“Vinelea” Homestead with picket fence in front and dog in foreground.B/W Photograph of a house in th edistance with a picket fence. a black dog in the fore groundOn th rear, on a tsicker - Always Border Collies I don't know why these as a negativestawell, monaghan, vinelea

From 1870 onwards discussions took place in Wodonga concerning the best location for a building to house and reorganise the holdings of the Wodonga Literary Institute and Free Library. The Literary Institute, originally the Belvoir Literary Group, had been formed prior to 1861 and changed its name with the renaming of the town in 1869. In 1873 a meeting was held to consider the re-organising of the Wodonga Literary Institute and Free Library as “there were a goodly number of valuable books and other property belonging to the Institution but they were not used, and it was a pity to see such valuable works and sketches shut up in a back store getting spoiled”. In October 1885 the Wodonga and Towong Sentinel reported that the Wodonga Athenaeum and Free Library committee were seeking a grant of £200 to add to the £200 already paid to purchase Hellerman’s buildings. In October 1886 the Wodonga Athenaeum in Hume Street was officially opened. It was designed by Gordon and Gordon, architects, and built by Stewart Bros. This building continued to house the Atheneum and its collection until 1915 when the new library in High Street was built. In 1916 the Athenaeum building was moved on drays drawn by Clydesdale horses, to 153 Lawrence Street and used as a private home since. The building is heritage listed. This image is one of a collection of glass negatives taken by Robert Prentice. The negatives are clearly identified as he inscribed in the glass a back-to-front capital R (Я) on to which was joined a capital P creating his mark ЯР. On the glass he would also scratch the name Prentice where he could, in this case along the bottom of the picket fence.This image is significant because it housed the Wodonga Literary Group and Free Library, the first library building in Wodonga.Black and white image of old wooden house with tin roof. Trees and a picket fence are at the front of the house.Written below picket fence: Atheneum Wodonga, Prenticewodonga literary institute and free library, atheneum wodonga, belvoir literary group, robert prentice

Postcard picture of Lorne Hotel front and side view from Mountjoy Parade showing flagpole picket fence surronds and cyrpess hedgerose series p2134, lorne hotel, picket fence, hedge surround

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing on the footpath in front of a picket fence behind which is a hedge and a timber house. The man is Frank Wright.Written in pen on back - Taken by Arthur Stevens in Pleasant St Ballarat., Feb.1928frank wright, cornet, conductor, ballarat, picket fence

Sepia image mounted on board : three tiered fountain surrounded by iron fence, ferns in background. Picket fence on slight rise behind the fountain and ferns.bendigo, parks and gardens, rosalind park fountain, bendigo, sandhurst, rosalind park, fountain, picket fence

Alex Wright was the brother ofFrank Wright who was a renown resident of Smeaton. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of a man and a woman standing in front of a picket fence, with a large tree in the background. The man is wearing a suit and is Frank Wright. The woman is wearing a long dark skirt and long sleeved blouse with a brooch at the neckline. She is his mother Sarah Wright. The man is wearing a suit and is Sarah's son Alex. The picket fence surrounds "Laura Villa". .2) Glass plate for this photographPrinted on the back - Post Card, Kodak Australiafrank wright, sarah wright, picket fence, laura villa, smeaton, cornet

A colour photograph of the front picket fence at Past Favorites in Marysville in Victoria.A colour photograph of the front picket fence at Past Favorites in Marysville in Victoria. Past Favorites was a bric a brac shop in Marysville in Victoria that was situated in Murchison Street. The building, along with most of the town, was destroyed in the 2009 Black Saturday bushfires. The only part of the building that survived the fires was a section of the cream picket fence that surrounded the building.past favorites, marysville, victoria, murchison street, bric a brac, 2009 black saturday bushfires

A colour photograph of the front picket fence at Past Favorites in Marysville in Victoria.A colour photograph of the front picket fence at Past Favorites in Marysville in Victoria. Past Favorites was a bric a brac shop in Marysville in Victoria that was situated in Murchison Street. The building, along with most of the town, was destroyed in the 2009 Black Saturday bushfires. The only part of the building that survived the fires was a section of the cream picket fence that surrounded the building.past favorites, marysville, victoria, murchison street, bric a brac, 2009 black saturday bushfires

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits with one wearing a hat and the other carrying one. They are standing in what appears to be a park with a large gum tree behind them a picket fence in the background. The man on the left is Frank Wright.frank wright, gumtree, picket fence, conductor

