Two cylindrical containers with lids (one lid missing), relief printing in metal on lid and base, printed label with sailors head inside life-buoy, brand name 'Player's Navy Cut'.Marked on label: PLAYERS NAVY CUT, MEDIUM, and other.

A talking book player that allowed the user to change the tone and speed of cassettes played in it. Designed to handle both 4 track and 2 track cassettes, these players were the perfect solution to having both commercial (2 track) and recordings for the blind (4 track) materials without needing separate players. Tonal changes in particular were sometimes required by older listeners, as aging reduces the ability to distinguish high pitch sounds. Speed variability also allowed those who read faster to increase narration, and to slow down reading patterns for listeners with acquired brain injury or other conditions that affected cognitive processing of language.Blue plastic rectangular talking book player with buttons for navigational controls and 5 buttons.Model tbci serial no 8017. Machine number: 8157audio equipment, royal victorian institute for the blind

Produced by General Electric (GE) for American Printing House for the Blind in Kentucky, this player has dials to control tone, volume, speed, side and buttons to record, rewind, forward, play, pause and stop tape. Handling both 2 and 4 track tapes, these players were targeted towards the vision impaired, as it allowed greater freedom to adjust recording styles to suit individual listeners. Plastic rectangular brown audio player with buttons for navigational controls, a handle and black vinyl carry pouch.audio equipment, assistive devices

Over the years, Clarke & Smith retained the method of using a 'tapete' to store audio material, but changed the players to reflect improvements in technology (both audio and housing). This 'toaster' style model used a combination of components made at it's English factory and overseas suppliers. However compact discs were beginning to evolve and organisations, such as RNIB, wanted more versatility over playback machines.Plastic rectangular cream coloured audio player with buttons for navigational controls, power cord and 5 buttons (b/c 1010150)Clarke + Smithaudio equipment, clarke and smith

Arthur E. Woodley donated the WW1 Military Carbide Signal and General Purpose Lamp to Frankston RSL. It was given to Arthur E. Woodley of Crib Point during the 1960s by Captain Ivan E. Layton MBE who was then the Executive Officer of Melbourne Legacy. During WW2 Ivan Layton was secretary to General Blamey. Ivan Layton died on 15th September, 1979. The carbide workings of the lamp were removed because of corrosion, otherwise it is almost complete.WW1 Military Carbide Signal and General Purpose Lamp which is round and made of brass. The lamp has a latched and hinged brass top. Brass and wood hinged handle with knurled access knob which is situated at the top of the lamp. In between the handle uprights is a round chimney flu which allows heat to escape. Approximately one third down from the top of the lamp there is a brass side handle. Immediately to the left of the handle is a rectangular curved view port with brass cover. Directly opposite the side handle is a convex glass window. Air vents are located at the bottom of the lamp. Inside the top half of the lamp is a chamber which contains the carbide lamp and perpendicular sleeves for the insertion of coloured glass panels. The bottom half of the lamp contains the carbide.Manufacturers Stamp, 'PLAYER & MITCHELL LTD', 'SENTINEL WORKS' 'BIRMINGHAM'ww1, military, brass, lamp, world war 1, round, great war, carbide, signal lamp, player mitchell, birmingham

The first tape based talking book machine from the late 1950s, produced by Clarke & Smith, that allowed the listener to hear up to 20 hours of recordings. Although bulky (each tape cartridge alone weighed over 2 kgs), the MK1 was the first magnetic, multi-track tape produced and considered quite novel for it's time. The cartridge designed to be played on the Clarke & Smith Model12 Talking Book gramophone was designed to house the pick up mechanism (the phono cartridge which contains the stylus) in the lid, so that visually impaired people could just close the lid to play the record. Initially these players designed to handle only 24 rpm, but soon added 33 rpm and 16 rpm options via the dial located on the left hand corner of the disk base. Directions for using as well as reminders to use on alternating current only are located inside the lid. On the side of the player are two plastic dials: one for turning on and volume, the other for tone.Metal record player housed in a brown wooden carry case, with a speaker grill in the front, two plastic dials on the side and an electric cord extending from the back of the case.Manufactured for Nuffield Talking Book Libraryaudio equipment, clarke and smith

