Sir Redmond Barry was a Trustee and first President of the Ballarat School of Mines, Australia's first school of mines. Minutes of the Ballarat School of Mines Council (10 Nov. 1870) state that a letter be sent to Sir Redmond Barry acknowledging with thanks the copy of his address and stating that the Council had determined upon ordering 100 copies at present but that the Council had postponed the printing of a larger number till the constitution and some other matters are prepared so as to be printed with that. It was moved by Downes and seconded by Henry Richards Caselli.Small booklet of the speech by Sir Redmond Barry at the opening of the Ballarat School of Mines.redmond barry, ballarat school of mines, anniversary, founders day

John Edward Redmond, was a prominent banker and businessman before entering Parliament as a member for Wexford constituency in 1859; his statue stands in Redmond Square, Wexford town.(http://en.wikipedia.org/wiki/John_Redmond, accessed 21/01/2014) His great nephew, John Edward Redmond (1 September 1856 – 6 March 1918) was an Irish nationalist politician, barrister, MP in the House of Commons of the United Kingdom of Great Britain and Ireland and leader of the Irish Parliamentary Party from 1900 to 1918. He was a moderate, constitutional and conciliatory politician who attained the twin dominant objectives of his political life, party unity and finally in September 1914 achieving the promise of Irish Home Rule under an Act which granted an interim form of self-government to Ireland. However, implementation of the Act was suspended by the intervention of World War I, and ultimately made untenable after the Conscription Crisis of 1918. (http://en.wikipedia.org/wiki/John_Redmond, accessed 21/01/2014)Image of moustached politician John E. Redmond.ballarat irish, redmond, john redmond, irish nationalist party, irish home rule

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

Sir Redmond Barry was the first trustee of the Ballarat School of Mines.Four photographs in digital format showing the Redmond Barry Statue outside the State Library of Victoria in Swanston Street, Melbourne.On base of sculpture " Erected by a grateful public to perpetuate the memory of invaluable services rendered to Victoria by Sir Redmond Barry Kt. Doctor of laws and a Judge of the Supreme Court Obiit MDCCCLXXX' [1880]redmond barry, state library of victoria

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A view of the towered front of 'Invergowrie" (also known as the Inglis House) in Redmond Street, Kew."Inglis House, Redmond St"dr inglis, invergowrie (kew), redmond street (kew), rogers collection

Two colour photographs of memorials to W.L. Redmond in Eganstown Catholic Cemetery. W.L. Redmond 3rd Bat ANEF 1883-1945w.l. redmond, eganstown catholic cemetery, world war one

Sir Redmond Barry was a Trustee and first President of the Ballarat School of Mines, Australia's first school of mines. Minutes of the Ballarat School of Mines Council (10 nov. 1870) state that a letter be sent to Sir Redmond barry acknowledging with thanks the copy of his address and stating that the COuncil had determined upon ordering 100 copies at at present buyt that the Coucnil had postponed the printing of a larger number till the constitution and some other matters are prepared so as to be printed with that. It was moved by Downes and seconded by Henry Richards Caselli.Cream, soft covered booklet with the 23 page printed address on the opening of the Ballarat School of Mines as delivered by Sir Redmond Barry.Inside front covered written in ink by Barry: "To Edmund [Illegible] with Sir Redmond Barry's kind regards. January 2 1871. Handwritten corrections throughoutballarat school of mines, redmond barry, s m b, establishment, barry, legal, mason. firth & mccutcheon, robert stephenson, electricty, tangil mines

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Redmond Street, Kew by Margaret Picken.3 REDMOND ST., KEW / MARGARET PICKEN '98 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 redmond street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 Redmond Street, Kew by Margaret Picken.11 REDMOND ST., KEW / MARGARET PICKEN '87 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 redmond street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 13 Redmond Street, Kew by Margaret Picken.13 REDMOND ST., KEW / MARGARET PICKEN '93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 13 redmond street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 13 Redmond Street, Kew by Margaret Picken.13 REDMOND ST., KEW / MARGARET PICKEN '93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 13 redmond street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 20 Redmond Street, Kew by Margaret Picken.20 REDMOND ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 20 redmond street -- kew (vic.)

These are the notebooks of Redmond Barry, made when he first arrived in the colony, covering the period 1839 into the early 1840s. They relate to the days when he was a barrister and appearing as an advocate in a number of cases. One volume is devoted to Barry's notes about his cases, the other a book of legal precdents that he was collecting and annotating.These volumes are of state significance, Barry's role in colonial Victorian History is an important one and these volumes relate to his early years in the colony.Two volumes of small leather bound books. Redmond Barry's Book of Cases and Book of Precedents. redmond barry

Reproducation of a image of Redmond Barry.portrait, redmond barry, judge, legal, law

The original of this portrait is held by Melbourne University Art Collection. Redmond Barry was the first President of the Ballarat School of Mines. Until 2020 this was exhibited at the Ballarat School of Mines Administratin building, outside Founders Room. Artist George Folingsby died in 1891.Framed reproduction of a painting of edmond Barry by George Folingsby.His HOnour Sir Redmond Barry K.C.M.G., M.A., LL.D 1813-1880 Foundation Presidet of the S.M.B., 1870-1876 Trustee of the S.M.B., 1870-1880 Chancellor of the University of Melbourne, 1853-1880redmond barry, george folingsby, available

Displayed at History House.Colour photograph of a bluestone building with enclosed verandah. Ivy grows on right-side wall. Step with white ballastrades lead to entrance at centre of porch. Attached to (masonite?) backing board.Front: Redmond Pearce (printed sticker, lower right). Back: (no inscriptions)

This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling

From the Ida Bevan Collection. The Children's Hospital purchased Redmond Barry's house on Rathdowne Street and moved to Carlton in 1876.The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph adhered to a card

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.'Yarra Bluffs' was the home of George Henry (1831-1906) and Allegra Charnock Mott (1831-1905), newspaper proprietor (and also a friend of John Inglis, father of Kew doctor, Edgar Inglis, who bought land adjacent to this property in the 1890s). Walter was a son who drowned in the Yarra in a swimming accident January 2, 1890. George & Allegra had fourteen children and the family continued newspaper publishing interests from 1853 until 1986, over four generations.' (Andrew Mott, 2015)[Annotation on reverse by Dorothy Rogers] "Walter Mott's house - formerly Yarra Bluff, Redmond St Kew. This was formerly the back entrance. It is now 2 flats. The upper is occupied by the present owner Mr. Tyler. Walter was drowned in the Yarra. He built the house about ____. He commenced the Kew Mercury in 188_. Back view of George Motts home (1890) Redmond Street".walter mott, yarra bluff, studley park, dorothy rogers

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of an unknown skyline with houses and paddocks. Presumed to be in Rutherglen.rutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of a group of pupils and teachers outside a school building. Left side of photograph shows light damage. (end of film roll?)rutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of a recently cleared block of land, possibly being cleared for an extension to a school.rutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of a block of land being levelled by earth-moving machine, possibly for an extension to a school or school yard.rutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of a sports field with a foot race in progressrutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of a crowd of school students attending a sporting eventrutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photograph of a house. Possibly residence of the Head Master of Rutherglen Higher Elementary Schoolrutherglen schools

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photographs of a number of children mounted on horses, under close supervision by adults.rutherglen schools