Ballarat Female Refuge was established by a group of Ballarat women in 1867. It moved from Grant St to the position in Scott's Parade in 1884. The building was used continuously as a refuge until the 1940s. Alexandra Children's Home continued until its closure in 1973, and around 2003-4 it still remained an institution before being purchased by private owners.Colour photograph of the Staircase at the Former Ballarat Female Refugeellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women

Ballarat Female Refuge was established in 1867 by a group of Ballarat women. It served for accommodating single pregnant women. it was the first such establishment on the Australian goldfields.Postcard size photograph of the door of the former Ballarat Female Refuge.ellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women

Ballarat Female Refuge was established in 1867 by a group of 26 Ballarat ladies. It was moved to the present site in Scott's Parade in 1884. It is now a private residence.Postcard size colour photgraphs showing the interior and exterior of the Ballarat Female Refuge. ballarat femail refuge, welfare, town and city mission, alexandra babies home, baby, orphanage, sarah ellis

Ballarat Female Refuge Scott's Parade in 2003. The institution was established in Grant St by a group of Ballarat women in 1867. The building is Scott's Parade was designed by the architect Caselli and was purpose built in 1884. Postcard size colour photos of a brick building built at the Ballarat Female Refugeballarat female refuge, henry richards caselli, ballarat east

Ballarat Female Refuge Matron Sarag Bowdensarah bowden, ballarat female refuge, matron

Ballarat Female Refuge was established in 1867 by a group of 26 Ballarat ladies. The laundry was attached to the Refuge, supposedly to train the women there for domestic work, but by the size of the mangle, this was impossible. Unbearably hot in summer, and freezing cold in winter, the women had to work in the laundry while they were at the Refuge. It provided a means of supporting the Refuge financially.Postcard size coloured photographsballarat female refuge laundry, sarah ellis, ballarat female rufuge, ballarat town and city mission, alexandra babies' home, orphan

Soft Cover A 5 size book, Front cover has a photo of Bimblebox trees with a small inset of a tree beside a large rock. The back cover is crimson with bimblebox flowers & a blurb in white On inside front cover is a map with the location of the Bimblebox refuge location 120 pages

This playground was made adjacent to the Ballarat Female Refuge for the use of babies and toddlers of the unmarried mothers at the Home.postcard size coloured photo of a baby / toddler swimming poolellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women, alexandra babies home, baby, orphanage, ballarat female refuge, ballarat, swimming pool, women

The Alexandra Babies' Home was adjacent to the Ballarat Female Refuge in Scott's Parade, Ballarat East. The babies from the unmarried mothers at the Refuge remained at the Babies' Home until around the age of three years, when they were usually transferred to the Ballarat Orphanage in Stawell Street, Ballarat East. The Babies' Home was suddenly closed in 1973 under the Hamer Government. Postcard size coloured photographsballarat female refuge - alexandra babies' home, scott's parade, female refuge, ballarat babies' home, alexandra babies' home

A pedestrian refuge in Flintoff Street is not the answer to pedestrian access from Main Street to the Grimshaw Street medical precinct.News clipping, black text, colour image.grimshaw street greensborough, flintoff street greensborough, main street greensborough

Specially Made for: The Graeco Egyptian Tobacco Store. Hongkong.This item, a souvenir from Hongkong from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). According to Bill's neice Valerie Waller (nee Feldbauer, daughter of Violet and Theodore 'Curly' Feldbauer), her Uncle Bill would always bring some sort of souvenir home from his travels for family members. The item ( along with a series of postcards from Japan of the Great Kanto Earthquake of 1 September 1923) was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial through 'Curly' Feldbauer and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, postcard, hongkong, a. h. & co. hongkong, the graeco egyptian tobacco store

Coloured LithographNot signed. Not dated refuge cove, wilson's promontory

Index, bib, ill,, plates, p.359.fictionAn historical novel which focuses on the seven Irish men who led a nationalist uprising in 1848 to achieve self-rule. The uprising failed and the gentlemen leaders had their sentences commuted to exile in Tasmania, Australia.convicts - tasmania, transportation - ireland

Sarah Jane Ellis was matron of the Ballarat Female Refuge, Scott's Parade, from 1906 until 31 May 1921. The Ballarat Female Refuge was established in Grant Street by a group of 26 women in 1867. Caselli designed the building in Scott's Parade and unmarried mothers were catered for in this residence from 1884 until 1941. The Alexandra Babies' Home was built adjacent to the Refuge and opened in 1909. The Babies' Home closed in 1973.A woman in white apron and cap. She is Sarah Jane Ellis was matron of the Ballarat Female Refuge (1906-1921)sarah ellis, ballarat female refuge, caselli, alexandra babies' home

``Newspaper clipping from "The Mail", 14-5-96, P3. Grant for refuge A refuge for homeless youth in Ringwood will be refurbished thanks to a State Government grant just announced by Member for Warrandyte, Phil Honeywood. Run by the Wesley Central Mission, the home in Loughnan's Road has provided emergency accommodation for youths for more than 13 years. $22,347 will be spent on rebuilding to provide a better quality home.`

