Kevin RHODES This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawingart, artwork, kevin rhodes

In the late 1940s the southern part of Bellbird Dell was untouched virgin bush. From the North the dell was worked by Cecil Rhodes whose father Victor owned the orchards and a cool store on land opposite the Vermont High School. Cecil worked the orchards between the creek and Alorak Road. They grew peaches pears cherries and apples.Black and white photograph of Cecil Rhodes seated on a ladder.rhodes cecil, bluebird dell, orchardists, orchards

Refer to NP4174Black & white photograph of Cecil Rhodes and his 3 children. Smallest child in front. Photo taken out of doors with garden behind.rhodes, cecil, carolyn, peter, anne-maree.

se NP4174Black and white photograph of Cecil Rhodes spraying from a vehicle.rhodes cecil, orchardists

See NP4174Black and white photograph of the wedding of Cecil Rhodes and Mary Rattray.rhodes cecil, rhodes mary (nee rattray), orchardists, weddings

See NP4174Coloured photograph of Cecil Rhodes at a market C2000. Market stalls behind.rhodes cecil, orchardists, markets

see ND4174Black and white photograph of Viictor Rhodes seated on a stool with the hose in hand. Victor was a Vermont orchardist.rhodes victor, orchardists, orchard, bluebird dell

se NP4174Black and white photo of Cecil Rhodes picking fruit near a barn. A bucket is hanging from his waist.rhodes cecil, orchardists

See NP4174Black and white photograph of Cecil Rhodes seated on a motor bike in 1947. Registration number Vic. 29-339.cecil rhodes, orchardist

See NP4174Black and white photo of Mary Rhodes (nee Rattray) seated on the ground in front of her parents Bess and Dennis Rattray.rhodes mary, rattray bess, rattray dennis

Dawn Rhodes was a correspondent for C&N. The article was entitled "Dobrinka…" She was also the liaison officer of the Good Neighbour Council of Tasmania and was a member of the Paterson St Uniting Church.Head and shoulders portrait of Dawn Rhodes, slightly in profile.Dawn Rhodes; Church & Nation 2/11/1977, p. 15

NP4174Black and white photo of Cecil Rhodes sitting in front of a tractor two men sitting on rear and Monty his dog perched on a wheel. Orchard behind.rhodes cecil, orchardist

Page with 6 photographs. (1-4) MIFGS display and the winning garden designs of Fiona Webber and Jaz Rhodes (students). (5) Tree Planting by Vice Chancellor, Professor Glyn Davis, John Rayner and Andrew Smith (6) Drinks in Gardens for the launch of the Burnley 125 events.mifgs, display, garden designs, fiona webber, jaz rhodes, students, tree planting, vice chancellor, melbourne international flower and garden show, professor glyn davis, john rayner, andrew smith, 125 celebrations

Unknown year

Ill, maps, p.353.non-fictionA biography of Cecil Rhodesafrica - history, south africa - politics and government

p.135.non-fictionA biography of Cecil Rhodesafrica - history, south africa - politics and government

Index, notes, ill, maps, p.384.On 15 April 1915, British and Dominion troops landed on the Gallipoli Peninsula. The campaign which followed lasted over eight months and cost nearly half a million casualties. Robert Rhodes James provides an acclaimed account of the campaign. world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - strategy and tactics

Australia's Vietnam veterans were finally 'Welcomed Home' in Sydney during the first weekend in October, 1987, with civic ceremonies, a Sawn service, a concert and, most importantly, a parade or march.vietnam war, 1961-1975 - social aspects - australia, parades - new south wales - sydney, welcome home parade 1987

Australia's Vietnam veterans were finally 'Welcomed Home' in Sydney during the first weekend in October, 1987, with civic ceremonies, a Sawn service, a concert and, most importantly, a parade or march.vietnam war, 1961-1975 - social aspects - australia, parades - new south wales - sydney, vietnam veterans march, welcome home parade 1987

Hardcover"N61/6A"great britain, politics and government, 20th century, walsh st library

Gift of the artist, 2001

Gift of the artist, 2001

Gift of the artist, 2001

Uncle Jack Charles was a respected Aboriginal elder, a Bunerong, Boon Wurrung, Yorta Yorta, Palawa, Wurundjeri, Tungerong man, and an internationally acclaimed actor, mentor and activist. This inspirational, Indigenous gay man was part of the stolen generation and was taken from his family as a tiny baby. He survived the impact of this early childhood trauma by using drugs. Without support or housing, he was often homeless and imprisoned for long periods of time. True artistic recognition came only later in life. Often the most talented members of our community struggle with addiction and homelessness. This work asks us to take a closer look at the way the state criminalises human responses to trauma, which the state itself has often inflicted, willing us to face history more bravely and to treasure people sooner. Uncle Jack made profound and lasting change in legislation and public awareness on Aboriginality, criminality, and social justice in Australia. After his death there was an outpouring of grief across the country. Leonie worked closely with Uncle Jack over a decade developing this collection and now works with the Charles family to grow his legacy, which continues to positively impact the lives of thousands of people. Artist Bio Leonie Rhodes is an acquired and award-winning multidisciplinary artist from London, working in Brisbane (Meanjin) and Melbourne (Narm) on unceded Jagera, Turrbal, Wurundjeri, Woi Wurrung and Bunurong Boon Wurrung land. Leonie studied sculpture at Chelsea School of Art London, and figurative sculpture at the New York Studio School, NY. Influenced by the aesthetics of urban and digital counter-cultures, metropolitan space and the figurative history of art, Leonie is interested in modes of practice that engage the wider public in the outdoors and online. This socially engaged and skills-based practice is driven by the forging of relationships, community, and the work’s potential to provoke emotion and psychological insights which reinforce connections within and between people and their environment. Narrative and affect itself sit at the intersection of diverse modes of practice including abstract and figurative sculpture, DJing, digital art, mentoring, events, and large participatory installations. By using traditional hand-sculpting techniques, Leonie models a sense of life into clay, wax, and bronze. Working representationally, subtle abstractions take influence from the personality of each subject or the unique surroundings of the installation. Issues of identity, marginalisation and mental health in civic space are explored through relatable stories with thought provoking theoretical content, told via subjects close to the artist, on accessible public platforms.

non-fictionA history of the Rhodes Family from the coal mines of Northern Wales to the goldfields of Victoria.immigration to australia, coal mines wales, rhodes family, victoria goldfields