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Churchill Island Heritage Farm
Textile - Lace Trim
This delicate lace is hand crocheted with fine scallops each adorned with three picots. The top of the lace has been made to take a fine ribbon trim threaded through making it come under the heading of the beaded laces. This lace is so fine that it would most likely be used on table linen, kerchiefs or baby’s clothes.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries. Hand crochet length of lace trim with scalloped edge and three picots.churchill island, lace, janet amess lace collection, amess, crotchet, handmade -
Whitehorse Historical Society Inc.
Clothing - Nightdress
Richelieu embroidery - White openwork: the pattern outlined in buttonhole stitch and linked by bars (often with picots, like needlepoint lace) with the fabric background cut awayNightdress, ladies - (cotton) french seams Cut out work with Richelieu embroidered. Arm sleeve edges buttonholed with picots.costume, female nightwear -
Churchill Island Heritage Farm
Clothing - Lace Trim
A machine made length of lace trim which is off-white in colour, the delicate design features a six-petalled flower with a zigzag motif and a scalloped picot edge. Close inspection reveals subtle picots in the square net to achieve shading. One can imagine how feminine a woman would feel with this lace adorning her garments, possibly at the neck and cuffs of an afternoon dress or as an edging on a petticoat or nightgown. By the mid 19th century, machine made lace had improved so much that it was used by the couture houses on fashionable garments and the handmade lace makers countered by broadening the scope of their lace and marketing it as ‘real’ lace. By the end of the 19th century machines could make perfect copies of any handmade lace.The Amess family owned Churchill Island from 1872 to 1929machine made off-white length of lace trim with zig-zag and flower motif and scalloped picot edge.churchill island, lace, janet amess lace collection, amess -
Churchill Island Heritage Farm
Textile - Lace Trim
This is a machine made copy of a bobbin lace featuring ‘spiders’ and double picots on the edge. It appears to be cotton and would be a pretty trim on a mob cap, a fichu or children’s clothing. It is quite narrow and was most likely made on the Barmen machine which was developed in the 1890s in Germany from a braiding machine Its bobbins imitate the movements of the bobbins of a hand-made lace maker and it makes perfect copies of torchon and the simpler hand-made laces. It can only make one width at a time and does not have the pattern potential of the Leavers machineThe Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine made bobbin lace trim with double picots, slightly ivory in colourjanet amess lace collection, lace, churchill island, amess, machine -
Churchill Island Heritage Farm
Textile - Lace Trim
This fine lace trim at 1.6cm width is quite narrow, the pattern is geometric in style with one side a selvedge and the other a gracefully scalloped picot edging. It appears to be made of cotton although it could be silk, and ostensibly looks to be a Cluny lace style of bobbin lace which is heavily plaited and worked in one continuous piece. Cluny lace is geometric in pattern often with thin radiating wheat ears. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces such as Cluny. The machine developed from a braiding machine and uses bobbins which imitate the hand movement of hand-made lace makers. This fine lace trim may adorn a child’s collar and cuffs or trim a finely pleated blouse. It may also trim a mob cap or a shawl.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.machine made lace trim with selvage edge on one side and scalloped edge with picots, geometric interior churchill island, lace, janet amess lace collection, trim, amess, cluny -
Churchill Island Heritage Farm
Textile - Lace Trim
This is another machine lace made using a thicker crochet-like thread, quite possibly cotton judging by the texture. The geometric pattern has been made in the style of Torchon lace and it gives the appearance of softness and comfort. This lace is quite narrow (1.1cm) and was not made as an insertion lace but as a trim. It was most likely used as a trim on children’s underclothing and bed linen. It may have been used as a trim on a mob cap for a maid or a less senior member of the household. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.Torchon machine lace, coarse crochet like thread. One fairly straight edge with picots. Other edge has clusters of elongated picots at even intervals. Geometric pattern insidechurchill island, lace, janet amess, lace collection, torchon -
Churchill Island Heritage Farm
Clothing - Lace Trim
A machine made lace trim with a straight upper edge, the pattern being a repetition of spiders and fans this 133cm length is quite wide and luxurious at 6.7cm width. Although machine made, it is a fine copy of a handmade torchon bobbin lace, although slightly wider than the traditional torchon..The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above. machine made lace trim, straight upper edge, picots along bottom edgechurchill island, lace, janet amess lace collection, amess, trim -
Churchill Island Heritage Farm
Clothing - Lace Trim
Another example of a machine made lace, this delicate white lace trim with a beautiful undulating pattern on a diamond net background and richly scalloped edge. At 2.4cm in width it is quite a narrow and dainty lace and would have been suitable for a baby’s or a child’s garment or for enhancing nightwear, lingerie or bed linen.The Amess family owned Churchill Island from 1872 to 1929Length white lace trim with selvaged and scalloped edge with picots at outer edge. Undulating pattern on net ground. Machine made.churchill island, lace, janet amess lace collection, trim, amess -
Whitehorse Historical Society Inc.
