Black and white photograph of the public gardens at Ararat. .ararat, gardens

Ararat is in Victoria, AustraliaBlack and white image of the public gardens at Ararat. ararat

Botanic and Public Gardens Reserve: Early Map.This Plan shows how the Ballarat Botanic Gardens had been set out and part of the Lake Wendouree area in 1885.One large cream sheet of paper, folded in two.bottom of the page on the right in blue biro, "From: Jim Reynolds, 29.10.94".john garner collection, garner, dr, map, early, gardens reserve, ballarat botanical gardens, ballarat, gardens, 1885, public, wendouree parade, w. barbour.

Probably Fitzroy Gardens according to Georgina Whitehead who was writing a book on Public Gardens of Melbourne City Council, 1991.Black and white/sepia photograph of an avenue of Poplar trees in a Public Garden. A man standing in the middle of a wide path. Some iron fencing.avenue, poplar trees, fitzroy gardens, georgina whitehead, public gardens, melbourne city council

ararat, ararat gardens

Black and white or sepia photograph. Scene possibly in a Public Garden or on an excursion of small waterfall amongst ferns.public gardens, excursion, waterfall, ferns

Sepia photograph. View of the Botanical Gardens, White Hills. A path cuts horizontally across the foreground where a young fir tree is growing. Beyond the path there is a small building on the far left a shed structure with surrounding picket fence, followed by a small cottage and a stand of eucalyptus trees extending to the right. A variety of exotic trees and shrubs both exotic and native border the path. Inscriptions: Printed mount in gold ink 'Views of Bendigo No. 51' on top. 'Botanical Gardens Near the White Hills', 'NJ Caire, Photo, Sandhurst', 'Casey & Wenborn's print', Forbes & Holmes, agents'. These public gardens were first promoted by the Sandhurst Corporation in the year 1965. They cover an area of about 30 acres and contain many choice and rare plant. The public are admitted every day in the week from the hours of sunrise to sunset. Mr. Gadd is the curator and resides in the gardens. Nicholas Caire (Two copies)Nicholas, J Caireplace, public gardens, botanical gardens, white hills

Five pages document with information on the Public Gardens Reservation at Eaglehawk.eaglehawk, history, gardens reservation

In 1998, public housing in Broadmeadows was a hub of community activity, as evidenced by various neighbourhood gatherings. One notable event, captured in a colour photograph, shows a group of women and children conversing by the roadside, with a boy on a bicycle nearby. Taken in front of a residence, the image highlights the social dynamics and communal interactions that were prevalent in Broadmeadows at the time. Such gatherings were integral to fostering a sense of community and belonging among residents.This photograph from 1998, taken in Broadmeadows, holds significant historical and social value. It depicts a group of women and children conversing by the roadside in front of a residence, with a boy on a bicycle nearby. The image captures a moment of everyday life and community interaction, reflecting the authenticity and charm of neighbourhood gatherings. Such scenes were vital in fostering a sense of community and belonging among residents, serving as a poignant reminder of the social dynamics and communal spirit that characterised public housing in Broadmeadows during that period.Glossy colour photograph on white photo paper.Neighbourhood Gatherings Public Garden/Banksia Gardens 1998broadmeadows, public housing, 1998, 3 february 1998

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Black and white photograph. Square domed pavilion in a public garden. A man is reclining on the lawn in the foreground.pavilion, public garden, landscape

"Cricket was well established in Tatura by 1880, but it was not until 1889 that the Tatura and District Cricket Club was formed, with Charles Wilson as its first President". Early matches were played at the old Police paddock next to the Station, and later, much hard labour produced "one of the nicest grounds I have ever played on (Rev. C.H. Zercho, 1921), out of the original town rubbish depot at the Public Gardens."Cricket was well established in Tatura by 1880, but it was not until 1889 that the Tatura and District Cricket Club was formed, with Charles Wilson as its first President".|Early matches were played at the old Police paddock next to the Station, and later, much hard labour produced "one of the nicest grounds I have ever played on (Rev. C.H. Zercho, 1921), out of the original town rubbish depot at the Public Gardens.tatura, recreations, sports, games