Reproduced in "Green Grows Our Garden" by A. P. WinzenriedSepia photograph. Group of students holding secateurs surrounding 2 young apple trees. Note picket fence with barbed wire, later replaced with massive boxthorn hedge. Copy of sepia photograph in, "Prize Essays," Alfred E. Bennett, c.1894, p 108.students, apple trees, picket fence, barbed wire, prize essays, alfred e. bennett, boxthorn hedge, students working outside, green grows our garden, a p winzenried, secateurs, pruning

Black and white copy: image shows double fronted miners' cottage, side entrance with timber fretwork on RH side, additional room at rear. Picket fence in front, man standing in garden with two women and child. Dirt road, sloping upwards to LH side of image.Batchelderplace, bendigo, miners' cottage, bendigo, sandhurst, miners' cottage, picket fence

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a man and a woman standing in front of a picket fence which surrounds a timber cottage with a corrugated iron roof, including a striped front verandah roof. On the left hand side of the photograph is a hill with a large pine tree. The people are Sarah and William Wright and the cottage is "Laura Villa" at Smeaton.Printed on back - Post Card, Kodak Australiafrank wright, sarah wright, william wright, laura villa, smeaton, picket fence

Photograph of an unnamed lady wearing a full length dress and dark coloured hat standing in front of a cottage. The cottage has a central doorway with a window on either side there is a veranda covering the doorway and the windows, There is a brick chimney on the left hand side with an ornate chimney pot. A picket fence surrounds the house with a decorative white gate centre frontperson, individual, lady in front of cottage, miners cottage, picket fence

Originally built as a Literary Institute in Longfield Street Stawell. Later used as the home of Mr. and Mrs. Bert Fielding. Photo shows verandah and picket fence.Black & white photograph of a brick two storey building with veranda and picket fence. stawell

Home on corner of Skene and Grant Streets (Hodder) "Lanceville" 1920. Partly hidden by Hedge and wooden picket fence.Photograph of a weather board home behind a tall hedge with a wooden picket fence. A tall telegraph post on the corner. Lanceville 1920 Written on the back "The house where Ivan Hodder was born. Now occupied by John Hunt. Cnr. Skene and Grant Street. Taken in 1920".stawell lanceville 1920

McDonald and Field photo of Baptist Church showing picket fence in front of church and water tank at side.Photo of Stawell Baptist Church taken by MacDonald & Field. The photo of the church shows a picket fence out the front of the church and a water tank on the side of the church.MacDonald & Field Photo stawell

“Vinelea” Homestead with picket fence in front and trees in rear. MonaghanB/W Photgraph of of a house and another buuilding with a wooden picket fence in front. Two chimneys on the right side f th ehouse and one on the left, the both buildings have iron roofs.stawell

Grandstand No1 Central Park c 1929 with very large crowd of people overflowing from the grandstand. Picket fence in foreground with rows of people behind and overflowing onto the oval.Grand Stand full of people and overflowing down the stairs with many rows of people standing between the stand and picket fence of oval.stawell

Photo of Baptist Church opened in 1870. The photo is a front and side view of the church with a picket fence out the front with a large pine tree on the right side of the photo.Photograph of Baptist Church with a picket fence out the front and pine trees around the Church. A large pine tree can be seen to the right of photo. stawell

This photograph show what the Waubra State School looked like in 1906. There are at least 40 pupils with two teachers in the photo and it also show that there was a picket fence around the school.One of the many photos that the society holds in regards to the old Waubra State School from the early 1900's.A rectangle sepia photo made from photo paper and cardboard, of the Waubra State School with the teachers (2) and pupils (40) on the corner, outside the picket fence. This was taken in 1906.W. H. Poiner. Clunes on the front of the photo and on the back, Taken 1906 - W. H. Poiner, Photographer, Albert Street, Clunes.

The late 19th to early 20th century stone cottage with weatherboard extensions. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. The dome roof in the background indicates a lighthouse, in which case the cottage would have been the living quarters for a lighthouse keeper and assistant keeper. The narrow poles could have been for signals and antennae. The object on the rock stack looks like a large metal milk can.The photograph shows a typical late 19th to early 20th century cottage, abandoned at dilapidated for many years. Black and white rectangular photograph mounted on card. The image shows a dilapidated stone cottage with an old picket fence. Extending behind the stone cottage are gabled roofs above weatherboard walls. The cottage has corrugated roof sheets of different colours, and four chimneys, three with chimney pots. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. Near the fenceline on the left, a corrugated water tank is positioned below a pipe joined to the roof gutter. Nearby are a timber shed and timber walls or screens. In the background are two tall narrow poles with spheres on top, higher than the cottage, with one pole on each side, the left one attached to the building. A domed roof with a knob on top is on the right behind trees. Several angular shapes appear on the horizon on the left, one almost hidden by the trees. The foreground is rocky and slopes uphill on the right. At the foot of the slope is a stack of closely fitted rocks with an object shaped like a milk can on top and an object to its left that is like an open grid. Handwritten Inscriptions are on the reverse side of the photograph.Pencil on board: " D9 / 200 x 150" Pen on sticker: "52"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, cottage, lighthouse, iron roof, stone building, picket fence, water tank, weatherboard building, 19th century cottage, early 20th century cottage, abandoned cottage, antenna, chimneys, milk can

