Photograph shows SW5 No. 731 on Peel Street. Trolley poles are visible and in use. Queen Victoria Market is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Lesley Dumbrell, sponsored by Carlton & United Breweries Ltd. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.731 on Peel St/Queen Victoria Markettrams, tramways, sw5 class, transporting art, public transport, tram 731, arts trams

Maurice Fabbro on tractor with truck he used to take the vegetables to the Queen Victoria Market at Fabbro's farm, Eltham. The Fabbro Family operated their farm in Bell Street, Eltham. No date 1 colour photographfabbro's farm, eltham, bell street, market-gardens, maurice fabbro, queen victoria market, tractor, trucks

The stall holder, Andrew Vlassopoulos (Kiourkiouris), was one of four brothers who operated three fruit stalls in the Queen Victoria market from the early 1920s to the late 1950s. They were from the village of Lahos on Ithaca and migrated in the early years of the twentieth century. Andrew left the retail side of the fruit market when he bought a market garden and continued to work in the wholesale market where he sold his produce to other fruit stalls and shop owners.A black and white photograph of a fruit stall in the Queen Victoria market on a market day. The large banner with the heading 'Southern and Tropical Fruits' hangs above a well stocked stall. The fruiterer and his wife are behind the stall and a customer is standing at the side-front of the tall. Other market stalls are visible in the distance.Written on the back: 335vlassopoulos, edna nee norbury.

A Dray is a type of dead axle wagon that was used to transport heavy loads or objects. They had a flat level floor and while some had no sides, others had box bodies and sides. Tip Drays (also known as Tip Carts, Muck Cart, Scotch Cart, Tumbrel or Putt in different parts of England) were smaller than other drays as their loads were heavy and usually only pulled by one horse. Their basic design included two wheels, a tipping body and shafts. The Tip Dray has a unique mechanism that allows the top to tip backwards to tip the load out of the back of the dray. The tipper was activated by a handle at the front allowing the driver to operate it while still having control over the horse. A Tip Dray was an indispensable piece of equipment in the days before tractors and mechanical trucks. They were used by farmers and carters to transport hay, rocks, bricks, gravel and rubbish etc. and because they were useful for dumping loads, they were favoured for use in road and railway construction. A photo in the collection of the Lorne Historical Society shows a tipping dray being used during the construction of the Great Ocean Road. They were part of the daily street traffic in towns and cities around Australia from the early days of settlement. In Australia in the early 1900's, carters began to join unions to protect their jobs and pay. N.S.W. had a "Trolley, Draymen and Carters Union", Queensland had a "Tip Dray Men's Association" and in W. A. the "Top Dray Driver's Union" had a "cessation of work" in 1911 when they were fighting for an increase in their day's wages. In 1910 a meeting of Tip Carters was held in Geelong at the Trades Hall to discuss the formation of a union (The Geelong Tip Dray Carters) which was a success and a schedule of rates for all carting, whether by contract or day labor, was fixed. By 1912 they had "labelled" more than 50 drays and had representatives on the "Trades Hall and Eight Hours Committee". By the mid 1930's and early 1940's, tip drays were being superseded by mechanical trucks and utes. However tip drays continued to be used in some circumstances. They were a practical solution to the problem of petrol rationing during W. W. 2. It was noted in a letter to the editor in the "Sunshine Advocate" in 1938 that a positive argument for continued use of Tip Drays for rubbish collection related to the idea that a horse drawn vehicle involved with lots of stops and starts at different houses (very like a milkman's delivery route) often involved the horse "driving itself" while the driver picked up the rubbish - something a motor truck was unable to do! Another article written in August 1935 and published in the Age in a parliamentary report into the rubber industry noted "tip drays had almost disappeared and in their place, metal was carted in 5 ton motor trucks" but the report went on to say that as a part of the Government relief work (during the Great Depression) the Government had "to some extent reintroduced the tip drays so that a greater number of men would be employed". This particular tip dray was owned by Mr. Oswald (Jack) Bourke. He used it to deliver dry goods from Sunbury to the Queen Victoria Market in Melbourne several times a week in the 1930's and then (between 1945 and 1962) Mr. Bourke used it on the garbage round in Springvale Victoria for the Springvale Council. The Council owned three drays and the "No. 3" painted on this dray is in recognition of its original number. After the death of Mr. Bourke in 1990, one of Mr. Bourke's sons (Andy) found the dray in a shed and restored it. The sign writing on the back and side panels were added during the restoration. This Tipping Dray is a significant example of a horse drawn vehicle that was used by workers from the early days of white settlement through to the 1940's and even into the early 1960's. It was used in a range of "working class" occupations - road construction, railway construction, carting goods, rubbish collection etc. and would have been found in cities, country towns and on farms.A wooden and metal tipping dray with a box body and four sides. It has two iron and wooden wheels (with 14 spokes), two wooden shafts and a metal tipping mechanism. The back panel folds down to allow loads to be dumped out. It is painted in green and cream with sign writing on one of the sides and on the front and back panels. It features decorative painted lines and designs in burgundy, cream and light blue on most of the wooden parts. The tipping mechanism is on the front of the dray's left side and consists of a metal pin secured with a metal ring, and a lever.Front of dray - "No. 3" Side of dray - "A. & M. BOURKE / Contractors / LONGWARRY" Back of dray - "G.T. ANDREWS / QUEEN VICTORIA MARKET - Stand C23 / Phone DANDENONG 225"flagstaff hill maritime museum and village, warrnambool, shipwreck coast, tipping dray, dray, tip dray, tip cart, vehicles, horse drawn vehicle, springvale council, jack bourke, muck cart, scotch cart, tumbrel, putt, box body, oswald bourke, sunbury, queen victoria market, melbourne, no. 3

