Showing 9 items
matching plum block
-
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Plum Block and Cherry Block, 1918
... Plum Block and Cherry Block...plum block...Working in Plum Block and Cherry Block in the Orchard... Block and Cherry Block Working in Plum Block and Cherry Block ...Working in Plum Block and Cherry Block in the Orchardplum block, cherry block, orchard, students working outside -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Plum Block ready for planting and Subsoiling Cherry Block July 1918, 1918
... Plum Block ready for planting and Subsoiling Cherry Block...plum block... pictures on one photograph. (a and b.) plum block cherry block ...2 pictures on one photograph. (a and b.)plum block, cherry block, planting, subsoiling, noelle kendall (née vaughan) -
University of Melbourne, Burnley Campus Archives
Album - Black and white and sepia prints, Noelle Kendall's (nee Vaughan) Photograph Album, 1916-1918
... plum block... plum block cherry block planting plums bird proof cage pruning ...Donated by Noelle Kendall (née Vaughan) for the 1991 Centenary. She graduated in 1919.45 photographs. Cardboard pages tied with ribbon to make an album. Most photographs labelled. Some loose photographs. Burnley scenes, mainly students working outside, garden views, visit to Rippon Lea. Some photographs appear in other collections. Also 2 pages of proofs. Many of these photographs were included in A. P. Winzenried, "Green Grows Our Garden."noelle kendall (née vaughan), centenary, 1919, 1991, students working outside, pavilion, luffmann ponds, orchard, horses, bees, potting shed, vegetables, poultry, summer house, orchard border, oak lawn, pruning demonstration, garden scene, luffman ponds, ripponlea excursion, ponds, planting out annuals, garden views, lily pond, steps, beehives, draught horses, vegetable rows, plum block, cherry block, planting plums, bird proof cage, pruning, pruning pear tree, winter, plant frames, maize, vegetable garden, single testing pens, public day, p j carmody, rock garden, principal's residence, pruning apple tree, noelle kendall, noelle vaughan, shelter shed -
University of Melbourne, Burnley Campus Archives
Plan, Orchard Plans, 1959-1966
... ) Plum Block at 16/5/60. (4) Citrus Block at 1/3/60. (5) Citrus... 1959. (2) Pear Block at October 1959. (3) Plum Block at 16/5/60 ...Handwritten and typed roneo copies, with amendments. (1) Apple Block at October 1959. (2) Pear Block at October 1959. (3) Plum Block at 16/5/60. (4) Citrus Block at 1/3/60. (5) Citrus Block at 13/10/60 and Plum-Apricot Block at 8/10/60. (6) Misc. Fruits, Peach, Nectarine, Apricot, Almond & Fig Block at Oct. 1960. (7) Berry Block at 25 Oct 1960. (8) Apple Block at October 1960. Pear Block at October 1960. (9) Citrus Block June 1966. (10) Apple Block June 1966. (11) Quinces, figs, almonds, apricots, peaches. (12) Peach, Nectarine, Apricot, Almond and Fig Block June 1966roneo, fruits, orchards -
University of Melbourne, Burnley Campus Archives
Plan, Orchard Plans, 1981
Plans and lists with row numbers and names. (1) Almonds, quinces, figs, peaches, dated 20.02/81. (2) Crabapples, nectarines, peaches, flowering cherries, feijoas, currants and deciduous trees. Bud stock area - Crops (3) Citrus, plums, apricots, apples, pears, almonds, peaches, figs, quinces, medlars. (4) As for (3) but with amendments. (5) Pear Block.fruits, orchards -
Ararat Gallery TAMA
Textile, Frances Burke, Plum Blossom, 1948
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Wodonga & District Historical Society Inc
Album - Hume Reservoir Australia Album - Preparing a paddock for concrete. August 1927, 1927
This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 27. Preparing a Paddock for Concrete. Great care is taken in cleaning the surface of the concrete before placing the next layer. A hose applies a jet of water with a pressure of about 150 pounds to remove laitance and all dirt, which is swept off with brooms. (Laitance is the weak, milky or powdery layer of cement dust, lime and sand fines that appear on the surface of concrete. ) The square block of concrete in the foreground is poured at the same time as the concrete surrounding it and acts as a key for the next layer. Usually large granite “plums” or displacers weighing from 2 tons to 8 tons are used for this purpose and are placed in position by the cableway, but while the cableway is out of action the other method has been adopted. In this view may also be seen some of the timber piles and sheeting which form the inner side of the coffer dam. The outer side is formed of steel sheet piling. The space between the two lines of piles is 20 feet wide and is filled with earth after the steel and timber lines have been bound together by steel tie rods. New South Wales, August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction -
Wodonga & District Historical Society Inc
Album - Hume Reservoir Australia Album - View along the face of the quarry, August 1927, 1927
This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 35. Quarry. View along the face of the quarry. Granite is being quarried here for the concrete material. Blocks from 2-8 tons in weight are reserved for “plums”. Quantities of large size spalls are sent to Victoria for the toe of the embankment and other purposes but the greatest proportion of the stone is crushed at the quarry to 2½ inches gauge for concrete aggregate. Two steam navvies and two steam travelling cranes are at work on the face. New South Wales. August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Mark Plummer, late 1960's
Black and white photo of W5 831, inbound route 48, Whitehorse Road or Mont Albert Road, passing a large cleared block of land. Tram has the destination of city. Photo by Mark Plummer late 1960's.Has the "Mark Plummer" stamp on the rear.trams, tramways, mmtb, mont albert, tram 831