VA Colonial Secretary's OfficeEureka Stockade:Rede reads the Riot Actshow of force

Diggers & Mining. The Chinese on the Gold Fields. Slide: The practical failure of the Act of 1856, and the fresh outburst of anti-Chinese feeling in the Buckland riots of 1857, led to Victorian Government to take further action in the latter year. (1) A residence fee was imposed on all Chinese in the colony (one pound per month - ultimately reduced, after Chinese protests, to four pound per year). (2) The co-operation of South Australia was sought, and , in 1857, the government of that colony passed a restriction act similar to the Victorian Act of 1855. Markings: 21. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The Chinese on the Gold Fields. Slide: Map of New South Wales. Chinese immigration by sea - N.S.W. 1856 - 896, 1857 - 327, 1858 - 12,096. Total number of Chinese in N.S.W. 1861 - 21,000. Riots of Lambing Flat, 1861. Act of 1861 the working out of alluvial fields solved the problem in N.S.W. Faced with a similar problem to that of Victoria, New South Wales passed, in 1861, a Chinese Immigration Restriction Act (like the Victorian Act of 1855). Markings: 10 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Hoda Afshar's 2018 body of work, "Remain," offers a forthright and unapologetic political commentary on Australia's border protection policy, shedding light on its impact on human rights. This collection comprises a film and a series of photographic portraits that chronicle the stories of stateless men who chose to stay on Manus Island, Papua New Guinea, even after the closure of the immigration detention centre in October 2017. In the accompanying film, the experiences of these men are conveyed through episodic fragments, narrated with a mix of lyrical and brutal voiceovers. Some express themselves through poetry, others through song, while some recall the riots and suicides. Set against the backdrop of a picturesque landscape featuring lush foliage and crystal-clear water—a stark contrast to the harsh realities described—the emotional impact of the work is intensified. It creates a simultaneous sense of beauty and horror. The photographic portraits of the same individuals are equally compelling. Positioned prominently against a dark backdrop, these subjects assert their presence, emphasizing their right to be seen. The deliberate simplicity of these portraits serves as a powerful political statement, countering the invisibility imposed by the act of detention. Afshar metaphorically acknowledges the struggles faced by these men, depicting them contending with the elements—fire, water, and earth—yet never questioning their inherent humanity. Here we see Behrouz Boochani, the Kurdish Iranian writer whose memoir ‘No Friend but the Mountains: Writing from the Manus Prison’ won the Victorian Premier’s Prize for Literature and the Prize for Non-Fiction in 2019. Boochani was held in detention on Manus Island from 2013 until the centre’s closure in 2017 and was forced to remain on the island in a stateless condition.