Showing 121 items matching "pintucks"
-
Stawell Historical Society IncClothing - Costume and Accessories, Cream Rayon Blouse with Lace Insertion and pintucks
... Cream Rayon Blouse with Lace Insertion and pintucks...Cream Rayon Blouse with Lace Insertion and pintucks towards shoulder. Lace front and stand up neckline. 4 round pearl buttons on front. ...Cream Rayon Blouse with Lace Insertion and pintucks Clothing Costume and Accessories ...Cream Rayon Blouse with Lace Insertion and pintucks towards shoulder. Lace front and stand up neckline. 4 round pearl buttons on front. Short Sleeves. McClure Family Collection. stawell clothing material -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing, Lady's white voile shirt fronts with high collars and ribbon ties x 2 c1900, c1900
... The front has fine vertical pintucks and ribbon waist ties The back seam is fastened with press studs. ...The front has fine vertical pintucks and the high collar has horizontal pintucks with 4 metal wire stays. ...The front has fine vertical pintucks and the high collar has horizontal pintucks with 4 metal wire stays. ...These Lady's white voile shirt fronts were made for a small woman or child to wear under a suit jacket . The front has fine vertical pintucks and ribbon waist ties The back seam is fastened with press studs. The high collar has horizontal pintucks and 4 metal wire stays. The early settler women were skilled dressmakers and craft workers. These Lady's voile shirt fronts are examples of the high dressmaking skill of the women of the early settler families in Moorabbin Shire c1900 2 identical small lady's white voile shirt fronts, with high collar and ribbon waist ties. The front has fine vertical pintucks and the high collar has horizontal pintucks with 4 metal wire stays. Press studs fasten the back seam . clothing, dressmaking, haberdashery, crochet, brighton, moorabbin, mckinnon, ormond, pioneers, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
Flagstaff Hill Maritime Museum and VillageClothing - Nightgown, Eliza Towns, circa 1890's
... ...pintucks...Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc....Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. ...This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. ...This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing -
Embroiderers Guild, VictoriaClothing - Silk Gauze Baby's Dress, 1920-1930's
... ...Pintucks...All hand stitched including pintucks. Tape lace decoration on front bodice and back opening with two buttons...Embroidery Lace Pintucks Tape lace Cream silk gauze dress with short sleeves and hem flounce. ...Has been in the donor's family for at least 70 years and came from her mother-in-law, whose family came from New Caledonia and Trieste. However, it was very possibly purchased in an antique shop.Cream silk gauze dress with short sleeves and hem flounce. White machine lace edges and insertions. All hand stitched including pintucks. Tape lace decoration on front bodice and back opening with two buttonsembroidery, lace, pintucks, tape lace -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing,Girl's Blouse, lace,voile lining, c1900
... The delicate needlework flowers on the net insert on front of blouse and the over sleeves exhibit a high standard of skill. The fine pintucks on the front, collar and cuffs are finished by small white beads sewn around the edges. ...The tulle has pintucks front and back with inserted decorated net panels and sleeves . ...The lining tulle has horizontal pintucks and beading and lace edging on the cuffs of the inner sleeves. ...This girl's white long sleeved blouse made from lace,voile and net and was probably made for a special occasion c1900. The delicate needlework flowers on the net insert on front of blouse and the over sleeves exhibit a high standard of skill. The fine pintucks on the front, collar and cuffs are finished by small white beads sewn around the edges. The eyes for the hooks on back opening seam are hand-sewn The women of the early settler families were skilled dressmakers and made the clothes for their families as they established market gardens and farms in Moorabbin Shire This girl's blouse made from lace,voile and net is an example of the high needle work skill of the women of the early settler families in Moorabbin Shire c1900 A girl's white,long sleeved, tulle blouse,with a high collar stiffened by 4 metal wires. The tulle has pintucks front and back with inserted decorated net panels and sleeves . The long lace outer sleeves have lace edging at the cuffs. The whole blouse is lined with tulle. .The high collar has horizontal pintucks and has small white beading along top and base. The lining tulle has horizontal pintucks and beading and lace edging on the cuffs of the inner sleeves. Hooks and eyes fasten the back of the blouse and ribbon is inserted at waist to produce a flared effect over hips clothing, brighton, moorabbin, bentleigh, cheltenham, pioneers, dressmaking,lacework, craftwork, tulle, net, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire , dairy farms, fruit orchards -