Music in punched tape format to be played on a "Player piano"An early form of recorded musicPaper piano roll in boxBroadway word roll 2807; Foxtrot (Friend-Olson). Played by Les Luscombepiano rolls, music rolls, player pianos

Golf trophy awarded by the Thomastown Golf Club. Bob Jones was a foundation member of the Club and Secretary for many years.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, plastic golfer on timber stand with timber base."T.G.C. First player to play 200 games: Bob Jones, Kilmore 17/11/1985. " engraved on 2 plaques.thomastown golf club, golf trophies, bob jones

Golf trophy awarded by the Thomastown Golf Club. Bob Jones was a foundation member of the Club and Secretary for many years.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, large metal cup on timber base."Thomastown Golf Club. First player to reach 300 games: Bob Jones, Bacchus Marsh, 04/11/1990. " engraved on plaque.thomastown golf club, golf trophies, bob jones

Ben Williamson - Tennis Player 1994stawell sport

John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book

A woman adjusts the dial on a Clarke & Smith cartridge player, which rests on a dresser beside a window.1 black and white photograph of a woman using a Clarke and Smithbraille & talking book library, audio equipment

With the advent of audio content available through i-phones and other small devices, the demand for a dedicated audio, easily portable player for the blind and vision impaired became louder and louder. Two organisations competed to deliver this and Canadian company Humanware developed the Victor Classic as a table top player that relied on discs. As CDs had been introduced into the library some years before, this allowed borrowers to have the advantages of 4 track cassettes within a digital medium. The Victor Reader Classic used simple features that made it easy for clients to navigate through a book or magazine. The player played both DAISY and music CDs. The function keys included controls for variable tone, volume, speed and creation of bookmarks, sleep time and you could navigate by chapter and page on DAISY books. A carry handle is included for ease of use.Grey square object with buttons for navigational controlsaudio equipment, assistive devices

Letter of invitation to the Greensborough Football Club; Past Player/Officials Reunion 2012. These 2 copies were sent to Gary Partington and his late father, Alan, both Life Members of the ClubLetter of invitation. 2 copies.greensborough football club

1 wooden boomerang shaped shield with engraved silver plates and bronze coloured man holding an image of a female lawn bowls player The central large silver plate is edged with wreaths and inscribed "Presented by E. & N. Maxwell 1976" and a long silver plate banner with "V.B.L.B.C. Most Improved Player" surrounded by multiple small silver shields with the names of individuals and the year that they won the award. A bronze coloured figure stands in front of the banner, holding a black, silver and green coloured picture of a female lawn bowls player taking a shot whilst two others look on. The smaller shields are engraved with the following: 76-77 Edna Wratten, 77-78 Michael McGuire, 78-79 Colin Johnson, 79-80 Mrs H. Conroy, 80-81 Mr L. Tester, 81-82 R. Teague, 82-83 H. Eustace, 83-84 Kate Smith, 84-85 George Hardham, 85-86 Laurie Hoskins, 86-87 Bill Martin, 87-88 Frank Bartoli, 88-89 Clarrie Greening, 89-90 Ron Jones, 90-91 Jean Moore, 1991-92 Marjorie Goodall. Digital Image of wooden trophySee descriptionroyal victorian institute for the blind, nameplates

Alan Warner and an older woman stand behind a table showcasing audio equipment, audio books and Braille. Alan is placing a cassette into a Telex 2/4 track TBM, which sits next to a Clarke & Smith tapete player. A cassette book and Braille book sit at the very front of the table.1 black and white photograph of older female and maleroyal victorian institute for the blind, audio equipment, alan warner

