Showing 157 items
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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Commercial Bank, Portland, n.d
... Photograph - Commercial Bank, Portland... Library of South Australia. commercial bank Portland bluestone ...From original in State Library of South Australia.Black and white photographic copy of earlier image. View of a bluestone building on a corner of an unpaved street. Building has two stories, a wrought iron balcony and front door set in the corner with framing columns and pediment. Three men stand in front, with another mounted on a horse.Back: B21766/103 (pencil, upper left). Bank/History House (typed on white label, top centre). State Library of South Australia Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No A16493 (stamp).commercial bank, portland, bluestone building, commerce -
Flagstaff Hill Maritime Museum and Village
Functional object - Safe, W. Marr, Circa 1855
... portland bank.... It was formerly owned by the ANZ Bank in Portland, Victoria. Portland’s... in Portland, Victoria. Portland’s ANZ Bank was originally a branch ...This strong, heavy bank safe was made by W. Marr in London. It was formerly owned by the ANZ Bank in Portland, Victoria. Portland’s ANZ Bank was originally a branch of the Bank of Australasia, which first came to Australia in 1835, opening in Sydney. Portland’s Bank of Australasia began in a bluestone building built on the north corner of Julia and Bentinck Streets by stonemason William Robb in 1855, around the time of Australia’s Gold Rush. Eventually, in 1951, the Bank of Australasia merged with the Union Bank to become the Australia & New Zealand Bank, known as the ANZ. Portland’s branch of the Bank of Australasia then moved into the old Union Bank building at 44 Percy Streets; both bank buildings were built around the same. The maker of this safe, W. (William) Marr, obtained a patent in 1834 for what is believed to be the first fire-retarding patent, building this into the lining of strong boxes. Others made further design improvements such as hardening the metal plates used to make the boxes. In about 1840 Thomas Milner, a Sheffield tinsmith, made the earliest safes that could safely protect their contents from a surrounding fire. This was achieved by including tubes of a substance between the inner and outer walls of the safe that would react to the heat and the contents would put the fire out. In 1851 an Exhibition at London’s Crystal Palace included fire-proof safes from different vendors. William Marr was listed under Fireproof Box Makers in the 1842 London Trades Directory, at 33 Broad Street, and 52 Cheapside. William Marr & Son were appointed to supply Her Majesty’s National Debt Office and other departments in 1860, with the address 9 Walbrook, Vulcan Safe Works, Skin Yard, Bankside, Southwark, London. 1n 1870 the address for William Marr listed under Safe Makers and Agents in the London Trades Directory was 67 Cannon Street. The manufacturer, W Marr, is significant as an inventor of a way to make a strong box fireproof, then patented his secure safe. This invention indicates that security of money was of great importance in the mid-1800s as it continues to be today. The secure safe would have given much comfort to those with investments and savings, as well as to the bank itself, the custodian of other people's money. This safe was made in London and exported to colonial Australia, giving significance to the safe as an item that was high in the list of the needs of the early Australians and their businesses. The safe has local historical significance as it was used by the original Bank of Australasia in Portland, which was built in 1855 and went on to become the ANZ Bank, still in operation today. The bank was an integral part of the establishment and growth of commerce in Colonial Victoria.Safe; heavy metal bank safe, painted green. Double doors each have top and bottom external hinges, and two front panels; the top panels are arched. The thick doors have five sliding locks. Inside is a fixed metal compartment with a locked sliding metal drawer, and several fitted shelves plus some temporary removable shelving. Both doors have a decorative brass knob near the centre opening. Left door has an oval artificial keyhole and a space where another fitting has been attached. The right door has a second brass knob and an oval keyhole. The top panels of the left door has an oval plaque with an inscription; the right door has evidence that there was an oval attachment. Made by W. Marr, London.Text embossed on plaque: "W. MARR / PATENTEE & MANUFACTURER / 52 / /CHEAPSIDE / LONDON" flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, shipwreck artefact, safe, bank safe, vault, security, finances, anz bank, portland bank, w marr, william w marr, financial institution, savings, gold exchange, loans, investments, safety, safe maker, lock maker, iron box, strong-room -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - ANZ Bank, Portland, n.d
... Photograph - ANZ Bank, Portland... Australia. ANZ Bank commerce banking Portland bluestone building ...State Library of South Australia.Black and white photographic reproduction of earlier photograph. Depicting 2-storey bluestone building on a corner with door in left side, framed by double columns. Lamp on street corner and three figures (children ?) leaning against iron rail fence set in bluestone base.Front: A.N.Z. (Formerly Union) Bank. Cnr Percy & Julia Streets (typed label, top centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).anz bank, commerce, banking, portland, bluestone building -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Print of a re-photographed photograph Portland, c. 1970
... Cliff Street Portland great-ocean-road Union Bank Portland Percy ...Photographic print of a rephotographed photograph. Image shows Union Bank now ANZ, corner Percy and Julia Streets. Double store, bluestone.Front: 'ANZ Bank' - green ink Back: 'ANZ Bank' - blue birounion bank, portland percy st, julia st -
Glenelg Shire Council Cultural Collection
Pamphlet - Brochure - Ronald Skate Copper Etchings Portland, Victoria, c. 1984
... to City of Portland, by Commonwealth Bank of Australia... Cliff Street Portland great-ocean-road Single fold brochure ...Single fold brochure, yellow paper, black print; on the occasion of collection of Ronald skate copper etchings presented to City of Portland, by Commonwealth Bank of Australia -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Ronald C. Skate, Untitled (Early Maritime Industries), n.d
... between Portland Historical Society and Commonwealth Bank... Historical Society) re Portland's history. Commonwealth Bank stored ...Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right. -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled [Early Agricultural Industries], n.d
... between Portland Historical Society and Commonwealth Bank... Historical Society) re Portland's history. Commonwealth Bank stored ...Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Modern Portland Port View), n.d
... between Portland Historical Society and Commonwealth Bank... Historical Society) re Portland's history. Commonwealth Bank stored ...Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Forestry Industries), n.d
... between Portland Historical Society and Commonwealth Bank... Historical Society) re Portland's history. Commonwealth Bank stored ...Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Pastoral Industries), n.d
... between Portland Historical Society and Commonwealth Bank... Historical Society) re Portland's history. Commonwealth Bank stored ...Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, T. Noyes Lewis, The Cross of Glory, Mid to late 19th century for the print, the reframing appears to date from the 1960's
The picture was framed by business, Leighton House, paint and art merchants at 346 Little Collins Street, Melbourne. It was made to order, number 6777. The business was also called The Leighton Gallery of Art and was owned by W & G Dean Pty Ltd. The phone number on the label "MU 8291" indicates that the picture was framed circa the 1960s or earlier, during the time that Melbourne was using 6-0digit alpha-numeric numbers. Below the picture is an excerpt of a hymn "The Head that Once was Crowned with Thorns" by Thomas Kelly: The head that once was crowned with thorns Is crowned with glory now; A royal diadem adorns The mighty Victor's brow. The Cross He bore is life and heath, Though shame and death to Him; His people's hope, his people's wealth, Their everlasting theme. This picture was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This picture is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Picture, print of "The Cross of Glory", rectangular, framed print on matt. It depicts Jesus Christ on a cross with an angel on each side, at his feet. He is wearing priestly robes and a gold crown on top of thorns on his head. In the background there is a rainbow and clouds. The text below the picture includes "From the picture by T. Noyes Lewis". Lines from a hymn are also printed below the picture. The back of the picture has pencilled numbers in three places plus a printed label with the framer's details. "From the picture by T. Noyes Lewis". Backing paper has pencil "6777" in two places. Label has bencil "677-" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, the cross of glory, print, t. noyes lewis, leighton house, home decoration, religioius picture, church furnishing, w & g dean pty ltd, leighton gallery of art, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, flying angles club, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown -
Warrnambool and District Historical Society Inc.
