This patterned floor rug has the added feature of a fringe or tassel trim, and its size suits a dining table for four to six people. Originally, the rug was donated to the St Nicholas' Mission to Seamen's Church, Williamstown, by the Williamstown Lighthouse Keepers' Association, which had raised funds to furnish the church. Floor rugs were often part of Victorian furnishings. They were less expensive than wall-to-wall carpets, easier to clean and added colour and warmth. Rugs were a practical way for immigrants to bring memories from their homeland. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that had served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seamen Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel.The connection of this floor rug to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. This floor rug is representative of rugs used for furnishing homes in the late 19th and early 20th centuries times.Rug: rectangular floor rug with white tassel trim on short sides, in reds and yellows. This rug is part of the St Nicholas Seamen's Church Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, floor rug, rectangular rug, domestic furnishings, floor cover, domestinc rug, floor covering, williamstown lighthouse keepers' auxiliary, flagstaff hill maritime museum and village, maritime village, religion, religious service, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, flying angel’s club, carpet, furnishing

For the First Peoples of south-eastern Australia, making possum skin cloaks has long been a culturally important practice. But during the late nineteenth and early twentieth centuries, possums and other native animals were also heavily hunted by white colonists who coveted their warm and fashionable furs. This rug, made from fifteen possum pelts, was used in a Brighton home during cold winter months in the 1920s.Possum skin rug made from 15 rectangular cut pelts mounted onto a brown wool felt with cut scalloped edges. possum skin, rug, fur, 1920s

In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Souvenir newspaper, consisting of one large rectangular pieces of newsprint folded in half to form two pages. It contains articles and photographs relating to Her Majesty Queen Elizabeth II visit to Geelong in April 1988 where she opened the Wool Week Display in the almost complete National Wool Centre.Front page heading: Queen of heartsroyal visit

Made by Elizabeth BakerHand-made tufted floor rug, with blue rectangular centre and triangle patterns around the edge. Dark and light grey toning. Hessian backing.rugs

From ancient crafts making rugs, in 19th century Europe and USA latch hook rug making was a craft of poverty, initially using scraps of fabrics. In 1920's the latch hook, a tool combining the hand hook and the latch enabled people to make these rugs much more quickly. Patons and Baldwin's were two knitting yarn manufacturers who merged in 1920's and the Turkish rug name used the connotation of traditional and expensive Turkish hand made rugs to sell their tools and yarns to domestic craftersFrom the craft of poverty to one of artistic home decorating latch hook rug making came into its own particularly in 1950's. Wooden measurer, rectangular shape with a groove which is used to guide the scissors or knife cutting the wool wound around it.TURKEY RUG WOOL PATONS & BALDWINS EXCLUSIVE MAKE. To prepare the wool for working, wrap it with an even tension round the gauge and divide along the groove with a knife or scissorswool rug, patons & baldwin, latch hook