The first tape based talking book machine from the late 1950s, produced by Clarke & Smith, that allowed the listener to hear up to 20 hours of recordings. Although bulky (each tape cartridge alone weighed over 2 kgs), the MK1 was the first magnetic, multi-track tape produced and considered quite novel for it's time. The cartridge designed to be played on the Clarke & Smith MK1 Talking Book player came in it's own separate container. Each cartridge houses the complete mechanism, track change linkages, replay heads and tape spools, which are stacked on top of each other within the housing. When one track was finished, the user was required to lift the metal cassette, turn it over, and replace it on the turntable. The bulky cartridges were distributed by post or train in strong 'Globite' cases made with reinforced corners and strapped. The costs associated with talking book players were high and individuals/groups/service clubs were asked to sponsor a machine to help those who could not afford to buy or rent one. In this example, a plate attached to the lid indicates who raised the funds: "This talking book/is presented to you/by Tallimba Branch/ of CWA of NSW." Please note: despite images, there are no cartridges with this model.Metal talking book machine housed in a brown wooden carry case. There are two plastic knobs on the front facing right hand side, and an electric cord extending from the back of the case. To the left of the knobs is a speaker grille. Also includes talking book cartridge 'The darling buds of May'.audio equipment, clarke and smith

Dorothy Round in shorts English-born Dorothy Round (1909-1982) plays tennis at Albert Park Cricket Ground, wearing her signature white sleeveless dress with divided skirt, pleated to form loose shorts. Dorothy won Wimbledon in 1934 and 1937, and the Australian Open in 1935. In the early 1930s, many women players in Europe and USA swapped stockings and long skirts for bare legs, short skirts and shorts. In October 1933, Mr Harley Malcolm, Secretary of Lawn Tennis Association Australia (LTAA) declared, “I consider shorts not regulation costume and would stop both men and women, particularly women, wearing them. I think women’s desire to strut themselves in such a costume is unreasonable.” However by November, the Victorian Lawn Tennis Association (VLTA) officially allowed shorts at Kooyong for both sexes. At the July 1934 Wimbledon Women’s Final, played in front of the King and Queen, Dorothy wore a sleeveless dress with the skirt divided. Her American competitor, Helen Jacobs, wore white tailored shorts with a black stripe on either side, described as “mannish, though businesslike”. In October, Australian tennis player Mrs Nell Hopman warned, “When Miss Dorothy Round arrives in a few weeks’ time, the LTAA will have to reconsider its decision about women playing in dresses, as she is sure to bring a trunkful of shorts. Miss Round has a “shorts only” rule which I fancy she will stick to here. She is the most stylish player I saw abroad.” The papers also reported that “Mrs Hopman saw no “he girls” among tennis players in Europe. Even the almost universal rule for shorts did not make them look masculine.” Dorothy said, “I wear shorts because they do not get in the way as a frock does. Mine are made in one piece and this avoids any tightness around the waist.” Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "Mrs D Round; D Round B6" Description: Dorothy Round plays tennis at Albert Grounds, Albert Park, Melbourne. She is wearing her signature white sleeveless dress with divided skirt, pleated to form loose shorts. Research by project volunteer, Fiona Collyer: Dorothy Round (1909-1982) was an English tennis champion from Dudley, Worcestershire. She won the Wimbledon Women’s Singles in 1934 and 1937. In 1935 she won the Australian Championships Women’s Singles in Melbourne. Dorothy won the Mixed Doubles at Wimbledon in 1934, 1935 and 1936. Dorothy was a staunch Methodist and taught Sunday School at Dudley Wesleyan Methodist Church throughout her career. She did not drink, smoke, dance or play tennis on Sundays and declined to compete in the 1933 French Open as tennis officials refused to comply to her scheduling preferences of No Sundays. During the Wightman Cup in New York when play was rained out on the Saturday, Dorothy refused to return on the Sunday. Officials reluctantly agreed to reschedule the clash for Monday, where she put in a sub par performance, prompting the New York Times to quip “Miss Round doesn’t play on Sundays, and doesn’t play particularly well on Mondays!”. In the early 1930s many women tennis players in Europe and USA abandoned their stockings and long skirts for bare legs, short skirts and shorts and some men swapped their long flannel trousers for shorts. British player Henry “Bunny” Austin was the first top male player to wear shorts at Centre Court Wimbledon in 1933, and his sister Joan Lycett nee Austin became the first female player to play without stockings on Centre Court, appearing with bare legs and ankle socks in 1931. In 1933 Mr Harley Malcolm, Secretary of the Lawn Tennis Association Australia (LTAA) and referee of big tournaments , said “the rules say regulation costume must be worn – I consider shorts are not regulation costume and would stop both men and women, particularly women, wearing them. I think women’s desire to strut themselves in such a costume is unreasonable.” (Herald 5/10/1933) However, by November 1933 the Victorian Lawn Tennis Assn officially allowed shorts as regulation dress at Kooyong for both sexes. One speaker suggested that as the majority of women were knock-kneed, the privilege of wearing shorts would not be taken up extensively by them. He added that women were not intended by nature to wear such garments. Another member mentioned that men were rather handsome objects and “works of art” and would carry off the short pants vogue nicely. (Sun Sydney 15/11/33) At the 1934 Wimbledon Singles Finals, playing in front of King George V and Queen Mary, Dorothy wore her signature outfit of sleeveless white dress with the skirt divided and pleated to form loose shorts and American Helen Jacobs wore white tailored shorts with a black stripe on either side described as “mannish, though business like.” In the lead up to Dorothy’s arrival in Australia to compete in the Australian Championship of 1935, there was much speculation written in the press about Dorothy’s preference for wearing shorts. Tennis player Mrs Nell Hopman warned “When Miss Dorothy Round arrives in a few weeks’ time, the Australian Lawn Tennis Association will have to reconsider its decision about women playing in dresses, as she is sure to bring a trunkful of shorts.” “Miss Round has a “shorts only” rule which I fancy she will stick to here. She is the most stylish player abroad.” Mrs Hopman saw no “he girls” among the tennis players in Europe. Even the almost universal rule for shorts did not make them look masculine. Mrs Hopman brought back a couple of pleated pairs that tennis player and designer Mrs Fearnley-Whittingstall (nee Eileen Bennett) made popular and worn by most English players. “They are really quite radical for they look no more startling than a short, pleated skirt” she said. (Newcastle Sun 1/10/1934) Writing for the Sydney Morning Herald 6/12/34, Dorothy said ”I have heard that a photograph of a player