Document - Docket: Dalgety & Co Jos Tilley 1917, 1917
This docket, from the firm of Dalgety and Company Limited of Terang, gives details of the sale of three rams on behalf of Joseph Tilley of ‘Aringa’. The total profit for Mr Tilley was £6-10-6. Joseph Tilley ran the property of ‘Aringa’ which was on the Portland Road, five miles from Port Fairy. He also owned the Penshurst Hotel at the same time. Dalgety and Company was established by Frederick Dalgety in Melbourne in 1846, primarily to support sheep farmers. In 1993 Dalgety Farmers became a subsidiary of the A.N.Z. Bank and the pastoral interests of the company were taken over by Wesfarmers.This docket is of some importance as it is an original one and gives details of a 1917 sale of a bull, with the names Wilson and Anderson and Tilley of some local interest. It gives us the prices for bulls at the time and the type of account form used.This is an original docket of 1917. It is a printed one with printed red and blue lines for entering the details of the client. The client’s name and sale details are handwritten in pencil.wilson and anderson, joseph tilley, aringa -
Warrnambool and District Historical Society Inc.
Book, The Miner’s Right, 1922
This book about the New South Wales goldfields was written by Rolf Boldrewood in 1890. It is retained because the author played a significant part in Warrnambool’s history. Rolf Boldrewood, the pen name of Thomas Browne, first came to the Warrnambool district in 1842, visiting the Bolden brothers’ property, Grasmere. He camped on the banks of the Merri River for about six months and described the area, including Warrnambool Bay, some years later in his book Old Melbourne Memories. In 1844 Thomas Browne established the property, Squattleseamere near Bessiebelle, north west of Portland. He remained there for ten years then moved to New South Wales. The last forty years of his life were spent writing and he became well-known for the classic Australian novel, Robbery Under Arms. This book is retained because it is a 19th century example of the writings of Rolf Boldrewood. He is important in Warrnambool’s early history as he was in the area in the early 1840s. His account of the area at that time is the most important one we have of the area that was later to be the site of the new settlement of Warrnambool.This is a soft cover book of 188 pages. The cover is brown with red edging and lettering and is partly detached from the binding. The spine is partly missing. The pages are dog-eared and there is some foxing. The text is printed in two columns to a page. Frank J. Donovanrolf boldrewood (thomas browne), bolden brothers in the warrnambool area, warrnambool history, the miners right -
Flagstaff Hill Maritime Museum and Village
Furniture - Set of Pews, c.1944
This set of seventeen church pews was originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E.. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of seventeen varnished oak wood church high back pews. The pews have a shelf fitted behind the backrest. This is a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church -
Flagstaff Hill Maritime Museum and Village
Book - Religious Books, Oxford University Press, The Book of Common Prayer, early 20th century
This set of prayer boos was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This set of books, each titled The Book of Common Prayers, is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of books is historically significant for its connection to the Ladies Lightkeepers Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of books to the Mission to Seamen and to the Ladies Lightkeepers Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of 10 books. Title: The Book of Common Prayer with the Additions and Deviations proposed in 1928 Publisher: Humphrey Milford, Oxford University Press, London Some books have blue cloth covers, some have red cloth covers. Spines have gold inlay print. 244 numbered pages. Some books are inscribed on the inside cover. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.Inscription in some books "FROM THE MISSIONS TO SEAMEN MELBOURNE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, preyer books, book of common prayer, anglican church prayer book, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, flying angels club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, religious book -
Flagstaff Hill Maritime Museum and Village
Furniture - Set of Chairs, 1880s
