Showing 14 items matching "reichert"
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Federation University Historical CollectionEquipment - Scientific Object, Reichert Stage Microscope with accessories`
Originally used in metallurgy. It was probably acquired c1900. Initially it was equipped with carbon arc light source. Later, in the mid-sixties electric filament light was installed by Lindsay Pattenden, lecturer in Metallurgy.A microscope designed for examining prepared surfaces of opaque objects, e.g. polished metal alloy specimens placed on top of the viewing stage. Equipped with a light source and with two viewing posts, one which is designed for a camera. The accessory box (.2) is a polished timber box with drawers which hold lenses and other accessories. Instructions are filed with the catalogue worksheet.reichert, microscope, lindsay pattenden, carbon arc, metallurgy -
Federation University Historical CollectionPhotograph - Black and White, Ballarat School of Mines Metallurgy Laboratory Bench with a large Reichert Stage Microscope, c1950s, 1950s
The Reichert microscope is catalogue number 4106.Black and White photograph of a Ballarat School of Mines Metallurgy Laboratory Bench with a large Reichert Stage Microscope. Also in view on the right side is the electro-polishing apparatus, and on the left side is the Reichert MeF1 stage microscope, which as still in use in 2001.microscope, reichert microscope, metallurgy laboratory, electro-polishing apparatus, ballarat school of mines -
Federation University Historical CollectionPhotograph - Black and White, Jeff Coward with a Reichert Microscope, late 1940s
The image was taken in the Ballarat School of Mines Metallurgy Laboratory at Lydiard Street, before moving to Mount Helen Campus in 1970.Jeff Coward looks through a Reichert microscope set up on a table at the Ballarat School of Minesballarat school of mines, microscope, reichert, coward, jeff coward -
Federation University Historical CollectionInstrument - Scientific Instrument, Petrographic Microscope
This microscope used in SMB/BIAE/BCAE geology laboratoriesOptical Microscope, petrographic type, with 4-lens objective turret. Black enamel frame, chrome-plated accessories. Cream, plastic container with clear plastic speciman jars. Small, brown Reichert case containing objective and glass plate. Housed in a polished wood case. REICHERT, ser. No. 273065 Inside storage box "3" in red marker pen. On microscope frame a self-adhesive sticker "Ballarat CAE Geology". Also riveted to base frame a label "Supplied by H.B. Selby & Co Pty Ltd, Australia". Inside carry case door a card giving visual magnifications.microscope, reichert, selby, laboratory -
Federation University Historical CollectionInstrument - Scientific Instrument, Petrographic Microscope
This microscope was used in the Ballarat Institute of Advanced Education Petrology Laboratory.Optical microscope, petrographic type, with a 4-lens objective turret. Black enamel frame, chrome plated accessories. Liftable frame. Housed in a blonde polished wood case.Reichert Serial Number 275062 Inside storage box "2" in red marker pen. On microscope frame a self-adhesive sticker "Ballarat CAE Geology". Also riveted to base frame a label "Supplied by H.B. Selby & Co Pty Ltd, Australia". Inside carry case door a card giving visual magnifications. On box door "S BOSHMA" in red Dymotype.petrographic microscope, ballarat college of advanced education, petrology laboratory, reichert, selby, microscope -
Federation University Historical CollectionInstrument - Scientific Object, Niedervolt Lampe (Low voltage lamp)
Used in the Electrical Department at the University of Ballarat, VictoriaBlack metal lampMaker's metal label. Hand written "NIEDERVOLT LAMPE" on baseniedervolt lampe, scientific instruments, low voltage, electrical, engineering, phillips globe, lamp, 5 volt globe, carl reichert, optische werke c. reichert -
Tatura Irrigation & Wartime Camps Museum
Silhouette, Franziska, 1940's
Profile of Gerda Decker in her role as "Franziska" in the play "Minna Von Barnhelm" performed in camp 3. Black painted silhouette with small tiara, edged with white. White collar edged with black. Mounted on a light grey oval of lightweight card edged with black paint.frauziska, minna von barnhelm, gerda decker, elfriede ruff reichert -
Federation University Historical CollectionInstrument - Scientific Instrument, Boxed Petrographic Microscope, c1912
Used by Ballarat School of Mines Geology Department. Probably a second generation purchase by SMB Geology department. Earlier references to "Petrological microscope", SMB Calendar for 1908-9, p 35Boxed optical microscope - Petrographic type. It has a rigid (upright) frame and twin objective lens turret and a black enameled frame with brass-finish components. Stored in blonde finished wooden box. Manufacturers certificate inside box door dated "1. ii. 1912" Three other objectives in metal casesEye piece - "Reichert Wien" Microscope - E.Leitz Wetzlar No140283 Made for Kilpatrick & Co Melbourne Objective x 2 R & J BECK. LTD, Objective H. Crouch. London ballarat school of mines, geology, petrography, microscope, leitz, scientific instruments, brass, lens, r & j beck, reichert -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Tatura Irrigation & Wartime Camps Museum
