A4, 285 pages. A draft copy of the City of Whitehorse Post-1945 Heritage Study, dated 4 March 2015 (on front page) plus published copy of Appendix 2 pages 275-285non-fictionCity of Whitehorse Post-1945 Heritage Study, dated 4 March 2015 city of whitehorse, post war buildings, built heritage pty ltd, historic buildings, post war development, houses, architectural styles

The St Albans Community Youth Club began in the early 1950s, operating out of a small tin shed on Main Road East. This was during the explosive post‑war population boom, when St Albans lacked basic services such as sports clubs, libraries, and youth facilities. As membership grew, the original shed was replaced with a recycled Quonset Army Hut, a curved steel structure typical of post‑war surplus buildings. The hut was adapted by volunteers and became the heart of the centre. From the 1950s onward, the Tin Shed hosted an extraordinary range of activities, including: Judo (including the long‑running St Albans Judo Club) Table tennis Marching girls Gymnasium and fitness classes Scouts and Guides Drama and concerts Boat‑building and woodwork Preschool and playgroups Tai Chi, yoga, and lifelong learning programs Police Youth Club Country Women’s Association Food relief and community support services (more recent decades) This diversity made the Tin Shed one of the most important social anchors for newly arrived migrant families.The St Albans “Tin Shed” is one of the most important community-built institutions in Melbourne’s west, a post‑war, migrant‑era youth hub that grew from a tiny, corrugated shed into a major social centre.Only the 1st twenty photographs have been uploaded to Victorian Collections 5881.001 - St. Albans Tin Shed - Drama StCYC 1992.jpg 5881.002 - St. Albans Tin Shed - Edna Cooper and Lorna Cameron.jpg 5881.003 - St. Albans Tin Shed - Edna Cooper StACYC 1980's.jpg 5881.004 - St. Albans Tin Shed - Elfie and Lorna at the 50th Anniversary.jpg 5881.005 - St. Albans Tin Shed - Ellie, Lorna and Kon 2005.jpg 5881.006 - St. Albans Tin Shed - Floor plan.jpg 5881.007 - St. Albans Tin Shed - Gathering 1994.jpg 5881.008 - St. Albans Tin Shed - Ingrid and Samantha selling home made jewellery.jpg 5881.009 - St. Albans Tin Shed - Jack Sheridan and Lorna Cameron 1994.jpg 5881.010 - St. Albans Tin Shed - Jean and Sylvia StACYC 1992.jpg 5881.011 - St. Albans Tin Shed - Jenny watering at the Youth Club 1993.jpg 5881.012 - St. Albans Tin Shed - Karla Montalvo.jpg 5881.013 - St. Albans Tin Shed - Kerry, Elfie, Angela, Lorna Marilyn, Jennifer and Edna.jpg 5881.014 - St. Albans Tin Shed - Kim and Mal, Sunshine Council 1994.jpg 5881.015 - St. Albans Tin Shed - Les Cameron.jpg 5881.016 - St. Albans Tin Shed - Lorna and Nick Szwed 2005.jpg 5881.017 - St. Albans Tin Shed - Lorna at the Tin Shed.jpg 5881.018 - St. Albans Tin Shed - Lorna Cameron and Edna Cooper August 1994.jpg 5881.019 - St. Albans Tin Shed - Lorna Cameron and John Ribarow.jpg 5881.020 - St. Albans Tin Shed - Lorna Cameron and Thea Dukic.jpg 5881.021 - St. Albans Tin Shed - Lorna Cameron with her Renault 1970's.jpg 5881.022 - St. Albans Tin Shed - Lorna presented with certificate.jpg 5881.023 - St. Albans Tin Shed - Mary and Vicki.jpg 5881.024 - St. Albans Tin Shed - May 1993.jpg 5881.025 - St. Albans Tin Shed - Mosaic dedication 1994 1.jpg 5881.026 - St. Albans Tin Shed - Mosaic dedication 1994 2.jpg 5881.027 - St. Albans Tin Shed - Mural damaged 1.jpg 5881.028 - St. Albans Tin Shed - Mural damaged 2.jpg 5881.029 - St. Albans Tin Shed - Play group 1994.jpg 5881.030 - St. Albans Tin Shed - Play Group.jpg 5881.031 - St. Albans Tin Shed - Ray and Ken 1994.jpg 5881.032 - St. Albans Tin Shed - Ray, Helen and Willy. Mosaic 1994.jpg 5881.033 - St. Albans Tin Shed - Remembering Lorna.jpg 5881.034 - St. Albans Tin Shed - Return of the ring.jpg 5881.035 - St. Albans Tin Shed - Roy Cameron book launch 2025.jpg 5881.036 - St. Albans Tin Shed - StACYC drama 1992.jpg 5881.037 - St. Albans Tin Shed - StCYC mosaic 1994.jpg 5881.038 - St. Albans Tin Shed - Steve Thorpe, Lorna Cameron and Ruth Frede 1994.jpg 5881.039 - St. Albans Tin Shed - Sunshine Council workers 1994 Photo 01.jpg 5881.040 - St. Albans Tin Shed - Sunshine Council workers 1994 Photo 02.jpg 5881.041 - St. Albans Tin Shed - Tin Shed Photo 01.jpg 