Textile - Doyley, c1934
Purchased by Valda Arrowsmith on behalf of the Society.Crochet sandwich tray doyley in white cotton. Centenary of Victoria 1834 - 1934 crochet in pattern, fillet type crochet with picot edge.handcrafts, crocheting or crochet work, manchester, table linen -
Blacksmith's Cottage and Forge
Gloves -childrens
The gloves were worn by donor as a child in Sunshine to wear to Sunday school in the 1940s.Local history, accessories worn by children in the 1940s.One pair of ecru coloured cotton gloves. Crocheted around cuff, gathering to form cuff-picot edge. Diamond pattern motif on front.Label: all cotton. Made in Italy exclusively for Grenoble gloves- Melbourne M.cotton, accessories, gloves, crocheted -
Glenelg Shire Council Cultural Collection
Costume - Baby's Bonnet, n.d
Baby's bonnet, hand crocheted, very fine thread silk, cotton, with a sheen, ecru. Intricate pattern, picot edge, figured satin ribbon ties -
Cheese World Museum
Textile, Camisole
Possibly worn by Mrs Myrtle Uebergang. Part of the Uebergang Collection.White cotton camisole with crocheted front and back yoke. The yoke has a floral design with crocheted lace border edging and capped sleeves. The square neckline is decorated with picot crochet lace.textiles, uebergang, allansford, tooram park, camisole, female costume accessories, handcrafts, needlework -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Silk Camisole Square neck elastic waist Pink Spoke stitching Diamond pattern on front bodice and pink triangle crochet Picot Edging on neck and arm holes. McClure Family Collection.stawell clothing material -
Flagstaff Hill Maritime Museum and Village
Textile - Lace Sample, Late 1800s to 1940s
The sample of crochet lace is an example of a handmade item that would have been used to edge material to create a doily for use around the home.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects.A ring of handmade crochet lace consisting of ten motifs joined in a circle. Mercerised white crochet thread has been used to crochet each motif in an open lace pattern using picot edging to give a floral effect.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted edging -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: LENGTH OF SILK RIBBON, 1949
Clothing. A length-364 cms long of beautiful cream coloured silk satin ribbon, 4.5 cms wide, and finished with a picot hem stitched edge on each side. Possibly used as a vehicle decoration on the wedding vehicle of Aileen and John.costume, female, length of silk ribbon -
Ballaarat Mechanics' Institute (BMI Ballarat)
Picot & Widmer float circa 1950
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, picot, widmer, float, sturt st, 1950's -
Ballarat Tramway Museum
Photograph - Ballarat 42 in Bridge St, c1970
The photograph shows Ballarat No. 42 (Gardens via Drummond St), westbound in Bridge St. Tram has a briquettes roof advert. In the background are a butcher shop and Picot & Widmer, Chemist's shop. Not known who took the photograph or the date - c1970Yields information about tram services in Bridge St c1970.Black and white photograph on plain papertramcars, trams, tram 42, bridge st -
Churchill Island Heritage Farm
Textile - Crochet
This small hand crocheted motif is a classic example of Irish crochet. It has been made to look like bobbin lace with the diamond shaped ground but with delicate picots resembling Clones knots and the flower design made with half trebles and trebles. It appears to be one motif of a series to be attached to a fabric to form a decorative edging. The hypotenuse of the triangle has plain loops for attachment whereas the other two sides have the scalloped edges with picots/Clones knots. Irish crochet was developed in the mid-19th century by the Ursuline nuns in County Cork but was soon being taught in every convent in the country. It was taught to women to give relief from poverty.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Small triangle piece of Irish crochet.janet amess lace collection, lace, churchill island, janet, amess, hand, crotchet -
