodburn, Mark Scammell, Kevin Masci, Kevin Youlden, Raymond Cameron, Neil Tabrah, Mal McCann. Standing L to R: Phillip Gribble, Brian Palmer, Frank Moloney, Ross Brealey, Trevor Lehmann, Terry Houge, Neil Davis, Chris Dalby, Dave Walker, Gerry Thomas (Inst) Chris Wilton, David Llewelyn, Mick Hoyer, Ramon Laidlaw, Rob Birch, Phil Best, Tony Durand, Herb Jenkins, Gavin Hall, George Brown, Lindsay Boyd, Phil La Roche, Peter Kelly, Paul Wilkinson.Colour photograph of ambulance officer trainees

Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript

Softcoverwalsh st library