Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a black and gold label. Title: Prisoner's Song Artist: Vernon Dalhart, tenor Publisher: Brunswick Records Number: A-2900 Size: 10 inchOn label, white sticker with red printflagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, 10 inch, brunswick records, a-2900, prisoner's song, vernon dalhart (tenor)

Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.Collection of music books that were available for purchase at Sutton's Musicmusic books, suttons music, calvary, henry vaughan, paul rodney, enoch and sons, herzelied, gustav lange, j.t. trekell, hanover edition, the desert song, one alone, kathryn grayson, gordon mcrae, otto harbach, oscar hammerstein, frank mandel, sigmund romberg, the link divine, alfred h. hyatt, piccolomini, one fine day, aria, madame butterfly opera, r.h elkin, giacomo puccini, garden of happiness, edward lockton, daniel wood, there never was a pal like you, jack o'hagan, the bridge, vocal duet, miss m lindsay, mrs j worthington bliss, songs my mother taught me, anton dvorak, blue danube, suttons brass band journal, johann strauss, macushla, josephine v rowe, dermot macmurrough, boosey and co, allans music, candle in the wind, elton john, bernie taupin, treasure chest of stephen foster songs, eddie fisher song folio, cindy oh cindy, oh my pa-pa, anytime, i need you now, then i'll be happy, sweet heartaches, dungaree doll, im in the mood for love, what a wonderful world it would be, hermann lohr, i heard you singing, royden barrie, eric coates, when you come home, fred e weatherly, w.h squire, lay down your arms, anne shelton, leon land, ake gerhard, john m williams and shaylor turners vey first piano book, i went to your wedding, jessie may robinson, patti page, mercury records, he's got the whole world in his hands, geoff love, sway, quien sera, pablo beltran ruiz, paul lombard, norman gimbel, just because the violets, kennedy russell, edwin ashdown ltd, friends of my youth, mr w burton, christy's minstrels, george barker, ideal music books, poet and peasant, melody in f, spring song, love and devotion, the storm, nachtstuck, rondoletto, blue danube waltzes, over the waves waltzes, nearer my god to thee, mignon gavotte, warum, miss clara butt, idle words, stephen adams, menuetin no. 2, the mill, liebestraum, tarantelle, la matinee, menuet, la paloma, the dove, gipsy rondo, crescendo, chanson triste, romance, tocatta in a, thora, john mccormack, john harrison, ivor foster, preclude c# minor, beautiful star of heaven, sirens song, marche militaire, fifth nocturne, sweet bye and bye, turkish patrol, valse des fleurs, melody of love, traumerei, a fragment, just for to-day, sybil f partridge, blanche ebert seaver, australian music examinations board, pianoforte-grade iii, the chappell wonder album of music, slave song, the lass with the delicate air, the bandolero, chorus gentlemen, i'll sing thee songs of araby, jest her way, venetian song, gray days, god's garden, folie bergere, weymouth chimes, un peu d'amour, you'll love me yet, s. coleridge taylor, george sutton, happy-go-lucky pete a very happy foxtrot, i know the rose, fred hall, the prisoners child, waltz ballad, russ johnston, pilgrim's cross, h.l d'arcy jaxone, frederic n. lohr, harper kearton, marie vagnolini, suttons manuscript music book, pianoforte studies, public examinations in music, light cavalry, marche hongroise, rondo alla turca, moonlight sonata, witches flight, home sweet home, narcissus, wedding march, sehnsucht, joyful peasant, les adieux, love the pedlar, caryl battersby, edward german, where will the dimple be, rosemary clooney, bob merrill, al hoffman, buttons and bows, jay livingstone, ray evans, bob hope, glen williams, british songs, cyril scott, cherry ripe, the minstrel boy, blythe and merry she was, by yon bonnie banks, all through the night, coming thro the rye, i'll bid my heart be still, classical fragments, beethoven's adieu, w. millward, wake up, a calendar of song, harold simpson, montague f. phillips, ain't misbehavin', andy razaf, thomas waller, harry brooks, robert a nelson, the ideal manuscript book, the riff song, it, one flower grows alone in your garden, ebb tide, carl sigman, robert maxwell, i'm in the mood for love, jimmy mchugh, dorothy fields, muskat ramble, edward ory, night of stars and night of love, tales of hoffmann, offenbach, the great pretender, jimmy parkinson, jerry duanne, barry frank, stan freberg, the platters, bert visser, love is a golden ring, rich dehr, frank miller, terry gilkyson, ernie sigley, d. trickey, four musical cameos, gavotte, lullaby, goblins, when children play, frank hutchens, just a closer walk with thee, jimie rodgers, west of the wall, wayne shanklin, toni fisher