The couple in the photograph are John and Helen Black, who during the 1950s owned a fruit stall in Melbourne's Queen Victoria Market. Along with John and Helen Black, there were a number of Greeks who owned retail fruit stalls in Melbourne's Queen Victoria Market and some of them had migrated from Ithaca during the first half of the twentieth century.A black and white non-digital scanned photograph of a man and a lady standing beside their stall at the Victoria Market in Melbourne.helen black, john black, queen victoria market, fruit stalls

West Maribrynong bound W5 807 turns rounds corner of Elizabeth and Victoria Streets at the Queen Victoria Market. All offside weather blinds are down yet some windows are open in the saloons. Yields information about Elizabeth Street tramsBlack and white photograph with ink stamp on rearInk on rear: 'TMSV 332 Flinders St Melbourne 3000'.weather blinds, west maribrynong, 807, w5, elizabeth, victoria street, queen victoria market, saloon

Seven assorted postcards with various themes and including some theatre actresses : (a) Clock Tower , Camperdown , (b) Bourke Street Melbourne , (c) Queen Victoria Statue, Market Square Geelong , (d) ' A charming view ' Yarra Junction , (e) Gabrielle Ray , (f) Miss Gabrielle Ray as ' Frou Frou ' in ' The Merry Widow ' , (g) Miss Hilda Coral.postcard, various themes, clock tower camperdown, bourke4 street melbourne, queen victoria statue market square geelong, a charming view yarra junction, gabrielle ray, hilda coral

Some Ithacans who settled in Melbourne became retail fruit vendors in the local markets in Melbourne such as the Queen Victoria Market or the South Melbourne, Prahan or Camberwell Markets.A sepia photograph of a lady standing behind a well stocked fruit stall in a market.fruit stalls, ithacan businesses

This is the second house that Anthi Chilianis' family lived in after they arrived in Australia in 1921. It was in William Street, North Melbourne near the Queen Victoria Market. The house is no longer there and has been replaced by commercial buildings. A coloured photograph of Anthi Chillianis standing next to a hedge which his growing along a fence. chillianis

Black and white photograph of a flood in Elizabeth St, with the GPO, Royal Arcade and London Stores in the background. Taken at the intersection with Flinders Lane. Shows a car with water washing over it and a safety zone in the background. Photograph by The Age, has a copy right stamp on the rear. Follows a massive downpour around the Queen Victoria Market. The cataloguer was working nearby in Collins St at the time, but no camera! See TMSV Running Journal April 1972 for details of the event.On the rear in pencil "Thursday 17/2/72 4 to 5pm, 3" Rain"trams, tramways, flooding, elizabeth st, gpo

Ioannis Mavrokefalos (John Black) (b. Exoghi, Ithaca 1901 - d. Melbourne 1964) arrived in Western Australia in 1913; returned to Greece in 1920; and returned once again to Australia in 1924 settling in Melbourne, never to return to Ithaca again. He commenced work as a fruiterer and subsequently established a stall at the Victoria Market. In 1940 he ventured out of the Queen Victoria Market and established a stall at the Camberwell Market – ‘John Black & Sons’. His children Steve, Galdys and Denis joined the family business which operated until 1968.Black and white photograph mounted on board of fruit stall with lady customer and young person, and stall workers.

