Posters of Res Ball featuring different themes

poster advertising the University of Ballarat Residences Ball in 2013 colored poster printed "The Enchanted Forest...Res Ball...2013"poster, university of ballarat, res ball

Letter re Aged Care Home - 1961; Correspondence re Charity Ball - 1961; Clubrooms opened 1964 Greenwood Park; Photograph of opening of Clubrooms; Ringwood East Clubrooms opened 1968; Newspaper clipping, Packet includes: . Letter from Council calling for Public Meeting to consider assistance to aged citizens. . Letters from Council re Ringwood Mayor's Charity Ball. . Programme for Official Opening of Elderly Citizens Cubrooms at Greenwood Park, 2nd May 1964. . Photograph of Opening of Elderly Citizens Clubrooms 1964. Article in "Mail" dated 14 May, 1964. Photograph shows Mayoress Mrs P Vergers and Mr F Dwerryhouse, Town Clerk. . Newspaper clippings re Elderly Citizens.

The four Soldiers from left to right are, Hedley Sampson VX71343, Alan Ball VX85724, Richmond Ball VX71333, Dave King VX71340, all from Cohuna. Refer Cat No 5588 re Richmond Ball, on that item Hedley Sampson's name is also on re 5th Docks Operating Company. Refer Cat No 5589P for Alan Ball. Dave King married Betty Ball.Photograph, sepia tone showing four Soldiers standing side on in a row.photographs, 5th docks, ww2

Photograph re 16th Intake National Service 23/4/1969. Recruit Training 20 Platoon D Coy Puckapunyal. Photo in the collection re Peter Ball, refer Cat No 4704 for service/other details. Platoon names, surname only, some first names added. Back row. Russell, Rennie, Carter, Henning, McMurrich, Golding, McLeay, Span, Musgrave, Tinney, Pitt. Fifth row. Flowers, McNair, Coates, Raco (Sam), Moon, Albert, DeJong, Taylor, Morgan, Burrows, Culp. Fourth Row. Wakeling, Fuller (Bob), Melbourne, Guistino, Thorpe, Forbes (Wayne), Alexander, Tirrell (Roger) Ellingham, Bloom, Freeman. Third row. Johnson, Watts, Tellis, Rankin, Whatmough, Goldsmith, Kopke, Thomas (Courtney), Darker, Lonergan. Second row. Russo, Cpl Brabrowsky, Cpl Eather, Cpl Richards, 2nd Lt Boag, Cpl Logan, Cpl Beasley, Robertson, Thompson. Front row. Dann, Hore, Ball (Peter), Luke (David), Clay, Missing. Sgt Simms, O'Donnell, Roberts, McHenry, Harris, Johns, Maher, Parmenta. Served in Vietnam later that is known. Henning, Fuller, Forbes, Thomas, Ball, Luke, Johns. Cpls Eather, Richards & Beasley had already served in Vietnam'. Thorpe served in Malaya later. Black and white photo of 20th Platoon, D Company. Six (6) rows of soldiers in uniform posed on the Parade Ground in front of building at Puckapunyal on 7th June 1969. Photo is in a white frame (wooden) with a glass front. Brown cardboard backboard with built in stand stapled to back.On back written "16th Intake" x "8 x6".puckapunyal, training, photograph, 20th platoon

This doll belonged to member Allan Blain's sister. It was donated to WDHS and then recently returned after an extended loan. The doll has been re-dressed. Dollmaker Carl Trautmann founded his doll factory in Finsterbergen, Germany, in 1884. The firm made high quality ball jointed dolls and also pull-the-string mechanical and speaking dolls. In 1906 the factory moved to Catterfelder, Germany, and the company name was changed to Catterfelder Puppenfabrik. The firm JD Kestner supplied the bisque heads.This doll is significant as an example of the toys available in the early 20th century. It shows the manner in which dolls were jointed to allow movement of the limbs and head.12 inch (30cm) doll with fully jointed composition body and bisque head with open mouth containing two tiny teeth, and sleep eyes. She has a hair wig stitched down the centre of the head and has tiny pearl earrings. The doll is dressed in a lace trimmed pink nylon dress with puffed sleeves and matching hat, and cream shoes.Catterfelder Puppenfabrikblain, children's toys, dolls, warrnambool, catterfelder puppenfabrik

