Lakes Entrance is a tourist resort and fishing port in eastern Victoria, Australia.Black and white photographic postcard showing a wave breaking over a large vessel, with the timber lakes entrance Pier in the foreground. chatham-holmes family collection, lakes entrance

This image appears to have been taken from the second storey of the Mission to Seamen, on Beach Rd Esplanade, Port Melbourne circa 1912 - 1920. One of several images on loose album pages.An early image taken from the building established in Port Melbourne initially in the mid 19th C and operating up to the 1930s until replaced by a modern deco building in 1936. Shows examples of vintage cars.Small Landscape B and W image of ships moored alongside a pier in distance and small early car in foreground on unsealed road travelling left to right. Handwritten descriptive inscription is written underneath on an album page.port melbourne, mission to seamen building, port melbourne pier, fan album

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

LithographTitled and signed 'Port piers - J Senbergs. '80.' lower right under printed image. Edition 17/20, lower right corner under printed image.

One other copy black and white 11.5 x 20 cmSepia postcard showing east and west piers and entrance from ocean - Bass Strait into Gippsland Lakes, at Lakes Entrance, Victoria. Several people on upper deck of eastern pier and on beach and boardwalk.The Piers at Lakes Entrancewaterways, piers

Piers Bateman (1947 – 2015) was an Australian landscape painter. He was a member of The Antipodeans, a group of Melbourne painters that also included Arthur Boyd, David Boyd, Charles Blackman, John Brack, Robert Dickerson, John Perceval and Clifton Pugh. In March 2010 he was appointed Artist in Residence as an Honoray Professor for painting at the Shanghai Institute of Visual Art under Fudan University in Shanghai, China. He died along with his brother-in-law in a boating mishap whilst sailing from Broken Bay to North Arm Cove in NSW, September 4, 2015china, fudan university, michael wilson, piers bateman, piers maxwell dudley bateman, shanghai

New Queenscliffe pierNew Queenscliffe PierBlack & white photograph of the new Queenscliffe pier from the waterReverse - " looking from Fisherman's Pier to (the) new pier, Queenscliffe "historical references

Photograph taken from Cowes front beach of L-shaped long pier. On the"L" extension is the derrick for the vehicular ferry "Killara" and shed. The Jetty Shed at approach to pier is on extreme right. Large overhanging branches of tree is across the top of photograph.The pier, Cowes, Phillip IslandThe Pier, Cowes, Phillip Island, Vic. Murray Views No. 5. The Pier, Cowes, Phillip Island, Vic.local history, photographs, jetties, cowes, phillip island, black & white photograph, mona condrick, killara ferry

Cowes Pier with Jetty Shed. Isle of Wight Hotel in background.Sepia Postcard. Photo taken from the Cowes Pier with Jetty Shed and Isle of Wight Hotel in the background.Cowes from the Pierphillip island, cowes, cowes pier, the jetty shed cowes, isle of wight hotel - cowes phillip island, noel duggan

Hand drawn pen and ink sketches of fishermen fishing off Queenscliff pierRon Tandberg, Queenscliff resident artist and long time cartoonist for The Age newspaper presented these framed sketches as a gift to the QMM. Three framed sketches of fishermen fishing off a pier in QueenscliffTandberg, Queenscliff pier, 30/11/1995fishermen, queensclff, queenscliff pier, tandberg, sketch

The Pier and Griffith island Lighthouse Port Fairyplus photographic copy of black and white photograph of the remnants of the Campbell Street Pier with the lighthouse and its buildings in the backgroundThe Pier and Griffith Island Lighthouse Port Fairypier, jetty, griffith island, red lighthouse, keepers cottages

Cowes Jetty built in 1870 to enable ships to berth with supplies and to carry produce to the Melbourne Market. Under tree at left of pier, George Cox's shack where he livedCowes Jetty/Pier. In background first Isle of Wight HotelThe Rose Series P657. Cowes, from the Pier, Phillip Is., Victorialocal history, postcards, jetties, cowes, phillip island, sepia photograph, ian reiher, george cox hut