Yields information about The Met tram routes and their timetables..1 - Route 55 - West Coburg - Domain Interchange via William St - dated Nov. 1994 .2 - Printed 28-page book stapled timetable for "West Maribyrnong - City Route 57" tram service, dated Nov. 1994. The "The Met" logo, was published by the Public Transport Corporation. Document No. TT011 Provides a map, description of route, time points, timetable, ticketing information, some ticketing information, introduction by the Manager Essendon Depot, including a photo - Chris Hatzis and an image of a single truck (No. 8) tram available for hire as a party tram and a adverts for the City Circle Tram and Queen Victoria Market. .3 - Route 82 - Moonee Ponds - Footscray - dated Nov. 1994 .4 - Route 96 - St Kilda Beach - East Brunswick - dated March 1994trams, tramways, tickets, the met, tram services, timetables, route 57, city circle, route 55, route 82, route 96

Set of 8 pamphlets detailing the proposed works and dates undertaken by VicRoads, Yarra Trams and the State Government. All include a small map of the works. 1 - Victoria Parade East Melbourne - 5 fold - 2005/2006 2 - Tram stope 26, High St Northcote - 3 fold - Feb. 2006 3 - Part time tram lanes Smith St and Brunswick St Fitzroy - 3 fold - May 2006 4 - Bourke St - have your say - 4 fold - June 2006 5 - Toorak Road tram terminus - 3 fold - Nov. 2006 6 - Bourke St tram stop construction - 4 fold - Sept 2007 7 - Elizabeth St at Queen Victoria Market platform stop - 2 fold - Nov. 2007 8 - Nicholson St - have your say - 4 fold - June 2009Demonstrates an information documents produced by Vicroads as part of the Think Tram projects.Set of 8 pamphlets - folded to DL printed on gloss paper.trams, tramways, vicroads, think tram, projects, roadworks, tram stops, toorak road, bourke st, high st, elizabeth st, nicholson st, victoria parade

Set of 6 DL size folded pamphlets about the construction of tram stops or Superstops. Each pamphlet includes details of the works, a map, other works, timing, replacement buses. Have the Think Tram, Yarra Tram, VicRoads and State Govt. logos. .1 - St Kilda Road - 4 fold - stops 25 (Commercial Road), 26 (High St) and 28 (Union St) - April 2010 .2 - St Kilda Road - 3 fold - stops, 31, 32, 33, 34 and 35 between Barkly and Carlisle Sts - April 2008 .3 - Dandenong Road - 3 fold - Caulfield North - stops 38, 42, 48 and 52 - Nov. 2007 .4 - Flinders and Swanston St - 3 fold - route 48, 70 and 75 - March 2008 .5 - Elizabeth St at Queen Victoria Market, Victoria St - 2 fold - routes 19, 57, 59 - Nov. 2007 .6 - Nicholson St at Albert St - 3 fold - routes 86 and 96 - May 2008.Some have number notes and notes written inside about changes or errors in ink. See History.trams, tramways, tram stops, superstops, st kilda road, dandenong road, flinders st, elizabeth st, nicholson st, albert st, vicroads

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Two-piece swimsuit with navy blue and white horizontal stripes. Cropped top (.1) has inbuilt underwire bra and metal fastening at back. Shorts (.2) are high-waisted with longer legs. Matching top (.3) has diagonal navy and white stripes and an asymmetrical hem. Sleeveless with round neck. Velcro fastening on shoulder and side seam of shorter side. No label.swimwear, watersun, david waters, ada productions, melbourne designers