This newsletter published in January 1999 by the President Bendigo RSL Alan Holmes is basically an Annual report of the Sub Branch in 1998. The 22 sub headings cover all aspects of the Sub Branch. The one photograph shows Norm Smart with his Life Membership Certificate on the left, on the right is Jack Barnes, Norm was the Treasure BRSL and Jack was the Secretary. Some of the main points are: Membership total 1998 being 797, 40 members had passed on, award of the French Legion of Honour to Jack Locket 108 years old, Anzac Day was a high standard with guest Speaker Ray Wheeler, Annual dinner guest speaker being Warick Johanson, Life Membership awarded to Norm Smart, 97 parcels had been delivered to Members in Care, Appreciation to Jack Barnes, Norm Smart & Peter Ball, 19 Bendigo RSL Members win the Edinburg Bowls Sheild, Museum report by Curator Peter Ball, Appeals report by Malcolm Angus raising in the two Appeals, ANZAC $29,223.35, POPPY $22565.20, List of the full Committee 1998 & next AGM to be February 8th 1999, the first Sandakan service and B.B.Cue to be held on Sunday March 7th at 11.00Newsletter, paper, 4 pages each folded, all print B &W, there are 22 sub headings, two advertisements and one large article re Whats on at the Bendigo & District Servicemen's Club, heading on first page is simply "Newsletter 1999" underlined, one photo showing two RSL Members.brsl, smirsl, newsletter, 1999

Collection re G.A. Jones 3790932, refer Cat No 10053.2P for his service details. The letter to Graeme from Chad Sherrin states that Daryl Deckart gave Chad his details that Graeme might like to join the Association, that there was an active Sub Branch in Melbourne and to contact Ken Rees. With the letter was the No 3 Issue of Eight Ball. The Newsletter had articles re the Association with events, committee's, cartoons,copies of old newspaper articles with several from Malaya. This edition was in the early days of the Associations formation. It states at this point they had names/addresses of 722 Vietnam members, 66 Malaya and 10 who were 8/9 RAR members..1) Letter, white paper, print in black with hand written note in blue pen. .2) Newsletter, "Behind the Eight Ball", 13 print pages all in black, photos, articles, cartoons, held by one staple in top LH corner..1) "22 February 1989 - Dear Graeme - Kind regards Chad Sherrin Secretary" .2) "8 RAR Association - Issue No 3 - January 1989"eight ball, 8 rar, ga jones

This particular invite to Peter Ball Bendigo District RSL Sub Branch was involved with the first initial discussions with Council up to plans approved in 2015. Refer Cat No 8056.4 re project history and re opening.Invitation card Personal, light yellow colour, markings/text in gold and black, one sided. The card sets out the invitation by the Mayor of Bendigo to the re opening of the Bendigo Soldiers Memorial Institute project, time, place, date, rsvp and contact details.Main points, "Bendigo Soldiers Memorial Institute Revitalisation Project - Greater Bendigo Mayor Cr Margaret O'Rourke is pleased to invite Peter Ball - 10.am Thursday 15, 2018"brsl, smirsl, invitation, reviatalisation.

Collection re G.A. Jones 3790932, refer Cat No 10053.2P for service details. This edition was the first version of a newly resurrected Newspaper "8 Ball" in June 1968 which is the 8th Battalion Royal Australian Regiment. It contains mostly humorous accounts of events like the "Anzac Day Ant Race". attending the RAP, do's and don'ts for new reinforcements, drinking Chinese wine plus the cartoons that go with. Newspaper, paper 17 pages includes handrawn cover, cartoons and typed articles, all print in black, held together by 2 metal staples.newspaper, 8rar, 8 ball, malaya, ga jones