5881.042 - St. Albans Tin Shed - Tin Shed Photo 02.jpg 5881.043 - St. Albans Tin Shed - Tin Shed Photo 03.jpg 5881.044 - St. Albans Tin Shed - Tin Shed Photo 04.jpg 5881.045 - St. Albans Tin Shed - Tin Shed Photo 05.jpg 5881.046 - St. Albans Tin Shed - Tin Shed Photo 06.jpg 5881.047 - St. Albans Tin Shed - Tin Shed Photo 07.jpg 5881.048 - St. Albans Tin Shed - Tin Shed Photo 08.jpg 5881.049 - St. Albans Tin Shed - Tin Shed Photo 09.jpg 5881.050 - St. Albans Tin Shed - Tin Shed Photo 10.jpg 5881.051 - St. Albans Tin Shed - Tin Shed Photo 11.jpg 5881.052 - St. Albans Tin Shed - Tin Shed Photo 12.jpg 5881.053 - St. Albans Tin Shed - Tin Shed Photo 13.jpg 5881.054 - St. Albans Tin Shed - Tin Shed Photo 14.jpg 5881.055 - St. Albans Tin Shed - Tin Shed Photo 15.jpg 5881.056 - St. Albans Tin Shed - Tin Shed Photo 16.jpg 5881.057 - St. Albans Tin Shed - Tin Shed Photo 17.jpg 5881.058 - St. Albans Tin Shed - Tin Shed Photo 18.jpg 5881.059 - St. Albans Tin Shed - Tin Shed Anniversary cake Photo 19.jpg 5881.060 - St. Albans Tin Shed - Tin Shed Photo 60.jpg 5881.061 - St. Albans Tin Shed - Tin Shed Photo 61.jpg 5881.062 - St. Albans Tin Shed - Tin Shed Photo 62.jpg 5881.063 - St. Albans Tin Shed - Tin Shed Photo 33.jpg 5881.064 - St. Albans Tin Shed - Tin Shed Photo 64.jpg 5881.065 - St. Albans Tin Shed - Tin Shed Photo 65.jpg 5881.066 - St. Albans Tin Shed - Tin Shed Judo Photo 66.jpg 5881.067 - St. Albans Tin Shed - Tin Shed Photo 67.jpg 5881.068 - St. Albans Tin Shed - Tin Shed Photo 68.jpg 5881.069 - St. Albans Tin Shed - Tin Shed Photo 69.jpg 5881.070 - St. Albans Tin Shed - Tin Shed Photo 70.jpg 5881.071 - St. Albans Tin Shed - Tin Shed Photo 71.jpg 5881.072 - St. Albans Tin Shed - Tin Shed Photo 72.jpg 5881.073 - St. Albans Tin Shed - Tin Shed Photo 73.jpg 5881.074 - St. Albans Tin Shed - Tin Shed Photo 74.jpg 5881.075 - St. Albans Tin Shed - Tin Shed Photo 75.jpg 5881.076 - St. Albans Tin Shed - Tin Shed Photo 76.jpg 5881.077 - St. Albans Tin Shed - Tin Shed Photo 77.jpg 5881.078 - St. Albans Tin Shed - Tin Shed Photo 78.jpg 5881.079 - St. Albans Tin Shed - Tin Shed Photo 79.jpg 5881.080 - St. Albans Tin Shed - Tin Shed Photo 80.jpg 5881.081 - St. Albans Tin Shed - Tin Shed Photo 81.jpg 5881.082 - St. Albans Tin Shed - Tin Shed Photo 82.jpg 5881.083 - St. Albans Tin Shed - Tin Shed Photo 83.jpg 5881.084 - St. Albans Tin Shed - Tin Shed Photo 84.jpg 5881.085 - St. Albans Tin Shed - Tin Shed Photo 85.jpg 5881.086 - St. Albans Tin Shed - Tin Shed Photo 86.jpg 5881.087 - St. Albans Tin Shed - Tin Shed Photo 87.jpg 5881.088 - St. Albans Tin Shed - Tin Shed Photo 88.jpg 5881.089 - St. Albans Tin Shed - Tin Shed Photo 89.jpg 5881.090 - St. Albans Tin Shed - Tin Shed Photo 90.jpg 5881.091 - St. Albans Tin Shed - Tin Shed Photo 91.jpg 5881.092 - St. Albans Tin Shed - Tin Shed Photo 92.jpg 5881.093 - St. Albans Tin Shed - Tin Shed Photo 93.jpg 5881.094 - St. Albans Tin Shed - Tin Shed Photo 94.jpg 5881.095 - St. Albans Tin Shed - Tin Shed Photo 95.jpg 5881.096 - St. Albans Tin Shed - Tin Shed Photo 96.jpg 5881.097 - St. Albans Tin Shed - Tin Shed cheers 50 years of goodwill.jpg 5881.098 - St. Albans Tin Shed - Tin Shed still place to be.jpg 5881.099 - St. Albans Tin Shed - Tonnes of tons 2010.jpg 5881.100 - St. Albans Tin Shed - Val, Shea, Ken Steve and Louise 1994.jpg 5881.101 - St. Albans Tin Shed - Volunteers Required The Advocate 16 November 1999.jpg 5881.102 - St. Albans Tin Shed - Weekly time table.jpg 5881.103 - St. Albans Tin Shed - Bill Shorten at the Tin Shed.jpg 5881.104 - St. Albans Tin Shed - Book dream lives.jpg 5881.105 - St. Albans Tin Shed - Errington Reserve 1994.jpg 5881.106 - St. Albans Tin Shed - Errington Reserve sculpture 1.jpg 5881.107 - St. Albans Tin Shed - Errington Reserve sculpture 2.jpg 5881.108 - St. Albans Tin Shed - Facelift for an old tin shed.jpg 5881.109 - St. Albans Tin Shed - Fifty years on, the Tin Shed stands tall.jpg 5881.110 - St. Albans Tin Shed - Gravesite of Alice Errington, Footscray.jpg 5881.111 - St. Albans Tin Shed - Joe Ribarow and Lorna 2005.jpg 5881.112 - St. Albans Tin Shed - Judo 1994.jpg 5881.113 - St. Albans Tin Shed - Judo at the Tin Shed.jpg 5881.114 - St. Albans Tin Shed - Tom Rigg.jpgst. albans tin shed, main road east, st. albans, st. albans community youth club