wearing shorts was sent to the Queen for her approval and I understand that she said in reply “that they were very attractive”. The Queen is a frequent and interested visitor to Wimbledon so this story is most credible and possibly explains the lack of official opposition to shorts this year.” “I wear shorts because they do not get in the way as a frock does. You have probably noticed that mine are made in one piece and this avoids any tightness around the waist. I don’t know whether shorts have come to stay. They do not suit everybody and the majority of the men don’t like the women in them and this may help condemn the fashion. I really think the men dislike them because too many people who shorts obviously do not suit rushed to be in the fashion and the result was devastating. For my part, I hope that this comfortable fashion endures.” Dorothy’s doubles partner, English tennis champion Fred Perry, did not approve of shorts for men and was particularly perturbed at the idea of women wearing them. Fred always wore long, white flannel trousers and white collared polo shirt on the tennis court. In July 1935 Dorothy took up a post as a dress designer and sportswear design advisor at British outfitters Jaeger. She published two books – “Modern Lawn Tennis” in 1935 and ”Tennis for Girls” in 1938 – described as cheerful and sensible guides. In 1937, Dorothy married Dr Douglas Leigh Little at Dudley Wesleyan Methodist Church. Her wedding dress was designed by renowned fashion designer Teddy Tinling who specialised in designing tennis dresses. (Tinling designed the dress worn by Billie Jean King for the famous “Battle of the Sexes” tennis match against Bobby Riggs in 1973.) News reel co. Gaumont British News filmed the wedding, showing 10,000 people, mostly women, surging towards the couple, describing it as a riot, and quipping that Dorothy’s forehand was useful when cutting the wedding cake. The city of Dudley gifted the couple an antique walnut bedroom suite chosen by them. Dorothy and Douglas had a son, Ian, and a daughter, Patricia. She gave up competitive tennis to coach and write newspaper articles. In later life she took up golf. Dorothy died of cancer in 1982 aged 73. She was inducted into the International Tennis Hall of Fame 1986. In 2004 a bronze bust of Dorothy was installed at Wimbledon, and in 2013 a life size bronze statue was erected at Priory Park, Dudley. References: MRS. HOPMAN RETURNS (1934, October 1). The Newcastle Sun (NSW : 1918 - 1954), p. 9. Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article166292409 FIGURED IT OUT (1933, November 15). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article230199908 FASHIONS OF THE TENNIS COURTS. (1934, December 6). The Sydney Morning Herald (NSW : 1842 - 1954), p. 7 (Women's Supplement). Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article28021332 Leading Tennis Referee Condemns Wearing of Shorts (1933, October 5). The Herald (Melbourne, Vic. : 1861 - 1954), p. 11. Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article243193607 DOROTHY ROUND Chooses Going-Away TROUSSEAU (1937, September 4). The Australian Women's Weekly (1933 - 1982), p. 39. Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article51588090 Ban On Shorts For Tennis Girls? (1934, April 15). The Sun (Sydney, NSW : 1910 - 1954), p. 3. Retrieved February 5, 2024, from http://nla.gov.au/nla.news-article230535547 Dorothy Round Little - one of Britain's greatest champions, 13 September 2009, Tennis Forum, https://www.tennisforum.com/threads/dorothy-round-little-one-of-britains-greatest-champions.409612/Photographer notations on slide: "Mrs D Round; D Round B6".tennis, clothing and dress, 1930-1939