Flagstaff Hill Maritime Museum and VillageTextile - Nightgown, Circa 1900
... ...pintucks...This nightgown is machine sewn and has an added detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. ...On either side of the placket, the bodice has been decorated with rows of vertical pintucks and a broderie anglaise panel insert. ...On either side of the placket, the bodice has been decorated with rows of vertical pintucks and a broderie anglaise panel insert. ...This item is one of a collection of clothing items that belonged to the Stephenson family who lived at 22 McCracken Street, Kensington, Melbourne. Matthew Stephenson (1861 – 1943) who had grown up on the Bendigo goldfields and shifted to Melbourne in the early 1900’s was a train driver and later, a fireman with the railways. His wife Elizabeth Jane (Betsy) Wigley (1865 – 1953) also grew up on the goldfields around Majorca and Bendigo. They married in 1885 in Bendigo. They had two daughters – Ethel Evelyn Stephenson (1886 – 1956) and Lillian or Lila (1891 – 1977) who were milliners and dressmakers and who continued to live in the family home after the death of their parents. The family are recorded as living at 22 McCracken Street, Kensington, as early as 1914. It is not known who made or owned the clothing that makes up this collection but as it appears to be from the late Victorian and early Edwardian era, the different pieces were probably made and worn by any of the three ladies of the house – Betsy, Ethel and/or Lila. During W.W.2, a local Warrnambool couple (Meryl and Tony Everard) boarded with them – Tony was in the airforce training paratroopers to jump into (and survive) enemy territory and his wife Meryl worked in the Methodist baby Home. The Everards developed a close friendship with the Stephensons and were responsible for clearing out the house (and finding this clothing collection) after Lila died in 1977. This nightgown is machine sewn and has an added detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th and early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. A full length lady's cotton nightgown with long sleeves finished with a diagonal pointed cuff of broderie anglaise. The bodice features a front opening placket with 3 buttons and buttonholes and a broderie anglaise cover. On either side of the placket, the bodice has been decorated with rows of vertical pintucks and a broderie anglaise panel insert. There is also a frill of broderie anglaise lace around the neck. The back of the nightgown is gathered onto a yoke.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, nightgown, lady's nightgown, needlework, sewing, broderie anglaise, pintucks, stephenson family -
Flagstaff Hill Maritime Museum and VillageClothing - Chemise, Eliza Towns, Late Victorian era
... ...pintucks...This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. ...The fabric at the front is gathered on a yoke which is decorated with bands of five pintucks alternating with broderie anglaise lace and embroidered strips lined with pink ribbon. ...This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. ...This chemise is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. A chemise was usually a sleeveless garment made of linen or cotton (so they could be easily washed) and its shape was much like a modern day nightgown. The name comes from the French word for "shirt" or "shift". Women wore chemises next to the skin (under the corset) to keep stains and odors away from the less washable corset and gown.This item is an example of the needlework skills of women in the mid to late 19th century - combining machine stitching with hand embroidery to personlise and embellish an item of clothing. It is also significant as an example of a practical solution to the difficulties of needing to regularly hand wash a bulky outer garment or gown in the Victorian era.A white cotton, short sleeved, knee length chemise. The fabric at the front is gathered on a yoke which is decorated with bands of five pintucks alternating with broderie anglaise lace and embroidered strips lined with pink ribbon. A different broderie anglaise design decorates the sleeve edges, neckline and center broderie anglaise strip. The back of the chemise is gathered on to the neckline. There are two bands of pintucks on each sleeve. The fabric around each armhole has been strengthened with another layer of cotton and a length of cotton has been added (from the left shoulder to the hem) to increase the width of chemise.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, south west victoria, victorian era, victorian era undergarments, chemise, victorian era chemise, undergarments, pintucks, victorian chemise, eliza towns, nhill, wimmera, home sewing, machine sewn, hand made -
