fay bridge collection, proctor street, st andrews, st andrews market

35mm colour positive transparency (1 of 36) Mount - Agfa CS System grey 8 dotsst andrews market, proctor street, st andrews

35mm colour positive transparency (1 of 36) Mount - Agfa CS System grey 8 dotsst andrews market, proctor street, st andrews

35mm colour positive transparency (1 of 36) Mount - Agfa CS System grey 8 dotsst andrews market, proctor street, st andrews

The Lasting Memories Mosaic Group Seat is part of Nillumbik Shire Council's Public Art. Following the Black Saturday Bushfire of February 7, 2009, which ravaged St Andrews and surrounding district, a group of bushfire affected women formed the Lasting Memories Mosaic group and created this concrete seat covered in mosaic as part of their healing process. It was completed in 2012. For more information see Nillumbik Shire Council's link Public Art: Lasting Memories Mosaic GROUP, Lasting Memories Mosaic Seat - https://victoriancollections.net.au/items/58536395d0ce201b746561c6fay bridge collection, fay bridge, mosaics, st andrews, lasting memories mosaic group seat, st andrews hall

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017

fay bridge collection, proctor street, st andrews, st andrews market, st andrews workshops, burns street, st andrews hotel

batch 1, burns street, proctor street, st andrews, st andrews market

Post card sent from Priscilla PETERSON ( nee HUME)to her niece Elizabeth PROCTOR (nee HUME) who was living Littleton, Massachusetts, USA in 1908. At the time Pricilla and Frederick were living with their daughter, Lottie at 23 Ross Street, Port Melbourne.Sepia postcard of three members of the Peterson family standing in lattice arch beside a hydrangea bush at 23 Ross Street,, Port Melbourne.On reverse: Mrs H F Proctor, Littleton, Massachuttes (sic) USA. 23 Ross Street, Port Melbourne , Australia, Jan 14 08 Dear Elizabeth Yo said you would like to see us in our home S here we are in our side entrance. Myself, Husband & Lottie. Hope to hear from you soon. Love from all to all. Aunt Priscilla.priscilla peterson, priscilla hume, frederick peterson, lottie peterson, families, elizabeth proctor, ross street

Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p175 It’s Saturday morning and thousands of people are visiting St Andrews Market at the corner of Heidelberg-Kinglake Road and Proctor Street. It’s hard to find a park. Cars are banked up along the narrow road and crammed in a nearby parking area. Yet, at the market, people look relaxed and happy amongst the yellow box gums on the site where the Wurundjeri people used to gather. Stone artefacts unearthed there by Koorie researcher, Isabel Ellender, indicate the site was once a Wurundjeri meeting place, according to Aboriginal Affairs Victoria. Acoustic sounds mingle with quiet conversations. A guitarist blows a mouth organ while his bare toes tickle chimes. A tiny busker, perhaps five years old, plays a violin while sounds of a harp emerge from the hall. One stallholder, selling delicious-looking pastries, chats to another in Spanish, then to me in broad Australian. ‘I was born in Fitzroy but my mother came from Mexico and my dad from Serbia,’ she smiles. A New Zealander fell in love with Mongolia and now imports their hand-made embroidered clothes and Yurts (tents) and runs adventure tours. A young woman visited Morocco and when friends admired the shoes she bought, she decided to import them and sell them at the market. Oxfam sells Fair Trade toys and clothes and displays a petition to Make Poverty History. Other stalls sell Himalayan salt, jewellery made from seeds from northern Australia, glass paper-weights from China as well as locally grown vegetables, flowers and organic freshly baked bread. A woman sits in a state of bliss under the hands of a masseur. Another offers Reiki or spiritual healing. A juggler tosses devil sticks – ‘not really about the devil,’ he smiles. This skill was practised thousands of years ago in Egypt and South America he says. At the Chai Tent people lounge on cushions in leisurely conversation. The idea for the market was first mooted among friends over a meal at the home of famous jazz and gospel singer Judy Jacques.2 Jacques remembers a discussion with several local artists including Marlene Pugh, Eric Beach, Les Kossatz, Ray Newell and Peter Wallace. ‘We decided we wanted a meeting place, where all the different factions of locals could meet on common ground, sell their goodies and get to know one another,’ Jacques recalls. They chose the site opposite another meeting place, St Andrews Pub. A week later Jacques rode her horse around the district and encouraged her neighbours to come along to the site to buy or sell. On February 23, 1973, about 20 stallholders arrived with tables. They traded ‘second-hand clothes, vegetables, meat, cheese, eggs, chickens, goats, scones, tea, garden pots and peacock feathers’. Now around 2000 people visit each Saturday. People usually linger until dusk. The market – with around 150 stalls of wares from a wide variety of cultures – stands alongside Montsalvat as the most popular tourist attraction in Nillumbik. By the 1990s St Andrews Market was in danger of being loved to death, as the site was becoming seriously degraded. The market was spreading in all directions and the degradation with it. A local council arborist’s report in 1994 noted exposed tree roots from erosion and compaction. The Department of Sustainability and Environment threatened to close the market if the degradation was not rectified. After many months of research, discussions and lobbying by a few residents, the council formed a Committee of Management, with an Advisory Committee, and introduced an Environment Levy. The State Government, the council and the market, funded terracing of the site to stop erosion, and retain moisture and nutrients. Vehicles were excluded from some sensitive areas and other crucial zones reserved for re-vegetation. Volunteers planted more than 3000 locally grown indigenous species. The old Yellow Box trees fully recovered and are expected to give shade for many years to come.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, didgeridoo, jesse tree, st andrews market, swiss hang drum

