Council collectionRetouched photograph on opaque glass. Portrait in three-quarter view of a man with red hair and beard in a brown suit jacket. Mounted in brown matt with gold edging. Inner frame is gold-coloured metal. Outer frame is timber.Front: A.D. Stewart Es./1888-89 (brass plaque, lower centre) Back: (no inscriptions)portland portrait photography, portrait

Black and white photograph (reprint) of William Robb, stonemason, Portland. Depicts a man wearing a tie, white shirt and black jacket and waistcoat. Looking slightly to his right. Front panel reads: William Robb / 26 9 1829 / 7 7 1905 Scotland Portland Arrived aboard the 'Indian Ocean' 1854 Portland Pioneer and Stonemason -colonist of 51 years -stonemason, portland businesses, portland pioneers, portrait photography

Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, lower centre)port of portland archives, portrait photography, david milner, tugmaster

Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, upper centre)port of portland archives, portrait photography, david milner, tugmaster

Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner/ Tugmaster (blue pen, centre left)port of portland archives, portrait photography, david milner, tugmaster

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography, jack stanford, alex kinnard, presentation

Port of Portland Authority archivesFront: (no inscriptions) Back: Capt. Ian Baird (blue pen, lower left)port of portland archives, portrait photography, captain ian baird

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography

Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland

Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography

Portland Town CouncilHand-coloured photograph on glass of an elderly man with white hair parted on the left and a full white beard. He is wearing a dark suit, white shirt and blue cravat. Mounted in brown matt, under glass in wooden (birds-eye?) frame with inner gold frame.Front: Thomas Must, Esq./1864-6- (black text on brass plaque).opalotype, photography, hand coloured, tint, portrait photography

Portland Town CouncilTwo framed black and white photographs. Left: T. Edward C. Henry Right: E. Noel T. Henry Head and shoulders wearing tweed suit, Wearing official looking robes, striped tie, round-rimmed glasses, dark-rimmed glasses. moustache.Front: Top centre: Town Clerks of Portland Bottom left: T. Edward C. Henry, LS, CE, Council Service - 1888 to 1946 Town Clerk - 1888 to 1938 Bottom right: E. Noel T. Henry, MBE, Hon F.I.M.A., JP, Council Service - 1917 to 1967 Town Clerk - 1938 to 1967 Bottom: A record of Municipal Service of 107½ years by father and son. Back: Yellow sticker, numbered 3004.portland town council, administration, local government, official portrait photography, civic photography

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing group of 5 people (4 women, 1 man) posed on studio setting. Women in centre is seated, the others are standing. The women in full-length dresses, the 3 standing are holding open fans.Front: (no inscriptions) Back: (Many inscriptions, including:) "Grand children of Stephen George Henty 1934."portrait photography, esther winifred hall, henty, portland centenary

Portland City CouncilRetouched black and white portrait of a bearded man in three-quarter view. He is wearing a suit and bow tie, and his hair has a central part. Photograph is framed in an oval burgundy mount with a wooden gold gilt frameFront: F. Schofield Esq., 1881 (engraved on brass panel, lower centre) Back: (no inscriptions)civic photography, civic, councillor

Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Monochrome portrait photograph of a man in a three piece suit. He has a patterned tie on and wears a medallion on his right lapel. He is clean shaven. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council

Black and white photograph. Portrait of a man with curly short hair. Glasses. He wears a dark jacket with a striped tie. White shirt. He looks at the camera face on.C.G.PUMPA. J.P. MAYOR / 1932-33 / 1933-34 Thornton Richards & Co / Ballaratcivic photography, mayor of portland

Monochrome portrait photograph of a man. He has a beard and bushy eye brows and sits with his face slightly in profile. He wears and double breasted jacket with a bow tie. His portrait is placed in an oval framed mount board which is in a rectangular wooden frame. The frame is painted dark brown but has a border of flowers and foliage picked out in gold colour.official portrait photography, civic portrait, mayor, portland mayor, 1800s