The town of Tawonga is in the Kiewa Valley surrounded by farmland. It is adjacent to Mt Beauty (built from 1946), an SECV town built for the workers on the Kiewa Hydro Electric Scheme which was being constructed from 1911-1961. Tawonga consisted of essential amenities including a store, school, butter factory, sporting facilities, post office, hall and hotel. Activities involved sport, social get togethers eg. dances, fundraising, CWA etc. The posters are a collection of historical photos, documentation and information regarding the history of the town of Tawonga, which is the centre of a farming community in the Kiewa Valley.Posters framed with thin black plastic strip, covered, by glass. Each one has a title re "Tawonga Remembers" and includes print and photos in black and white. Beige background. 1. Tawonga Memorial Hall 2. Opening of the Second Public Hall 1925 3. Public Hall for Tawonga 4. Tawonga Debutante Ball 1947 5. Tawonga Hall Ghosttawonga, photos of early tawonga, kiewa valley, tawonga remembers, tawonga hall

Peter Ball (born Cohuna, enlisted Bendigo) was conscripted for two years National Service beginning on 23.4.1969 Regt No 3796117. Postings, Recruit Training Puckapunyal Vic, Infantry Corp Training Singleton NSW, Infantry Corp Reinforcement Wing Ingleburn NSW, Jungle Training Centre Canungra QLD 3 weeks, ankle injury 5.9.69, return to Ingleburn, Basic Signals Course Ingleburn 5.11.69 - 10.12.69, Volunteered for service Vietnam, passed medically fit, fly out 3.3.1970 for Saigon, posted to Reinforcement Wing Nui Dat for 3 weeks acclimatisation training, posted to 6 Pl B Coy 8 RAR 25.3.70, embark HMAS Sydney for Australia 1.11.70, disembark Brisbane 12.11.70, posted to Enogerra Barracks Brisbane, posted to Vic Barracks Melbourne 5.3.1971 for discharge, posted to Sale 2 weeks with CMF fortnight Camp, discharged from the Army 23.4.1971 with the rank of PTE. Enlist in the CMF Geraldton WA in A Coy 16 RWAR on 24.6.1978 same Regt No, discharged re interstate transfer on 18.2.1981, rank L/Cpl.Pay Book No C 23443, brown covers with green tape on binding, print in black on front, hand written in black texta, white label on with hand writing in blue pen, 40 pages with entries in blue & red hand writing, large purple “DISCHARGED” stamp on many pages, rear page has a yellow envelope taped on with 3 X “Pay Book variation Authority” slips in, off white, layout in green, typing in black with red hand written items on, rear page cover has photo of a soldier with name, rank and date onFront cover in texta, “3796117 BALL PETER CHARLES”, date stamp on page 1 “23 APR 1969”, rear page photo date has ,”26.4.69”. Pay book Variations Authorities dated, “14.12.70, 14.12.70, 15.12.70” pay books, administrative record, soldiers

Peter Ball collection, refer Cat No 4704Foot powder tin green colour rectangular shape, top has a rotating cap with 6 holes in, two sides have details in black print re makers and content.Front side, “(arrow up) FOOT POWDER 2 oz Net weight”. On rear side “Formula, salicylic acid 3% starch 10% Talc 87%” On base in pen, “PBall”tins, foot powder, talc

Richmond Douglas Ball VX71333, enlisted on 8.1.1942 age 37 years, discharged from the AIF with the rank of Cpl on 22.12.1944 in 5th Docks Operating Company. Refer Cat No 5592 re his sister "Peggy"Framed hand drawn fabric souvenir re the 5th Docks Operating Company RAE AIF. Centre piece is a Boomerang with the unit details over, around that is hand drawn details re men in the unit, around the outside are details where the unit served, at the top is the name of the recipient given to."CPL R.D BALL. VX71333"memorabilia, framed, 5th docks, ball