Sebastopol became a suburb of the City of Ballarat.Plan showing the streets, allotments creeks in the Borough of Sebastopol, Parishes of Ballaarat and Cardigan, County of Grenville, in 1940. sebastopol, t. rider, yarrowee creek, leigh river, st george's reserve, leigh creek, sebastopol public gardens, sebastopol recreation reserve, gravel reserve, night soil depot, sanitary depot, rubbish depot

A leaflet about the history and location of the William Ricketts Sanctuary at Mt. Dandenong. Is administered by The Forests Commission Victoria. C 1964 mapplace, public gardens, willilam ricketts sanctuary, mt. da, lydia chancellor, collection, tourism, geography, travel, map, the william ricketts sanctuary, dandenong, recreation, victoria, exploration, history, place

black and white photo: Queen Victoria Gardens, showing palm tree on LH side, round garden beds, Queen Victoria statue behind palm. City Family Hotel in centre back of photo.Rose Seriesplace, public gardens, queen victoria gardens, queen victoria gardens, city family hotel, rose series

black and white photo: view of Rosalind Park gardens alongside RSL war museum, showing Queen Victoria statue. On bottom of photo: The Rose Series P. 2867, Queen Victoria Statue , Bendigo, Victoria.place, public gardens, queen victoria statue, queen victoria statue, bendigo

Black and white photo: Conservatory Gardens Bendigo. Row of palm trees on LH side of photo, Law Courts in background. On bottom of photo: Conservatory Gardens, Bendigo. No. 3 On back : Valentine's Post Card, a genuine Photograph.place, public gardens, conservatory gardens., conservatory gardens, bendigo. law courts, valentine's

Black and white photograph of lily pond at fernery, Rosalind Park On back - stamped in circle - 'Royal Historical Society of Victoria, Bendigo Branch'. In black ink '263', Blue ink smudge near stamp and fly spot?. Previous Acc. No. 'MP 263'.place, public gardens, fernery, rosalind park

Hand tinted photograph of Lake Weeroona. Bamboo, flax, pampas grass, trees, family of ducks in water. Inscriptions: on back - in grey lead pencil 'Lake Weeroona', On mount - printed BLS at front - 'Lake Weeroona'. History: with note 'photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, ph 438269'. :Photographs Francis (Frank) Thomas Kennedy'.Francil (Frank) Thomas Kennedyplace, public gardens, lake weeroona, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.159.01, 2001.161.01, 2001.162.01

Black and white photograph (coloured by hand?). Fountain in park. Paths, trees. History: With note 'Photographs, From Mrs Ella Bourke, 131 Barnard St, Bendigo, Ph. 438269'. 'Photographs Francis (Frank) Thomas Kennedy'. James Lerk 17.3.2000 'Drinking Fountain - Rosalind Park. Is this the photographer who conducted Margaret Kennedy Studio?'Francis (Frank) Thomas Kennedyplace, public gardens, rosalind park, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001.159.01, 2001.160.01, 2001.161.01, 2001.162.01

Black and white / sepia photograph of conservatory and Rosalind Park, statues and palms. Law courts in centre and Shamrock far left. Green mount board. Inscriptions' Copyright P Scott' in bottom RH corner. (in image). On back - 'MP125'. History: previous Acc. No. MP 125.P Scottplace, public gardens, rosalind park, bendigo, bendigo conservatory, conservatory, shamrock hotel, bendigo law courts

sepia photo: garden with statue of female holding large shell. On pedestal, basin with rock surrounds, trees, shrubs, cacti, wire netting fence across. James Lerk 18.2.2000 ' Psychi' by E. Sempler, for W.C. Vahland. Top basin, Camp Hill Cascades' On back, ' grotto and fountain, Rosalind Park on Camp Hill above the sound shell, between 1881 - 1890, W.C. Harry ? RHSV stamp on back with '1959'/48.place, public gardens, rosalind park