Kevin RHODES This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawingart, artwork, kevin rhodes

In the late 1940s the southern part of Bellbird Dell was untouched virgin bush. From the North the dell was worked by Cecil Rhodes whose father Victor owned the orchards and a cool store on land opposite the Vermont High School. Cecil worked the orchards between the creek and Alorak Road. They grew peaches pears cherries and apples.Black and white photograph of Cecil Rhodes seated on a ladder.rhodes cecil, bluebird dell, orchardists, orchards

Refer to NP4174Black & white photograph of Cecil Rhodes and his 3 children. Smallest child in front. Photo taken out of doors with garden behind.rhodes, cecil, carolyn, peter, anne-maree.

se NP4174Black and white photograph of Cecil Rhodes spraying from a vehicle.rhodes cecil, orchardists

See NP4174Black and white photograph of the wedding of Cecil Rhodes and Mary Rattray.rhodes cecil, rhodes mary (nee rattray), orchardists, weddings

See NP4174Coloured photograph of Cecil Rhodes at a market C2000. Market stalls behind.rhodes cecil, orchardists, markets

see ND4174Black and white photograph of Viictor Rhodes seated on a stool with the hose in hand. Victor was a Vermont orchardist.rhodes victor, orchardists, orchard, bluebird dell

se NP4174Black and white photo of Cecil Rhodes picking fruit near a barn. A bucket is hanging from his waist.rhodes cecil, orchardists

See NP4174Black and white photograph of Cecil Rhodes seated on a motor bike in 1947. Registration number Vic. 29-339.cecil rhodes, orchardist

See NP4174Black and white photo of Mary Rhodes (nee Rattray) seated on the ground in front of her parents Bess and Dennis Rattray.rhodes mary, rattray bess, rattray dennis

Dawn Rhodes was a correspondent for C&N. The article was entitled "Dobrinka…" She was also the liaison officer of the Good Neighbour Council of Tasmania and was a member of the Paterson St Uniting Church.Head and shoulders portrait of Dawn Rhodes, slightly in profile.Dawn Rhodes; Church & Nation 2/11/1977, p. 15

NP4174Black and white photo of Cecil Rhodes sitting in front of a tractor two men sitting on rear and Monty his dog perched on a wheel. Orchard behind.rhodes cecil, orchardist

Cecil Rhodes was a British businessman, mining magnate and politician in South Africa. He was Prime Minister of the Cape Colony from 1890 to 1896. He believed in British Imperialism and he and his British South Africa Company formed the territory of Rhodesia in the early 1890s. He was forced to resign as Prime Minister in 1896 after the disastrous Jameson Raid, an unauthorised attack on Paul Kruger's South African Republic (Transvaal), which sent his brother to prison convicted of high treason and nearly sentenced to death. This event contributed to the outbreak of the Second Boer War. Rhodes went to Kimberley in a political move. During the war the military felt he was more of a liability than an asset and found him intolerable. The officer commanding the garrison of Kimberley, Lieutenant Colonel Robert Kekewich, experienced serious personal difficulties with Rhodes because of the latter's inability to co-operate. However, he still remained a leading figure in the politics of southern Africa. Rhodes was dogged by ill health his whole life. He died in 1902, aged 48, at his seaside cottage in Muizenberg. He was cared for by Leander Starr Jameson during his illness, becoming a trustee of his estate and residuary beneficiary of his will, which allowed him to continue living in Rhode's mansion after his death. His final will left a large area of land on the slopes of Table Mountain. Part of the estate became the upper campus of the University of Cape Town, another part became the Kirstenbosch National Botanical Garden. The rest was spared development and is now an important conservation area. His will also provided for the establishment of the Rhodes Scholarship. Individual image from photographed poster of tobacco and cigarette cards.cecil rhodes, mining magnate south africa, politician south africa, prime minister cape colony, british south africa company, rhodesia, jameson raid, paul kruger, south africa republic, transvaal, second boer war, kimberley, robert kekewich, leander starr jameson, muizenberg, table mountain, university of cape town, kirstenbosch national garden