This is an 1886 certificate admitting George Mackay to practise as an attorney, solicitor and proctor in the courts of the colony of Victoria. George Sutherland Mackay (1850-1926) was born in Scotland and educated at the University of Glasgow. He came to Australia in 1884. In 1891 he came to Warrnambool and established a legal practice in Kepler Street. In 1893 he bought the practice of the late James Fletcher and the firm was then known as Fletcher and Mackay. It changed to Mackay and Taylor (later Mackay Taylor) when J.D. Taylor became his partner in the 1920s. In 1999 Tait Solicitors and Mackay Taylor amalgamated to form Tait Taylor and in 2010 the firm’s name became Tait Legal. This certificate is of considerable importance as a significant memento of George Mackay, a prominent lawyer in Warrnambool from the 1890s to 1926.This is a paper certificate pasted on board and set into a brown cardboard frame. The certificate has brown or gold handwriting with some calligraphy, three or four stamps (mostly obliterated), a green duty stamp and the remains of a signature. The frame is tattered at the edges and stained at the back.george sutherland mackay, warrnambool lawyer, j.d. taylor, tait solicitors and mackay taylor, history of warrnambool

This is an 1877 document, the Letters of Administration in connection with the will and probate of William Ellis, a veterinary surgeon from Wimmera Street, Stawell. He died after an altercation with W. Richards, the landlord of the Post Office Hotel, where he was knocked against the wall of the verandah of the hotel. He left a small estate, with his property valued at under £107. This document is only of interest in that it came from the former legal offices of Mackay Taylor in Kepler Street, Warrnambool. It originally came from Thomas Goodall, a legal clerk in the office of lawyer Ernest Chambers who passed it on to George Mackay, the lawyer in the forerunner firm of Mackay Taylor where it remained until the firm of Mackay Taylor ceased to exist and the buildings were cleaned out. This is a piece of parchment folded and sealed at the bottom edge with a seal of the Supreme Court of the Colony of Victoria. The material in the document is handwritten in black ink. The document is stained and part of it is torn and missing. ‘In the Estate of William Ellis, late of Stawell, deceased, Letters of Administration, 16/8/77, Matthew W. Taylor, Proctor, Stawell’. william ellis,, stawell, warrnambool

Nothing is known of the deceased, Jane Murray except that she died at the age of 49 and her husband was William Murray, a Stawell saddler. She left an estate to the value of £400. Tait collection: item 4 of 62This document is only of interest in that it came from the former legal offices of Mackay Taylor in Kepler Street, Warrnambool. It originally came from Thomas Goodall, a legal clerk in the office of Ernest Chambers who passed it on to George Mackay, the lawyer in a forerunner firm to Mackay Taylor where it remained until the firm of Mackay Taylor ceased to exist and the buildings were cleaned out.This is a piece of parchment folded and sealed at the bottom edge with a seal of the Supreme Court of the Colony of Victoria attached by a blue ribbon. The document has ruled black lines and handwritten material in black ink. There is a hole on the document at one of the folds and one edge is torn.‘In the Estate of Jane Murray late of Stawell in the Colony of Victoria, deceased intestate, Letters of Administration, I certify that the sum of £4-0-0 for Duty on the within estate has been paid, Registrar of Estates, Geo. L. Skinner, Proctor, 99 Collins St. W. Melbourne’. jane murray, stawell, warrnambool