Published Leura, NSW : Second Back Row Press, 1985 150 p. : ill., plan. ix, 150 pages : illustrations ; 24 cm. First published: Canterbury, Vic. : Mullaya Publications, 1975. ISBN 0909325642 Summary Development of the Australian environmental building, using conservation principles including mud brick, timber and iron buildings, by Alistair Knox. Contents: The idea The first building The conflict The earth building movement Murphys Creek Homestead Post-war architecture and natural building Pseudo affluence Crises and correctives Landscape and landscape building Country houses The Australian identity Timber buildings'Corrugated iron Alternative lifestyle Fathers and sons Postscript Appendices: Planning for mud brick Soil types for mud brick Includes photographsPaperback; 150 p. : ill., plan. ix, 150 pages : illustrations ; 24 cm.houses, buildings, mudbrick, mud brick construction, alistair knox

Alistair Knox was an environmental based designer and builder who came to Eltham in 1948. Influenced by Frank Lloyd Wright and Walter Burley Griffin, he sought to create buildings that would blend into the landscape, enhanced by the planting of indigenous flora. The post-war shortage of building materials made traditional construction expensive. Adobe (mudbrick) provided a cheap and plentiful alternative, and one which would be aesthetically pleasing. Mud-brick manufacture was a problem at first. Sonia Skipper had been experimenting with Eltham clays for years to find the best mix for making bricks and render. Alistair employed her as building foreman on several of his sites. By the 1980s, he had brought mud-brick and earth building into the Australian mainstream, and a Knox-designed house had become highly desirable. Sonia said that he would craft a bespoke earthen house to fit with his client's lifestyle. He was drawn to the environmental movement, publishing three books on housing and the environment, and speaking on radio. He also served on the Eltham Shire Council 1971-1975, was Shire President 1974 and was instrumental in re-establishing the Eltham Community Festival in 1975. Alistair died in 1986 and is buried in a small garden setting at Eltham Cemetery.Born Digitaleltham cemetery, gravestones, heritage excursion, alistair knox

