Photograph - black and white. Portrait of a family, looks like father, mother and two (young) children, looks like a older boy and younger child, a girl.Mendelssohn, View St., Bendigo.person, family, portrait of family, photograph. portrait of a young family, husband, wife, young boy and young girl. unknown family portrait.

Photograph, sepia. Portrait of a young child, standing next to a tree stump, dressed in a white lacy looking dress, white socks and black shoes.Bartlett Bros., Sandhurst.person, individual, child portrait, photograph. portrait of a young child. unknown family collection.

Photograph, black and white. Portrait of a young woman, leaning on a rock, looks like in a garden.She has curly/wavy short hair, wearing earrings(sleepers).Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, sepia. Portrait of a young woman. Standing next to lattice, looks like back of a house/garden,holding a umbrella, on the ground in front of the woman a straw hat. She has very long hair and it's out.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph, sepia. Portrait of a young woman, chest up. Hair tired back, but you can see that her hair was a tight curl/frize.A.S.King, Pall Mall, Bendigo.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph - black and white. Portrait of a young woman, well dressed, leaning up against a beautiful lounge looking chair.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young female. unknown family collection.

Photograph - black and white. Portrait of a young woman, dressed in a white coloured dress with lace and puffed sleeves. She has tight curly hair.Mendelssohn, View St., Bendigo.person, individual, female portrait, photograph. portrait of a young female. unknown family collection.

Photograph - black and white. Portrait of a young woman. Dressed in a dark coloured dress, embroidered on the bodice, sleeves and on the skirt part of dress. She has curly hair.Pall Mall Studio, Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph - black and white. Portrait of a young family, mum,dad and baby. Male with a high neck collar and thin tie and moustache. Female, pleated top part, hair tied up on top of head. Baby all in white lace.Richards & Co., Ballarat.person, family, portrait of family, portrait - family.

A Carte de Visite (hereafter CdV) (also known as a calling card) was popular within the mid-19th Century. It is a small card with a photographic portrait mounted on it. These cards were exchanged during the Victorian era (peaking in the 1860s) between families and friends. This particular CdV was captured by John Paul Carolin in c.1877. Carolin was a two time Mayor of Bendigo (1889-1990 and 1907-1908) and ran a photography studio on Piper Street in Kyneton from 1866. This photograph depicts a young Daniel “Dan” Kelly posing for his photograph while sitting on an ornate chair and leaning his elbow on a small pedestal table. Dan was approximately seven years younger than his famous brother, Edward “Ned” Kelly. He was born in 1861 to John “Red” Kelly (an Irish ex-convict) and Ellen Quinn. In march 1878, Dan was wanted for arrest on the charge of horse stealing. This event, known commonly as the “Fitzpatrick Incident” resulted in the formation of the Kelly Gang as it is known in popular culture today. After the incident the Kelly Gang disappeared into the bush and a 100 pound award was issued for their arrest. During this period the gang robbed banks including those at Jerilderie, Euroa and Benalla. On the 28th of June 1880, Dan Kelly died at Glenrowan in what was the Kelly Gang’s final stand: the Siege of Glenrowan. Following this event, Dan’s elder brother Ned is the sole survivor of the Kelly Gang until he is executed at the Melbourne Gaol on the 11th of November 1880. The circumstances around the deaths of Dan Kelly and Steve Hart are controversial but it is generally accepted that they died in a suicide pact inside the Ann Jones Inn.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Individuals like Dan Kelly played an essential part in the Kelly story which have been adapted for popular culture. The study of these individuals through their images and records can help researchers to correctly interpret their involvement with Ned Kelly and the Kelly gang.Sepia, rectangular, postcard on boardObverse: Carolin Photograph Kyneton / Reverse PHOTOGRAPHED / FROM LIFE / ADVANCE AUSTRALIA / BY / J.P. CAROLIN, / KYNETON. / VICTORIA. / COPIES MAY BE HAD ON / APPLICATION. / DK/Dan Kelly/9 2 48/7#carte de visite, kelly gang, dan kelly, daniel kelly, fitzpatrick, ned kelly, steve hart, joe byrne, ann jones inn, glenrowan, kyneton, 1877, john paul carolin, carolin

