One "ILFORD photographic paper" cardboard box used to store Eight rectangular glass plates, various sizes, one slightly damage (chipped); with paper inserts for protection. 175mm x 82mm - 1 138mm x 88mm - 4 132mm x 82mm - 3Ilford (Australia) Propriety Limited Melbourne Australiaallan doney collection, photograpy

The Junction Dam and Clover Dam Power Station, stages of the Kiewa Hydro-Electric Scheme, were needed to meet the increased power demands of the wartime industry in Victoria. Clover added 26 megawatts to the grid. Junction Dam was completed and ready to hold water by September 1943, but was emptied in December 1943 and not filled again until May 1944. Construction of Clover Power Station commenced in July 1941 and both turbines were in service by May 1945.Clover Power Station and Junction Dam were part of the Kiewa Hydro Electric Scheme constructed by the State Electricity Commission of Victoria. SECV official photographers took photographs of most stages of construction of the Hydro Electric Scheme and referenced each photo with a number and dating system as an historical record and for reference for other projects. This provided a thorough history of the construction of the Hydro Electric Scheme, some of the workers involved in its construction and the infrastructure supporting its construction, such a Bogong Village.Small light brown cardboard box originally containing sensitized photographic paper, now containing a range of black and white photographs of the Kiewa Hydro Electric System taken by the official SECV photographer Box has some damage – Front panel on lid is missing. Top has a puncture in top right corner and some peeling of paper along sides and at edges. Printed on the top of the box in black ink: OPEN ONLY IN PHOTOGRAPHIC DARK ROOM SENSITIZED PAPER Manufactured by – KODAK (A/asia) PTY. LTD. Melbourne Australia Green and white sticker on right side of lid and bottom right side of box, torn at join 1. 1B1 Single Weight Soft. Available in Soft (1) Medium (2) Contrast (3) Extra Contrast (4) Single and Double Weight Stamped at bottom of sticker in grey ink G8087 CK photographic paper box; state electricity commission of victoria; official photographer; kiewa hydro electric scheme; clover power station; junction dam; bogong village

Brown cardboard Kodak Photographic Paper box, marked "Chief Engineers Tour 1960-1", containing many photos with many duplicates of his Scandinavian section. See Reg item 2700 for the actual report.trams, tramways, tours, overseas tours, chief engineer

Series of slides used by Maj. K.J. Herdman to accompany a lecture on aspects of the Army. Part of the "Kevin John Herdman" No. 397661 Collection. See Catalogue No. 5942P for details of his service.1. Clear plastic box lid with paper insert with recipients name and address. 2. Green coloured plastic base to slide box. 3. to 42. Colour 35 mm slides in square plastic and card mounts.1. On a round white sticker on outside: 'ARMY'. Handwritten on paper insert: K. J. HERDMAN, 2 McGOWAN ST, EAGLEHAWK, VIC, 3556. 2. Handwritten on side in black text. '3'.kevin john herdman, colour slides, army

These photographs were taken at a Corps Day parade held at the Army Survey Regiment, Bendigo on the 29th of June 1984. The Colonel Commandant (honorary appointment) of the Survey Corps - COL Clem Sargent (Retd), presented the Defence Force Service Medal to retired WO1 Dave Malligan and SGT Bill Friswell, in recognition of 15 years of efficient remunerated service.This is a set of 36 photographs of a Corps Day parade and the presentation of the Defence Force Service Medal, held at the Army Survey Regiment, Bendigo on the 29th of June 1984. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) to .36) - Photos, black & white, 29th of June 1984.1P to .36P – There are no personnel identified. The occasion and date are annotate on the negative sleeve stored in Folder 4 Box 278.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This photograph was taken in approximately 1870 and depicts four male miners standing in mining sluice at the Three Mile Goldfields. These men are wearing typical attire for 1870s gold miners. They wear white shirts, tan coloured pants with water proof shoes and most of the men are wearing an apron to prevent their clothing from becoming too dirty from the mud. Each man is wearing a wide brim hat and hold large wooden tools used for sorting through the sluice. Three of the four men have full beards. The photograph was donated to the Burke Museum by R. Ziegenbein before 2001 but the photographer and the individuals captured in the photo are unknown. The image depicts the landscape of the Three Mile Goldfields during a period when open cut sluicing was undertaken to reach gold. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5 km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund was later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. Sluice box workers were a vital part of gold mining regardless of how inefficient they were in the recovery of gold. After using hydraulic sluicing to cut away the earth, miners would use the big wooden boxes depicted in the image to catch the earth which would then be sifted for gold. However, accidents would occur often which would result in the gold washing away and unable to be recovered. It was not a very efficient system because the gold, which was alluvial and thus very fine, would often pass through the sluice box undetected.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.[illegible] about 1870 / 97 2514.1 / 2594 30three mile goldfields, goldfields, 1870, 1870 gold, australia, australian landscape, miners, gold miners, diggers, gold diggers, beechworth, victoria, sluice box workers, sluicing, sluice, mining

