Faded photocopied photo of the Post Office Bendigo showing a tram, horses and carts and a few people.photograph, building, the post office bendigo

Hand coloured postcard: image shows Post Office building, Pall Mall, Bendigo. Trees visible in Rosalind Park behind, quite immature. Possibly late 1890's ?bendigo, buildings, post office, pall mall, bendigo

black and white image: Post Office, Bendigo. Image taken from verandah of RSL War Memorial, Pall Mall, looking through archway. Statue of George Lansell in centre of image.bendigo, buildings, post office and survey office, bendigo, post office, pall mall, rsl war memorial

Negative print. Old Post Office, Pall Mall, Bendigo. Looking along Pall Mall.cottage, miners, old post office, bendigo, old post office

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Newspaper article titled "Potions and Pills on Show" at the Bendigo Post Office, Bendigo Advertiser Friday 7 February 2014. Artefacts for the Post Office Gallery exhibition were donated from NDSN for the exhibition "A history of Health "A Cure for all Ills: Medicine in Bendigo" nurse education, nursing administration

Black and white photograph. Night time? photograph of Post Office, Bendigo. Stature of male figure front right. Pedestrian centre front. History: 'Photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, Ph 438269', 'Photographs Francis (Frank) Thomas Kennedy',buildings, post office, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001, 158.01, 2001.159.01, 2001.160.01, 2001.161.01

Compilation of background information for the Post Office Interpretive Centre11049.3 (A to D) - Michele Mathews collection - Bendigo Post Office Tourism Project A Provision of Multi-media programming services to Bendigo Post Office Tourism project B DRAFT: Bendigo Post Office Tourism Project, Consultant's brief C City of Greater Bendigo, Visitor Information Interpretive Centre D Letter from City of Greater Bendigo to Michele Matthews offering the position to undertake historical research on behalf of the Post Office Task Force Group, currently compiling information for the Visitor Interpretive Centrebendigo post office interpretive centre

Coloured brochure on the Bendigo Post Office Restoration.bendigo, buildings, post office

Black and white photograph of the Bendigo Post Office and the Law Courts. The photo is glued to cardboard.buildings, post office, post office bendigo

POST OFFICE BUILDING, PALL MALL, BENDIGO-black and white image, Post Office Building, taken looking northward along Pall Mall, statue of soldier in foreground.buildings, post office, post office bendigo, post office, pall mall, bendigo

Two colour photographs of the exterior of the Bendigo Post Office Building, corner of Pall Mall and Sydney Myer Place, Bendigo Photos dated September 1990. 26A Exterior view of former Bendigo Post Office looking toward southerly aspect of building. 26B Exterior view of former Bendigo Post Office from corner of Williamson Street and Pall Mall. Note clock tower on corner of building.Estelle Hewstonpost office, bendigo, pall mall

Photographic display - The Bendigo Post Office 'A Landmark in the Landscape’ Dudley House - Bendigo. April 14 - 17, 1995. Also includes a Brief History of the Bendigo Post Office, Building Notes, Description, and the Post Office Clock has a small picture of the Post Office Clock on the front. From notes compiled by Mr. L. Bennetts. Bendigo Historical Society (Inc.) at the top of the front page.bendigo, institutions, bendigo post office, document, the bendigo post office, bendigo historical society (inc), dudley house bendigo, cenotaph, alexandra fountain, survey office, sandhurst trustees, post office savings bank, cohn family, temperance hall, telegraph office, railway station, 1882 directory, sub-treasury, sandhurst public offices, state government department offices, postal department, sir henry brougham lock, mr j nimmo, bendigo advertiser 25.9.1971, keen's cement, mr t gaunt melbourne, j w horwood's foundry castlemaine, w lowden, mr l bennetts

When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office was designed by Public Works architect George W Watson and constructed between 1883 and 1887. The two story brick structure with basement has unpainted rendered facades and a 43m high clock tower complete with 6 bell carillon. The facades are elaborately decorated with Corinthian pilasters, balustrading, lions' heads and the state mansard roof with cast iron ridging and finials. (VHR #4739). Situated on Pall Mall it has always been called the Bendigo Post Office even though it was not until 1891 that the name Bendigo was given to the town. The Bendigo Post Office housed much more than just postal services and the building contained many early government departments and services needed for a growing district. The building celebrated its centenary on the 30th September 1987 to much fan fare with Ted Rankins, the then Postal Manager planning many of the week long events including tours of the post office, a grand parade with cake and staff in period costume, a ball at the Shamrock and a barbeque in Rosalind Park. The Post Office ceased providing postal services in 1997 after the privitisation Australia Post and Telstra but continues to play a central role for the community, providing important services to visitors and locals alike. Currently it is occupied by Bendigo Tourism and includes two exhibition spaces including the Living Arts Space and Djaa Djuwima a dedicated and permanent First Nations Gallery. Activities at the Post Office are supported by City of Greater Bendigo staff and a dedicated group of volunteers. These items are part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins. 0364.1: Single sided printed 'Order of Proceedings' flyer; Outlines the running of events for the celebrations on Wednesday 30 September, 1987 at the Post Office with the centenary logo centre top in crimson ink. 0364.2: Single sided, four-colour printed, DL size invitation for celebrations marking the centenary of the Post Office on Wednesday 30 September, 1987. 0364.3,.4,.5,.6,.7: Printed cake bag with centenary logo and image of Bendigo Post Office printed on front in crimson ink. 0364.8,.9,.10,.11: Square note paper with centenary logo and border printed in crimson ink. 0364.12 Envelope: Australia Post envelope with Bendigo 100th anniversary images. Date stamped and addressed to Mr Edmondston Postmaster, Elmore. bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection, ted rankins collection, city of greater bendigo volunteers

Sepia colour postcard, image in oval shape surrounded by rectangular frame. Image shows Bendigo Post Office, taken from corner of Williamson Street and Pall Mall. Receipt number 355/16bendigo, business, carwardine soap and candle

Black and white photo ( card ): Post Office and Law Courts, Bendigo, taken from corner of Pall Mall/Williamson Street. Cars parked outside Post Office. Tramlines visible along Pall Mall. Photo one of a series on Bendigo.cottage, miners

Article that appeared in the Trust news vol.16 No. 6 in December 1987 titled Bendigo Post Office restored. The article is on two loose pages.bendigo, buildings, post office

Printed embossed postcard of a view looking at the Bendigo Post Office, Town Hall and Law Courts buildings. There is one ESCo tram in the view along the bottom edge. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and the stars of the Southern Cross in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view of Bendigo's Government buildings.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, post office, town hall, bendigo tramway

Post office Gallery exhibition 'Naming Bendigo - evolution of a City's identity 1836-1891 30 page soft cover booklet illustrated with colour and B&W photos Exhibition from November 2010 to March 2011 Printed by BambraBendigo Art Gallerypost office gallery, naming bendigo

Folded one page booklet produced by Sandhurst Trustees Company celebrating the erection of the First government Built Post in Bendigo on the 17th May 1858. Also celebrating the eightieth Anniversary of the Incorporation of the Sandhurst Trustees Company. Issued 17th May 1968.organisation, government, official, bendigo post office. sandhurst trustees.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.