Famous Swiss landcape painter Louis Buvelot came to Melbourne in 1864 and set up a portrait photography studio which he operated for one year only in 1865. This photograph is believed to be the oldest photo in the Shillinglaw Family Album collection. It is believed that the subject is a young Phillip Shillinglaw, without beard, at age 22 or 23. Phillip Shillinglaw was born Melbourne, August 7, 1842. He married Sarah Ann Kidd in Heidelberg, Victoria, February 28, 1872. In 1881 Phillip and Sarah and their small family moved to Eltham and made home in what was later to become known as Shillinglaw Cottage but which Phillip named 'Wattle Brae'. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. Photographer: Louis Buvelot Swiss landscape painter and portrait photographer, settled in Melbourne in 1864, admired by the artists from the Heidelberg area such as Tom Roberts and Arthur Streeton who bestowed him with the accolade of 'Father of Australian painting’. In the 1870s, his work increasingly drew elements from Australian landscape such as the bush land in works like Lilydale (1878) and Bush Track. "Louis Buvelot :: biography at :: at Design and Art Australia Online." Daao https://www.daao.org.au/bio/louis-buvelot/biography/. Accessed 9 Mar. 2023. On arriving in Melbourne in February 1865 Buvelot bought a photographer's studio at 92 Bourke Street East and took portraits for a year. In 1866 he moved to 88 La Trobe Street East and resumed his painting while Caroline-Julie gave French lessons to help Buvelot to establish himself as an artist in Melbourne. "Biography - Abram-Louis Buvelot." Australian Dictionary of Biography https://adb.anu.edu.au/biography/buvelot-abramlouis-3132. Accessed 2 Dec. 2022. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1865, l. buvelot photographer, louis buvelot, phillip shillinglaw (1842-1914), unknown

Donated by Bass Valley Historical SocietyBlack & White Portrait of Anne McHaffie as a young child in lace dress.On back: " Anne McHaffie Phillip Island"mchaffie family, phillip island, bass valley historical society, anne mchaffie

Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young child leaning on the arm of a chair - dressed in a dress and boots.On back: "David McHaffie"mchaffie family, david mchaffie, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White Portrait of Anne McHaffie as a young woman in high necked dress wearing 2 strands of pearls.On back: "Anne McHaffie now Mrs Hardy"mchaffie family, anne mchaffie, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young 14 yr old boy. Stainding with hat in his left hand and right hand on railing.On back: "David I. McHaffie - 1878 - aged 14 years.mchaffie family, david mchaffie, phillip island, bass valley historical society

Studio Portrait of Robert Anderson Jnr. in oval frame. Dressed in dark jacket and waistcoat, white shirt and striped tie. Son of Robert and Margaret Anderson, Fourth child.Studio Portrait of young man, Robert Anderson Jnr.local history, photography, photographs, slides, film, robert anderson jnr, sepia photograph, mrs emma anderson jacobs

Janet Anderson, seventh child of Robert Anderson. Studio Portrait of a young lass, frilled collar, broach at throat.Studio Head and Shoulders Photograph of Janet AndersonVandyk Studios, 3 Bourke Street, East Melbourne. Next door General Post Office.local history, photography, photographs, slides, film, janet anderson, sepia photograph, mrs emma anderson jacobs

Medhurst children, Amy Christina Medhurst born1888 and Eunice Sarah Medhurst born 1891.Early 20th century portrait of children from the Medhurst family, a prominent Greensborough pioneer familyStudio photograph of two young women, one standing and one seated. Sepia. Name of studio on front matt. Front: Allan Studios 318 Smith Street Collingwood. Back: Amy Christina Medhurst 1888, Eunice Sarah Medhurst 1891.amy christina medhurst, eunice sarah medhurst, medhurst family

Daughter of David and Martha Medhurst.A member of the Medhurst family, Greensborough pioneersBlack and white studio portrait of young woman in dark dress.In pan on back: Ivy Medhurst, Born 1896-1972, age 76. Daughter of David and Martha Medhurstmedhurst family, ivy medhurst