Part of McNamara collection.Plastic bookmark with Biblical quotation.Quotation: God is thy refuge - Deut. 33.27bookmark, biblical quotation, tyack, mcnamara

Kara House, a Whitehorse women's refuge organization will start a weekly support group for people who have been affected by domestic violence.city of whitehorse, kara house

Newspaper Article Weekly 5 October 2010 Hotel Refuge Pub Home to Battlers Homeless find room at the inndes johnson, derrimut hotel, sunshine, sun crescent

Straight sided commemorative glass tumbler with gold transfer and rim."150th 4/5/2008" "St Albans Uniting Church" "St Albans Park Geelong" God is our refuge & our strength"

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400. Colour painting of red poppies at bottom right with the words 'THE ETERNAL GOD IS THY REFUGE' Above is an attempt to handwrite the same words in pencil. Undated. On the back 'Ruby Grey, Crusoe Road, Big Hill, Sunday' written in black ink and blue pencil. postcard, collector, alice mcgregor

This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperObverse: OVENS & MURRAY HOME / Reverse: KODAK PAPER / 727 / J. Collins BMM 8689.1 /mayday hills, beechworth benevolent asylum, ovens benevolent home, asylum, refuge, poor and destitute, goldrush, flemish gothic revival, architecture

Conference for Independent and Non- Aligned Australia Reserve Housing Commission Estate Western Region Women's Refuge Purchase present tip site from Albion Reid Pty Ltd city of sunshine, alexander "alex" george gillon, abion tip

Sarah Jane Ellis was the longest serving matron at the Ballarat Female Refuge (1903-1921). The Female Refuge was situated in Scott's Parade, Ballarat East. Caselli and Figgis were the architects of the Home. Victorian Heritage Database - State SignificanceBlack and white photograph of a matron in apron and cap.ellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women

Covers backyard sheds, some of which could be described as male refuges, and "men's sheds".278 p., Illus.sheds, mens sheds

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichaels Cave at Loch Ard Gorge where the survivors found shelter. Reverse has four areas of torn surface, perhaps were photo had been mounted. Hand written text in pencil and in ink.Reverse of photograph Hand written in pencil “ … refuge … which he … offer words … Miss Carmichael. He then … on the …“ Hand written in ink “Loch Ard Gorge / Miss Carmichael’s cave” and “ Mr J Swinton / Warrnambool / March 1895” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, loch ard shipwreck, 1878 shipwreck, loch ard gorge, miss eva carmichael

THE SEAS IN WARTIME During WWII, as many as 27,000 men of the merchant and the King’s navy perished during active service. Dedicated to seafarers’ wellbeing, the Mission’s spiritual roots also make it a place for reflection on the loss of human life at sea. The Mission to Seafarers’ ministry offers its support in hundreds of seaports around the world, and has played an important role in supporting those who have lost friends and family at sea during wartime. Many of the stained glass windows in the chapel are dedicated to these people, and represent many close maritime community relationships. This window was installed in 1947 in recognition of the heroism and courage of those who have served in the Merchant Navy, and in particular to those who lost their lives aboard the armed merchant cruiser, ‘Jervis Bay’. This vessel was attacked by an enemy packet battleship whilst leading an escort from Nova Scotia to the UK in 1940.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to the Jervis Bay crew, a group photograph of the seamen from the SS Siltonhall and a group photograph of seamenFramed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: VThe crew of the SS Siltonhall found refuge at the Mission in October, 1929, after their ship had caught fire and was abandoned in the Indian Ocean BELOW: A group of seafarers enjoying refreshments at the docks provided by volunteers from the Missionreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, hms jervis bay, ss siltonhall, siltonhall, ww2, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse

M.V Krait manned by Naval and Army Personal was responsible for sinking 38,000 tons of Japanese shipping during a wartime raid on Singapore Harbour in September 1943. The crew covered themselves in black stain and wore sarongs to resemble Malay fishermen. Whilst in service she carried a Japanese Flag.Framed print containing 4 photographs. Depicting M.V. Krait and Z Force. Z Force consisted of ten Navy Personal and four Army Personal.Souvenir photograph of Historic Vessel "Krait". M V Krait at anchor in the Hawkesbury River in N.S.W. adjacent to the Refuge Bay Jaywick Party Camp-site Circa 1943. Photograph of the Crew of Krait. Photograph showing the Krait enroute to Singapore.

William Ellis was the husband of Sarah Jane (Ellis) matron of the female refuge, Ballarat. He died at Hopetoun, leaving her with three young children to rear.Black and white portrait of William Ellis wearing a bow tie. william ellis, sarah ellis, hopetoun

Undated black and white photograph of the Diamond Creek in flood, Nillumbik Park, Diamond Creek. Cattle take refuge on a high point. Nillumbik Historical Society collectionflood, diamond creek, nillumbik historical society