Alistair Knox was an environmental based designer and builder who came to Eltham in 1948. Influenced by Frank Lloyd Wright and Walter Burley Griffin, he sought to create buildings that would blend into the landscape, enhanced by the planting of indigenous flora. The post-war shortage of building materials made traditional construction expensive. Adobe (mudbrick) provided a cheap and plentiful alternative, and one which would be aesthetically pleasing. Mud-brick manufacture was a problem at first. Sonia Skipper had been experimenting with Eltham clays for years to find the best mix for making bricks and render. Alistair employed her as building foreman on several of his sites. By the 1980s, he had brought mud-brick and earth building into the Australian mainstream, and a Knox-designed house had become highly desirable. Sonia said that he would craft a bespoke earthen house to fit with his client's lifestyle. He was drawn to the environmental movement, publishing three books on housing and the environment, and speaking on radio. He also served on the Eltham Shire Council 1971-1975, was Shire President 1974 and was instrumental in re-establishing the Eltham Community Festival in 1975. Alistair died in 1986 and is buried in a small garden setting at Eltham Cemetery.Born Digitaleltham cemetery, gravestones, heritage excursion, alistair samuel knox

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbart residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built their home from mud-bricks and recycled materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

Built in 1953, the Rice House was leading Melbourne architect Kevin Borland's first commssion and was one of two houses of its kind. The design of the shell-like structure was inspired by the Arch of Ctesiphon, built in the second century south of Baghdad. Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches covered in hessian. This ctesiphon system was developed in the United Kingdom by engineer J.H. de Waller in 1947. Commissioned in 1951 by Harrie and Lorna Rice, after Harrie, then an art student, met Borland at The Age Small Homes Service. Borland suggested they buy land in Eltham because at that time it was the only council in Melbourne that would grant a permit for such an innovative house. Covered under Victorian Heritage. Inspired by an ancient arch in Iraq, a house stands on top of a hill in a private position, off Ryans Road, Eltham. One of only two houses of its kind, it was leading Melbourne architect Kevin Borland’s first commissioned house, which he built in 1953. The shell-like structure, partially screened by giant trees and cacti, was inspired by the Arch of Ctesiphon south of Baghdad, built in the second century.1 Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches tightly covered by hessian. This ctesiphon system was developed in the United Kingdom by engineer J H de Waller in 1947. This house was the first of three such structures built in Victoria, of which only one other remains, although substantially altered.2 It is the Wood House and supermarket, at the corner of Cleveland Road and High Street Road, Ashwood, designed by Robin Boyd in 1952. The Rice House demonstrates Kevin Borland’s innovative and experimental work. It is an outstanding example of the post-war period of experimentation in domestic architecture in Melbourne – by Robin Boyd, Kevin Borland and others – for The Age Small Homes Service from 1947 to 1953. This was partly an expression of late-Modernism and also necessitated by the post-war shortage of building materials. In Eltham, the post-war shortage of building materials largely resulted in mud-brick houses. Examples of Borland’s public work include contributions to the Olympic Swimming Pool in Melbourne and the Preshil Junior School in Kew. After more than 50 years of living in the house, Harrie and Lorna Rice still love it. Facing north-east with large windows overlooking the garden and two courtyards, it is well lit and benefits from a through breeze. The couple commissioned the extraordinary house after Harrie, then an art student, met Borland in 1951 at The Age Small Homes Service. Harrie was so impressed by the recently graduated Borland’s enthusiasm, that he asked him to design them an interesting house for a low budget. The unusual design presented several hurdles for the young couple before they could construct it. Borland suggested that they buy land in Eltham, because at that time it had the only council in Melbourne that would allow such an innovative house. Another hurdle was to gain finance for this remarkable house. The State Savings Bank Manager refused finance on the grounds that it was ‘unliveable’ and a ‘disgrace’. Fortunately, through a family connection, the couple borrowed money from the National Bank. But they discovered years later, that the bank’s evaluation stated the two ‘concrete sheds’ were of no value! The house built in off-white concrete, consists of two sections. The main house has four arches supported by brick and concrete walls that create a series of inter-connected rooms. Inside, the ceiling follows the roofline. Originally this section was only ten square metres, because of building restrictions at the time. But in 1973 Borland added two rooms and a carport. The second structure of two arches was originally a garage and a studio for art teacher Harrie Rice. To accommodate the growing family, in the mid 1950s, Borland converted the second structure into two children’s bedrooms, a kitchenette, a bathroom and a living room. The two structures were originally linked by a covered way of suspended draped-concrete, but this collapsed in the 1980s. The design has several maintenance problems. Cracks developed where two halves of the shells were joined. Then the material sprayed over the cracks became brittle, causing leaks. Fortunately Harrie found another material he could use. The valleys between the arches collect water, requiring annual painting with a waterproof material to prevent leaking. Lorna framed the house with native and exotic plants, which provide privacy and as a bonus, the garden attracted the rare Eltham Copper Butterfly. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p157 Comments about the Rice House on Lost Eltham page on Facebook June 2018 https://www.facebook.com/Lost-Eltham-1535993463348408/ Kate Borland:  My dad designed this house. It is the Rice house and it is being renovated to its original glory as we speak.... Katherine Fox: I remember Harry and Lorna's, there was a secret room...! And the best loo with a view as I recall. Katherine Fox: Love this house! Wish I'd known it was up for sale. Looking forward to seeing progress if possible...If I recall correctly, the concrete swag over the walk-way collapsed at some stage. Marcus Skipper: In our little green Landrover, my dad and Alister Knox drove up dirt roads, a dirt track through the bush and finally to the ridge to check out this joint in about 1960. After the war at some time, they were all together at RMIT studying building design. Alister was the only one to graduate. A situation that resulted, my father would joke, in Alister having a career wherein his qualifications exceeded his talent. World Peace had broken out and all were hip to the ‘People’s’ century. Kevin went with the Modernist’s concrete, Alister went with the peasant’s mudbrick. “If this is the future,” my dad said,”I don’t like it.” And we drove back to medieval Montsalvat.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, rice house, ryans road, kevin borland