Congregational Church Scallan Street Stawell. This photograph shows the Manse beside the church and was taken in the 1930's. The manse has an established garden around the building which looks in good condition. The picket fence is the same as in the post card photograph 106 of the Congregational Church built in 1874. Black & white photograph of a scene depicting a brick Church with a manse beside the Church and a picket fence. The manse has a verandah out the front with a corrugated iron roof. Congregational Church Stawellstawell

Small black and white photograph of the entrance to Victoria Park showing high iron gates that are open. The gates are open but the gate on the right is behind the fence. There are caste iron lamps at either side of the gates in front of the bowed-top picket fence. Between the gates, in the distance the fountain is visible. Murray pines are also visible. Wide dirt approach.Victoria Park is of social and historical significance to the people of Echuca and district. It includes a state park that has a natural dry schreyphyll forest with a canopy of eucalypts. The Park also includes sporting grounds and facilities and picnic areas. This photograph depicts the entrance to the Park in the 1920s showing a dirt approach with the caste iron lights, iron gates and caste iron gate posts and the bowed-top picket fence. Black and white photograph of the entrance to Victoria Park showing high iron gates and lamps with bowed-top picket fence. Wide dirt approach.On the back of photograph, in pencil, "Park Entrance"victoria park, echuca

Two identical photos of Stawell Baptist Church 1870. Examples of Baume's Photographic work. One photo is more faded and has names Davies and Wm Anthony on the back. One of the two people standing outside the picket fence in front of the Church has a top hat on. Two identical photos of the front view of Baptist Church. There is a tall picket fence in front of the church with two men standing beside the fence. Photo taken by J Baume Portrait Rooms, Reefs Pleasant Creek c. 1871J. BAUME, Portrait Rooms, Reefs Pleasant Creek. No... Copies can be had by sending Names and Numbers. Davies & Wm Anthonystawell

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an original plan by George Watson and John Henry Harvey, architects of the Department of Public Works (Victoria), in 1887 for New Public Offices at Kew. This plan was copied by the donor from an original held at the Commonwealth Archives in Brighton (Vic). The copy was made to illustrate a report that the donor made on ‘The functional planning design, building materials and construction methods of the Kew Post Office’ as part of course work at RMIT.PICKET FENCE & GATES / SCALE 4 FEET TO ONE INCHkew court house, kew police station, kew post office, architectural drawings, khs - slides, new public offices -- kew (vic.), architecture — queen anne style

Robson & Gray Monumental Yard, Lower Main Street Stawell. Photo shows monuments, cranes and nine employees behind wooden picket fence and gate. Timber weather board buildings either side of photograph. Note Grampian Freestone and Granite gutter at front. Notes: Francis Watkins started the business which was later, during 1897 sold to two employees, George Henry Robson and George Gray. Robson & Gray carried on the business until 1923 when their partnership was dissolved. Since then the business has traded as G.H. Robson (1923 - 46) G.H. Robson and Sons (1946 - 58) and G.H. Robson and Sons, Pty Ltd. since 1958. Later to trade as Waites. Robson.Black and white photograph of a monumental mason's yard. Nine employees behind a wooden picket fence and gate. Footpath and gutter in foreground.Robsonstawell industry

Demolished prior to 1970.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, sonny hills barn, susan street, bridge street, farm buildings, george w. bell collection, picket fence, sonny hill

Catherine Hurst (wife of Frederick) holding her grandchild Sylvia Gray (b.1900) with possibly her daughter Francis Gray (nee Hurst) and her son William Hurst Gray (b. 1898) on the tricyle. With unknown woman and William George Gray and his father-in-law Frederick George Hurst at Allwood House, Hurstbridge. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, hurst family, f.g. hurst, sylvia gray, hurst gray, w.g. gray, allwood, picket fence, verandah, catherine hurst, francis gray, william hurst gray, frederick george hurst