The Memorial Walls & Walkway came about as part of the Re Developement of the Forecourt of the Soldiers Memorial Institute (Bendigo Military Museum) and completed in 2008.There was a Wall on the north and south side of the building. Discussions re some sort of Memorial(s) had gone on for several years with a number of plans and ideas being put forward. A final Sub Committee was appointed in April 2010 of 4 people being Richards, Ball, Poustie and Harding. The first meeting was on May 20th with one apology and Ball chairing and over 3 hours a final plan was put together from all the previous plans and ideas. On the 21st measurements and photos were taken to draw up the final recommendations to Committee BDRSL. The recommendations in brief were: Five central plaques on the north wall with Unit/Association/Conflict/Service based plaques placed equally out on each side of the five central. On both the north & south walls at one end would be the lettering in large brass “Lest We Forget”. Application for a plaque would be via a form, all plaques the same size and no individual names on. The folder holds the minutes of the meeting and plans that would go to BDRSL for approval. A briefer version that would go to the Members of BDRSL for final approval. Two more copies used on the day. The application form. One page with initial plaque costs. Three pages with 6 photos per page showing the time line re placement of the plaques. Brief time line. April 2010. Final Sub Committee formed. May 20/21st. First meeting of the Sub Committee. May 24th.Plans approved by Committee BDRSL June 21st. Plans approved by Members of BDSL. June 23rd. Letters/forms go out to Associations,some 10 were eligible City of Greater Bendigo Council approves plans. Sept 2010. Ball & Poustie to now carry out the process. April 2011. Over 3 days the 5 main plaques and 5 Association plaques are placed. April 2011. Over 2 days the Lettering “Lest We Forget” is placed. 11.11.2011. The walls are dedicated. 2013 - 2025. Seven more plaques placed with last being so far on 27.3.2025. The Walls remained equal each side of the Main 5 central until the Redevelopment of the Soldiers Memorial Institute and Museum in 2016 - 18 with the RH end plaque being removed for steps to be placed. This plaque was then placed on the LH end making uneven.Folder A4with plastic inserts, contents include Sub Committee minutes, plans & details of plaques and inscriptions to go on, photos showing proposed viewing, chronology of events & times, photo history showing plaques as placed on the walls.brsl, smirsl, memorial walls, walkway

Reference and research information compiled by Peter Ball. A brief history following the 38th Bn AIF from Eric Fairey’s history. This is specifically about all the movements the Battalion did from inception to disbandment by date and page number from Fairey’s book. Their are details re Battles and the weather conditions in the movements to give an overall picture.Folder format with clear plastic sleeves. Cover - clear plastic with black colour plastic spiral bound. Title page visible through clear cover. Black, purple and maroon colour print. 10 pages, cut, plain, white colour A4 size paper.publication, book, military history, ww1, 38th battalion, aif

Nillumbik Commissioners used 'reserve power's to permit a controversial Shell service station and Hungry Jackls restaurant development at the former Eltham Shire Office site at 895 Main Road. More than 200 people attended the Council meeting in the public gallery and protested at the decision. 32 personal submissions were made to Council's Planning Special Committee meeting whose members vioted 3-2 against the development. The Committee consisted of the three Nillumbik Commissioners and three community members (Jim Connor, Bronwyn South and Janet Mattiske). Chief Commissioner Don Cordell, a former Shell employee excused himself from voting and the three communbity memebrs voted against the submission. The other two commissioners, Vin Heffernan and Kevin Abbott voted against it. They then immediately closed the meeting and opened a Council meeting lasting just seconds to use special reserve powers to overturn the decision. Community residents who made submissions included Russell Yeomans speaking on behalf of the Eltham Gateway Action Group and Eltham District Historical Society, Des Ryan on belaf of Eltham Senior Citizens, Angela Newhouse, others on behalf of Our Lady Help of Christians Primary School and Judge Book Village, Tom Munro, Ian Jennings, Margartet Ball a fifth generation descendant of the Shillinglaw family, one of the early settlers of the area and owner of the land that was sold to Council, Frank Burgoyne who said "there will be a lot of creaking and rumbling in the cemetery if this goes through. So many old people who have done so much for Eltham are buried up there and it is up to us to pass on what they left to the younger generation. Eltham is a beautiful spot; why louse it up?" A second article "Anger over reserve power" by Laeta Antonysen provides commentary from the three Planning Special Committee community members, former Eltham Shire Councillor Jim Connor, Bronwyn South and Janet Mattiske about the process that took place and the first time use of the spoecial reserve power to overturn the decision of the committee. Barry Rochford, Nillumbiuk CEO defends the use of the power.The demolition of the former Shire of Eltham offices and proposed sale and development driven by the Commissioners for Nillumbik Shire Council brought the community together in substantial protest at the infrigement of ratepayers democratic say in local government and ciommunity assets combined with protests about inappropraite development of Eltham's Gateway. This issue led to the formation of the Eltham Community Action Group which still operates strongly today (2023) on behalf of the community to ensure appropriate development within the community.895 main road, commissioners, dallas price homes, development application, eltham hub, hungry jacks, nillumbik shire council, re-zoning, shell service station, town planning, eltham gateway, eltham gateway action group, eltham shire offices, shillinglaw farm, shillinglaw trees, jim connor collection, dallas howgate, nillumbik planning special committee, jim connor, bronwyn south, janet mattiske, don cordell, vin heffernan, kevin abbott, russell yeomans, eltham district historical society, eltham senior citizens, des ryan, our lady help of christians primary school, judge book village, angela newhouse, tom munro, ian jennings, margaret ball, shillinglaw cottage, frank burgoyne, andrew biasci, barry rochford