Player cigarettes were extremely popular amongst the British troopsA rectangular tin with a printed image on lid,of a lifeboy with Players Navy Cut in red print and an image of a sailor in the centre. Right side top corner is marked Gold Leaf. Background is a blue/green colourbritish, cigarettes, player, troops

Tennis champion Fred Perry backhands the ball at Kooyong, 1934 “I didn’t aspire to be a good sport, “champion” was good enough for me.” Fred Perry (1909-1995) was an English tennis champion who won eight Grand Slam titles including Wimbledon in 1934, 1935, 1936 and the Australian Open in 1934. Australian sports journalist Alan Trengove remarked, “When Perry walked out to play in his crisp white flannels and matching white blazer, thousands of female hearts missed a beat!” In 1935, Fred and Dorothy defeated Harry and Nell Hopman in the Wimbledon mixed doubles, and in 1936 they won against America. Fred started a successful sportswear brand in 1952, which continues today. Fred initially wanted a smoking pipe as the emblem as he was an enthusiastic smoker, but was talked out of it because it wouldn’t appeal to women. The familiar laurel was used instead. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer Fiona Collyer. Photographer notations on slide: "F. Perry 1934 Action B42" Photograph taken at Kooyong, Melbourne, but used in article about Wimbledon 1934. Published: The Age 7 July 1934 p 13 Published title: "THE FINAL STAGE." Published caption: F. J. Perry (England) Trove article identifier: http://nla.gov.au/nla.news-article205525840 Research by project volunteer Fiona Collyer: Frederick John Perry, 18 May 1909 to 2 Feb 1995 Fred Perry was an English tennis and table-tennis champion. He won eight Grand Slam titles – Wimbledon Gentlemen’s Singles, US Open three times, Australian Open and French Open once each. Fred had natural hand-to eye co-ordination, solid strokes and a devastating forehand that he used soon after the ball bounced. His fierce competitiveness and unabashed confidence gave him the winning edge. Fred was born in Stockport, Cheshire in 1909. His father, Samuel, a committed socialist, was a cotton spinner who became Secretary of the Co-Operative Party and later a Labour and Co-Operative Party M.P. When Fred was nine years old the family moved to Ealing, London. In 1929, at the age of 19, Fred became the World Champion at table-tennis – a new international sport at the time. He then decided to switch from table-tennis to tennis after his father told him to stop spending so much time in the smoke-filled halls that held table-tennis events. “You look like death warmed up.” he said. In the tennis world, Fred was regarded as an upstart intruder, and was the victim of snobbery and prejudice for his working class background. Fred trained with Arsenal Football Club in defiance of the LTA (Lawn Tennis Association) which had a dim view of extra-curricular exercise. His sarcastic toff-baiting call of “very clevah” when an opponent played a good shot and his habit of vaulting over the net whenever he won a match made Fred compelling to watch. Fred’s prize for winning Wimbledon was a £25 shopping voucher and a replica trophy. There was no on-court presentation; instead it was the custom to offer congratulations in the dressing rooms. One of the defining moments of Fred’s career came on the day he won Wimbledon for the first time in 1934. He was in the bathtub after the match when he over-heard former tennis player Brame Hillyard, a committee member of the All-England Club talking to Australian runner-up Jack Crawford. “This was the one day when the best man didn’t win.” Hillyard had brought a bottle of champagne and an All-England neck-tie, which was official recognition of Fred now being a member of one of the sporting world’s most elite clubs. Instead of a formal presentation to Fred, Hillyard draped the tie unceremoniously over his seat in the dressing room, handed Jack the bottle of champagne, and left. “Instead of Fred Perry the Champ, I felt like J. Fred Muggs the Chimp!” he said. When Fred finally went professional, an official at LTA told him he would never wear the club sweater again. Fred said “I made sure he wouldn’t have to worry about that, I sent a sleeve to him as a present!” In 1935, RKO offered Fred a contract for two movies at $50,000 each, but he had to turn down the offer as it would be in breach of LTA rules and he would lose his amateur status. In 1935, Fred married American film actress Helen Vinson in Harrison, New York, waking up a registrar at five minutes to midnight to avoid being married on Friday the thirteenth – “To be on the safe side” they said. In 1936, having been world number one tennis player for three years, Fred quit amateur tennis and moved to America. He joined tennis players Ellsworth Vines and Don Budge on a professional tennis circuit, travelling around US cities and receiving a share of the gate receipts. The All-England Club removed his honorary membership and the tie that went with it – “After all the trouble they’d gone to presenting it to me.” he quipped acidly. Despite being a three-time Wimbledon champion, Fred was barred from playing on LTA affiliated courts, so when he held his pro-tour through the UK in 1937, the matches had to be played on a