No information has been found on the Commission Agent John Fitts except that he died at the Yarra Bend Asylum at the age of 51 and was formerly a resident of Ascot Vale, a suburb of Melbourne. His estate was valued at £600. Yarra Bend Asylum, near the junction of the Yarra River and the Merri Creek was the first institution for the mentally ill in Victoria and operated from 1848 to 1925. Tait collection: item 5 of 62This document is only of interest in that it came from the former legal offices of Mackay Taylor in Kepler Street, Warrnambool. It originally came from Thomas Goodall, a legal clerk in the office of the lawyer Ernest Chambers who passed it on to George Mackay, the lawyer in the forerunner firm of Mackay Taylor where it remained until the firm of Mackay Taylor ceased to exist and the buildings were cleaned out. This is a piece of parchment paper with printed black lines and handwritten material in black ink. There is a fold at the bottom of the document with a seal of the Supreme Court of the Colony of Victoria attached by a green ribbon. The document is slightly discoloured but is otherwise in good condition. ‘In the Supreme Court of the Colony of Victoria, Probate jurisdiction, In the Estate of John Fitts, late of the Yarra Bend Asylum, formerly of Ascot Vale in the Colony of Victoria, commission agent, deceased intestate, Administration, Edwards and Perry, Proctors’yarra bend asylum, john fitts, warrnambool

This document concerns the estate of Alexander Florida Cameron, a seedsman from Melbourne in the firm of Grant and Cameron of 41 Bourke Street West, Melbourne. He died intestate in 1887 and left real estate to the value of £263 and personal estate to the value of £4744. This estate was to be administered by his son, Richard Ross Cameron. Tait collection: item 8 of 62This document has no apparent local significance and is of interest only as an example of the Letters of Administration issued in the 1880s. This is a piece of cream parchment with ruled black lines and the lower edge folded back with a seal of the Supreme Court of the Colony of Victoria attached to the document by a black ribbon. The document contains handwritten material in black ink and a blue stamp from the Revenue and Pay Office and a red stamp from the Master in Equity of the Supreme Court. The document is somewhat stained but is otherwise in good condition.‘In the Supreme Court of the Colony of Victoria in its probate jurisdiction in the Estate of Alexander Florida Cameron, late of Bourke Street West in the City of Melbourne, Seed Merchant, deceased intestate, Letters of Administration, I certify that the sum of £40-7-0 duty of the within Letters of Administration has been paid, Drake and Gair, 3 St. James Buildings, 59 William Street Melbourne, Proctors. W. Ravent Stephen, Office under Section 6, Act 388, 10/6/87’alexander florida cameron, drake & gair, solicitors, warrnambool

This document shows that Mary Irwin of Peterborough, Victoria, died in April 1892 without making a will and the Letters of Administration were granted to her husband, William Irwin. However he died in 1901 without having fully administered Mary Irwin’s estate. In turn the estate administration was passed over to Charles McGillivray of Peterborough and one of Mary Irwin’s sons, William Irwin, residing in New Zealand. This document was drawn up in 1907, fifteen years after Mary Irwin’s death. She left property to the value of £100. No other details on Mary Irwin are available. Tait collection: item 11 of 62This document is of interest because it was drawn up by a local Warrnambool solicitor, Ernest Chamber. He had a practice in Kepler Street, Warrnambool with the known dates, 1897 to 1910, with other offices in Koroit and Port Fairy during the same time. His manager in Warrnambool was Thomas Goodall who appears to have passed this document on to lawyers continuing on in the Kepler Street premises until it was found in the building once used by the legal business of Mackay Taylor.This is a piece of parchment paper folded in two and written on the back and front in brown-coloured ink (perhaps originally black). There is a seal of the Supreme Court of the Colony of Victoria attached with a green ribbon and three red stamps of the Master in Equity in the Supreme Court. Apart from some yellow staining the document is in good condition.‘In the Supreme Court of Victoria in the Probate Jurisdiction in the unadministered Estate of Mary Jane Irwin, late of Peterborough in the County of Heytesbury in the State of Victoria, married woman, deceased intestate, Letters of Administration, de bonis non. I certify there is no duty or fee payable on these Letters of Administration, Dated 8th day of November 1907, Officer under Sec. 96 Act.1060, Extracted by E.J.W.Chambers, Proctor, Warrnambool’mary irwin, solicitor, warrnambool, peterborough, ernest chambers