Instrument - Cornet, Brass Cornet
After WW1 the Wilhelma Templer village bought ex WW1 German Armed Forces Brass instruments for their own Brass Band. The Treaty of Versailles forbade Germany from having more than a 10,000 man army thus creating a flood of unwanted instruments with no one having cash to buy them. With the deportation in August 1941 by the British Mandate of most Templers from Palestine to Australia, one of the young bachelors, Gustav Reichert, obtained permission to bring these instruments to Tatura. This he did and, in Camp 3, a band was reformed to entertain members of both internees and often, Camp Authorities. Gustav enjoyed playing the double brass with the Melbourne Templer Brass Band in the 1960-1970's. The above instruments have semi-rotary valves, as traditionally French Horns do, unlike most Anglosaxon bands, where piston valves are used almost exclusively. Yet in German the name Piston is commonly used for cornet. Though battered, these instruments are all still serviceable for their intended use, some more so than others. Their canvas carry bags offered little protection. The group comprised 1 double bass, 1 Euphonium, 1 valve bass trombone, all in C, 3 baritones in Bb (German tenor horns), 3 cornets in Bb, 1 soprano cornet in Eb, in all 11 instruments. Some of the got "lost".Brass cornet with a canvas carry bag.brass instruments, wilhelma templer village, camp 3 band, gustav reichert -
Federation University Historical Collection
Book - Booklet, The Institute of Physics Handbook: Exhibition of Scientific Instruments and Apparatus, 08/1960
The Exhibition of Scientific Instruments and apparatus was set up to show the professional scientist the latest tools of trade and glimpses of future developments in the field of instrumentation .Cream soft covered book of 198 pages relating to an exhibition of scientific instruments and apparatus held at the School of Chemistry, University of Sydney. Exhibitors in the exhibition include: Advance components, Airmec, Akashi, Aladdin Industries, Amalgamated Wireless, Applied Physics Corporation, Ardente, Austral Engineering Supplies Pty Ltd, Avo Limited, Baird Atomic, Baker, Baldwin Instrument Co., B. and Relays, Barnstead Still and Steriliser Co., Beckman, Bender, Boonton Radio Corporation, Bosch, British Electric Resistence, British Physical Laboratories, Buccho, Bundenberg, Buehler, Bureau of Analysed Samples Ltd, Business Equipment Pty Ltd, Cambridge Instrument Co, Casella, Chamberlain and Hookham, Cossar, Cooke Troughton, Counting Instruments Co, CSIRO, Dawe Instruments, Difco, Duff and Macintosh, Dumont, Dupree, Dynatron Rodio Ltd, East Lancashire Chemical Co., Edwards High Vacuum Ltd, Eletircal Equipment Australia, Electronic Industries, Electroscientific Industries, Electrothermal Heating, Elema Schonanda, EMI, Englehard, Epprect, ERD Engineering, Ericsson Telephones, Esdaile, Ether Ltd, Evershed and Vignoles, Faraday Electronic Instruments, Federal Products, Filtron, Fischer, Fluke, Foot, Fortiphone, PX Fox, Foxall Instruments, Gambrell Bros, Gardener and Salmon, Garlick, Gelman , Gossen, Griffen and george, Gurr, Guthrie. Hasler, Headland Engineering Developments, Heraeus, Hersey Sparling Meter Co, Hewlett Packard, Heyneco, Hilger and Watts, Instron Engineering, Institute of Physics, Intermetal, Internation Resistance Corporation, Jacoby Mitchell and Co, Janke and Kinkel, JENA-er Glasswerke Schott and Gen, Keithly Instruments, Kelvin and Hughes, Kent, Kipp and Zonene, Kovo, Krautkramer, Kruss, Lambrecht, Land Pyrometers Leeds and Northrup, Leeds Meter Co, Leybold, Liddle and Epstein, Long Industrial Equipment, macdougall, McKinlay Fletcher, McLellan, Marconi Instruments, Masruements, Metrimpex, Metrohn, Metron, Mettler, Mica Corporation, Minneapolis Honeywell Regulator Company, Moisture Regulator, Morganite, Morris, Moseley, Muirhead, Mullard- Australia, Nagard, National Instrument Co, National Standards Laboratory, Negretti and Zamba, Nira, Northeastern Engineering, Nuclear Equipment Ltd, Ronald payne, Philbrick, Philips, Physik Instruments, Pincombe, Precision Tools and Instrument Co., Printed Electronics, Pye, Quicfit, Radion Corporation of Amerixa, Radio Frequency Laboratories, Radiometer, Rank Cintel, record Electric Co., Reichert Optische Werke, Rhode and Schwarz, Ridsdales and Co, Rocol, Rotameter, Rototherm, Rowe, George Sample, Santon, Sanders, Sartorious-Werke, Sauter August, Schneider, Scruttons, SEFRAM, Selby, Sensitive Research, Servomax Controls, shckman, Shimadzu, Siemens, Simpson, Sodeco, Soiltest, Solartorn, Southern Instruments, Albert Speck, Stanford X-Ray, Sunvic Controls, Sweda, Sydney County Council, Tamson, techne Cambridge, Tektronix, Telefunken, Telequipment, Andrew Thom, Thompson J, Langha,, Thronethwaite, Tinsley, Tokyo Opptical co., Townsen and Mercer, Treacerlab, Tylors, Unicam, Union OPtical Co, Varian Associated, Venner Electronics, Vidler Thornethwaite Engineering, Crosweller, Wandel and Golterman, Watson Victor Limited, Wayne Kerr Laboratories, waveforms, West Instruments, Herman Wetzer, Wild Instrument Supply Co, Yokagawa Electrical Works, Carl Seiss, Zwick.science, instruments, apparatus, scientific objects