This photograph is recorded as having been taken in the North East Victoria Regional Tourist Authority, Wangaratta and depicts an exhibition display of items and interpretative labels associated with the Kelly Gang. The display was reportedly laid out as part of a Vic Tour Stamp, with items from the Burke Museum Collection.This photograph is of social significance due to its connection with the Burke Museum as well as the Kelly Gang. The Kelly Gang story is integral to the formation of the Australian identity and highlights the Irish oppression during the 1880s. Ned Kelly is an Australian icon, mythologised in Australian literature, art, folklore and history, and the Kelly Gang permeates Australia's national consciousness. The significance of the Burke Museum is also highlighted here, as the photograph shows the importance of the Kelly story to the Beechworth area and local identity, as well as its significance within the museum collection. The photograph is of strong research potential due to its depiction of the Kelly Gang history in Australia and its presentation of a historical museum exhibition which toured from Beechworth to other Victorian locations. With a depiction of the exhibition and associated label, the photograph provides insight into how the language and historical interpretation of Kelly Gang has developed, and how cultural and social opinions which are often shaped by exhibition displays, have shifted. Black and white rectangular photograph printed on matte photographic paper.Obverse: Gold Cradle / History / Claim 1835 / The north east is rich in history. It was the home of Ned Kelly, the 'Man from Snowy River' and (???) dog Mogan. Century old buildings are common and (???)nders of the gold rush days are everywhere / V. R. / £8000 Reward / Robbery and Murder / (indeterminate) Reverse: The historical display laid out in VICTOUR / 1997 3135 / North East Victoria/ Regional Tourist Authority/ P.O. Box 250/ Wangaratta. 3577 /BMMA03324burke museum, ned kelly, kelly gang, museum collection, exhibition, display, gallery, museum, exhibit

This photo shows the large mining cavity with a hydraulic sluicing machine in operation at Baarmutha Three Mile Mine, Beechworth . The Beechworth Mining District was one of six mining districts established by the Governor-in-Council on 4 January 1858 under the provisions of An Act for Amending the Laws Relating to the Goldfields (21 Vic no.32). The District was further divided into seven divisions: Spring Creek, Snake Valley, Three Mile Creek, Buckland, Woolshed, Yackandandah and Omeo. The boundaries of each of these divisions and of the whole district are described in the Governor-in-Council's proclamation printed in the Government Gazette, 5 January 1858, pages 3-5. Hydraulic mining is a form of mining that uses high-pressure jets of water to dislodge rock material or move sediment. In the placer mining of gold or tin, the resulting water-sediment slurry is directed through sluice boxes to remove the gold. It is also used in mining kaolin and coal.This photograph shows the impact the gold rush era had on Australia and the earth.A black and white rectangular photograph printed on photographic paperCopied from original on loan film (WEBB QLD) / Donated 2009 NOV/ Baarmutha Three Mile Mine c1920-1950/ Managed by John Weir Peter Jereen Jack Cox / Owned by Plain Bros then Parkinsons Sluicing.mining, gold fields, beechworth, gold rush, burke museum, photograph, mining cavity, hydraulic mining, hydraulic sluicing, baarmutha

BHS CollectionHanro Photo Proofs:- Brown envelope with red print. Print on top left hand is *The Bendigo Advertiser Photographic Service. A Division of The Bendigo Advertiser Newspapers. Diagonally across the page is a red strip with *Your Photographs* At the bottom left is *If not delivered within 14days, return 'The Bendigo Advertiser,' Bendigo. On the front, hand written in blue ink is 'Proofs (Hanro)* Inside in a small wax paper pouch is 5 x photos 5.2x7.8cm of Hanro's factory floor showing the equipment and manufacture of fabric. Box 116AThe Bendigo Advertiser Photographic Service.hanro, clothing, photo proofs, the bendigo advertiser. hanro.

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of the blocks of Housing Commission flats at the corner of Ingles and Crockford Streets viewed from Ingles Street. Large white border at the bottom.A star in blue ink at the bottom left corner and details of photographic paper type and exposure details on the reverse.built environment - public housing, ingles street, crockford street, built environment - domestic, raglan street housing commission of victoria flats, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of houses in Williamstown Road, Garden City. There is a large white border at the bottom and the top part of another image."OK" and "Williamstown rd" in blue ink on the front and type of photographic paper and exposure details on the reverse.built environment - domestic, williamstown road, garden city, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of the corner of The Boulevard and Beacon Road from the foreshore looking towards the city. The flats are on the left and the BP refinery site is on the right. There is a large white border at the bottom.A star in blue ink on the front. Type of photographic paper and exposure details on the reverse.built environment - domestic, the boulevard, beacon road, bp australia, nancy u'ren nee morris