portable wooden court, transported around by truck to football grounds. Fred was co-owner of the Beverley Hills Tennis Club. The exclusive membership consisted of Hollywood actors, directors, writers and studio heads. At the launch of the re-branded club in 1937, Fred played a doubles match with Charlie Chaplin, Groucho Marx and Ellsworth Vines, which he won with Charlie. Watching on was a Who’s Who of Hollywood actors including Barbara Stanwyck, Joan Crawford, the Marx Brothers, Errol Flynn, and Ronald Coleman to name a few. Fred was romantically linked to Hollywood actresses Marlene Dietrich, Jean Harlow, and Bette Davis, and was engaged to British actress Mary Lawson. In 1939, he became a US citizen and in 1942 enlisted in the US Air Force. Fred wore medical gauze around his right wrist while playing to stop sweat from flowing onto the handle of his racket and to wipe sweat from his brow. He paired up with former footballer Austrian Tibby Wegner to develop an anti-perspirant device. The prototype towelling sweatbands were given free to players at tournaments and proved popular. In 1952, Fred Perry Sportswear began and the trademark slimfit white polo shirt with embroidered laurel wreath on the left breast was born. The laurel wreath was inspired by Wimbledon’s original emblem and is the ancient symbol for triumph and victory. Fred was an enthusiastic pipe smoker and wanted a pipe to be the logo, however he was persuaded that it wouldn’t appeal to women. Years after the brand started, French tennis champion and sportswear designer Rene Lacoste and Fred were interviewed together for TV. Lacoste said ”I made the shirt and you made me a great compliment doing the same thing.” Fred responded “You made the back of it longer than the front – so between us we revolutionised it, didn’t we?” After Fred retired from competition tennis in 1956, he worked as a BBC tennis commentator for TV and radio and wrote columns for British newspapers. He also coached at Beca Raton Club in Florida and was director of golf at Runaway Bay in Jamaica. In 1984, 50 years after his first title, Wimbledon erected a statue of Fred. “I never thought I’d live to see the day when a statue was put up to the son of a Labour M.P. inside the manicured grounds of Wimbledon,” he said. Fred married four times, firstly to Texan actress Helen Vinson. His final marriage to Barbara Riese in 1952 lasted until his death. They had two children, Penny and David. Fred died in the Epworth Hospital, Richmond, Melbourne after falling in his hotel bathroom while visiting for the Australian Open. His ashes are in an urn near his statue at Wimbledon. - In 1975, Fred was inducted into the International Tennis Hall of Fame. - In 2002, the Fred Perry 23 km walking route was opened in Stockport. - An English Heritage blue plaque was attached to his Ealing house where he lived in from 1919-1935. A letter to The Times… In 1932, Dr Daniel Prenn and Gottfried Von Cramm of Germany beat the formally dominant Great Britain team of Fred Perry and Bunny Austin in the Davis Cup. Prenn was not selected for the 1933 Davis Cup Team after Chancellor Adolf Hitler announced his “Aryan only” agenda for Germany’s sporting bodies. Dr Prenn, a Jew, was born in Vilnius (then part of Russia), and in 1920 his family fled to Berlin as refugees after the pogroms. On 15 April 1933, Fred Perry and Bunny Austin (a member at the Oxford Group, a Christian anti-war movement), wrote a letter of protest to the London Times: "Sir, We have read with considerable dismay the official statement which has appeared in the Press that Dr D.D. Prenn is not to represent Germany in the Davis Cup on the grounds that he is of Jewish origin. We cannot but recall the scene when, less than twelve months ago, Dr Prenn before a large crowd at Berlin won for Germany against Great Britain the semi-final round of the European Zone of the Davis Cup, and was carried from the arena amidst spontaneous and tremendous enthusiasm. We have always valued our participation in international sport, because we believed it to be a great opportunity for the promotion of better international understanding and because it was a human activity that countenanced no distinction of race, class or creed. For this reason, if for none other, we view with great misgivings any action which may well undermine all that is most valuable in international competitions. Yours faithfully, H.W. Austin, Fred Perry.” Daniel Prenn emigrated to Britain in 1935. References: Fred Perry: British tennis legend, Kevin Jefferys, Pitch Publishing, 2017 'Fred Perry: The hero from the wrong side of the tramlines', Paul Newman, tennis correspondent, The Independent, 21 November 2015 https://www.independent.co.uk/sport/tennis/fred-perry-the-hero-from-the-wrong-side-of-the-tramlines-a6743721.html. 'Fred Perry: the radical of Wimbledon', Bob Holman, Socialist Worker, 26 June 2009 https://socialistworker.co.uk/comment/fred-perry-the-radical-of-wimbledon/ 'Daniel Prenn (1904-1991) – A little-known Jewish German tennis player', newmark401, Tennis Warehouse forums, 12 May 2011 http://tt.tennis-warehouse.com/index.php?threads/daniel-prenn-1904-1991-–-a-little-known-jewish-german-tennis-player.379780/Photographer notations on slide: "F. Perry 1934 Action B42".tennis, 1930-1939

