A copy of a photograph of the well known builder Richard Rennie 1816-1906 of prominent public buildings in BuninyongRichard Hutchinson Rennie was a well known builder of public buildings including the Buninyong Town Hall/Court House 1886/7, Crown Hotel 1883 and the original Shire Hall 1869Black and white copy of an image of Richard Rennierichard rennie, buninyong town hall, public buildings

Councilor George Rennie was elected as a member of council in 1875 until1890.He was appointed for two terms as President ,1885-86 and 1886-87.He died in1898 aged 74 years.Original Historict Photo.Sepia photo of President George Rennie Esq.(Oval) is in the middle of collection of photos of all councilors for 1885-86.It is surrounded by a shaped gold border Presented by the President G.Rennie Esq. to the Ballarat Shire Council 1885-86.ballarat shire council, president 1885 1886, rennie george esq

Councilor George Rennie was elected as a member of council in 1875 until 1890.He served two terms as President,1885-86 and 1886-87.He was a resident of Learmonth.This Original photo is a part of a collection of photos of all councilors for the year 1883-84. The photo of Councilor George Rennie is in sepia,and oval in shape.It is set in a "light tan" mount and has gold edging around the "cutout",A fine black line is drawn around the photo which links it to the next. It is at the top left of circle of photos of all councilors for 1883-84.PRESENTED by the President J.DALGLEISH ESQ.to the BALLARAT SHIRE COUNCIL.1883-84. learmonth, ballaarat shire council, george rennie 1883 84

Grave of Hugh Rennie Duncan (died 31/12/1913) in Plot# Q11 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.hugh rennie duncan, greensborough cemetery

Grave of Hugh Rennie Duncan (died 31/12/1913) in Plot# Q11 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.hugh rennie duncan, greensborough cemetery

Rennie Ellis was an Australian documentary photographer and a key figure in Australian visual culture. Grand Final breakfast 1982 depicts a cluttered table during a football Grand Final day breakfast. The messily covered tablecloth, as well as the appearance of alcohol at a morning event, displays the signature larrikin attitude and passion with which football events are undertaken in Australia. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis, capturing the nation’s love of the game. Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a young police officer stands on the stadium ground with his arms sternly crossed, while the crowd waits for the game. This photo highlights the tension between passionate crowds and the police at AFL games.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a woman streaks at an AFL game – two players stand in frame with her, a Richmond and Collingwood player respectively. Behind them the crowd and a large Richmond banner can be seen. Playful and spirited interactions such as this are a key aspect of Australian football culture.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis’ photograph Malcom Fraser, VFL Grand Final 1979 we see a young supporter shake hands with Liberal Prime Minister, Malcom Fraser. In the grand Australian tradition, politicians and PMs are active in the football sphere. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis capturing the nations love of the game. Donated by the Rennie Ellis Photographic Archive

Link to Presbyterian original settlers, unusual design, prominent location, built by Richard Rennie, who built several significant buildings in the area.B/W photograph Buninyong Uniting Church (formerly Presbyterian.) South side of Learmonth St. built by Richard Rennie 1887church, presbyterian, uniting, buninyong, richard rennie, learmonth st

Historic public building, built by Richard Rennie, prominent local builderHistoric BuildingB/W Photo of former Police Station and Residence, built by Richard Rennie c1880, brick building, L-fronted, verandah, rendered cornice and window cappings.buninyong, police station, richard rennie, streetscape, scott st

Designed and built by Richard Rennie, builder of several notable brick buildings in the area. Built by promenant builder Richard RennieB/W photograph of Buninyong Town Hall, Court House and Council Chambers, south side of Learmonth St. Buninyong. Built by Richard Rennie, opened in August 1886.buninyong, town hall, richard rennie, learmonth st, whykes butchers

historic, buildingB/w photograph, Buninyong Shire Hall, Mt. Clear, Cnr Geelong Rd & Green Hill Rd., built by Richard Rennie 1869, demolished 1915, architect J.A.Doane.buninyong shire, shire hall, rennie, doane

historic building, built by Richard RennieSepia photo, Dr. Longden's house, front garden and family, Dr. Frank Reginald Longden, Mrs Josephine Mary Longden, and sons Cedric and Norman Longden.buninyong, house, longden, rennie

MEDIUM: Photograph DESCRIPTION: C.type print Black outer frame with glass panel White board inner frameCertificate of authenticity on reverse of imagephotograph, ellis, angus, young, ac dc

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

ill, maps, p.86.non-fictionA pictorial essay of railway station architecture in Australia.railroads - australia - stations, architecture - australia

Rennie Ellis was an award-winning photographer celebrated for his photographs of life and culture in Melbourne. Ellis struck fame in the 1980’s for his societal photography for high profile magazines. This put him in high demand by the rich and famous to record their flamboyant parties, and in turn he changed the course of social photography in Australia. Ellis lived and worked in Stonnington with a home and studio in Prahran. In the 1970’s, he opened his own photographic gallery, Brummels Gallery, in South Yarra. Ellis’ work in Stonnington reads like an iconic historical archive of happenings and people, a recollection and celebration of human activity. stonnington contemporary art collection, photography, social history, toorak, rennie ellis

Rennie Ellis was an award-winning photographer celebrated for his photographs of life and culture in Melbourne. Ellis struck fame in the 1980’s for his societal photography for high profile magazines. This put him in high demand by the rich and famous to record their flamboyant parties, and in turn he changed the course of social photography in Australia. Ellis lived and worked in Stonnington with a home and studio in Prahran. In the 1970’s, he opened his own photographic gallery, Brummels Gallery, in South Yarra. Ellis’ work in Stonnington reads like an iconic historical archive of happenings and people, a recollection and celebration of human activity.stonnington contemporary art collection, photography, social history, greek easter, windsor, rennie ellis

Rennie Ellis was an award-winning photographer celebrated for his photographs of life and culture in Melbourne. Ellis struck fame in the 1980’s for his societal photography for high profile magazines. This put him in high demand by the rich and famous to record their flamboyant parties, and in turn he changed the course of social photography in Australia. Ellis lived and worked in Stonnington with a home and studio in Prahran. In the 1970’s, he opened his own photographic gallery, Brummels Gallery, in South Yarra. Ellis’ work in Stonnington reads like an iconic historical archive of happenings and people, a recollection and celebration of human activity.stonnington contemporary art collection, photography, social history, mirka mora, rennie ellis