Glenelg Shire Council Cultural Collection
Clothing - Clothing - Bed Jacket, n.d
Lady's hand knitted woollen bed jacket. Pale coral, elbow length sleeves. Press stud opening down front, with crocheted buttons. Jacket up to armholes and sleeves, patterned, yoke and large collar, moss stitch. Picot edge on sleeves, collar and front opening, wide ribbed waistband -
Glenelg Shire Council Cultural Collection
Clothing - Silk Christening Gown, Mrs. Grace Osbourne, n.d
Items hand made by Mrs. Grace Osbourne. She won prizes at the Warracknabeal Show and elsewhere for her hand work.Cream silk christening gown. Short sleeves, Peter Pan collar, skirt gathered on at waist, opening down front, single pearl button at waistline. Hand crocheted picot edge around all edges. Flowers embroidered on edges of collar, both sides of front opening, and around bottom gown and sleeves. -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: VERY FINE NET NEEDLE WEAVING EMBROIDERED DOYLEY, Early 1900's
Textiles. Oval in shape, with a scalloped edge trimmed with a fine picot edged braid. The floral ''needle weaving'' embroidery comprises two petalled flowers, with raised bulliow stitch embroidered centres. Leaves and buds on either side of the flowers are also fine examples of needle weaving. Eight tiny buds complete the centrepiece.textiles, domestic, needle weaving embroidered doyley -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LINEN HANDKERCHIEF WITH CROCHET EDGE, 1800's
Clothing. A square of very fine linen, 12 cms diameter, surrounded by a one cm edging of drawn threadwork, and 9.5 cm of fine crochet. Crochet has circular shaped motifs, some very lacy and open, with a band of more closely worked pattern on either side of the open motifs. A looped pattern with picot finish edges the handkerchief.costume accessories, female, linen handkerchief with crochet edge. -
Kew Historical Society Inc
Clothing - Lace Bodice, 1930s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing -
Dunkeld Museum Inc.
Clothing - Dress, Christening, Approximately 1870
This dress was made by Jacobina McNab for her sons in the 1870's. It was later worn by Jack and Elizabeth Templeton's family.This was owned and worn by a number of the earliest families in Dunkeld for the christening of their children.Infant's cotton christening gown. Hand made. Bodice has hand worked cotton lace across the front with three rows of pin tucks between the lace. Two frills are placed either side of the embroidered panel. The neck has a draw string which ties at the back below a row of picot lace. There is also a drawstring at the waist of the dress. Short raglan sleeves also have the two frills and a row of lace on the sleeve and the edge is finished with the same picot lace as the neckline. The skirt is very long with a panel down the centre which becomes wider as it goes down. This panel has a single frill either side of the panel. The panel is decorated with alternate self fabric frills and narrow tucks. The bottom of the dress is finished with a self fabric frill and two narrow tucks around the dress except for the area of the front panel. The skirt is tightly gathered at the waist.christening, infant, dress, baby, baptism, needlework -
Whitehorse Historical Society Inc.