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Two-piece swimsuit with navy blue and white horizontal stripes. Cropped top (.1) has inbuilt underwire bra and metal fastening at back. Shorts (.2) are high-waisted with longer legs. Matching top (.3) has diagonal navy and white stripes and an asymmetrical hem. Sleeveless with round neck. Velcro fastening on shoulder and side seam of shorter side. Labels inside bra and top.Label in bra (.1), blue with yellow sunburst logo containing the word “Watersun” in red, above the text: “Unquestionable Bra / MADE IN AUSTRALIA / 34”. Label in side of bikini top (.1): “BRI NYLON” Label in back collar of top (.3): blue with yellow sunburst logo containing the word “Watersun” in red, above the text: “34”, with words “Unquestionable Bra” truncated. Appears to be a repurposed bra label.swimwear, watersun, david waters, ada productions, melbourne designers

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Blue and white gingham one-piece swimsuit. Short overskirt. Two rows of white cutwork lace form a frill along neckline and down either side of back straps, which fasten with buttons. Inbuilt bra with label: "Miss Watersun", size T14.Label in bra, blue with yellow sunburst logo containing the words “Miss Watersun” in red, above the text: “T14”swimwear, watersun, david waters, ada productions, miss watersun, melbourne designers

Marina Couture was a luxe swimwear line produced by Watersun in the 1960s. Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Silver lamé swimsuit featuring delicate brocade embellishment, an inbuilt underwire bra, a zippered back and elasticised edging on the legs and back.Label in bra, blue with gold crown logo and text: “MARINA COUTURE / 32”.swimwear, watersun, david waters, ada productions, melbourne designers, marina couture

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Gold lurex one-piece swimsuit (.1) with v-neck and built-in bra. Matching floor-length gold cape (.2) with high collar and yellow lining. Fastens at collar with hook.Label, blue text on white: “Watersun / SIZE 10 / BUST 32 / Made in Australia”swimwear, watersun, david waters, ada productions, melbourne designers, 1970s

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Backless lamé one-piece swimsuit (.1) with pattern of silver, blue and bronze circles in various sizes. Waist ties knotted at front for cinched-in waist. Built-in underwire bra. Sleeveless A-line jacket (.2) in same fabric, falling past hips. Front zip and close-fitting hood.Label in bra, blue with yellow sunburst logo containing the word “Watersun” in red, above the text: “32 / Unquestionable Bra”.swimwear, watersun, david waters, ada productions, melbourne designers

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This piece is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Ensemble consisting of sleeveless crop top (.1) and full length pants (.2). Bold floral print features blue and white flowers on a navy blue background. Top has a white Peter Pan collar. Swing tag attached.Swing tag: "SIZE 34 / STYLE 186/11 / PRICE $13.00".swimwear, watersun, david waters, ada productions, melbourne designers

This striking pool party ensemble from Australian swimwear company Watersun was designed by Carmela DiBernado, nee Savino, for the opening of the Sydney Opera House in 1973. Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Pool party ensemble consisting of a swimsuit (.1) and robe dress (.2), both black with silver trim. Dress has a crossover front, fastening at side waist, with v-neck at front and plunging back. Swimsuit has a v-neck, with silver trim extending forming an X-shape across the body.Label (identical in both items), blue text on white: “Watersun / SIZE 10 / BUST 32 / Made in Australia”swimwear, watersun, david waters, ada productions, melbourne designers, 1970s, carmela savino, carmela dibernardo, sydney opera house

