Photographs of Greensborough and surrounds in the 21st century. Themes include Christmas Day 2012 floods, Loyola College, Greensborough Cemetery, Bill Cecil and Greensborough Historical Society. The photos have been distributed by theme throughout the Society's Digital Library.Modern Greensborough photographed by local photographer.CD containing a selection of photography by Jasmin BurgeWritten on label on CD: "Greensborough Historical Society. Photography by Jasmin R. Burge (J.R.Burge)"jasmin burge, greensborough, photographs, christmas day 2012 floods, loyola college, greensborough cemetery, bill cecil, greensborough historical society

Post-printing colour enhanced photograph of a World War 1 soldier with two draught horses (one brown & one grey) No details of the subject Printed by: Heather Day Photography 43 Carpenter St., Bendigo, Vic. 355 Ph: 0418 396 498 Email: [email protected] Day Photography, Bendigonorm gillies collection, ww 1

This photograph was taken as part of Paul Lambeth's photography classBlack and white photograph adhered to cardin pencil on verso "Student Group in Photography Studio Room 106"student group, photography studio, paul lambeth, tafe photography

Kodak was founded by George Eastman and Henry A. Strong on September 4, 1888 in New York USA. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera. The first model of the Kodak camera appeared in 1888. It took round pictures 6.4 cm (2.5 in) in diameter, was of the fixed focus type, and carried a roll of film enough for 100 exposures. Its invention practically marked the advent of amateur photography, as before that time both apparatus and processes were too burdensome to classify photography as recreation. The first films had to be loaded into the camera and unloaded in the dark room, but the film cartridge system with its protecting strip of opaque paper made it possible to load and unload the camera in ordinary light. The Brownie camera was introduced in 1900, creating a new mass market for photography. This Kodak Brownie Box Camera is typical of the cameras used by amateur photographers c 1940A metal Kodak Brownie Box camera with a leather case, and an empty folder for negatives and prints Front ; KODAK / 'KODET' LENS / Brownie Flash 11 / CAMERA / MADE IN ENGLAND BY KODAK LTD LONDON Folder The Pleasures of PHOTOGRAPHY / Make Photography Your Hobby kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography,

This book was most probably used at the Ballarat School of Mines during Photography classes. 32 page soft covered book with photographic formulae for students of photography.photography, albumen, albertype, collotype, photolithograph, gelatine plates, xylography, l. hart, photographic equipment

During the 1890s the Ballarat School of Mines started teaching photography.Handwritten invoice on printed letterhead. The invoice was for chemicals and apparatus for the Ballarat School of Mines, including items for the Chemical Laboratory, Photography Laboratory, Electrical Laboratory and Cyanide.walter cornell, ballarat school of mines, laboratory, chemist, pharmacy, photography electricity, photographic equipment

Colour photography of a streetscene in Malvern.malvern, malvern town hall, council, local government, council chamber, streetscape

The children in the photograph are students of the former Bulla Primary School. The school had organised a 'Junp Rope for Heart' day to raise money for the heart foundation.The teacher supervising and with her back to the camera is Barbara Springfield. Leanne Henderson is turning the rope at the other end and her twin sister, Fiona, is second from the left. A coloured photography of children skipping.'jump rope for heart', bulla primary school, barbara springfield, leanne henderson, fiona henderson

Colour photography of church in Koroit.koroit, presbyterian church koroit

Event photography, post WWII function. "Photograph of Margaret Rogers and Cath Burrows at post WWII function. AANS Post WWII, Celebrations." [Former catalogued description, entry P23]Unframed, printed black and white photograph on card, of Margaret Rogers and Cath Burrows at a post WWII function. Faded Copyright Photography stamp on the back, with Negative Number AY5420 written in pencil. 'Marg. Rogers & Cath Burrows / BURROWS' [Handwritten in biro at the top of the back of the photo], 'COPYRIGHT PHOTOGRAPH / PERMISSION FOR (?) MUST BE OBTAINED / (? ? ? ? ?) EVERY INSTANCE / "The Argus" MELBOURNE AUSTRALIA / NEGATIVE No AG5420 REFERENCE No..............' [Very faded purple stamp with pencil written negative number, middle back of photo]aans, ww2, world war two, world war ii, world war 2, margaret rogers, cath burrows