Features a number of post-WW2 members of the Ladies Harbour Lights Guild. Two of the Ladies standing centre back are Sadie Wilson and one other, Berenice who provided personal memories of their time as young hostesses at the Mission on the DVD 'The Lightbearers' produced by Csilla Tsongaray circa 2005The donations of Sadie Wilson are key sources of dates and information re the role of LHLG members mid to late 20th Century at the Mission, this photograph is thought to originate from one of these gifts of selected personal papers presented (date unknown) by Miss Wilson. Colour photograph of a group of eight senior age women four standing and four seated Blue Ball point pen handwritten on verso: Jessie, Marg, Sadie, Berenice, / & Eunice / Pat, Mable, Nora, Sheela [sic] / Joan took the photo / Jan 1984sadie wilson, lhlg, ladies harbour lights guild, hostesses

The origin of debutante balls was that the woman was old enough to be married, and part of the purpose of her coming out was to display her to eligible bachelors and their families with a view to marriage within a select circle. These balls were popular on the Island and held at the Shire Hall in Thompson Ave.HistoricalBlack and white photo of group of debutantes in white gowns with posies, dance instructor and Mrs Leggatt, wife of local MP Sir William Leggatt. Allan Murray was the photographer.List of names of debutantes, dance instructor, dignitary and photographer. Also notes re problems with photos from the night.Charlotte Cleeland's deb photo 1949. also names as above.photograph, charlotte cleeland, debutantes phillip island, allan murray, john claringbold, val spokes, joan westley, ruth grayden, heather burton, gwen jackson, margery forrest, fay redpath, mrs mcadie, mrs dorothy leggatt, verna gawith, eileen jones, mrs anderson

Shilinglaw Cottage in its original location on Main Road Eltham with the “Shillllinglaw trees”. This image was taken shortly before its relocation. Believed to be have been taken by John Collins, 17 Oct 1963 as per other images held by the State Library of Victoria Author / Creator: John T Collins 1907-2001 , photographer. J.T. Collins Collection, La Trobe Picture Collection, State Library of Victoria. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is made from hand made bricks laid in a Flemish bond pattern. In the 1960s it was marked for demolition to make way for the construction of new council buildings but a community campaign saved the cottage and it was re-located. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, shillinglaw trees, significant tree

Shilinglaw Cottage in its original location on Main Road Eltham with the three Mediterranean Cypress trees (“Shillllinglaw trees”) in the garden. Note a fourth pine to the right. This image was taken shortly before its relocation. Believed to be have been taken by John Collins, 17 Oct 1963 as per other images held by the State Library of Victoria Author / Creator: John T Collins 1907-2001 , photographer. J.T. Collins Collection, La Trobe Picture Collection, State Library of Victoria. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is made from hand made bricks laid in a Flemish bond pattern. In the 1960s it was marked for demolition to make way for the construction of new council buildings but a community campaign saved the cottage and it was re-located. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw.Shillinglaw Cottage is itself historically, aesthetically and socially significant to the Shire of Nillumbik and is registered on the Victorian Heritage Database. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, shillinglaw cottage, significant tree