Colour picture in heavy paper folder. Sticker on front of folder reads: Bendigo High School 1907-2007 Celebrating 100 years of Quality Education 6th - 8 October 2007. Students 1957-1958 Bk: Graeme Tuder, Ivan Brown, Tony Conolan, David Stuccoes, Neil Shaw, Kevin Rusbridge, Keith Ryall, Peter Ellis, John Harris, John Charlton, Bill Cook. 4th: Brian Tresidder, Jack Harvey, Tony Hayward, Ken Prior, Peter Dumont, Roger Banks, M.R. Adamthwaite, Tom Bowles, Will Turner, Lance Lakey, Faye Frewin (McKenzie). 3rd David Pocock, Margaret Grant (Hawke), Barbara Glover (Simms), June Tully (Lewis), Jan Nankervis (Every), Nola Williams (Dalrymple), Jan van der Spek (Sheringham), Kay Trimble (Oswald), Coral Symons (Eickert), Joan Rathbone (Griffen), Pam Lane (Jenkin), Joy Howell (Anderson). 2nd: Eric McLeod, Noel Mibus, Malcolm Ward, Shirley Walker (Moresi), Shirley Midgey (Osborne), Patricia McLay (Johnston), Margaret Aitken, Lynette Dowall (Teague), Trudy Green (Partington), Margaret Symons (Fehring). Ft: Marilyn Millar (Stephens), Juanita Aitken (Howe), Val Pratt (Hester), Bronwen Schleiger (Townsend), Barbara Jones (Matthews), Lyn Goldsmith (Punch), Pauline Wileman (Lampard), Cheryl Chant (Read), Chris Charnas (Frewin). Spielvogel Photographics P.O. Box 1004 Ballarat Mail Centre, Vic 3354. Ph. 03 5334 0246.Spielvogel Photographics P.O. Box 1004 Ballarat Mail Centre, Vic 3354. Ph. 03 5334 0246.bendigo, education, bendigo high school

Demonstrates the use of horse trams as trailers after the start of the electric trams in Ballarat and the street scape and tramway loading at the same time.B&W print of an ESCo tram just past the intersection of Doveton St. and Sturt St. travelling east along the north side of Sturt. Steet towing a heavily laden horse tram as a trailer. Photo appears to be taken soon after opening of the electric trams, as the tram does not have any destination box above the driver. Possibly summer 1905/1906. Numerous people in the street, some horse drawn vehicles in the photograph. Shows buildings along the south side of Sturt St. and part of the verandah of the building at the NE corner of Doveton St. On textured photographic paper. For a list and description of the same base image see Archives file - "Notes on ESCo Tram towing a heavily loaded trailer" 2nd copy added 6-8-2016 from a donation of Mike Ryan via Hawthorn Tram Depot.On reverse side - black ink stamp "E.G.Butland" Copy 2 has "TMSV 332 Flinders St, Melbourne 3000" stamped on the rear.tramways, trams, sturt st, trailers, horse tram, town hall, esco

Yields information about the Ballarat tramway / railway level crossing and the street scene with a railcar using the level crossing.Black and white print on heavy matt photographic paper of No. 26, northbound, at the Ballarat Railway Station gates, Lydiard St Nth waiting for a 280HP railcar to clear the level crossing, with a number of other motor vehicles in the photo. In the background is the signal box and Victoria House. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "26 Ballarat Station 1963" 2nd copy has label "Reference 6/113/6 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, railway station, level crossings, lydiard st nth, railways, tram 26

Black & white photograph - poorly exposed of either an MMTB 'K' or 'Q' class tram inside a depot. On rear in top LH corner is number '290/' and stamped in blue ink is 'Taylors super snaps, Ballarat' (within a box), on Velox photographic paper. Reimaged 17/7/2017 front only.trams, tramways, mmtb, k or q class tram.

Orange cone-shaped lamp with bulb and box (missing electrical connection). Suitable for use with Kodabromide, Kodak Bromesko and other photographic contact and enlarging paper. Stock Item No. 2523. (Directions for use inside box).Bottom: (in black) - KODAK (AUSTRALASIA) PTY. LTD. / BROWNIE SAFELIGHT LAMP / USE GLOBE NOT EXCEEDING 15 WATTS.photography, safelight lamp, brownie

The Imperial Dry Plate Co., Ltd. was based in London and was founded in the early 1890s by J J Acworth (1853-1927). Kodak manufactured and distributed a wide range of photographic products to Australasia, including those made by the Imperial Dry Plate Co. A burgundy coloured cardboard box for glass photographic development plates with technical and manufacturers information printed on white paper on lid. The box is empty. photography, photograph, history of photography, dry plate photography, photographic equipment