Colour photography of the Ballarat Arch of Victoryworld war, world war one, ballarat arch of victory, ballarat avenue of honour

Scrapbook containing cuttings with information on photography.books, technical, scrapbook

Silos at Noske Flour Mill Charlton.Standard colour photography without border.charlton, business, noske bros, noske's, flour mill

POSTCARD SEND BY A.M. FOXBLACK AND WHITE PHOTOGRAPHY A.M. FOXSEE ON BACK OF POSTCARDlocal history, document, postcard, crick, shrigley, mc lennan & lazarus

Document outlines the content and impact of wartime photographydocument, wartime photography

Taken before 2011-2012 renovation of the entrance facecolour photography, unmounted, original, fair condition

Colour photography of a Mason's Mark at Carlisle Cathedral.mason's mark, carlisle cathedral

Photography light meter with attached cloth strap.Weston Master Universal Exposure Meter model S74/715, on rear D2171. photography, artifact

When Richard Daintree rejoined the Victorian Geological Survey as a field surveyor in January 1859, he pioneered the use of photography in field-work. The glass plates attributed to him by the State Library of Victoria show four images of the mines in Clunes, Victoria, Australia in the 1860'sBlack and white reproduction of Port Phillip Colonial & Gold Mining Co., Clunes, Victoria, Australia in a light wood timber frameOn Reverse: Handwritten in pencil Port Phillip Co. 1860's Nettleton Photography glass plate Latrobe Libraryport phillip and colonial gold mining co., richard daintree

A black and white photograph of Fryday's Australian Hotel in Marysville. The hotel was originally built and opened by the Keppel Family in 1865 and named the Keppel's Australian Hotel. It was the first hotel to be opened in Marysville. In 1921 the licence to the Keppel's Australian Hotel was transferred to Emma Fryday and it was renamed the Fryday's Australian Hotel. The Keppel Family were among Marysville's earliest pioneering families.A black and white photograph of Fryday's Australian Hotel in Marysville.EDWIN G. ADAMSON/ Photography/ No. 4 St.James Buildings/ 123 WILLIAM ST./ MELBOURNE/ Telephone - F. 6380 This old Hotel is at Marysville, Vic./ Photo-Taken about 1926.marysville, victoria, australia, keppel hotel, keppel's australian hotel, australian hotel, keppel family, maurice john keppel, accommodation, fryday's australian hotel, emma fryday, photograph

This photograph depicts a large group of men in their work clothing situated in front of a large bank of earth. They are identified as miners working in an unidentified location in Australia. This photograph was taken by photographer Walter Thwaites sometime during the period of 1865-1908, likely c.1870. It is unsure where this image was taken since Thwaites travelled a lot over his photography career and the photograph is not annotated with this information. In addition, the identities of the men in the photograph are also unknown. These men are photographed in front of a large bank of earth where they had presumably been mining for gold or other precious metals. The men, with the exception of four, are wearing wide brimmed hats to protect their faces from the sun. They are also wearing loose fitting white shirts which are often worn beneath a darker coloured vest. They wear pale coloured work pants and boots. The men are mostly clean shaven with the exception of the moustache and a couple of beards. Two of the men have pipes in their mouth. Their clothing is basic and much less dramatic than the outfits worn by the gold diggers of the 1852 gold rush. These men, by wearing similar outfits, are expressing a sense of comradery or equality between them. It is likely that they are from the same, or similar, social status. They have an air of independence and share social equality in their stance and clothing. Walter William McLean Thwaites (1840-1908) was a professional photographer born in Sydney, Australia. He learnt the craft in his father's Hobart studio, but later embarked on his own solo career and toured every existing Australian colony between 1860 to 1888. The Thwaites family were a long line of photographers and artists with Thwaites' father Walter WIlliam Thwaites Sr working as an artist and photographer in Australia after moving from England in 1834. Walter Thwaites Sr's father, also named Walter Thwaites, was a British miniature portrait artist.Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts over 30 diggers standing in front of a bank of earth and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.Reverse: 1997.208 / MINERS. / W. Thwaites / Photography /australia, australian photography, photography, miners, gold rush, australian landscape, diggers, walter thwaites, thwaites photography, w. thwaites photography, social history

The former Glenlyon Shire Hall was established in 1890.Colour photography of a weatherboard hall in Glenlyon near Daylesford.glenlyon, hall