Situated in King Street, Eltham, Alistair Knox built his home and office in 1962-1963 with mud-bricks made from the local soil and recycled materials blending the house with bush around it. Knox popularised the Eltham earth building movement, begun by Montsalvat founder, Justus Jorgensen. Alistair Knox (1912-1986) was also an Eltham Shire Councillor 1971-1975 and Shire President in 1975. Knox established the inaugural Eltham Community Festival in 1975. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p145 Lack of money was a strong incentive for Alistair Knox to do what he did best when he built his house and office at King Street, Eltham in 1962-63. He used mud-bricks from local soil and recycled materials, characteristically blending the house with the bush around it. The result was a work of art. Knox popularised the Eltham earth building movement,1 begun by Montsalvat founder Justus Jörgensen. He was also an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. For Knox mud-brick building was not just a building style, but a spiritual experience and a way of relating with nature. At 40 he rediscovered God and his building reflected his theological, political, philosophical and particularly environmental world view, which was far ahead of its time.2 He also contributed to building development in his use of concrete slab foundations when stumps and bearers were the norm. Knox was introduced to mud-brick construction in 1940 by Jörgensen, then shortly after, Knox joined the Navy. In 1946 Knox studied Building Practice and Theory at Melbourne Technical College (now RMIT University). There he befriended fellow student and artist Matcham Skipper who belonged to what was then called the Jörgensen Artists’ Colony. Knox decided to build an earth building in Eltham, partly because the post-war huge building demands resulted in expensive and scarce building materials. He asked artist Sonia Skipper for help who, with Matcham, had constructed mud-brick buildings at the Artists’ Colony. The simple rectangular low-lying house at King Street is framed by native plants and a 3.6 metres wide pergola surrounds the building. Wedded to the landscape, a door in every room at the perimeter, opens outside. The property also includes a forge, a small hut built by son Macgregor at 15, and a mud-brick tower for chickens. Building materials were foraged from a wide variety of sources. Some of the joinery material came from old whisky vats. When the Oregon of the highest quality ‘was put through the wood-working machines, it gave off a deep smell of whisky that made the whole atmosphere exotic and heady’.3 Amateur builders, including schoolboys from Knox’s Presbyterian Church, made some of the mud-bricks. But the building was finished with the professional help of Yorkshire builder, Eric Hirst. Inside, the light is subdued with the mud-brick, beamed timber ceilings and floors of slate, timber or orange-brown tiles. Skylights, with rich blue and red leadlighting, illuminate one entrance area and this feature is repeated as edging on the door. The centre of the house is like a covered courtyard, with rooms built around it. The central room, 11 metres x 7 metres, was built in the same proportions as Knox’s mud-bricks. Clerestory windows on four sides infuse the room with a soft light. A huge brick fireplace extends beyond one corner and opposite is a small one where timber can only be placed vertically. The slate for the floor was discarded from the Malthouse Brewery now used as a theatre in Southbank. In the middle is a large refectory table and benches that seat 18. Like much of the house, it is rugged, yet beautiful. Made of Western Australian Jarrah by Macgregor with a chain saw and an adze, it retains knot and nail holes. Each wall has an opening, 2.4 metres at the ends and 3.6 metres at the sides. Only one has doors and these concertina doors are made of the backs of old church pews. The main bedroom has an ensuite with a marble hand basin discarded from the Victorian Parliament building; and a dressing room, where two wardrobes of polished timber recovered from a tip are attached to the walls. Separate from the house is the strikingly original circular-shaped office made of bluestone sourced from the original Army campsite at Broadmeadows.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair and margot knox house, alistair knox design, mudbrick construction, eltham, king street