Flagstaff Hill Maritime Museum and VillageClothing - Corset cover, Eliza Towns, Mid to late 19th century
... ...pintucks...Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. ...The back has two bands of three pintucks running vertically from the neckline to the waist....The back has two bands of three pintucks running vertically from the neckline to the waist. ...This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover -
Embroiderers Guild, VictoriaClothing - Christening Robe Petticoat, Mrs Charlotte Sarah Webb, Before 1807
... White cotton petticoat decorated with lace and pintucks....Christening Robe Petticoats Embroidery Heirloom sewing Australia 1900-20 Lace White cotton petticoat decorated with lace and pintucks. Clothing Christening Robe Petticoat Mrs Charlotte Sarah Webb ...Part of a complete layette made by donor's maternal grandmother Mrs Charlotte Sarah Webb (nee Richardson) before 1907 (1865-51). The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Refer file for information. Part of a complete layette, which won equal second prize at the first Australian Exhibition of Women's Work 1907. See also 1113, 1114, 1115, 1116, 1117. Letters in archives.White cotton petticoat decorated with lace and pintucks.christening robe, petticoats, embroidery, heirloom sewing, australia, 1900-20, lace -
Ringwood and District Historical SocietyClothing - baby's dress, Baby's dress Ringwood c. 1920
... Lace and pintucks at wrists. Tie closure at back of neck....Lace and pintucks at wrists. Tie closure at back of neck. ...Part of Webber CollectionBaby's cotton dress with lace and pintucks on yoke. Long ties from yoke to tie back. Lace and pintucks at wrists. Tie closure at back of neck. -
Flagstaff Hill Maritime Museum and VillageTextile - Bolster Sham, Eliza Towns, Late 19th century to early 20th century
... If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display....It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery....It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery. ...This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen -
Whitehorse Historical Society Inc.Clothing - Nightdress
... Crocheted neckline, short sleeves, 4 panels pintucking...Crocheted neckline, short sleeves, 4 panels pintucking Clothing Nightdress ...Pink Fuji Silk Nightdress. Crocheted neckline, short sleeves, 4 panels pintuckingInitials "EM"clothing, nightwear -
Kilmore Historical SocietyClothing - Cristening underskirt, unknown
... White cotton christening underskirt with pintuck & broderie anglaise detail to skirt. ...Poulter Chapman Christening White cotton christening underskirt with pintuck & broderie anglaise detail to skirt. ...One of two underskirts accompanying a christening ensemble. First worn by William Thomas (Tom) Poulter in 1858, eldest surviving child of Mary and James Poulter. Used by generations of Poulter & Chapmans. The robe is reliably dated to 1858 but the two underskirts, shawl & bonnet may have been added to the ensemble at a later date.Early christening underskirt related to early Kilmore families.White cotton christening underskirt with pintuck & broderie anglaise detail to skirt. Excellent condition.poulter, chapman, christening -
Bendigo Historical Society Inc.Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR OF LADIES LONG BEIGE COLOURED GLOVES, 1950's
... One pair ladies elbow length beige coloured gloves. Three pintucks on back of gloves....One pair ladies elbow length beige coloured gloves. Three pintucks on back of gloves. Clothing AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR OF LADIES LONG BEIGE COLOURED GLOVES ...One pair ladies elbow length beige coloured gloves. Three pintucks on back of gloves.Label in right hand glove, 'Dents Nylon 6 1/2 Made in Australia.'.costume accessories, female, ladies long elbow length gloves -
Stawell Historical Society IncClothing - Costume and Accessories, c1915
... Lace insertions & pintucks on bodice and sleeves. Squared neckline. ...Lace insertions & pintucks on bodice and sleeves. Squared neckline. ...White Cotton Nightgown. Lace insertions & pintucks on bodice and sleeves. Squared neckline. Owens Family.stawell clothing material -
Stawell Historical Society IncTextile - Costume and Accessories, c1917
... Oblong Bias Cut Frill with 3 rows pintucking tape ties....Oblong Bias Cut Frill with 3 rows pintucking tape ties. Textile Costume and Accessories ...Pin-tucked Pillowcase. Oblong Bias Cut Frill with 3 rows pintucking tape ties.stawell clothing material -
Bendigo Historical Society Inc.Clothing - WHITE COTTON INFANT'S NIGHTGOWN