Page with 6 photographs. (1-4) MIFGS display and the winning garden designs of Fiona Webber and Jaz Rhodes (students). (5) Tree Planting by Vice Chancellor, Professor Glyn Davis, John Rayner and Andrew Smith (6) Drinks in Gardens for the launch of the Burnley 125 events.mifgs, display, garden designs, fiona webber, jaz rhodes, students, tree planting, vice chancellor, melbourne international flower and garden show, professor glyn davis, john rayner, andrew smith, 125 celebrations

Unknown year

Ill, maps, p.353.non-fictionA biography of Cecil Rhodesafrica - history, south africa - politics and government

p.135.non-fictionA biography of Cecil Rhodesafrica - history, south africa - politics and government

Index, notes, ill, maps, p.384.On 15 April 1915, British and Dominion troops landed on the Gallipoli Peninsula. The campaign which followed lasted over eight months and cost nearly half a million casualties. Robert Rhodes James provides an acclaimed account of the campaign. world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - strategy and tactics

Australia's Vietnam veterans were finally 'Welcomed Home' in Sydney during the first weekend in October, 1987, with civic ceremonies, a Sawn service, a concert and, most importantly, a parade or march.vietnam war, 1961-1975 - social aspects - australia, parades - new south wales - sydney, welcome home parade 1987

Australia's Vietnam veterans were finally 'Welcomed Home' in Sydney during the first weekend in October, 1987, with civic ceremonies, a Sawn service, a concert and, most importantly, a parade or march.vietnam war, 1961-1975 - social aspects - australia, parades - new south wales - sydney, vietnam veterans march, welcome home parade 1987

Hardcover"N61/6A"great britain, politics and government, 20th century, walsh st library

Gift of the artist, 2001

Gift of the artist, 2001

Gift of the artist, 2001

Uncle Jack Charles was a respected Aboriginal elder, a Bunerong, Boon Wurrung, Yorta Yorta, Palawa, Wurundjeri, Tungerong man, and an internationally acclaimed actor, mentor and activist. This inspirational, Indigenous gay man was part of the stolen generation and was taken from his family as a tiny baby. He survived the impact of this early childhood trauma by using drugs. Without support or housing, he was often homeless and imprisoned for long periods of time. True artistic recognition came only later in life. Often the most talented members of our community struggle with addiction and homelessness. This work asks us to take a closer look at the way the state criminalises human responses to trauma, which the state itself has often inflicted, willing us to face history more bravely and to treasure people sooner. Uncle Jack made profound and lasting change in legislation and public awareness on Aboriginality, criminality, and social justice in Australia. After his death there was an outpouring of grief across the country. Leonie worked closely with Uncle Jack over a decade developing this collection and now works with the Charles family to grow his legacy, which continues to positively impact the lives of thousands of people. Artist Bio Leonie Rhodes is an acquired and award-winning multidisciplinary artist from London, working in Brisbane (Meanjin) and Melbourne (Narm) on unceded Jagera, Turrbal, Wurundjeri, Woi Wurrung and Bunurong Boon Wurrung land. Leonie studied sculpture at Chelsea School of Art London, and figurative sculpture at the New York Studio School, NY. Influenced by the aesthetics of urban and digital counter-cultures, metropolitan space and the figurative history of art, Leonie is interested in modes of practice that engage the wider public in the outdoors and online. This socially engaged and skills-based practice is driven by the forging of relationships, community, and the work’s potential to provoke emotion and psychological insights which reinforce connections within and between people and their environment. Narrative and affect itself sit at the intersection of diverse modes of practice including abstract and figurative sculpture, DJing, digital art, mentoring, events, and large participatory installations. By using traditional hand-sculpting techniques, Leonie models a sense of life into clay, wax, and bronze. Working representationally, subtle abstractions take influence from the personality of each subject or the unique surroundings of the installation. Issues of identity, marginalisation and mental health in civic space are explored through relatable stories with thought provoking theoretical content, told via subjects close to the artist, on accessible public platforms.