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbart residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built their home from mud-bricks and recycled materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

Hard cover book. The Victorian Government Gazette 1912 Vol 1 /146 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1912 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

Mrs Sheila Parkinson was born in Wagga in 1916 and came to Beechworth as a young woman around 1938. Sheila trained as a psychiatric nurse at Mayday Hills hospital prior to the second World War. At that time, unmarried women were accommodated and received nursing training on-site. Shiela was obliged to cease professional training and employment when she married in 1941, which disrupted completion of her final nursing examinations. Following post-war changes to the law that allowed married women to work, Sheila returned to Mayday Hills. Sheila's husband, Don, returned to Beechworth after four years abroad as a serviceman in the Australian Air Force. Beechworth's institutions were a major source of local employment throughout the twentieth century. As well as providing limited employment opportunities to young women like Shiela, post-war European migrants from Bonegilla Migrant camp found at Mayday Hills, encouraging European migrant settlement in the district. Mayday Hills was renamed several times since its establishment in 1867. At the peak of operations, it comprised sixty-seven buildings housing over twelve hundred patients patients and five hundred staff. The hospital officially closed in 1998. Today, the decommissioned two-storey Italianate style main building stands on eleven hectares of botanical gardens under National Trust protection. The site remains a popular cultural heritage destination for visitors. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. The cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Employed as a psychiatric nurse at one of Beechworth's large welfare institutions, Mayday Hills, Mrs Sheila Parkinson recalls the conditions faced by staff and patients at the hospital, which cared for chronically ill people from the Ovens region and patients from the Yarra Bend Asylum, Melbourne, which closed in 1925. When Sheila first began her nurse training, Mayday Hills suffered from a lack of resources and rudimentary facilities and patients frequently suffered from the cold due to poor heating and inadequate clothing and bedding. However, as the twentieth century progressed, Sheila recalls how conditions and treatments improved as a result of increased government funding of services and advances in psychiatry and pharmaceutical medicine. Mrs Sheila Parkinson's oral history recording is historically and socially significant for its witness to life in Beechworth in the pre- and post-WWII period. Sheila's story enriches our understanding of processes of modernisation with regard to psychiatric and welfare services, while the course of Sheila's professional training and employment brings attention to systemic and socio-economic barriers faced by women, as well as the valuable contribution women and migrants make in the delivery of care and ancillary services. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the twentieth century, many of which would have been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Sheila Parkinson /twentieth century beechworth, mayday hills, psychiatric care, benevolent asylums, nursing, wwii, psychiatric treatment, country women, psychiatric hostpital, beechworth's institutions, local employment, government institutions, listen to what they say, oral history, burke museum, sheila parkinson, beechworth lunatic asylum, beechworth mental hospital, beechworth hospital for the insane, the kerferd clinic, bonegilla migrant camp, working women, white australia policy