This set of four dining chairs was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Australian colonial wooden chairs date to the late 1880s and are most like to have been purchased for use in the Sailors’ Rest when it moved into Ann Street, Williamstown, around the 1880s. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chairs: set of four (4) cedar wood dining chairs. Each chair has a rounded rail back, flat cross rail, flat wooden seat, curved back legs and colonial turned front legs. Mid-brown colour, veneered finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, set of chairs, squab chairs, sailors' church, ann street williamstown -
Flagstaff Hill Maritime Museum and Village
Medal - Commemorative, Centenary of Victoria, Melbourne and Portland, 1935
This commemorative medal celebrates a colonisation of two towns, now cities, in Victoria; Melbourne and Portland. The medal shows the significance placed on the colonisation of Victoria and the growth of the hundred year period. Medal, silver. with hole and ring at the top. Obverse: Sailing Ship, Coast, Boat on shore, 3 men. Reverse Colonial man on grass, river, city buildings on other river bank Medal commemorates the centenary of Victoria and Portland 1834 and Melbourne 1835. "CENTENARY OF VICTORIA 1934" & "PORTLAND 1834", "CENTENARY OF MELBOURNE 1935" & "1835" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, medal, centenary medal, centenary of victoria, centenary of melbourne, 1834-1934, 1835-1935, colonial, centenary of portland, colonisation of victoria -
Glenelg Shire Council Cultural Collection
Painting, DEB, Ettrick, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts four buildings within a bush setting. Within the foreground is a body of water with various plants lining it's banks. The midsection of the painting is defined by a wooden fence which extends across the centre of the work. In the background are two sets of two houses. The houses are surrounded by various trees and both sets of houses have roads which extend down to the fenceline. The top half of the work is a yellow and blue sky. The work has a black and gold frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lifeboat, n.d
Built in 1858 at the Port and Harbour Master's yard in Williamstown Victoria, the Portland Lifeboat was overseen by Harbour Master Charles Ferguson. It is understood to have been constructed from the same moulds used to build the Port Fairy Lifeboat, designed by William White, in 1857. Both boats are similar to the lifeboats designed in England by James Peake and adopted by the Royal National Lifeboat Institution (RNLI) in the UK. The Portland Lifeboat's 9.14 m (30 ft) long hull is double diagonally planked in New Zealand kauri, and many of the planks run from gunwale to gunwale in one piece under the inner keel section. Eucalyptus and oregon were used elsewhere and the local blacksmith made the iron work. The fastenings are copper. There are two flotation or buoyancy tanks at either end, with prominent whaleback style decking. Under the thwarts is a deck with scuppers so that the craft is both buoyant and self draining whenever large waves are taken aboard in rough conditions. The lifeboat was oar-powered with a sailing rig. The original rig was a lug mainsail, but this was replaced with a lug and headsail rig taken from a fishing boat in 1903. The lifeboat was manned by volunteer crews, mostly local fishermen from Portland. They maintained this service until 1915 when the boat was replaced with a new motorised craft. The lifeboat's most outstanding service was to the steamer ADMELLA in 1859 when the ship grounded on a reef off Cape Banks in South Australia, 150 km to the west of Portland. Survivors clung to the rigging in heavy seas for over a week and 89 people lost their lives in the shipwreck. Taken to the scene by the steamer LADY BIRD, the Portland Lifeboat was unable to assist until eight days after the ADMELLA's grounding when the seas abated enough for the lifeboat to manoeuvre close to the ship and rescue the last 19 survivors. Since its retirement in 1915 the lifeboat has been a memorial to those who manned it and those it rescued. For a long period it was on display in the Portland Gardens, first in the open and then under a canopy. In 2008 it was on display inside the Portland Maritime Discovery Centre, still in original condition complete with the rig from 1915. It is one of the oldest vessels of its type in Australia, and the world.Portland LifeboatPhotograph showing the Portland Lifeboatphotography, portland lifeboat, admella -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Panorama, n.d