This album was presented to the Earl of Stradbroke by the Fathers of Soldiers and Returned Soldiers 16/2/1923. Photo showing pier with Cowes in the background and trees covering the foreshore.Postcard of Cowes Pier, Phillip Island. Cowes in the background and trees covering the foreshore.Rose Series P657. Cowes from the pier, Phillip Is., Victoriaphillip island, cowes, pier, earl of stradbroke

Photograph taken of R L Browning standing on pier at Cato Lake/Victoria Lake/ Stawell gardens on 14.4.1928. The photograph taken on Velox photographic paper with the steeple of the Presbyterian church and the Anglican church in the background. The pier was later used to access the Tower diving platform built in c 1932 (refer 67.5). Black and white photograph of R.L. Browning standing on a pier at Lake taken 14.4.1928. Stawell Gardens Victoria R.L. Browning Pier, Lane. R13 1234 14-4-1928stawell

One of a collection of photographs purchased by the Society from Jack Day of Mornington.Sepia postcard of the Cowes Pier, Cowes beach in the foreground. Two boats moored at the pier. Shed at the end of the pier."Pier - Cowes"cowes pier, cowes beach, cowes jetty, phillip island, jack day collection

This album was presented to the Earl of Stradbroke by the Fathers of Soldiers and Returned Soldiers 16/2/1923. Photo shows Cowes Pier looking north across the bay with Moonah trees and coastal vegetation in the foregroundPhotograph of Cowes Pier looking north across the bay with Moonah tree and other coastal vegetation in the foreground. Photo would have been taken from the Esplanade.Rose Series P 2788. The Pier, Cowes, Phillip Island, Vic.phillip island, cowes, pier, earl of stradbroke, moonah tree

One of 6 photographs donated by Z Cox.Black & White photograph of the Cowes Pier looking towards Cowes. Many people on the pier.On back: Pier Cowes 1925.cowes pier, cowes jetty, phillip island, z cox

One of a collection of 6 photographs donated by Mary KarneyBlack & White photograph of The Killara at the Cowes Pier. The "Killara" at Pier.the killara, cowes pier phillip island, cowes jetty, cowes jetty - ferry ss "killara", mary karney

Ferries operating at Cowes.Small sepia photograph of the Cowes pier with several vessels and a large crowd of people walking on the pier towards the town.The Alvina and Genista at the Pier, Cowesphotographs, cowes pier, ferries, alvina ferry, ferry "genista"

One of a collection of photographs purchased by the Society from Jack Day of Mornington.Black & White postcard of a boat steaming toward the Cowes Pier. Windswept tree in foreground near rocks on foreshore. Five people walking on the pier."235A Cowes Pier"cowes pier, cowes jetty, phillip island, jack day collection

Six coloured photographs from a collection donated by Julie Barnett. Photos taken and purchased on her In-law's honeymoon during November 1946.Six coloured photographs as follows: 01. The Nobbies, Phillip Island 02. Cowes foreshore with Pier and Ferry. 03. Suspension Bridge 04. Cowes Pier looking towards Jetty Shed and Isle of Wight Hotel 05. Cowes Cenotaph with pier, Jetty shed and ferry in background. 06. Cowes Pier at sunset.On back: 01. The Nobbies, Phillip Island 02. Pier and Ferry Boat, at Cowes 03. San Remo Bridge, Phillip Island 04. The Pier at Cowes 05. Memorial and Pier at Cowes 06. Sunset over the Pier, Cowesthe nobbies phillip island, cowes pier phillip island, suspension bridge phillip island, cenotaph cowes phillip island, julie barnett

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Port Melbourne Pier. Coloured postcard. Weir collection."Port Melbourne Pier"postcards, george and edith weir, port melbourne pier, weir collection, postcards -- melbourne (vic.)

Postcard from Jack Jenner CollectionSepia Postcard of Tankerton pier at French Island with rail tracks for loading. Small boat moored to right of pier and ferry to left of pier.Front: "Tankerton - French Island" Letter written to Jack Jenner on back. Dated 12/9/27 tankerton french island, french island, jack jenner collection, piers