This photograph was taken in the 1960s of the Lake Sambell Swimming Pool with the lake itself in the background. The swimming pool area has multiple features including park benches, a water slide, and a fenced area with a diving pontoon for lap swimming and racing. Lake Sambell Swimming Pool was completed in 1961, driven largely by R.E. Carter, Beechworth shire engineer from 1954-63. Carter advocated for improvements to the lake and surrounding area in order to encourage tourism in Beechworth. The opening of the swimming pool was part of many improvements to Lake Sambell made during this period by Carter including establishing the caravan park in 1959, water skiing and boating facilities, and increasing the lake surface in 1964. These improvements were financed mainly by grants from the Tourist Development Authority. For many decades, members of the local Beechworth community had advocated for the development of swimming pool at the lake that would include a safe wadding area and Olympic standard lanes for laps and races. Throughout the 1940s the Beechworth Swimming Club tried to raise awareness and funds to address the structural engineering issues, raise the water levels, and improve swimming facilities at the lake. Beechworth Swimming Club hosted a swimming carnival at the lake in 1948, but it was decided due to several issues at the event, that no further carnivals would be hosted until necessary improvements were made to the area. Swimming pools, both artificial and built into natural environments, were an extremely popular public space throughout the 20th century in Australia. Increasing in accessibility and popularity through such developments as less restrictive swimming outfits during 1920s, public building works during the 1920s and 30s, and an increase in leisure time during a period of post-war prosperity. This photograph is of historical significance as it documents the newly established Lake Sambell Swimming Pool in the 1960s after many decades of discussion and proposals around creating a safe swimming area at the lake. Further, this photograph provides important social insights into the facilities and uses of this pool in the 1960s, and underlines the significant role public swimming pools have played in Australian social and recreational experiences. Black and white rectangle photograph printed on photographic paper and unmounted.Reverse: 3537 / C798lake sambell swimming pool, lake sambell water slide, water slide 1960s, lake sambell pontoon, lake sambell 1960s, lake swimming pool, lake swimming, beechworth swimming club, swimming pools in the 20th century, r.e. carter, tourist development authority, beechworth 1960s, lake water slide, lake sambell, wadding pool, swimming, swimming pool 1960s, leisure, recreation 1960s

Also known as the King George V memorial building this branch of the Mission to Seamen opened in 1937 as a replacement for the old Mission in Port Melbourne. The Foundation stone was laid by the Victorian State Governor and a photograph of the event is also held in the MTSV collection. The Art Deco style building was commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. NB PMHPS Kindly allowed MTSV heritage to take scans of the Kelly series notes in their collection for reference in 2019.One of the few full colour images of this building originally classified by the National Trust and now demolished. An example of architect Harry Norris' work 1937. All that remains are a ceramic plaque, a brick and several items of chapel artefacts. Alison Kelly, a photographer, was part of the group supporting the Port Melbourne Seamen's Mission in the 1980s and 1990s. She took a series of photographs of the building now held by the Port Melbourne Historical and Preservation Society.Full colour Postcard featuring colour image of a large red brick building in a 1930s era Architecture. There is a green wrought iron gate ajar in the foreground with the word SEAMAN spelled out. MISSIONS TO SEAMEN can also be seen spelled ut in white across and down the central clock tower of the building and this is surmounted with a white flagpole.On verso: Printed: "Heritage Series / POST CARD " at right angles in small print from lwr edge to upper: "PHOTOGRAPHY BY ALISON KELLY PORT HERITAGE SERIES NO 6". At Lwr left crnr printed:" Missions to Seamen Building, Port Melbourne/ Designed in the Modern style by architect Harry Norris,/ this 1937 National Trust classified structure was until 1972 / an entertainment and spiritual centre for seamen, with / important roles during the war [WW2] and immigration periods"king george v, memorial chapel, harry a. norris, brick, art deco, alfred m. nicholas, beach street, mission to seamen, alison kelly, 1937, arts centre, seamen mission, mission to seafarers, port melbourne

Hard cover book. The Victorian Government Gazette 1912 Vol 2 /147 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1912 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

Hard cover book. The Victorian Government Gazette 1913 Vol 1 /149 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1913 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

Hard cover book. The Victorian Government Gazette 1913 Vol 2 /150 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1913 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

Hard cover book. The Victorian Government Gazette 1913 Vol 3 /151 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1913 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

Hard cover book. The Victorian Government Gazette 1914 Vol 1 /152 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1914 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

Hard cover book. The Victorian Government Gazette 1914 Vol 2 /153 Printer: Albert John Mullett Publisher: Albert John Mullett Publisher: Authority of The Colonial Government Date: 1914 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1912 Albert John Mullett took over the role starting from January 1912 the same way Kemp had as Acting Government Printer with his appointment made permanent in 1913 where he served all through the 1920s. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1912 1 vol 146, the victoria government gazette 1912, the victoria government gazette

A colour photograph taken at Sunds Bros Sawmill in Marysville. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A colour photograph taken at Sunds Bros Sawmill in Marysville.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, photograph