To make a piano roll, when the recording artist depresses a key on a specially wired-up piano, a signal is sent to a recording machine, which punches holes in a moving roll of paper. Originally, editing was done by punching extra holes by hand or patching unwanted holes with sticky tape but eventually the process was done by computer.• The music is A Lone Girl Flyer with the words and music by Jack O'Hagan. It was published in Melbourne by Allan's, c1930 and was dedicated to Miss Amy Johnson, a pioneering English aviator, the first female pilot to fly alone from Britain to Australia. It is an example of musical recreation of the 1930's. Brown paper roll of pianola paper (.1) in black box (.2) with lid. Broadway hard roll 1694 - A lone Girl Flyer ( march song O'Hagan). It has a duty stamp attached - Allan & Co Music Co Ltd MelbourneBroadwaypianola lone-girl-flyer johnson-amy music

Australian tennis champion Joan Hartigan stoops to hit a low ball at the Victorian Championships, Albert Grounds in 1934. Photographer notations on slide: "Miss Hartigan Age 12-12-34 B62" Published: The Age (Melbourne, Vic. : 1854 - 1954), Wednesday 12 December 1934, page 13. Published title: INCIDENTS OF YESTERDAY'S CHAMPIONSHIP TENNIS. Published caption: Miss J. Hartigan in a curious attitude as she tries for a low ball from Miss D. Stevenson whom she defeated in straight sets. Trove article identifier: http://nla.gov.au/nla.news-article205077983 Description: A young woman on a tennis court wearing a white tennis dress and sun visor holds a tennis racquet while stooping and holding her knee. Research by project volunteer,Fiona Collyer: Joan competed in the 1934 Victorian Tennis Championships and was defeated in the singles final by Wimbledon champion Miss Dorothy Round of England, 9-7, 6-0. Writing in the Sydney Morning Herald newspaper on 17 December 1934, Dorothy Round stated “As far as international matches are concerned, Joan is an inexperienced player, and Australians should remember this, and not think that she should win every time. Her tennis has by no means reached its apex and there is a great future for her, given the right practice and match experience.” However, in the 1935 Wimbledon Championships Ladies’ singles, Joan sensationally eliminated 1934 title holder, Dorothy Round in the the quarterfinals, 6-4, 4-6, 3-6. When interviewed, Dorothy said -“I just did my best, but Miss Hartigan played too well for me” The Daily Express described Joan as a “one-stroke terror. Nobody thought that the modest, almost apologetic lassie from ‘down under’ would win.” The Daily Telegraph wrote -“Miss Hartigan has the right heart for lion hunting. Stubbornly and courageously she defended with her backhand until she got the ball that fed her robust forehand.” Unfortunately Joan was defeated in the semifinal in straight sets by American champion Mrs Helen Wills Moody, the ultimate winner of the tournament. Joan Marcia Hartigan (Bathurst) 1912-2000 was an Australian tennis champion. She won the Australian Championships Women’s singles (now known as the Australian Open) in 1933, 1934, 1936 and was a Wimbledon Ladies’ singles semifinalist in 1934, 1935. A tall, stylish presence in visor and pleated dress, Joan was renowned for her power game and her “upside down backhand” i.e. striking the shot with the same face of the racquet that she hit her forehand. Joan’s world ranking was No. 8 in 1934. Unfortunately, her career was interrupted by the outbreak of World War Two when international matches were suspended for five years so Joan’s potential was never reached. Joan enlisted in the Australian Military Forces during World War Two and in 1947 she married Hugh Bathurst, private secretary to Senator James Fraser, Prime Minister Ben Chifley’s Health Minister. They had a daughter Mary and a son Thomas who became Chief Justice of NSW. Joan died in Sydney in 2000. References: INCIDENTS OF YESTERDAY'S CHAMPIONSHIP TENNIS. (1934, December 12). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved March 18, 2024, from http://nla.gov.au/nla.news-article205077983 AUSTRALIAN PLAYERS. (1934, December 17). The Sydney Morning Herald (NSW : 1842 - 1954), p. 10. Retrieved March 19, 2024, from http://nla.gov.au/nla.news-article17114940 MISS HARTIGAN (1935, July 4). Newcastle Morning Herald and Miners' Advocate (NSW : 1876 - 1954), p. 9. Retrieved March 21, 2024, from http://nla.gov.au/nla.news-article138142569Photographer notations on slide: "Miss Hartigan Age 12-12-34 B62".tennis, 1930-1939

CD player belongs to Peter Simmenauer.Panasonic car/portable CD player Silver colour with coloured printing and illustrations on top.Panasonic CD player SL 53111C car/portable 25 playback car accessories. Made in Japan 10 sec ASM II.cd player, panasonic, japan, peter simmenauer

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in band uniforms. One is displaying his war medals on his chest and is resting his tuba on the ground. The other, in a different uniform is standing to the right of the first man. This man is Frank Wright the conductor and the uniform is from the St Hilda's Band. Behind the men are folding seats, a hedge and two floors of a large building.frank wright, st hilda's band, conductor, tuba, brass band uniform

Colour photograph of the of a male with a billiard cue at the Old Colonists' Hall.ballarat old colonists' club, old colonists' hall, billiards, pool