Published: Age (Melbourne, Vic.: 1854- ), Thursday 21 December 1933, page 11 Published title: : POULTRY FOR CHRISTMAS DINNERS Published caption: With the approach of the Festive Season, the demand for poultry of all descriptions tends to harden and good clearances of many thousands of birds have been effected at recent auctions. The above picture was taken yesterday at the sale conducted by Messrs. Parnham and Carter of Bentleigh, whose auctions are the largest in Melbourne on the basis of individual sales. The auctioneer's assistant is holding up a prime goose for the appraisement of bidders preparing for Christmas fare. Trove article identifier: http://nla.gov.au/nla.news-article203351699 Research by project volunteer, Louise McKenzie: This photo is full of action! A poultry auction is in full flight. The serious-looking auctioneer and his assistant stand on a Parnham & Carter wooden box so that the auctioneer can make eye contact with the bidding crowd. The auctioneer is wearing a waistcoat and tie and has his pencil and paper ready to record the winning bids. The assistant in overalls is holding a live white duck in each hand. Two other assistants also hold live birds. A wire cage on the ground holds a few white chickens – presumably the next auction items. The majority of the substantial crowd is male, mostly wearing Fedora hats and jackets or suits and ties. Some women are present, wearing hats and coats, and at least seven children are visible, some dressed up, others dressed more casually. The auction is taking place in a rural setting, possibly on the site where the birds are farmed. It is an informal, rather rough, grassed area next to a large shed with a high verandah. Two horse drawn vehicles are visible in the background, as well as five motorised vehicles. There are stacks of wooden boxes or crates which look as if they transport birds, and two cows are grazing by the fence. There are two telegraph poles with many lines. In the adjacent block is a very large car business comprising two large brick warehouse style buildings, plus outbuildings. The signage on one brick warehouse mentions Standard Cars. Both a man and a woman have their arms raised to bid. It is an occasion – but a serious one. We cannot be sure if these birds are for breeding or the table, but buying poultry for the Christmas meal was a tradition in Melbourne with purchasers going either to the auctions, or perhaps the Queen Victoria Market. The Argus in its article “Christmas Dinner” on 6 December 1932 advised of increased demand for turkeys and chickens ahead of a possible Christmas shortage. Part of this shortage would be because of the outbreak of Newcastle disease which resulted in a quarantine around Melbourne within which all killing must be under supervision and bear the Government brand. They believed this would result in smaller producers not bothering to get such a permit as "for many of them the poultry cheque is only pin money for their wives.” Interestingly, an article in the Sun News Pictorial of 26 January 1934 reported a strong market, and “One auctioneer stated that buyers were taking up chickens freely now for the Centenary celebrations because they would probably never be as plentiful at the present levels of prices until next season.” That same article quoted officials of the Department of Agriculture stating that "…they had received a fair number of inquiries from farmers recently on the possibilities of table poultry breeding for local and export markets. The good prices being paid for poultry were attracting interest.” In fact, on 29 December 1933, the Sun News-Pictorial had reported that for the first time, the innovation of holding poultry sales in Melbourne between the Christmas and New Year holidays had been trialled the day before, and had proved successful. The Bentleigh area had a long history of poultry farming. The Seal of the Municipality of Moorabbin has a cockerel featured in the top right quadrant, and according to its local history website, “Writers in the local press gave advice on breeding, feeding, marketing and other matters of concern to anyone keeping fowls. In 1914 poultry farms were spread from Ormond, through Cheltenham and Mentone to Mordialloc.” The Encyclopedia of Melbourne online advises that the Shire of Moorabbin once covered an extensive area of the south-eastern suburbs, land where the Boon wurrung people had hunted, fished and collected water from the natural springs near Beaumaris and Cheltenham. The Boon wurrung reputedly called this district Mooroobin, a name that Richard and John King adapted to Moorabbin for the cattle run they established in the mid-1840s. The sandy soil of much of the district proved suitable for market gardening which flourished in Moorabbin from the 1850s. Some districts, such as Highett, remained largely devoted to cattle, while fishing was a major activity in the coastal villages. Moorabbin's population remained tiny throughout the 19th and much of the early 20th century with less than 1000 ratepayers in the shire. When the more popular coastal resort areas of the shire seceded after World War I, Moorabbin was left as an under-serviced, still largely rural area. It was not until the 1930s that the population rose above 20,000. By the late 1930s poultry farming had been added to market gardening as a local industry. But northern sections of the city, such as Bentleigh and McKinnon, were beginning to develop as residential areas. The local council took steps to attract industry and new residents to the city by erecting reputedly the largest neon sign in Melbourne at the time on the Point Nepean Road (later Nepean Highway), pointing out that plentiful residential and industrial land was available. The era of gardeners’ picnics, the formation of the Market Gardeners’ & Fruit Growers’ Association, and the Moorabbin Horticultural, Poultry & Dog Society Spring Shows was over. References: POULTRY SALES HELD (1933, December 29). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 20. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article276124760 MUCH INTEREST IN POULTRY (1934, January 26). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 30. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article277292695 Christmas Dinner. (1932, December 6). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article4512606 'Moorabin', eMelbourne, https://www.emelbourne.net.au/biogs/EM01004b.htm 'City of Glen Eira Thematic Environmental History [Refresh] 2020', prepared for The City of Glen Eira by Built Heritage P/L, https://www.gleneira.vic.gov.au/media/7583/glen-eira-c214glen-city-of-glen-eira-thematic-environmentla-history-refresh-2020.pdf Photographer notations on slide: "Poultry for Christmas Dinners Age 21-12-33 B9".christmas, poultry