A copy of a colour photograph taken at Sunds Bros Sawmill located in Marysville. The original photograph was taken in the 1970s. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A copy of a colour photograph taken at Sunds Bros Sawmill located in Marysville. The original photograph was taken in the 1970s.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, photograph

A copy of a black and white photograph of Bill, Allan and Len Sund who at one stage operated the Sunds Bros Sawmill in Marysville. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A copy of a black and white photograph of Bill, Allan and Len Sund who at one stage operated the Sunds Bros Sawmill in Marysville.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, photograph, bill sund, allan sund, len sund

A thank you card that was sent by the Sund family to attendees of a function that was held some four months after the 2009 Black Saturday bushfires that destroyed the majority of the township of Marysville. The Sund family owned and operated a timber sawmill in Marysville. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A thank you card that was sent by the Sund family to attendees of a function that was held some four months after the 2009 Black Saturday bushfires that destroyed the majority of the township of Marysville. The Sund family owned an operated a timber sawmill in Marysville.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, photograph, 2009 black saturday bushfires

A bookmark that was available to attendees at Bill Sund's funeral. The Sund family owned and operated a timber sawmill in Marysville. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A bookmark that was available to attendees at Bill Sund's funeral. The Sund family owned and operated a timber sawmill in Marysville.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, 2009 black saturday bushfires, william john sund, bookmark

In 1947 Percy Everett, Chief Architect for the Victorian Government, drew up plans to accomodate the growth in student numbers on the Ballarat School of Mines site. It was an era of government buildings surrounding the Ballarat School of Mines campus either being transfered to the school or foreshadowed for transfer. In 1947 two Red Cross huts were transferred from Victoria Park to the western side of the former Ballarat Supreme Court (later Courthouse Theatre) for use by Wool Classing and Motor Mechanics. In the same year additional facilities were provided for Pottery due to the increase in enrolments and a large brick classroom was built at the rear of the Ballarat Junior Technical School Building. In the annual report of 1947 the President said: "These transfers are, however, only temporary expedients and indicate the pressing need for more buildings of a permanent nature". By the end of the year the School Council decided to request the Education Department of Victoria to proceed with the implementation of the School's long-range plan whch had received approval earlier and to treat it as an urgent post-war requirement. After much communication a plan for a six-storied building, flanked by two three storied buildings was planned to be built on the site of the Ballarat Gaol was developed. The plan was sent to the Education Department for the Minister's Approval. It is not know if approval was granted, but the building did not proceed, possibly becausse the Ballarat Gaol was still very miuch in use. When a tertiary division of the Ballarat School of Mines was being developed in 1967 it corresponded with the closure of the Ballarat Gaol. It was determined that the Lydiard Street South site had no room for future growth so a new campus was sought. The new campus was purchased at Mt Helen, and was initially known as the Ballarat Insittute of Advanced Education. In 1976, when the Ballarat Teachers' College merged into the structure, the campus became known as the Ballarat College of Advanced Education and it was no longer a part of the Ballarat School of Mines. Plans for a proposed building to replace the Ballarat Gaol buildings. The proposed building was never built, the concept being replaced by a new teritary facility at Mt Helen. buildings, percy everett, ballarat school of mines battery, ballarat technical art school, engineering workshops, machine shop, ballarat junior technical school, architectural plans, ballarat school of mines, smb campus

A colour photograph taken at Sunds Bros Sawmill in Marysville. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A colour photograph taken at Sunds Bros Sawmill in Marysville.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, photograph

A colour photograph taken at Sunds Bros Sawmill in Marysville. Sund's Sawmill (historically operated by Arthur & John Sund and often referenced locally as Sund Stenco) was a prominent mid-century timber mill located in Marysville, Victoria. It played a central role in the region's booming post-war logging era. The mill was highly active during the 1950s. This era marked a peak for Marysville's timber sector, with over 300 men employed across multiple local mills, sustaining nearly 1,000 residents. According to Victoria Government Gazette records from 1958, the Sund brothers operated commercial goods vehicles to transport Mountain ash and other hardwood logs from forest landings in the Mt. Gordon area directly to their mill in Marysville. Sawn timber from the Sund Bros mill was primary distributed to Millard's timber yards at Mt. Evelyn, eventually supplying building blocks across the rapidly growing eastern suburbs of Melbourne.A colour photograph taken at Sunds Bros Sawmill in Marysville.marysville, victoria, australia, arthur sund, john sund, sund stenco, sunds bros sawmill, victorian government gazette 1958, mountain ash, mount gordon, millard's timber yards, mt. evelyn, melbourne, photograph