Eric Liffman was a refugee from Nazi Germany who, as a prisoner, is transported to Australia on the troop ship HMS Dunera. He became the most celebrated tenor in Australia during WW11.Dunera Voyage. Eric Liffman's rise from refugee/prisoner to become a celebrated tenor during WW11Book -199 pages, B/W photos. Soft cover. Narrated & Illustrated by Eric Liffmann. Written by Patricia & Kurt LiffmannPhotos of Eric Liffmann on coverdunera, jewish refugee

Eric Liffman was a refugee from Nazi Germany who, as a prisoner, is transported to Australia on the troop ship HMS Dunera. He became the most celebrated tenor in Australia during WW11.Gramophone Record 45 rpm extended play (9 copies in brown sleeve with green hill scene on cover.songs - the happy wanderer, tiritomba, ding dong ding, farewell song when on Sunday evenings, friendship songextended play 45 rpm, vinyl records, eric liffman, australian tenor

An invitation from the members of S I Deakin to attend a musical afternoon on Sunday October 22, 2000. The afternoon is in remembrance of Sister Vivian Bullwinkel and the Australian Army Nurses who were prisoners of war in Sumatra during World War II. In the prison camp in Sumatra a vocal orchestra was formed. In 1990 Vivian Bullwinkel organised a concert to aid the Red Cross, entitled 'Song of survival', where 74 singers were trained to recreate the Vocal Orchestra of Sumatra. The musical afternoon includes a viewing of the taped recording of that concert with afternoon tea to follow. The second page of the document is a programme of the order of songs and music from the Song of Survival concert.Double-sided photocopy on white A4 paper. The first side contains an invitation in black type with bold headings surrounded by a double-lined border. The second side is a typed programme list, headings in bold type, surrounded by a border made up of a continuous line of musical notes in bold black print.'Soroptomist Headquarter / 383 Toorak Road / South Yarra / Phone 982722720' [Handwritten in black ink, right side of first page]world war two, ww2, wwii, vivian bullwinkel, australian army nurses, prisoners of war-sumatra, vochal orchestra of sumatra, song of survival concert

The commemorative programme for the 'Song of Survival concert' held by the Red Cross at the Perth Concert Hall on the 22nd August, 1990. The concert was to commemorate the 45th Anniversary of the release of Australian Army Nurses from a prison camp in Sumatra. Along with the programme for the evening, it also includes historical information and information on all those involved. In the prison camp in Sumatra a vocal orchestra was formed amongst the women, they sang together for over a year amidst the death and despair and filth of the camp, providing hope and some joy in such a terrible place. This concert was organised in their honour and to aid the Red Cross. 74 singers were trained to recreate the Vocal Orchestra of Sumatra. Staple-bound booklet on white paper. The cover is covered in sheet music and the title and event details are printed over the top in black ink. There is the red symbol of the Australian Red Cross Society printed at the top of the front cover.world war two, ww2, wwii, australian army nurses, prisoners of war-sumatra, vochal orchestra of sumatra, song of survival concert, sumatra, prisoner of war camp, commemorative concert

An invitation from the members of S I Deakin to attend a musical afternoon on Sunday October 22, 2000. The afternoon is in remembrance of Sister Vivian Bullwinkel and the Australian Army Nurses who were prisoners of war in Sumatra during World War II. In the prison camp in Sumatra a vocal orchestra was formed. In 1990 Vivian Bullwinkel organised a concert to aid the Red Cross, entitled 'Song of survival', where 74 singers were trained to recreate the Vocal Orchestra of Sumatra. The musical afternoon includes a viewing of the taped recording of that concert with afternoon tea to follow. The second page of the document is a programme of the order of songs and music from the Song of Survival concert.Two sheets of A4 paper. The first contains an invitation in black type with bold headings surrounded by a double-lined border. The second page is a typed programme list, headings in bold type, surrounded by a border made up of a continuous line of musical notes in bold black print.world war two, ww2, wwii, vivian bullwinkel, australian army nurses, prisoners of war-sumatra, vochal orchestra of sumatra, song of survival concert

A collection of ephemera from the 5th National Reunion of the Ex-Prisoners of War Australia, held in Melbourne in October 1984. The collection includes items from a variety of events that ran throughout the week. 1. An invite card to 'A Memorabilia Display' held at the Myer Mural Hall on October 1st. 2. Order of Service for the Service of Thanksgiving and Commemoration held at the Shrine of Remembrance on the 7th October. 3. Song sheet for the Ex POW Sing Along, includes the words to seven songs. 4.Souvenir programme to the Gala Variety concert held at the Melbourne Concert Hall on October 4th.Collection of 4 pieces of ephemera. A white invitation card with black type. A double-sided song sheet with brown print. A single-fold order of service with a colour photo of the Melbourne Shrine of Remembrance on the front. A staple-bound, brown and cream, souvenir concert programme.memorabilia, pows, ex-prisoners of war, reunions, commemoration ceremonies, commemorative concert, war songs, melbourne, ww2, wwii, world war two