These Kodak Photographic Dry Plates were manufactured at the Kodak plant in Abbotsford, NSW in the 1920s. A light tan coloured cardboard box with a paper label fixed to the label which features a Australian Red Ensign flag and printed text. The box is empty. photography, photographs, photo, kodak, history of photography, photographic equipment

Kodak manufactured and distributed a wide range of photographic products to Australasia, and operated a plant in Abbotsford, NSW from 1908 to the late 1950s.A brown rectangular cardboard box with manufacturers and production information printed on face. Hand drawn inscription in pencil in proper right corner: "14 - 3 - 63" Hand drawn arrow in bottom centre. Ineligible mark in black marker in centre proper left. photograph, photography, photos, history of photography, kodak, photographic equipment, wodonga

This item is part of a collection of four black and white glass lantern slides previously housed in this box. The slides and this box are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Brown paper box with printed black and red text on top, and handwritten text on top. Labels with printed text are also on the sides and bottom on the box.Top: [handwritten] NICHOLS / LAMB [printed] OPEN IN PHOTOGRAPHIC DARKROOM / Kodak / PLATES / TROPICALLY HARDENED / MADE IN GREAT BRITAIN BY KODAK LIMITED LONDON / TRADE MARK PROTECTED THROUGHOUT THE WORLDnew south wales graziers association, travel, agriculture, j w allen, photography, glass lantern slide, sheep, breeding

Photograph of woman standing on a tennis court and holding a box brownie. Identity unknown. Part of a series of images taken during a tennis day involving Norman Brookes. Materials: Paper, Inktennis

Royal Melbourne Show 1960reproduced monochrome photo on photographic paperroyal melbourne show horse show jumping equestrian merbein

Box of "Eclair Photographic Papers" Manufactured under licence by Crosby Sensitizing Pty. Ltd., branches in all states Reprographics across the nation Contains unused photographic paper - 6.5"x 4.75"Éclair photographic papers Australian Licensee: Crosby Sensitizing Pty. Ltd.allan doney collection, photograpy

"Kodak Photographic Papers" box; enclosing brown waxed papers which are placed between negatives Unknown manufacturer negative brown paper insertsKodak box negative paper inserts unknown manufacturerallan doney collection, photograpy

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of The Quartettes in Williamstown Road. There is a large white border at the bottom."OK" and "Williamstown rd elderly citizens flats" in blue ink on the front. Type of photographic paper and exposure details on the reverse.built environment - domestic, williamstown road, nancy u'ren nee morris, the quartettes

The photo was donated to Ray Hudson Real Estate by David Lord, 9 Maude Street, Box Hill North, 3129. David Lord is son of Clive H Lord, FRAIA, Dip Arch Design who was the architect of the building. Clive Harmsworth Lord (1905-1979) was admitted as a registered architect by the Architect's Registration Board in April 1931 (REF: TROVE - The Argus, 17 April 1931). Electoral roll gives Clive Harmsworth Lord at 196 Union Road in 1954 and 1963 and in 1968 at 5 Streetham Court, Mont Albert. He died at Mont Albert; cremated Springvale. Date is approximate. Roy Dimmick of Dimmick and Long, Len Rossiter and Robert Mitchell (+ and one of the other principals of Dimmick and Long) had the theatre built; Len Rossiter was the builder; Clive H Lord was the architect. The theatre was opened by the local member and prime minister, Robert Menzies on 3rd September 1939. Dimmick & Long operated a real estate agency from the corner of the building. Owned / operated by Surrey Theatres Pty Ltd (L Rossiter and Robert Mitchell) from 3/9/1939-1/1/1952 Owned / operated by Victoria Theatres Pty Ltd from 1/11/1950 to 22/10/1960 Owned / operated by Consolidated Theatres Pty Ltd from 1/3/1958 to 22/10/1960 The theatre became a squash court in the (?) 1960s. SHNN: April-May 1986: Plans are afoot to revamp the squash courts with existing shops to remain but with the interior to be converted to office showroom space. 40-2286 is a black and white photocopy made by Jocelyn Hall. SLV have other photos including ones of the foyer.Sepia image of the interior of the Surrey Theatre at 140-148 Union Road, Surrey Hills. It is taken from the stage (screen) back towards the projection box. The two entrances can just be seen behind the curtained area behind the back row. The ceiling has typical 1930s decorative treatment.Original: Commercial Photographic Co Pty Ltd on lower RH edge. Stamp on back: Commercial Photographic Coy. / Pty. Ltd. / 217 Queensberry St., Melbourne, N3. / (Details re ordering prints) / Telephone F5266entertainment, businesses, theatres, surrey theatre, union road shops, cinemas, dimmick and long real estate agency, surrey theatres pty ltd, victoria theatres pty ltd, consolidated theatres pty ltd, clive lord, (sir) robert menzies, roy dimmick, len rossiter, surrey squash court