Male and Female Chinese shadow puppets in frame with black and gold mount. China Shadow Play. chinese shadow puppet, male shadow puppet, female shadow puppet, black and gold mount, souvenir

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton

Used in Chinese opera in many provinces.Three marionette puppets in Chinese Opera Costume, with stands. .1 Wearing yellow costume with red and white face and white beard. .2 Wearing green costume with red and black face and black beard. .3 Wearing red costume with three eyed gold face. marionette puppets, chinese puppets, opera puppets, chinese opera, souvenir

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacson was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press.A4 hand printed linocut on thin cream card in 3 colours; blue black, yellow, red. Depicts a pensive skeleton sitting on a small hill with a lowered flag with the initials SP, partly concealed by a giant yellow worm. The print also features the iconic fish skeleton logo. lino cut prints, skeletons, snuff puppets, puppetry, andy freer, melbourne museum of printing, footscray, michael isaacson

Colour slide of a Punch and Judy puppet booth at Government House in 1960 providing entertainment for the children. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. Junior Legatees were given gifts. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of a Punch and Judy puppet booth at a Legacy Christmas Party at Government House, in a cardboard Kodak mount with red printing.Handwritten 'Punch & Judy, Govt House Party 1960' in blue ink.christmas party, government house party, puppets

Colour slide of people watching a puppet show in the gardens of Government House. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. The year is unknown but likely to be during the 1950s. A group of slides in glass mounts with green tape are probably from a couple of consecutive years. They will be catalogued separately. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of types of entertainment at a Legacy Christmas party held at Government House.Colour slides x 2 of people watching a puppet show at a Legacy Christmas Party at Government House, in a glass mount with green tape.christmas party, government house party, puppets

Based on the work of celebrated Australian cartoonist, Michael Leunigcoloured illustrated programstate of bewilderment, athenaeum theatre, the melbourne comedy festival, michael leunig, trestle theatre company

Donated by the Friends of the Sale Regional Arts Centre, 1983Ink and textile (Batik)gippsland, artwork, permanent collection

This drawing was done by Andy Freer, founding member and Artistic Director of Snuff Puppets. It forms part of the creative process to develop a new show, 'Forest in the Night', exploring themes of evolution, chaos theory, Darwinism and the survival of the fittest. More than 25 puppets were created and transformed into new strange creatures. This drawing was submitted as part of a pitch to the 1995 Melbourne International Festival of the Arts program, where it was performed as a large outdoor spectacle in the round. Please visit http://www.snuffpuppets.com/shows/Forest_in_the_Night for more information.The significance of this drawing is that it is a rare, original demonstration of the creative development processes of Snuff Puppets' unique puppet creation and building.A black ink drawing on A5 paper detailing the creative concepts for puppet design and development for a new production entitled 'Forest in the Night'art, environment, ink drawing, snuff puppets, puppetry, theatre, creative, puppet, performance, imaginery

Dark Blue cap seal Yellow Bordered label with puppets in a puppet standTrace (five 4 C's surrounding one C in Centre) Mark Contents 26 FL. 025. Nett Manufactured by Crystal Loraial co Sale Punch Cordial Preservatised this Food contains not more then 7 grains benzoic acid to the pint

David Lancashire's Christmas promotion 'Hallelujah', designed for KW Doggett Fine Paper in 2009, is an example of one of the many innovations that Lancashire has contributed to the Australian paper industry. Considering the celestial aspects of Christmas and a favourite song - Leonard Cohen's 'Hallelujah' - Lancashire recalled a Wayang Kulit shadow puppet collected in Bali because of the way it interacted with light. Made from hide, the puppet was peppered with hand-punched holes to add intricate decorations to projected shadows. He adapted this concept to laser-etched paper and translated the fringed skirt of the puppet to die cut angel feathers. Jenny Grigg, 2017Greeting card and envelopechristmas, paper industry, design, graphic design, bali, puppets

Copy of newspaper article : students sitting watching puppets.education, primary, golden square laurel st p.s., golden square primary school laurel st, no.1189