fictionFestival Preludes by Gordon Bottomley, published by Jack Lindsay at Fanfrolico Press London.private press, lindsay family, art, rainbow studio, stephensen

Thomas William Tuckerman 7318 enlisted on 16.4.17 in the Australian Tunnelling Coy reinforcements age 38 years. A Miner at 5 feet 2 and a half inches tall. Embarked for England 4.8.17, hospital on 1.11.17 with scabies, embark for France 14.11.17, transfer to 2nd Aust Tunneling Coy 28.7.18, WIA on 30.9.18 GSW to leg. Discharged from the AIF on 4.5.19. He was also entitled to the War medal 1914-19. Refer 935P for his other two brothers in the AIF..1 Sepia postcard, photo of T.W Tuckerman. .2 Grey coloured metal ID disc. .3 Victory Medal, gold coloured, rainbow ribbon.1 "Postcard photograph of Kia-ora Studio Seymour, Vic" .2 "7318 TW Tuckerman, Tunn. Coy. AIF C.E." .3 "7318 Spr T.W. Tuckerman 2 Tunn. Coy. AIF"medals, photography, identification

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists