Bidong Refugee ID issued in 1989.All refugee had one of this card. Bidong Refugee IDBidong Refugee IDbidong refugee id, unicef

Certificate of Activities of a refugee in BidongCertificate of Activities of a refugee in Bidong

English translation of handbook of approximately100 pages in length printed in black, bound with a silver 2-pronged clip. Most are A4 -sized but groups of pages are folio-sized and folded up at the bottom. First page is headed: Transmittal Letter No. 306, May 25, 1967refugees, civil operations

Bidong refugee camp located in Bidong Island, Terengganu state, Malaysia, was established in Oct 1978 and closed down in Nov 1991. In 13 years it provided accomodatation to a number of nearly 250,000 Vietnamese boat people, with the topmost crowded period of time in 1980 it housed over 40,000 boat people at one time in a small area of one square kilometre.Demolishment of Bidong refugee camp in 1991

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Vietnamese refugees from the war in North Vietnam, mainly women, constructing a refugee village at Tuy Hoa, in 2 Corps of South Vietnam. The absence of males amongst the refugees was notable and, to some, suspicious.photograph, refugee village, tuy hoa, gibbons collection catalogue, vietnamese refugees, 2 corps, denis gibbons

Group of young Slovenians in an Italian refugee camp

VN boat people in refugee camp at Kota Bharu, 1980. Former refugee camp in Kota Bharu, capital of the state of Kelantan, north of Malaysia. It was a temporary camp and was closed down in 1984 after all refugees had been moved to Pulau Bidong.

Moving on from refugee campLeaving the refugee camp for a new startBlack and White photo of a group of Slovenians waving goodbye to camp Latina prior to moving on to Australia. . . . Lojze Markic, Karlo Strancar, . . Rudi Koloini.celebration, immigration, refugee

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Vietnamese refugees from the war in North Vietnam, mainly women construct a refugee village at Tuy Hoa, in 2 Corps, of South Vietnam. The absence of males amongst the regugees was very notable and to some, even more suspicious. The women are wearing tradional black pyjamas the unofficial uniform of the Viet Cong.photograph, refugee village, tuy hoa, viet cong, gibbons collection catalogue, vietnamese refugees, 2 corps, denis gibbons

This is the largest burial ground in Zone F, of Pulau Bidong Island in Malaysia. This photo was taken in May 2012The graveyard in Zone F had been cleaned up in 1991 before the Bidong refugee camp was closed down permanently in Nov 1991.Graveyard Zone Fgraveyard zone f, bidong

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Pte Mike Coyle an infantry soldier with the 1st Australian Civil Affairs Unit (1ACA) supervises Ap Sui Nge villagers in the construction of their homes. The village was designed and implimented by 1ACA to house refugees from North Vietnamphotograph, 1st australian civil affairs unit, 1st atf base, ap sui nge village, pte mike coyle, gibbons collection catalogue, refugee village, 1 aca, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the refugee village of Ap Sui Nge outside 1st Australian Task Force Base in Phuoc Tuy Province, South Vietnam. The village was designed by the officers and men of the 1st Australian Civil Affairs Unit and built as a major project involving Task Force Unitsphotograph, 1st australian civil affairs unit, 1st atf base, ap sui nge village, gibbons collection catalogue, phuoc tuy, refugee village, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Pte Mike Coyle, 1st Australian Civil Affairs Unit supervises Vietnamese in the construction of their new village at Ap Sui Nge outside 1st ATF Base in Phuoc Tuy Province. The village designed by officers and men of the 1st Australian Civil Affairs Unit was to house refugees from North Vietnam.photograph, 1st australian civil affairs unit, ap sui nge village, 1st atf base, phuoc tuy province, refugee village, gibbons collection catalogue, north vietnam, 1st australian task force, pte mike coyle, denis gibbons

Typed letterInvitation extended to organisations to participate in the Ringwood Fund Raising Programme. Letter signed by Cr. Brian Tankey, Chairman of the Pakistani Refugee Relief Committee. Also a brochure advertising the Monster Spring Fair 3rd and 4th September, 1971.

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of A Digger from 1st Australian Civil Affairs Unit stationed at 1st ATF Base in Phuoc Tuy Province assisted by a villager cuts timber for house construction during the building of the Ap Sui Nge Refugee Village. The village was designed by the officers and men of the 1st Australian Civil Affairs Unit and built as a major project involving Task Force Unitsphotograph, 1st australian civil affairs unit, 1st atf base, phuoc tuy province, ap sui nge village, gibbons collection catalogue, digger, 1st australian task force, denis gibbons

A gathering of Slovenians at the refugee camp in Italy, Latina prior to sailing to AustraliaSlovenians Moving on from the camp in Latina, Italy to a new future in AustraliaBlack and white photo slovenians in latina, slovenian association melbourne

Next step Slovenian refugees moving on from refugee camp in Latina to a new start in Australia end of September 1960 with the ship FlaminiaSlovenian refugees ready to leave Latina camp, ItalyBlack and white photo of a group of Slovenian refugeesslovenian refugees in italy, slovenian association melbourne

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

non-fictionCaught in a Snare' explores the plight of the refugee scholars fleeing Germany and the Incorporated Territories between 1933 and the beginning of World War II in 1939, and the War years in England.refugees - great britain - history, great britain - intellectual life, great britain - political refugees

galen catholic college, galen college, refugee week, 2017

Letter from Arthur Rose giving details of his life in Mitcham after being brought to Australia by the children's overseas reception board during the 2nd world war.churchward, (mrs), rose, arthur, woodger, jean, batory (ship), wellington, keith, till, alwyn, miller, children's overseas reception board, mitcham state school, no. 2904, world war, 1939 - 1945