These are the Probate papers for Patrick Mahony, a farmer from Wangoom who died in 1894. He left an estate of £995 and personal effects worth £138. The estate was to be administered by the two sons, William and Timothy in trust for another son, Michael Mahony. The wife Margaret was granted three acres of land, £25 a year and ‘the choice of two cows out of my stock’. The daughter Johanna was to receive the same benefits after the death of her mother. Patrick Mahony, being illiterate, signed his will with a cross. Tait collection: item 12 of 62This document is of interest as it concerns a local farmer, Patrick Mahony and a local lawyer, William Ardlie. The latter had a practice in Warrnambool for the best part of seventy years, firstly in Timor Street and then in Kepler Street. He was a prominent resident in Warrnambool. The document was originally in the hands of the law clerk, Thomas Goodall and it was passed on to lawyers occupying the Kepler Street premises until it was found in the buildings once used by the law firm of Mackay Taylor. This is a piece of parchment paper, folded in two with writing in black ink on all four pages. There is a seal of the Supreme Court of the Colony of Victoria attached with a green ribbon and three red stamps of the Master in Equity in the Supreme Court. The document has ruled lines and some annotations in the margins. ‘280, In the Supreme Court of the Colony of Victoria, in the Probate Jurisdiction in the Will of Patrick Mahony, late of Wangoom, in the Colony of Victoria, Farmer deceased, Probate. I certify that there is no duty payable on the within Probate, J. Poole, Officer under Section 96 of Act 1060, 24/October/1894, William Ardlie, Proctor for Executors, Warrnambool’patrick mahony, william ardlie, warrnambool

This is an 1896 document containing the Letters of Administration following the death of Margaret Lord, a widow from Warrnambool. She died intestate in April 1896 and left real estate to the value of £15 and personal estate to the value of £250. The estate was to be administered by her son, John Lord, a draper from Warrnambool. Tait collection: item 13 of 62This document is of interest because it concerns a local Warrnambool woman, Margaret Lord and a local lawyer, Ernest Chambers The latter had offices in Warrnambool with the known dates 1896 to 1910, with other offices in Koroit and Port Fairy during the same period. His manager in Warrnambool was Thomas Goodall and this document with others was passed to lawyers occupying the same premises in Kepler Street and it was found in the buildings previously occupied by the legal firm Mackay Taylor.This is a piece of parchment paper folded in two with writing in brown-coloured ink on the back and front of the document. It has a seal of the Supreme Court of the Colony of Victoria and one red stamp of the Master in Equity of the Supreme Court. The writing is somewhat faded but still legible.‘In the Supreme Court of the Colony of Victoria, In the Probate Jurisdiction in the Estate of Margaret Lord, Late of Warrnambool in the Colony of Victoria, Widow, deceased, intestate, Letters of Administration. I certify that there is no duty payable on the within Letters of Administration, J. Poole, Officer Under Section 96 Act 1060, Dated the 22nd day of July 1896. E.J.W. Chambers, Proctor, Warrnambool’ margaret lord, ernest chambers, warrnambool

Tait collection: item 19 of 62 This is an 1899 document giving Will and Probate details of William Cox who died in Warrnambool in March 1899. He was a farmer residing in Moore Street Warrnambool at the time of his death at the age of 83. He left real estate to the value of £425 and personal estate to the value of £412 to Gwenllian Williams who may have been his sister or niece. A Mr and Mrs Williams were also living in the Moore Street house at the time of Cox’s death. His executors were Thomas Goodall, a law clerk who managed the office of the lawyer Ernest Chambers in Warrnambool and John Ward, a pioneer settler in Warrnambool and a shopkeeper in Jamieson Street in 1899. No other details are available on William Cox. This is an interesting document as it gives details of the Will and Probate belonging to a local Warrnambool person, William Cox. The lawyer dealing with the document was Ernest Chambers who had legal offices in Warrnambool, Port Fairy and Koroit at the end of the 19th century and the beginning of the 20th century. This document has been passed on to successive lawyers occupying legal chambers in the Kepler Street building and that is where the document was held until passed on to the Warrnambool and District Historical Society in 2014.This is an 1899 piece of parchment paper folded in two with handwritten material on three sides of the paper. The seal of the Supreme Court of the Colony of Victoria is attached with blue ribbon and there are two stamps, one blue one of the Colonial Bank in Warrnambool and the other a red one of the Master in Equity of the Supreme Court in Melbourne. Two of the pages have ruled black lines. The writing is very clear but the pages are a little stained.In the Supreme Court of the Colony of Victoria In its Probate Jurisdiction In the Will of William Cox late of Warrnambool in the Colony of Victoria farmer deceased; Probate; I certify there is no duty payable on this probate (signature) Officer under Section 96 of act No 106; E J W Chambers Warrnambool Proctors for the Executorswilliam cox, ernest chambers, john ward, thomas goodall, tait collection

