This stencil was used as a location stamp for the transportation of wool bales. Port Said is a city in Egypt. Wool bales marked PORT SAID would have been transported to Egypt by sea.Wool bale stencil - PORT SAIDPORT SAIDwool - transportation, wool sales

One of a series of postcards of Port Said, probably purchased at the end of the First World War and brought back to Australia by a member of the Christian or Washfold Families.Sepia postcard of quay at Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing statue of Lesseps, dhow and schooner. The Cairo Postcard Trust Cairo 956 / Serle 632washfold family, port said - postcards, statue of lesseps, postcards - port said, christian-washfold collection, wwi

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of three men dressed in suits and wearing Egyptian hats. They are standing on a footpath with a large palm tree behind, a fence to the left and part of a car and building to the right. The men are from the left Tony Hanlon, Dan Barry and Frank Wright. The place is Port Said. .2) Frank Wright wearing an Egyptian hat.Written in pencil on back - Tony Hanlon (left), Dan Barry (centre), Frank Wright, Port Said 4/9/33 Printed on back - Carte Postalefrank wright, dan barry, tony hanlon, port said, conductor

WW1 Souvenir Post Cards.Booklet - Grey cardboard covered, Gold print on front, 24 postcards, sepia photographs."PORT SAID" ' 24 Detachable Phototype Post Cards.'passchendaele barracks trust, post cards, ww1, port said

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of Lighthouse at Port Said, located on the north east coast of Egypt on the Mediterranean Sea.The Cairo Postcard Trust Cairo 957 / Serle 632washfold family, postcards -- port said, christian family, christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of the Port at Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing buildings including the Savoy Hotel and boats at left and ocean liner at rightThe Cairo Postcard Trust Cairo 949. Serie 632christian-washfold collection, postcards -- port said (egypt)

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of main street in Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing buildings and stalls lining street.The Cairo Postcard Trust Cairo 953 / Serle 832washfold family, christian family, postcards -- port said, christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of quay at Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing buildings lining Sultan Osman StreetThe Cairo Postcard Trust Cairo 962 / Serle 632washfold family, christian family, postcards -- port said, christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing mosque and minaret at left and coffee house in foreground at right.The Caro Postcard Trust Cairo 959 / Serie 632washfold family, christian family, postcards -- port said, christian-washfold collection

This photograph shows the tramway at Port Said.Digital copy of black and white photograph. "Tramway Port Said"charles marshall, world war 1

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of quay at Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing buildings and boats at left and two ocean liners at rightwashfold family, christian family, postcards -- port said, christian-washfold family

This photograph shows a giraffe at the zoo at Port Said. Digital copy of black and white photograph. "Zoo Port Said "charles marshall, world war 1

This photograph shows a transport ship with painted camouflage at Port Said.Digital copy of black and white photograph. "Transport at Port Said"charles marshall, world war 1

This photographs depicts the Church of England at Port Said.Digital copy of black and white photograph. "Church of England at Port Said"charles marshall, world war 1

Four photographs on a page from an albumViews at Port Said - I Bridge II hotel III Torpedo boat Resting on manoeuvres - Cairo Egypt Jan 1915ww1, world war 1, a.i.f, australian, port said, cairo, egypt, resting

This photograph shows a port scene at Port Said. The caption mentions the 14th AGH. Digital copy of black and white photograph. "Port Said, 14th AGH "charles marshall, world war 1

This photograph shows the tramway at Port Said. This photo was sent to Charles' brother Gillie.Digital copy of black and white photograph. "For Gillie, Port Said Tram service"charles marshall, world war 1

Ted, officer on the SS Mandasor, is writing to Lillie Duncan from Port SaidLetter from Ted in five parts consisting of envelope and four handwritten pages of text.Postmark on bottom left of envelope: PORT SAID/22JE28.4 - 5p Postmark on top right corner of envelope: PORT SAID/22JE28.4 - 5pss mandasor, ted, lillie duncan, port said

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Postcard sent to 'Dossie' (Dorothy Richardson, later Rogers) by her brother during World War 1.Dossie Picture of where we landed for you from your soldier brother Frank with love & good wishes from Egypt. xxxxxxxworld war 1, dorothy rogers, cairo

Book

The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925. Page 1 S/S City of Norwich Port Said My Dear Old Lillie, Well, I never got so much of a shock in my life, when your postcard turned up 2 days before my birthday, wishing me many happy returns, for which I thank you sincerely, and am sorry to say I had forgotten yours, or being very quiet about your various qualities, you would not tell me. Well to get on with the news, the next day I had a telegram to report at the Line head office, on the 15th Aug. early, imagine how I swore, as a little do was to [be] held at night, they immediately shored me on this ship S/S City of Norwich to go to Port Said, then join the City of Corinth bound for Boston & New-York so I may come out to “little Aussie” again from there with a little luck, any way we ought to be in New-York about the 19th Sept to stay a month, I will write you more in detail from there, if you feel inclined and have forgiven me for being so long about answering your last letter, could you write to S/S City of Corinth, C/o Norton Lilly & Co, New-York. U.S.A. I would jump like L”l Page 2 how is the cow milking going on, but still that joke is as unfair as the small joke about my age now, both afflictions being cured by now I hope. Well really I am no letter writer and can find very little to interest you on paper Lillie, and my photo, I hate being taken as much as you, but will do my best, if you can wait a little please, hoping you are getting one that awfully exciting week with the mission as you call it. You must be A.1 actresses to amuse such a motley crew. Hoping you are all well at home, give Mr & Mrs Duncan my kind regards, sending my best love to you dear. Hoping you will recognize me if I can come along. with tons of love, Howard. P.S. I hope to be a little more sophisticated when I come next time [-] you may be able to tell me. Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Howard in three parts: Part 1.1 (0007.1) Envelope Part 1.2 (0007.2) First page of letter Part 1.3 (0007.3) Second page of letter The pages, as is the envelope, are a creamy yellow colour with black cursive writing on one side of the page. Page 1 of the letter begins with the salutation "My Dear Old Lillie...". Page 2 of the letter concludes with "...you may be able to tell me".The envelope is torn across the top for access to its contents. It has two stamps on the top right hand corner both with the text "Port Said 23AU25.4.5P".lillie duncan, howard, port said, lhlg, ss city of norwich