4 page A4 printed document. Achievements of Peter Ellis (for consideration for the Order of Australia) Peter is regarded as one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra. Peter has been collecting for many years and has collected with the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi amongst others. Peter has literally travelled Australia collecting over the past thirty years. He has extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection, for example. Most of his recording has been in North Western and Central Victoria. Peter collected a lot of his material from Harry McQueen ( Castlemaine), which led to a double CD of Harry's music. Harry had played in dance bands for over sixty years in Central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. Founder, Charter member and life member of the Bush Dance and Music Club of Bendigo. Life Member of the Victorian Folk Music Club. Recipient of the Graham Squance award (for the person who has done the most to promote folk dance and music in Victoria)) from the Folk Song and Dance Society of Victoria. Member of the famous Wedderburn Old Timers Band for over twenty-eight years (two platinum and several gold recordings in that time). Founder and leader of the Emu Creek Bush Band (twenty-nine years old in 2010) Emu Creek has made many CDs of dance music as listed. Friday Night at the Spring Gully Hop, Three double CDs called 'Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded, under Peter's guidance, so they would not be lost to posterity. A triple CD called 'Take Me Back To Bendigo' with heritage songs and music from the Gold Rush to Federation (solely organised and financed by Peter) These CDs show the multicultural heritage in Bendigo and include music and groups from the Koorie, Chinese, Cornish, German, Irish, Italian, Scots, English and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by Emu Creek Following much practice under Peter's tutelage. For further authenticity Peter liaised with other musicians to record some tracks which were revived from almost two hundred years ago and have now been recorded using the instruments of the time. A three volume set of Bush Concert recordings (Vol 1 Goornong (launched Australia Day 2006 with any profits going to the Soldier's Memorial Hall Committee), Vol 2 Heywood and Vol 3 Maldon/Sutton Grange, already recorded and to be released as money from other projects becomes available. NOTE: None of these CDs have led to any profit. All money raised is put back into the community and further heritage recordings, books and videos through the Bush Dance and Music Club of Bendigo Inc. In 2009 a full collection of all Peter's book and CDs was donated to the John Gorton Library as part of the recognition of the fifty year career of the Gay Charmers Dance Band from Lake Charm. 'Music of the Diggings' (4 tracks by Peter or Emu Creek). In addition the Emu Creek Band, under Peter's leadership, has appeared on a CD backing Bruce Watson on his song, 'The Old Bush Dance'. Emu Creek has performed at National Folk Festivals in four states and several times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for over twenty years as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter has written and published many books related to traditional music and dance. These include Three volumes of 'Collectors Choice' which is musical notation for bush dances coupled with much dance history which would have been lost without Peter's efforts. 'Two Hundred Dancing Years - How to run a Colonial Ball: (co-authored with Shirley Andrews (A.M.), 'Music Makes Me Smile - The Music of the Nariel Valley' (co-authored with Harry Gardner). The Merry Country Dance' (292 pages) a companion to the three double CDs. He has also been a contributor to Verandah Music' authors Rob Willis and Graham Seal and 'The Oxford Companion to Australia Folklore' Ed Graham Seal. Peter is also a regular contributor to 'Trad and Now' Magazine. His latest completed book is titled 'The Merry Country Dance' and is over three hundred pages of social history, recipes and dance instructions. It was completed with the assistance of a Victorian Government Heritage Grant. The first edition sold out in only a few weeks. Peter has taught many children about old time musicianship through the junior bands which have functioned over the years with many children joining Emu Creek and then going on to follow their own musical inclinations. He has trained several young concertina and button accordion players over the years. Peter has been a regular tutor with Continuing Education in tin whistle, harmonica and old time dancing for many years. Peter has conducted workshops in music dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National folk Festivals. He has also done this at Maldon for many years, Port Fairy, Glen Innes, Jamberoo and Kiama Festivals. For over thirty years Peter has been a guest player and MC for the dances at the Nariel Folk Festival (Australia's oldest continuing Folk Festival) Peter is very well known in the Corryong area as