Four volume set awarded to Catharine S Procter in 1879 as Dux of Ballarat College (girls school). Catharine was 16 when she received this prize. During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Catharine Procter entered the school in 1878 when she was 15. Further detail regarding Catherine proctor has been supplied to the school by researcher Nicola Cousen.Set of four volumes half-calf bound and marbled card covers; school crested printed in gold on front cover; raised bands on spine with six compartments; gold lettering and decorations on spine; marbled end pages and edges; binding generally tight but hinges broken in fourth volume; Inside front cover of all books: Ballarat College crest / Dux Prize / Form / Awarded to / Catharine S Procter / Christmas 1879catharine-s-procter, ballarat-college, 1879, dux

Prize awarded to Catherine Proctor for excellence in algebra and geometry in the fourth form. This was Catherine's first year at Ballarat College. During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that catherine Proctor entered the school in 1878 when she was 15. She went on to be awarded Dux of the female cohort in 1879. Published by The Religious Tract Society, London. "A New and Enlarged Edition". 210pp. Blue cloth with gilt drawing of "Wild Life in the Alps" framed in black spiral pictorial. Spine in heavy gilt and all page edges in gilt. Many B&W illustrations plus one full-page colour of Whymper's "Mont Blanc from above Morges". Book has the usual age markings.Book plate inside front cover: Ballarat College crest / Algebra and Geometry / Fourth form / First PRIZE / Awarded to / Catherine Proctor / CHRISTMAS 1878 / JOHN GARBUTT M A PRINCIPALcatherine-proctor, ballarat-college, girls-school, john-garbutt, 1878, book-prize

This book was awarded to Mary Annie Frances Proctor in 1878 for first prize in needlework in the third form. Mary, (D.O.B. 5/8/1860), entered the Ballarat College with her sister, Catherine, on the 23rd January, 1878. They resided at 83 Windemere Street South. Mary left the school in Christmas of 1878. Catherine left the Christmas of 1879.During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Mary Proctor entered the school in 1878 when she was 14. Historic significance for its connection with one of the few female students of Ballarat College prior to 1900 and its expression of the value of classical education of its time.Green cloth cover with ornate gilt decorations and black pictorials on cover and spine; gilt edges; binding breaking but overall fair condition; black and white illustrations throughout; 223 p.Book plate inside front cover: school crest/Needlework/third form/first prize,/Awarded to/Mary Proctor/CHRISTMAS, 1878.mary-annie-frances-proctor, 1878, girls-school.

Photograph - sepia - A group of men and a 2 man band, one with a violin and the other with a harp outside Connelly & Tatchell Solicitors building. Men wearing top hats and suits.Written in front window - Solicitors, Proctors and Conveyances. T.J.Connelly, A Commissioner for taking Afidavits, Victoria, New South Wales and New Zealand. Numbers written on back 2000-227-01.buildings, commercial, connelly & tatchell, connelly & tatchell solicitors.