... Front yoke has diagonal pintucks. Back yoke has horizontal pintucks. ...Front yoke has diagonal pintucks. Back yoke has horizontal pintucks. ...White cotton infant's nightgown with long sleeves. Yoked front and back. Front yoke has diagonal pintucks. Back yoke has horizontal pintucks. Front of nightgown attached to yoke with series of knife pleats with lace trim on outer edges. Decorative lace across front at waist level with 40cm ties attached on either side. Back of nightgown gathered onto back yoke. Back opening (36cms) fastened with two different one cm plastic buttons. Long sleeves trimmed at wrist with two rows of lace and diagonal pintucks. Six horizontal rows of pintucks four cm above hemline.costume, children's, white cotton infant's nightgown -
Flagstaff Hill Maritime Museum and VillageBlouse
... Blouse white linen with vertical pintucking and appliquè on front frilled collar. ...Flagstaff Hill Maritime Museum and Village 89 Merri Street Warrnambool great-ocean-road flagstaff hill warrnambool shipwrecked-coast flagstaff-hill flagstaff-hill-maritime-museum maritime-museum shipwreck-coast flagstaff-hill-maritime-village blouse Blouse white linen with vertical pintucking and appliquè on front frilled collar. ...Blouse white linen with vertical pintucking and appliquè on front frilled collar. Short frilled sleeve minus buttonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, blouse -
Ringwood and District Historical SocietyClothing, Baby's Dress Ringwood c.1927
... Lace insert around bodice and four pintucks above hem....Lace insert around bodice and four pintucks above hem. Baby's Dress Ringwood c.1927 Clothing ...Catherine Danby made this dress. She lived in Ringwood. Her daughter Ruth Webber( nee Danby) later lived in North Ringwood.White lawn nightdress with opening down the back. Lace insert around bodice and four pintucks above hem. -
Bendigo Historical Society Inc.Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES BLACK VINYL GLOVES, 1950's
... Fleece lined. One decorative pintuck on back of glove....Fleece lined. One decorative pintuck on back of glove. Clothing AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES BLACK VINYL GLOVES ...One pair of ladies black vinyl wrist length gloves. Fleece lined. One decorative pintuck on back of glove.Label inside LH glove; ''Vinyl glove - 7 ''costume accessories, female, ladies black vinyl gloves -
Stawell Historical Society IncAccessory - Costume and Accessories, c1910
... White Cotton Shift round neckline trimmed 2 rows with Torchon Lace round hem line pintucking and lace 27cm....Stawell Historical Society Inc 46 Longfield St Stawell grampians Stawell Clothing Material White Cotton Shift round neckline trimmed 2 rows with Torchon Lace round hem line pintucking and lace 27cm. Accessory Costume and Accessories ...White Cotton Shift round neckline trimmed 2 rows with Torchon Lace round hem line pintucking and lace 27cm.stawell clothing material -
Whitehorse Historical Society Inc.Clothing - Camisole
... Cotton drawstring at waist. 4 pearl buttons. Pintucking at neck....Cotton drawstring at waist. 4 pearl buttons. Pintucking at neck. Clothing Camisole ...Lawn lace camisole with blue ribbon drawstring at neck and sleeves. Cotton drawstring at waist. 4 pearl buttons. Pintucking at neck.costume, female underwear -
Flagstaff Hill Maritime Museum and VillageClothing - Child's dress, Eliza Towns, Late 19th century
... This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. ...The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. ...The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. ...This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns -
Glenelg Shire Council Cultural CollectionClothing - Dress - Infant dress, n.d
... Large bib. 4 sets of 4 vertical rows of pintucks on bodice. Embroidered insert at waist. ...Large bib. 4 sets of 4 vertical rows of pintucks on bodice. Embroidered insert at waist. ...Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White fine cotton dress. Elbow/full length sleeves, gathered at wrists. Lace at wrist and neck. Large bib. 4 sets of 4 vertical rows of pintucks on bodice. Embroidered insert at waist. Gathered waist, scalloped lace on hem, 15 rows of pintucking at bottom. Necktie at back, long ties, sewn in at waist side. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, baby's cotton christening gown, pintucks, c1900
... Baby's long sleeved white cotton christening gown with 2cm bands of pintucks on yoke and long ties. Bone button fastens at nape...City of Moorabbin Historical Society (Operating the Box Cottage Museum) Joyce Park Jasper Road Ormond melbourne This baby's white cotton Christening gown is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families clothing needlework haberdashery crochet doilies brighton moorabbin pioneers dressmaking market gardeners early settlers craftwork bentleigh lacework moorabbin shire milne meryl dairy farms fruit orchards Baby's long sleeved white cotton christening gown with 2cm bands of pintucks on yoke and long ties. Bone button fastens at nape Clothing Clothing, baby's cotton christening gown, pintucks ...This baby's white cotton Christening gown is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Baby's long sleeved white cotton christening gown with 2cm bands of pintucks on yoke and long ties. Bone button fastens at napeclothing, needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, milne meryl, dairy farms, fruit orchards -