Plastic coated mounted on metal/fold out stand. View of Harbour taken from "All Saints" steeple. Contains - Baths, Ocean Pier, Long Pier, Fishermans Wharf. Bentinck Street. Unseated - Truck loaded with wool bales. Power poles. Red roofs on Baths, Court House, Richmond Hotel, Bank of Australasia Hand coloured.Front: Panorama of Portland, Victoria (length of Ocean Pier 2880 ft).harbour, photography -
Glenelg Shire Council Cultural Collection
Painting, Phillip Petrie, Langley's Bridge, 1990
Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00 -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, Portland Free Library, 1922-1924
... Passbook - State Savings Bank of Victoria, Portland Free... State Savings Bank of Victoria pass book issued to Portland Free ...Front: purple stamp 'Cancelled carried forward to new passbook' 2 purple stamps 'PFL & LI' Back: 2 'cancelled' stamps, 1 PFL&LI' stampglenelg shire council archives, portland free library, administration, finance, savings -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, 1924-1926
... archives Portland Free Library savings bank Front: purple stamp ...Front: purple stamp 'Cancelled carried forward to new passbook' 2 purple stamps 'PFL & LI' Back: 2 of each of the above stampsglenelg shire council, archives, portland free library, savings, bank -
Glenelg Shire Council Cultural Collection
Letter - Letter - Stock Agent to Portland Free Library, n.d
glenelg shire council archives, portland free library, government bonds, finance, savings -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, Portland Free Library, 1916-1918
... Passbook - State Savings Bank of Victoria, Portland Free... Savings Bank of Victoria, Portland Free Library ...Front: 3 purple stamps: 'Cancelled carried forward to new passbook', purple stamp PFL & LI' Back: purple stamp ' cancelled etc. purple stamp ' PFL & LI' as aboveportland free library, finance, administration, glenelg shire council archives, savings -
Glenelg Shire Council Cultural Collection
Financial record - Cancelled Cheque - Portland Free Library, 09/03/1926
Front: Purple stamp ' Cancelled carried forward to new Pass Book' Back: same as frontportland free library, finance, administration, glenelg shire council archives, cheque -
Glenelg Shire Council Cultural Collection
Financial record - Cheque Book - Portland Free Library, 1945-1948
... Used cheque book issued by the Union Bank of Australia... Cliff Street Portland great-ocean-road Portland Free Library ...portland free library, finance, administration, glenelg shire council archives, cheque book -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, Portland Free Library, 1921-1922
... Passbook - State Savings Bank of Victoria, Portland Free... - State Savings Bank of Victoria, Portland Free Library ...Front: 'Portland Free Library' hand written, black ink, purple stamp 'Cancelled carried forward to new passbook' 2 purple stamps 'PFL & LI' Back: 2 'cancelled ' stamps, 1 PFL&LI stampportland free library, savings, administration, glenelg shire council archives -
Glenelg Shire Council Cultural Collection
Artwork, other - Copper Etchings, n.d
5 copper etchings commissioned from Ronald Skate by the State Bank of Victoria. They depict Portland's history and industries. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - opalotype, Thomas Must, n.d
Possibly Portland Town Council. Thomas Must, a wealthy Sydney merchant arrived in Portland in 1845. In 1855 prospect was built for Must to a design by local architect George Mathewson. The two storey home was built in expansive grounds with sweeping views of Portland Bay and the township. The stuccoed house is of Regency/Italianate style with a single storey verandah and single storey kitchen wing. In 1878 the original posted verandah was replaced by new verandah and a conservatory to a design of architect Daniel Nicholson. Nicholson had also been responsible for the design of the Assembly Rooms at the London Inn. Thomas Must was active in the Portland Community. He was a Trustee of the Port Philip Savings Bank, a Justice of the Peace, Treasurer of St. Peters Church at Bridgewater and the first Chairman of the Portland Borough Council. Prospect was Thomas Must’s home until his death in 1905. The building has been considerably altered over the years and much of the original Italianate character has been lost. Subsequent owners include B. Cunningham, G.S. Beresford (who changed the property’s name to Waterford), and long-term Liberal Senator Sir Magnus Cormack. Cormack was President of the Senate from 1971 to 1974. In 1976 the Prospect became an aged accommodation centre.Wooden Frame - light brown. Gold inner frame. Fawn mount. Man with long white beard and hair facing right wearing dark jacket.Front: (no inscriptions) Back: (no inscriptions)photography, opalotype, thomas must