1909 flood, High Street, Charlton Victoria. Children standing in floodwater in High Street looking west from corner of Armstrong Street. Malcolm's Flour Mill and Proctors Double story building.B/W photograph of 1909 flood. Children standing in floodwater in High Street looking West from Corner of Armstrong Street Charlton.charlton, armstrong street, arm, floods

Booknon-fictionThe masculine landscape tradition was seen as the 'true' national identity in the early 20th century while the new Modernist painting of women was seen as marginal and incidental. This text looks behind the commonly held narratives of art criticism to present a new reading of gender in Australian painting.grace cossington smith, thea proctor, margaret preston, grace crowley, hilda fix nicholas, sybil craig, ethel carrick

My Fair Lady, Capital Theatre, View Street, Bendigo. Commencing Wednesday, 14th November, 1973 for an eight night season. Souvenir Program for 50th Production. Bendigo Operatic Society, President: Mr J M Cannon, Vice President: Mr F Trewarne, Honn. Secretary: Miss A Ball, Hon. Treasurer: Mr L Spencely, Hon. Subscription Secretary: Mrs P Lyon. Committee: Mesdames I Brown, J Cannon, Misses P Speedy, M Welch, Messrs. J Beamont, J Boquest, G Daws. Photographs of Mr J Cannon, Max Collins, Carol McKenzie, John Beamont, Kathie Farn, Ralph Watkins, Patricia Lyon, Peter Pritchard, John Boquest, Russell Baxter, Max Rule, David Daenke, Gwen Grose, Diana Chon. Article on: Max Collins, Carol Mckenzie, John Beaumont. Synopsis of Scenes. Bendigo Operatic Society presents by arrangement with J C Williamson Theatre, Ltd., and Tams-Witmark Music Library of New York ' My Fair Lady.' Adapted from George Bernard Shaw's Play and Gabrial Pascal's Motion Picture 'Pygmalion'. Music by Frederick Loewe. Book and Lyrics by Alan J Lerner. Musical Director: Gwen Rose, Stage Manager Malcom Cannon, Wardrobe Miss M Welch, Choeography Miss M Welch & Mrs A Ball. Cast: Carol McKenzie, Max Rule, Kathie Farn, Ralph Watkins, John Beamont, Gary Burns, John Boquest, Russell Barter, Peter Pritchard, Patricia Lyon, Pauline Speedy, Jull James, David Daenke. Synopsis of Story. Bendigo Concert Orchestra from the following:- Violins: Mrs R Wheldon, Mrs A Boulton, Mrs M Robbins, Mrs C Messer, Mr C Gill, Mr P Phillips, Mr J Jordan. Violas: Mr E Jarratt, Mr J Werry. Cellos: Mrs C Bubb, Miss D Nankivell. Bass: Mr Chester White, Mr Tom French. Flute: Mr C Bubb. Clarinets: Mr R Holyoake, Mr G Ellul. Trombones: Mr W Neuman. Bassoon & French Horn: Mr Stuart Anderson. Trumpets: Mr D Aitken. Pianoforte: Miss Diana Cohn. Female Chorus: Marion Alcock, Wilma Baldwin, Mary Barbour, Valerie Barter, Gwen Cox, Shirley Dawson, Jo-anne Edgar, Dorothy Field, Valerie Griffith, Lorraine Hatch, Julie Howbert, Faye Hughes, Ruth Iredale, Sue Kemp, Dawn Mackay, Cheryl Marshall, Jull Matthews, Adrenne Nankivell, Fay Olive, Barbara Potter, Lois Semmens, Coral Rivett, Anne Truscott, Kathie Watson, Pamela Wiltshire, Marion Wright. Male Choras: Albert Charlton, David Aaenke, Graeme Dawes, Ken Deutchman, Jim Feteris, Philip Johnston, Hugh Sayle, Bryan Slattery, Len Symons, Fred Trewarne, Ian Unmack,Philip Wilkins. Ballet: Dianne Austin, Annette Bassett, Annette Galvin, Coral Rivett, Pam Sutton, Den Deutschman, Ian Unmack, Brian Slettery, Len Symons, Philip Johnston. Acknowledgements: Bendigo Advertiser, BVC 8, 3BO, 3CV. Publicity Officer: Mrs J Cannon. Scenery Design: Mr Malcom Cannon. Prperties: John Cannon, Jim Moncrieff, Gerard Fullarton, Peter Edgley. Art Work: M Cannon, Geoff Proctor, J Hall, Kerry Noakes, Michael Frayne, Mark Edebone & Pamela Caswell. Prompts: Mrs J Cannon, Mrs H Lindhe. Make-Up: Mrs J Cannon, B Downing, H Coia, Lighting: L Reed, H Bridges & T Vincent. Hairdressing: Ross Coiffure. House Managers: Basil Bennett, Ron Thomas, Bruce Ralph. Advertisments: Powneys Toyland, Golden Hills Motel 'The Inn', Marong