Linton and District Historical Society IncPhotograph, Eden Society Studios, Miss Jennings [probably Martha Emily Jennings]
... Sepia photograph of a young lady wearing a gown with pintucking on bodice and sleeves, and with a lace collar. ...Martha Emily Jennings Sepia photograph of a young lady wearing a gown with pintucking on bodice and sleeves, and with a lace collar. ...This photograph has been variously identified as "Miss Jennings", "Emily Jennings", and "Ilma Jennings", and also as "Reg Jennings' sister" and "Reg Jennings' aunt". It is most likely of Martha Emily Jennings, born 1876 (known as Emily), the oldest daughter of Jonathan and Martha Jennings (née Bersey). Martha Emily Jennings had a brother Reginald (born1899) and also had a nephew Reginald (the son of her brother William Jonathan Jennings). It is unlikely to be a photograph of Ilma Jennings (a daughter of William Jonathan Jennings and niece of Martha Emily Jennings) who was not born until 1909. The photograph was taken by "Eden Society Studios", a Sydney photographic studio which operated between 1895 and 1900.Sepia photograph of a young lady wearing a gown with pintucking on bodice and sleeves, and with a lace collar. She is standing with arms resting on the back of a chair.martha emily jennings -
Bendigo Historical Society Inc.Clothing - ANDREW - MONSANT COLLECTION: LADIES UNDERSHIRT, Early 1900's
... On either side of front opening is a vertical insert of broderie anglaise lace with three vertical pintucks on either side, Widens at hipline. Set in sleeves trimmed with broderie anglaise lace and pintucks at wrist....On either side of front opening is a vertical insert of broderie anglaise lace with three vertical pintucks on either side, Widens at hipline. Set in sleeves trimmed with broderie anglaise lace and pintucks at wrist. ...BHS CollectionWhite cotton long sleeved ladies undershirt.. Front opening with four buttons and buttonholes. RHS of opening trimmed with double sided broderie anglaise lace. On either side of front opening is a vertical insert of broderie anglaise lace with three vertical pintucks on either side, Widens at hipline. Set in sleeves trimmed with broderie anglaise lace and pintucks at wrist.costume, female, ladies undershirt -
Bendigo Historical Society Inc.Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES SHORT GREEN COTTON GLOVES, 1950's
... External seams on side and fingers. Pintuck scallop pattern around wrist and along side seam....External seams on side and fingers. Pintuck scallop pattern around wrist and along side seam. ...One pair of ladies green cotton gloves. External seams on side and fingers. Pintuck scallop pattern around wrist and along side seam.Labels in both gloves; ''MAMBO 7 ALL COTTON ''costume accessories, female, ladies short green cotton gloves -
Brighton Historical SocietyDress, Wedding dress, circa 1939-40
... Yoke with horizontal pintucks and self-covered buttons. Side zip....Yoke with horizontal pintucks and self-covered buttons. Side zip. ...This wedding dress was worn by two Brighton brides, sisters Floss and Vera McMinn, during the Second World War. The McMinn family moved to Brighton from Castlemaine around 1924, when the sisters were still children. Their father, Horace Henry McMinn, was a fruiterer and greengrocer who ran the Fruit Palace at 123 Church Street. Florence May "Floss" McMinn (1912-2007) married William Thomas Vivian on 3 February 1940 at the Brighton Church of Christ. Her sister Vera was her bridesmaid. Vera Olive McMinn (1918-2006) wore the same dress two years later when she married Geoffrey Walter Holmes on 15 August 1942 at Scotch College Chapel.Cream silk wedding dress with a long train. High neck and long sleeves. Yoke with horizontal pintucks and self-covered buttons. Side zip.wedding dress, 1940s, wartime bride, florence may mcminn, florence may vivian, vera olive mcminn, vera olive holmes -
Whitehorse Historical Society Inc.Clothing - Camisole
... Ribbon drawstring and neck, cotton drawstring at waist. Pintucking on front and sleeves. Short sleeves....Ribbon drawstring and neck, cotton drawstring at waist. Pintucking on front and sleeves. Short sleeves. ...Cotton camisole with lace inserts. 5 Pearl buttons. Ribbon drawstring and neck, cotton drawstring at waist. Pintucking on front and sleeves. Short sleeves.costume, female underwear