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seasHand written letter in five parts consisting of a white envelope with four white pages of handwritten text in black ink using only the face of the page. There are two post marks, one at the top and central on the face of the envelope, the other at the top right. The first reads: 31 AU 28 3.50/ PORT SAID/A". The second post mark reads: "31 AU28 0.50/ PORT SAID/A""melbourne, ted, letters, 1928, stamps, envelope, missions-to-seamen, mission-to-seafarers-melbourne, ladies-harbour-lights-guild, 11-paxton-street-east-malvern-melbourne-australia, lhlg, lillie duncan, port said, ss mandasor

Three photos on a page from an albumFrench ... at port Said ...1915 Steamer point - Aden Boarding a horse at port Melbourne 19th ... 1914ww1, world war 1, french ship, 1914, 1915, port melbourne, aden, steamer point, port said

Postcards collected as a se by John EDWARDS VX 3857 form 2nd AIF (ref CAT 536 BOX 31 ) Egypt WW2 Blank green folder contains 10 postcards. Images are photos of Port Said and surrounds. All black and white with space on the back for address and writing. All infilled in port said, suez canal, egypt, ww2

This is one letter in a series of eighteen letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild and, as a Guild member, was strongly involved with the social activities and events organised to entertain visiting seafarers. The Ladies' Harbour Lights Guild was an integral arm of the fundraising that enabled the building of the Mission to Seafarers. These letters provide insight into a woman who was a member of the Guild as well as offering a glimpse into the social activities and courting rituals of the time.Handwritten letter consisting of four parts including an envelope and three pages of writing on front and back.Postmark on envelope: [indecipherable]/28.5 28.5/PORT SAID Company identifier on reverse of envelope: ANCHOR-BROCKLEBANK LINE/OF CALCUTTA STEAMERSletters, handwriting, 1928, mission-to-seafarers, stamps, lillie-duncan, ladies-harbour-lights-guild, lhlg, lillie duncan, ted, ss mandasor, port said, egypt, suez canal

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seas.Handwritten letter in four parts consisting of an envelope with three pages of handwritten text in black ink using only the face of each page.Postmark in top right hand corner of envelope is indecipherable. Postmark in bottom left hand corner of envelope: PORT SAID/indecipherable/12JA.28.8-9A/indecipherablemelbourne, ted, letters, somerset, lillie duncan, lillian duncan, ladies harbour lights guild, lhlg, port said, mission to seafarers, stamp, africa, seamen's mission, ss mandasor

This timetable was found by Dave Maxwell behind an old photograph. David's family came to Warrnambool in 1838.The timetable is an example of travel in the late 19th century. It shows the frequency of voyages between London and Adelaide and the time taken to make the journeys by steamship in 1895. Orient Steam Navigation Company's timetable for steamship voyages outward bound from London to Adelaide, and inward bound back to London, for 1895. The document has black print on cream-coloured paper and is mounted onto a card backing. The timetable lists voyage n from January 1885 to January 1886, with details of month, date and times. The itinerary begins from London to Naples, Port Said, Colombo, King George's Sound and finally to Adelaide (Semaphore), taking 35 days for the journey. The steamship then returns to London. The timetable was approved by Her Majesty's Postmaster-General on the 14th September 1894. There are indecipherable inscriptions below the timetable."ORIENT STEAM NAVIGATION COMPANY'S LINE / FOR THE YEAR 1895 / APPROVED BY HER MAJESTY'S POSTMASTER-GENERAL ON THE 14TH OF SEPTEMBER 1894 " "OUTWARD ROUTE" "HOMEWARD ROUTE" "NAPLES TO ADELAIDE " ADELAIDE TO NAPLES"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, orient steam navigation company limited, orient line, steamship line, 1895 travel, steamship, london, naples, port said, colombo, king george's sound, adelaide (semaphore), migration, early steamships, world travel, london to australia, london to adelaide, travel, late 19th century travel

This album is one of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. This album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Photo album with card cover and silk string binding. Inside are twenty four pages of brown carded paper with black and white photos and hand written black text. A white piece of paper with hand written text has been added to the inside front page.new south wales graziers association, world tour, sheep, farm, rural, agriculture, stations, mooleric, turkeith, woolongoon, minadale, crower, merrindie, koomooloo, cappeedee, koonoona, rathmore, ellenthorpe, camden park, glenlegh, strathmore, ilparran, binneguy, midkin, terlings, ashley, bereen, plumthorpe, mayvale, havilah, naples, port said, suez, birregurra, alexandra, ballangeich, keith, mt gambier, buckland park, tasmania, winton, sydney, canberra, toowoomba, rockhampton, tocal, deepwater, glen innes, longreach, moree, barraba, mudgee, merino