Studio portrait of six young women, the Maud sisters.Digital copy of black and white studio photograph.maud family

This is a studio portrait of Jessie May Partington (1911-1999), possibly in her 20s.Jessie May is a member of the Partington family, Greensborough pioneers.Sepia photograph on postcard depicting young woman (seated) in dark sleeveless dress with pearls.On back: "Auntie Tim" in blue pen and "Jessie" in black pen.jessie may partington, jessie angus, jessie scholes, partington family

This is a portrait of Robert Graham's family. For further information about Robert Graham see "Victoria's Wonderland", pp 61-68 & 121.The photo shows a portrait of one woman (seated), two men at the back, three boys flanking the men and a young girl standing behind and to the right (photo left) of the woman.people, graham

inscription to Mrs Nightingale and familyThompson collectionStudio portrait, sepia photograph mounted on green card of young woman in victorian dress To Dear Mrs Nightingale and Family with very best love from Eaa? 5.10.06thompson collection, nightingale

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

a. 7 handwritten pages (author - Grahame Robertson, 24 Duneba Avenue Pymble 2073 NSW, date?) re ''History of the Young family in Bendigo''. George Young and J B Young; detailed genealogical information about both families; b.Copy of newspaper cutting (10/9/1936) re Mr and Mrs J B Young - Golden Wedding . Portrait photographs of both people. J B Young was son of George Young, one of the earliest pioneers of Bendigo (printing and stationery business). Mrs Young was daughter of Rev Joseph King, Minister of Congregational Church, Bendigo, 1874-1881. Further details in two columns of print. Other names; Anne Beale Young, John Beale Young, Frederick George Young, George Gibson Young, Miriam , Charlie Seymour, George Bolton, Fred Tuckerman, Mr Jennings, Mr. R. Gerdeson, Mr. Ron Hilton, Edith Dunlop, Sir. Michael Young.person, individual, young family, congrational church bendigo, st andrews college myers street, bendigo high school, austtralian natives association, ffederation league, mr alfred deakin, bendigo nenevolent asylum, bendigo mechanice institute, bendigo royal bank, bendigo gas company, bendigo and eaglehawk star permanent building society, bendigo stock exchange.

Two small portrait photographs by Fred.K.Cornell Photographer Sale Victoria, 1 family portrait with 2 adults & 6 children and one of a young adolescent male. Back of photographs reads, patronized by his Excellency Sir Geo.F.Bowen, awarded prize medal Melbourne & London international exhibition 1873 Honourable mention Melbourne 1867 Dublin 1865.Fred.K.Cornellphotograph, portrait, male & female

Cabinet photograph of young man standing next to urn & pedestal right arm on hip and left arm leaning against urn. Nothing on reverse. Possibly a member of the Opie/Dower/Martin/Adams family, formerly of Castlemaine/Maldon/Mt. Pleasant areas. C.1880's./ wearing a suit and waistcoat / watch chain with coin and German cross?Yeoman & Co., 169 Bourke St. East, Melbournephotograph, portrait, male, cabinet photograph of young man, yeoman & co melbourne, opie, dower, martin, adams

black and white photograph on grey board. Oval shaped image with embossed surround. Two young girls sitting on couch. Pale dresses with frills, lace, sashes, dark socks and boots. Older girl with bow in hair. Melba MELBOURNE on front'Melba/Melbourne ' embossed on front bottom leftperson, family, two babies

sepia portrait of woman and young girl mounted on off-white cream boardMassingham, Geelongperson, family

Sepia photograph. Interior group studio portrait of football team. Five in front row, seven seated, seven standing and four men at rear not in football clothing. General pose is arms folded across in front of body. Mounted on fawn card with family photo on back. Inscriptions: Front 'RHSV stamp GP49', 'Presented to Mr F Richardson by the members of the St Andrews Football Club, First of October 1894'. On back - RHSV stamp. Photograph of family group - father, mother, children and young adults. Rear row: two males, four females. Middle row: mother, father? And two boys. Front row: baby held by mother, boy and two girls. 'STKing, Bendigo'. History Prev. Acc. No. GP49cottage, miners