Road, Bendigo. Ross Coifure Beauty Salon, Allans Walk, Bendigo. Don Semmens Photographic Studio, Hargreaves Street, Bendigo.program, theatre, bendigo operatic society, my fair lady, capital theatre, view street, bendigo. commencing wednesday, 14th november, 1973 for an eight night season. souvenir program for 50th production. bendigo operatic society, president: mr j m cannon, vice president: mr f trewarne, hon. secretary: miss a ball, hon. treasurer: mr l spencely, hon. subscription secretary: mrs p lyon. committee: mesdames i brown, j cannon, misses p speedy, m welch, messrs. j beamont, j boquest, g daws. photographs of mr j cannon, max collins, carol mckenzie, john beamont, kathie farn, ralph watkins, patricia lyon, peter pritchard, john boquest, russell baxter, max rule, david daenke, gwen grose, diana chon. article on: max collins, carol mckenzie, john beaumont. bendigo operatic society presents by arrangement with j c williamson theatre, ltd., and tams-witmark music library of new york ' my fair lady.' adapted from george bernard shaw's play and gabrial pascal's motion picture 'pygmalion'. music by frederick loewe. book and lyrics by alan j lerner. musical director: gwen rose, stage manager malcom cannon, wardrobe miss m welch, choeography miss m welch & mrs a ball. cast: carol mckenzie, max rule, kathie farn, ralph watkins, john beamont, gary burns, john boquest, russell barter, peter pritchard, patricia lyon, pauline speedy, jull james, david daenke. synopsis of story. bendigo concert orchestra from the following:- violins: mrs r wheldon, mrs a boulton, mrs m robbins, mrs c messer, mr c gill, mr p phillips, mr j jordan. violas: mr e jarratt, mr j werry. cellos: mrs c bubb, miss d nankivell. bass: mr chester white, mr tom french. flute: mr c bubb. clarinets: mr r holyoake, mr g ellul. trombones: mr w neuman. bassoon & french horn: mr stuart anderson. trumpets: mr d aitken. pianoforte: miss diana cohn. female chorus: marion alcock, wilma baldwin, mary barbour, valerie barter, gwen cox, shirley dawson, jo-anne edgar, dorothy field, valerie griffith, lorraine hatch, julie howbert, faye hughes, ruth iredale, sue kemp, dawn mackay, cheryl marshall, jull matthews, adrenne nankivell, fay olive, barbara potter, lois semmens, coral rivett, anne truscott, kathie watson, pamela wiltshire, marion wright. male choras: albert charlton, david aaenke, graeme dawes, ken deutchman, jim feteris, philip johnston, hugh sayle, bryan slattery, len symons, fred trewarne, ian unmack, philip wilkins. ballet: dianne austin, annette bassett, annette galvin, coral rivett, pam sutton, den deutschman, ian unmack, brian slettery, len symons, philip johnston. acknowledgements: bendigo advertiser, bvc 8, 3bo, 3cv. publicity officer: mrs j cannon. scenery design: mr malcom cannon. prperties: john cannon, jim moncrieff, gerard fullarton, peter edgley. art work: m cannon, geoff proctor, j hall, kerry noakes, michael frayne, mark edebone & pamela caswell. prompts: mrs j cannon, mrs h lindhe. make-up: mrs j cannon, b downing, h coia, lighting: l reed, h bridges & t vincent. hairdressing: ross coiffure. house managers: basil bennett, ron thomas, bruce ralph. powneys toyland, golden hills motel 'the inn'. ross coifure beauty salon. don semmens photographic studio.

Documents. Connelly, Tatchell & Dunlop. 1 - 1896 - Letter from Bear Louis, Canary Island. 2 - 1896 - Note regarding Stevenson deceased mentions Muir Mr. 3 - 1896 - Letter from Hoyland Chas H, Barrister & Solicitor, Godfrey Street, Boort regarding Proctor & Braybrook. Also contains a letter card from M Lethlean, Lockwood regarding making of husband's will. 4 - 1896 - Letter from Beebee E M re Barker. E M Beebee is written on outside of letter. Letter appears to be signed Meake? E M?cottage, miners, connelly, tatchell & dunlop, bear l, stevenson, muir mr, hoyland c h, proctor, braybrook. lethlean m, beebee e m, meake? e m?