a collector and the co-author of the book, Music Makes Me Smile, about the Klippel/Simpson dynasty in the Nariel Creek Band. This book is currently being revised for re-issue as more material has come to light since the original publication. For many years Peter trained Debutante Sets in the Bendigo District. Peter was an instigator of the annual Dinki Di Ball held each September in Eaglehawk for the past thirteen years. At this ball three bands play for a quarter of the night and then join together for the final part of the evening. The bands are Emu Creek, The Wedderburn Old Timers and the Gay Charmers. Up to four hundred dancers, many in heritage costumes have attended this dance. The ball also pays tribute to, and involves, the old MC's. Through this example their skills have been passed down to a younger generation of MC's. All profits are returned to the Dance Club to foster our musical heritage. Each Ball includes presentations designed to promote social dancing in Australia. Over the years several young musicians have been presented with musical instruments at the Ball, libraries have been given copies of Peter's books and CDs and one year a keen young dancer was presented a pair of dancing shoes. Peter is a trained ballroom dancer and has gained gold medal status in this field. Peter is an accomplished musician and is one of Australia's foremost button accordion players. He is also highly accomplished on the tin whistle, bones and harmonica. He is the only exponent of the Swanee whistle that I have seen. Peter also plays the piano and ukulele. Thirty six years membership of the Bendigo Field Naturalists Club, Secretary in the 1970s and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). Peter was also extremely active in the establishment of the Salomon's Gully and Jackass Flat Flora Reserves in Bendigo which have now been saved for posterity. Peter has also been involved in efforts to save One Tree Hill and this area has now been included in the Greater Bendigo National Park. He has discovered and named new plant species in the Whipstick Forest and propagates Australian plants. Peter takes regular guided tours of interested people through the Whipstick each Spring on wild flower educational tours. He is a keen and gifted photographer of local plant species. Life member of the Bendigo Field Naturalists. Peter contributed text and photographs to their publication 'Wildflowers of Bendigo'. When the Victorian State Parliament had its first historical sitting outside Melbourne Emu Creek played during lunch for the guests and public. They have also played at functions such as the Centenaries of Federation, the Bendigo Post Office, the Shamrock Hotel and the opening of the new Melbourne Museum and the Federation Museum in Bendigo. The band regularly plays for Seniors week and at homes for the aged such as Bethlehem, Mirridong, Bignold Park, Bendigo Village and others. Peter has been instrumental in getting the band to play for fundraisers such as schools, scouts and environmental groups. The band plays many charitable 'gigs'. The band supports the Bendigo Easter Fair and the Eaglehawk Fair when able and has appeared in several parades over the years. The above list shows the invaluable contribution that Peter Ellis has made towards the collecting and distributing of Australia's musical and dance heritage. No one has done more than Peter in this area. He has also been active locally and nationally in his endeavours towads saving the natural environment. He has put many years of time and energy into both area's and has many on going projects in mind for the years ahead. The awarding of an honour from Australia would be just reward for a man who has preserved so much of our musical and dance heritage for future generations. Knowing Peter I have no doubt he would treasure such an honour as he has given so much to preserve Australia's music and dance heritage over most of his sixty plus years. Compiled by John Williams. Handwritten notes at bottom of last page reads: Referees Jacinta Allan MLA Steve Gibbons MHR Willie Carney ex Mayor of Bendigo Supporting letter Mary Smith Sec. Bush Dance + Music Club.person, individual, peter ellis oam

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Double ring collar blob finish on neck; upper is wide and rounded, lower is a thin ring. Diagonal lines in glass on neck, low shoulder mould seam, rippled texture around body. Push-up base with pontil mark, rectangular impression in heel. Uneven base. Sediment on inside surfaces.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt and tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark. Uneven base. Bubble on top of lip. Sediment on inside surfaces. White rubbing line and scratches on outside. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt with ripples in glass, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel. Uneven base. Bubble on side and top of lip. Sediment on inside surfaces. Two score lines, one half way down body, one near base. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base