Textile - Two Lace Samples
Received anonymously by a teacher of the Lace Guild of Australia, Victorian Branch. Karolina Jeffers of Vermont. Donor told Karolina that the lace had belonged to her aunt. The aunt had worked in a dressmakers in Flinders Lane in the 1930s where she acquired the lace. Donor was in her 80s when she gave the lace to Karokina.1. Small white round piece of Irish crochet. Donegal. A three leaf clover in centre of piece with close pattern around it with sixteen three looped picots on edge. This piece is attached to a blue felt covered board. 2. Small cream piece of needle lace. Ten looped circles around edge with close worked centre piece. This piece is also attached to blue felt covered board.'Irish Crochet Donegal' Puerto Lumbretas Spainhandcrafts, crocheting or crochet work, lacemaking -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BOLERO, Late 1800s
Clothing. Guipure lace and spotted tulle bolero with sleeves. The 8cm cuffs of the sleeves are also guipure lace. The lace is of a floral design with tiny looped picots separating the floral motifs. Sleeves are of spotted tulle (.7 cm spots). The back of the bolero is shallow - just 26 cm deep, while the front dips to two peaks in the centre front.From shoulder to lower edge is 44 cms. No fasteners are evident. Armhole seam is bound with tulle.costume, female, cream tucked net collar and jabot -
Coal Creek Community Park & Museum
Lace collars
9059.1 Victorian handmade needle run lace collar 9059.2 Lace collar with two press studs 9059.3 9059.4 9059.5 Light blue crocheted silk collar and cuffs. c1920s. 9059.6 Cream silk crocheted collar 9059.7 Hand crocheted Picot collar, c.1930s 9059.8 Cream silk crocheted collar, 1920s to 1930s 9059.9 French needle run lace collar 9059.10 Black silk faille collar, c. 1920s -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 2, Noel Simons, 24/11/1962 12:00:00 AM
Set of 2 Kodachrome transparencies taken on 24/11/1962. 1163.1 - No. 21 in Bridge St., with destination of "Mt Pleasant" with a Twin Lakes advert and "Trotting Showgrounds Friday Night" auxiliary board on front dash panel. Also Picot & Widmer, chemists shop alongside tram. Tram at a stop with people boarding. 1163.2 - No. 13 and 30 crossing at the end of the double track in Sturt. St, at Grenville St. Both trams have Twin Lakes signs. Photo shows buildings either side of Sturt St.1163.1 - "No. 21 in Bridge St. Ballarat" 1163.2 - "No. 13 and 30 at foot of Sturt St. Ballarat" All have date stamp of "24 Nov. 1962" in purple ink. All black ink unless otherwise noted.tramways, trams, ballarat, bridge st, grenville st., sturt st., tram 13, tram 21, tram 30 -
Churchill Island Heritage Farm
Clothing - Lace Trim
This is a beautiful example of Irish crochet lace edging featuring the Clones knot which gives the picot appearance on the bars. Clones knots are made by twisting the crochet hook backwards and forwards many times and working into the same stitch then pulling a loop through and fastening it at the beginning of the knot. Irish crochet comes in many forms and at first glance this lace looks like a bobbin made torchon lace. It is very fine and the thread used is most likely a No. 60 cotton or finer. Being handmade this lace would have been quite expensive and the owner would have wanted it to be seen.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.length of handmade lace, with reinforced edges and a repeating, abstract motif reminiscent of buds.churchill island, lace, janet amess lace collection, amess -
Ballaarat Mechanics' Institute (BMI Ballarat)
Talking Shop Stories from Ballarat women, 2/03/2019
These oral histories were collected at a Talking Shop Community Day, March 2019, where the community was invited to come and share their memories on local shops and businesses. This edited piece was created for International Womens Day and features the voices of Heather Horrocks (speaking about the haberdashery business Picot and Widmer and the controversial McDonald's established on Bakery Hill in the 1970s), Shirley Whitefield (speaking about Ballarat tram and shop memories and playing local football in the 1960s), and Isabel Gribble (recalling visits to local shops and hotels). These snippets capture some of the varied and spirited lives of Ballarat women.Audio file. Edited from oral histories collected at Talking Shop exhibition Community Day March 2019, featuring the voices of Heather Horrocks, Shirley Whitefield, and Isabel Gribbleoral history, international womens day, heather horrocks, shop, haberdashery, business picot, widmer, mcdonald's, bakery hill,1970s, shirley whitefield, trams, football,1960s, isabel gribble, hotels, ballarat, women