In the 1820s perforated cardboard first became available. Then, with the invention of the printing press, designs such as sentimental or religious mottos were pre-printed on the card and a Victorian craze began as it provided a simpler and cheaper method of embroidering for the masses compared to the previously far more expensive linen embroidery. Over the following decades embroidering of punched-card grew enormously in popularity and a variety of articles from Christmas decorations to birthday cards, and in this case a Neele case to celebrate Queen Victoria's golden Jubilee in 1887. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items used to exhibit the skill and craftsmanship of the women in these families. Small cream coloured Punched-Cardboard needle case,with red satin lining and red cross-stitch decoration. The case contains four paper packets each containing sewing needles of a different gauge. Each packet of needles is 3 1/2 cms long and 1 cm wide. The size of the needles In red cot tonCross stitch on one side of the card needle case the word "NEEDLES" is embroidered, and on the other side the word "JUBILEE". Inside the needle case is four packets of different sized needles, by Wm Mattins1887, queen victorias golden jubilee, victorian punched card work, hand embroidery, different packets, different gauge sharp needles, wm shrimpton and sons, william mattins, abel morrals, copestakes, cross stitch

Bill Florence (Florias) is standing behind the counter of his Quality Lunch Service located at 3 Manchester Lane off Collins Street which he ran from 1937 - 1970. This is an example of the type of businesses, mainly food related, which Ithacan Greeks owned and ran in Melbourne's CBD from the early 1900s through to the early 1970s. They ranged from restaurants, cafes, milk bars, fruit shops and fruit barrows, flower shops, as well as fruit stalls in the Queen Victoria Market. A black and white photograph of a man dressed in a white dust coat standing behind a counter in a small sandwich bar. Behind him are the cash register and various food items and on the wall are printed cards listing the sandwiches and other snacks available. The prices are in the old imperial currency of pounds shillings and pence.

Johnson Bros. was founded by two brothers named Alfred and Frederick who purchased a pottery factory in Hanley, England, in 1883. They were grandsons of a renowned English potter, Alfred Meakin. They were later joined in the business by their brothers Henry and Robert. Their business grew rapidly, as they were one of the world's largest pottery factories by the turn of the 20th century. By 1970, Johnson Bros. obtained the Royal Charter to become the official provider of china for Her Majesty Queen Elizabeth II. More than 1,300 patterns have been created throughout Johnson Brothers' history. Due to their growing success, manufacturing plants were established overseas including the establishment of a tableware factory, Johnson Brothers Australia in 1957 in Croydon, Victoria operated through a company known as Sovereign Pottery Ltd. Due to rising competition, Johnson Brothers became part of the Wedgewood Group in 1968. In 2015, following the acquisition of Wedgewood by Finnish company Fiskars, the Johnson Brothers branding was discontinued. The trademark on this bowl was used by Johnson Brothers between 1913 and 1942. An item which reflects the changing market for tableware that was reasonably priced and serviceable. Their innovation of the pottery line called semi-porcelain changed the industry. This development allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Their use became widespread in Australia, especially following their establishment of a tableware factory in Melbourne, Victoria. A shallow white bowl with gold trim, probably used for serving vegetables at the table. The underside of the bowl bears the mark of Johnson Bros England. The mark is composed of a green crown above the words "Johnson Bros England" also in green.On under side of bowl, beneath a green crown "Johnson Bros/England"johnson brothers ceramics, domestic utensils, kitchenware

Photos of two tanks driving along Swanston Street taken from the windows of Legacy House. The occasion is not known. The tanks appear to be Leopard 1. One has elaborate equipment on the front. The date is approximately the late 1990s as the Queen Victoria Hospital has been demolished and the QV building has not been started. On the site opposite Legacy House is an open air market called The Sailyards, and what appears to be an ice rink or mini golf, called The Icehouse. Also on the site was the YMCA run skate park called Sail Yards, it was closed in 2001.A record that military equipment was of interest to the Legatees.Colour photos x 4 of two tanks driving North up Swanston Streettanks, streetscape